Monthly Archives: April 2016

REVISED 2016-2017 Season Announced by Cincinnati Music Theatre

CMT_SeasonThe Board of Cincinnati Music Theatre is thrilled to announce our next season! Here is more information about these EXCITING SHOWS.

BILLY ELLIOT THE MUSICAL
NOVEMBER 4-12, 2016
Aronoff Center, Jarson-Kaplan Theatre
SKIP FENKER, Director

An inspiring celebration of one boy’s journey who hangs up his boxing gloves for ballet shoes. Ten Tony Awards including Best Musical… this is Billy Elliot The Musical, the spectacular show with the heart, humor and passion to be named Time Magazine’s “Best Musical of the Decade!” Featuring a score by music legend Elton John, Billy Elliot is an astonishing theatrical experience that will stay with you forever. Set in a northern English mining town, against the background of the 1984 miners’ strike, Billy Elliot is the inspirational story of a young boy’s struggle against the odds to make his dream come true. Follow Billy’s journey as he stumbles out of the boxing ring and into a ballet class where he discovers a passion for dance that inspires his family and community and changes his life forever.

SHREK The Musical
MAY 12-20, 2017
Aronoff Center, Jarson-Kaplan Theatre
LIZANNE INGRAM, Director

Based on the DreamWorks Animation Motion Picture. In a faraway kingdom, the green ogre Shrek finds his swamp invaded by banished fairytale misfits, runaways who’ve been cast off by Lord Farquaad, a tiny terror with big ambitions. When Shrek sets off with a wise-cracking donkey to confront Farquaad, he’s handed a task – if he rescues feisty Princess Fiona from the Dragon-guarded tower, his swamp will be returned to him. But, a fairy tale wouldn’t be complete without unexpected twists and turns along the way.

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Auditions Announced for THE ADDAMS FAMILY at Beavercreek Community Theatre

bctOpen auditions for THE ADDAMS FAMILY at
Beavercreek Community Theatre
3868 Dayton-Xenia Rd.
Beavercreek, OH 45432

Auditions are April 18-19 at 7PM

Directed by Doug Lloyd

Performance dates: June 17-26, 2016

For auditions, please be prepared to perform 32 bars of a song, be prepared to learn and perform a short movement/dance routine and perform cold readings from the script.

Based on the Popular 1960’s TV show, THE ADDAMS FAMILY features an original story that is every father’s nightmare. Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. If that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he has never done before – Keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.

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NKU Offers an INTO THE WOODS That Promises to Surprise

NKU_Into the Woods logoHIGHLAND HEIGHTS, KY – Northern Kentucky University | School of the Arts | Program of Theatre and Dance presents INTO THE WOODS April 21 – May 1, 2016. Performances will take place in the Corbett Theatre in the Fine Arts Center.

INTO THE WOODS
By Stephen Sondheim and James Lapine
April 21 – May 1, 2016 | NKU Corbett Theatre

In this timeless musical, your favorite fairytales are flipped upside down and given a hefty dose of reality to boot. You might think you know the real stories of Little Red, Cinderella, Jack, and Rapunzel, but when a Baker and his wife learn of the curse placed upon their house by the witch next door, their quest to break the spell will cause fairytales to collide. As expected, wishes are granted and dreams come true, but in this modern classic, ‘happily ever after’ is not always what it seems: wishes have consequences, princes have flaws, and giants seek revenge.

We sat down with director and theatre faculty member Jamey Strawn to get the inside scoop on INTO THE WOODS. Read on to learn more about Strawn’s unique approach to the show.

How is your telling of the story unique? What led you to your approach to the show?

Jamey Strawn: INTO THE WOODS has been around for over 30 years. It seems everyone is familiar with it in some way or another, whether through viewing the production live or online, participating in a production, or viewing the movie. After much discussion with the design team, we decided to set the show in a Library. From the very first “Once Upon a Time,” the library will come to life with the stories interwoven. As the characters discover and attain their wants and needs, the library will begin to show the burden of consequence and ultimately become deconstructed when there is no more story left to follow. Setting the show in an alternate location provides us the freedom to explore relationships in a new way.

You certainly know your way around the works of Stephen Sondheim. Do you have an affinity for his work? What makes his musicals so enduring?

JS: There is no question that Sondheim is the greatest living musical theatre composer. I enjoy working on his shows because of the depth of meaning in the storytelling, along with the character development in both the text and the orchestration. I was fortunate to help develop a two-piano version of Sweeney Todd recently, and that really inspired me to think outside the box with INTO THE WOODS. I find that too often we look at a work and see what has been done in the past, rather than take the work at face value and try to tell the story as if it were new.

Is there anything that has surprised you in the process of directing INTO THE WOODS?

JS: Guest Artist, Charlie Klesa will play the Narrator as if he is the Baker’s son, reliving the stories his father told him. It has been a joy to incorporate the narrator’s point of view into the story and tinker with the possibilities that have surfaced.

What role does movement/choreography play in your production of INTO THE WOODS?

JS: In discussing the show with the choreographer, Tracey Bonner, I stressed that I wanted all movement to be character driven and individually motivated. There will be times when the company “dances,” but it will be a result of individual intention. It is my hope that dance elements will give the audience a deeper insight into  the character’s point of view in the same way that the orchestration supports a character’s mood or intention.

With the release of the film version of INTO THE WOODS and countless stage productions around the world, why should audiences come see this production?

JS: Our production of INTO THE WOODS will be unique. Arguably Sondheim’s most commercial work, it is both entertaining and intellectually stimulating. The concept of choice and consequence is universal and this show continues to stimulate conversation about society.  Audiences will notice a nod to the original work, be entranced by fairytale characters, and be intrigued by the ingenuity of this concept production. It is my hope that each audience member will identify with one of the characters, share in their story and root for their success.

For more information call the NKU School of the Arts Box Office at 859.572.5464 or visit theatre.nku.edu.

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Johnny Mathis: 60th Anniversary Concert Tour | Fri., October 14 | Aronoff Center

Aronoff Center – Procter & Gamble Hall
Friday, October 14, 2016 – 8:00 PM
Tickets on sale now! 

CAA_Jonny Mathis logoCINCINNATI, OH – “Chances Are” this extraordinary night will be one you will remember for a lifetime!  Make it “A Night to Remember” as JOHNNY MATHIS takes the Aronoff Center stage for one night only this fall on Friday, October 14 at 8:00 PM.

Tickets are on sale now at CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office. Ticket prices range between $52.50 – $132.50, plus applicable service fees (ticket prices/fees subject to change).

Prepare for over five decades of beautiful music to fill the room as Johnny’s brilliant favorites come alive, along with some new tunes that will get audiences’ feet tapping.  Enjoy an evening with one of the most famous recording artists of all time, who has sold 350 million records worldwide. Johnny’s “Greatest Hits” is one of the most popular albums of all time and spent an unprecedented 490 continuous weeks – almost ten years – on the Billboard Top Albums chart.

Celebrating his 60th year in the music industry, Johnny is Columbia Records longest-running artist. A sublime vocalist whose approach to pop music eclipses passing fads and trends, Mathis has performed songs in an incredible variety of styles and categories — from music composed for stage and film to golden era jazz standards, contemporary pop hits, and holiday music, all of which has assured his reputation as one of the most enduring vocalists in music history.

Best-known for his supremely popular hits like ‘Chances Are’, ‘It’s Not For Me To Say’, and ‘Misty’, Mathis has recorded more than eighty albums, six Christmas albums, and has sold millions of records worldwide. During his extensive career he has had three songs inducted into the Grammy Hall of Fame, achieved fifty Hits on Billboard’s Adult Contemporary Chart, and ranks as the all-time #6 album artist in the history of Billboard’s pop album charts.  He has received five Grammy Nominations, and in 2003, he was given the Lifetime Achievement Award from the Academy of Recording Arts and Sciences.

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DUCK HUNTER SHOOTS ANGEL Runs May 6-21

SSP_Duck Hunter Shoots Angel promo

Blake Gehring, Michael Dean Conley, Robert Brumberg and Ivory Mazur.

DUCK HUNTER SHOOTS ANGEL
Sunset Players
May 6-21
Dunham Arts Center [West Price Hill]

Directed by Mike Burke

Cast: Robert Brumberg as Sandy, Ivory Mazur as Lenny, Justin Fiser as Lester, Blake Gehring as Duane, Michael D Conley as Duwell, Deb Case as Woman, Sydney Schultheiss as Kansas & Steve Fleming as the Voice

DUCK HUNTER SHOOTS ANGEL is the uproarious story of two bumbling Alabama brothers who have never shot a duck but think they shot an angel. As they lament their fates in a murky swamp, they are chased by a cynical tabloid journalist and his reluctant photographer, who don’t believe any of it—until feathers, wings and a tiara are discovered along the way. The play hysterically interweaves a love story, sibling rivalry, tawdry media, race relations and cultural stereotypes as the chase to find the angel builds to a crescendo in the swamp.

  • Fri-Sat, May 6-7 at 8pm
  • Fri-Sat, May 13-14 at 8pm
  • Sun, May 15 at 3pm
  • Thu-Sat, May 19-21 at 8pm

Official page |

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