Monthly Archives: March 2016

The Children’s Theatre of Cincinnati Presents SHREK THE MUSICAL JR.

This April at the Taft Theatre!

TCT_Shrek the Musical promo

Brandon Bentley as Shrek and Kayla Burress as Princess Fiona. Photo by Phil Groshong.

Everyone’s favorite ogre is back in SHREK THE MUSICAL JR., the hilarious stage spectacle based on the Oscar-winning smash hit film.  The Children’s Theatre of Cincinnati brings this production to life on the Taft Theatre stage April 8-10, 16-17, 2016.

In a faraway kingdom, the green ogre Shrek finds his swamp invaded by banished fairytale misfits, runaways who’ve been cast off by Lord Farquaad, a tiny terror with big ambitions. When Shrek sets off with a wise-cracking donkey to confront Farquaad, he’s handed a task – if he rescues feisty Princess Fiona from the Dragon-guarded tower, his swamp will be returned to him. But, a fairy tale wouldn’t be complete without unexpected twists and turns along the way.

Based on the DreamWorks Animation Motion Picture and the book by William Steig.  Book and Lyrics by David Lindsay-Abaire.  Music by Jeanine Tesori.  Originally produced on Broadway by DreamWorks Theatricals and Neal Street Productions.  Original production directed by Jason Moore and Rob Ashford.  “I’m a Believer” by Neil Diamond.  Puppets by The Frisch Marionettes. Directed and Choreographed by Roderick Justice.

SHREK THE MUSICAL JR. presented by The Children’s Theatre of Cincinnati, April 8-10, 16-17, 2016. Friday April 8 at 7:30 PM; Saturday April 9 at 2 PM; Sunday, April 10 at 2 PM; Saturday, April 16 at 2 PM and 5 PM; and Sunday, April 17 at 2 PM.  At the Taft Theatre, 5th and Sycamore Streets in Downtown Cincinnati. Tickets $7-$25. 1-800-745-3000 and www.ticketmaster.com.  Tickets are selling fast!

The Children’s Theatre of Cincinnati’s production of SHREK THE MUSICAL JR.  is made possible by the generous support of TriHealth, and the generosity of community contributions to the ArtsWave Campaign. Season Sponsors are the Charles H. Dater Foundation and the Marge and Charles J. Schott Foundation.  The Ohio Arts Council helped fund this program with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Media sponsors are Cincinnati Enquirer, LOCAL 12 and Q102.  The Children’s Theatre of Cincinnati Kids Club is presented by Time Timer.

The cast of The Children’s Theatre of Cincinnati’s production of SHREK THE MUSICAL JR. includes:

  • Brandon Bentley as Shrek
  • Kayla Burress as Fiona
  • Ellie Chancellor as Pig 2/ Ensemble
  • Liz Comstock  as Mama Ogre/ Ensemble
  • Lily Deye as Young Fiona/ Baby Bear/Ensemble
  • Allison Edwards as Shoemaker’s Elf/ Ensemble
  • Gabriella Francis as Ugly Duckling/ Dragon/Ensemble
  • Josh Galloway as Pig 1/ Puss n Boots/ Enemble/ U.S. Farquaad, Donkey
  • Reed Gnepper as Peter Pan/Ensemble /U.S. Pinnochio
  • Hannah Gregory as Teen Fiona/ Wicked Witch/Ensemble/U.S. Fiona
  • LOCAL 12’s Bob Herzog as Donkey
  • Will Jackson as White Rabbit/ Ensemble/ U.S. Peter Pan, Pied Piper
  • Sam Johnson as Big Bad Wolf/ Ensemble
  • Sydney Kline   as Mother Goose/ Ensemble/ U.S Wicked Witch
  • Ethan Marx as Young Shrek
  • Evan Moore as Frog Prince/ Pied Piper/Ensemble/U.S. Papa Bear, Pig 1
  • Danielle Muething as Mama Bear/ Gingy/ Ensemble
  • Elijah Prather as Humpty Dumpty/Ensemble
  • Gretchen Priddy as Pig 3/ Ensemble
  • Morgan Reece as Sugar Plum Fairy/ Ensemble
  • Cody Roberts as Papa Bear/ Ensemble/ U.S. Shrek
  • Spenser Smith as Lord Farquaad
  • Andrew Wiemann as Pinocchio/ Ensemble
  • Trace Young as Captain of the Guard/ Bishop

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GREATER TUNA Runs April 15-23

MCP_Great Tuna logoGREATER TUNA
Mason Community Players
April 15-23
Theatre 42 [Lebanon]

Directed by Laureen Catlin

Cast: Brandon Dunphy, Jay Fultz & Darren Lee

Come and meet the assorted citizens of Tuna, the third smallest town in Texas where the Lion’s Club is too liberal and Patsy Cline never dies. Let Mason Community Players be your host for an evening of hilarity with Greater Tuna, a delightful satire of life in rural America.

  • Fri-Sat, April 15-16 at 8pm
  • Sun, April 17 at 2pm
  • Thu-Sat, April 21-23 at 8pm

Official page |

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Cincinnati Ballet Announces Celebratory 2016-2017 Season

Innovative works, family favorites and special events highlight Victoria Morgan’s 20th Season

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Janessa Touchet & Patric Palkens in KING ARTHUR’S CAMELOT.

CINCINNATI, OH. Cincinnati Ballet’s 2016-2017 Season marks Artistic Director & CEO Victoria Morgan’s 20th. To celebrate, the new season features unique collaborations, world premieres and the return of treasured family classics performed at the Aronoff Center for the Arts, including Director’s Cut, Coppélia, Frisch’s Presents The Nutcracker with a Washington, D.C. debut, King Arthur’s Camelot, Bold Moves and The Kaplan New Works Series. The commemorative season of dance is complemented with a series of special events celebrating Victoria Morgan’s tenure.

Cincinnati Ballet’s Otto M. Budig Academy hosts a kick-off event August 27 at the Cincinnati Ballet Center chaired by Michelle Frodge and Erin Starkey. An exciting season of dance kicks off with an invitation-only black tie gala in honor of Victoria Morgan, September 15. An Intimate Evening with Victoria Morgan is chaired by Rhonda Sheakley, Dianne Dunkelman and Larry Kellar.

The gala is followed by a special presentation of the Director’s Cut series September 16 and 17, for which Victoria Morgan has curated a diverse, mixed-repertoire performance of her favorites including world famous dancer/choreographer Justin Peck’s Capricious Maneuvers, a farewell performance of Raymonda from retiring dancers Sarah Hairston and Zack Grubbs with students from the Otto M. Budig Academy, Victoria Morgan and Ma Cong world premieres and more. A star in the making, Justin Peck was recently the subject of the documentary Ballet 422, chronicling the creation of a brand new work. Ma Cong’s stunning piece, Mind on the [Re]Wind, was met with admiration by Cincinnati audiences last season as part of The Kaplan New Works Series. Hairston and Grubbs take their final bow on stage as Principal and Senior Soloist, respectively, before going on to serve as the new Academy leadership. Director’s Cut performances close out with a celebratory Homecoming Brunch on September 18 at the Transept, chaired by long-time Cincinnati Ballet supporter Ronna Willis.

Coppélia will captivate audiences of all ages when it takes the Cincinnati stage for the first time in 15 years, October 21 through 23. Dr. Coppélius’ dream comes true when his latest creation, a doll named Coppélia, comes to life – or so he thinks! Unbeknownst to him, the doll has caused quite a stir in the village. This comedic story of love and mistaken identities features the challenging, yet charming choreography of Kirk Peterson. The treasured ballet classic is set to the melodic music of Léo Delibes, played by the Cincinnati Symphony Orchestra.

Frisch’s Presents The Nutcracker, Cincinnati’s favorite holiday tradition, makes its Washington, D.C. debut at the famed Kennedy Center, November 21-28 with music performed by The Kennedy Center Opera House Orchestra. The Nutcracker returns to Cincinnati’s Aronoff Center December 9 through 18. A Cincinnati tradition spanning more than four decades, The Nutcracker is a joyful holiday celebration for the entire family. Re-envisioned by Victoria Morgan in 2011, Cincinnati CityBeat says this version “strikes a delightful balance between light family fare and serious technical ballet.” The Cincinnati Symphony Orchestra will perform Tchaikovsky’s magical score live at each Cincinnati performance.

King Arthur’s Camelot is one of the first ballet incarnations of the legendary tale and saw a world premiere of epic proportions in 2014. A highlight of a momentous season, the legendary tale of love and honor returns to delight audiences of all ages, February 12 through 14, featuring choreography by Victoria Morgan and an original musical composition by John Estacio, performed by the Cincinnati Symphony Orchestra. A visually stunning display of dance and drama, the production features larger than life puppets, projections, special effects and exquisite costumes by one of the most sought after designers, Sandra Woodall.

Bold Moves joins a weeklong series of cultural events by showcasing Israeli artistic innovators, March 17 and 18. A mixed-repertoire series focused on innovation that defies traditional expectations of classical ballet, Bold Moves includes the world famous Ohad Nahrin’s Minus 16, a collection of vignettes incorporating improvisation and his acclaimed “Gaga” method. “Gaga” is a language of movement created by Naharin that challenges dancers to liberate themselves from old habits and explore new and inventive ways to use their bodies. The San Francisco Chronicle describes Minus 16 as, “delighting in its own wackiness, while celebrating the joy of dancing.” Resident Choreographer Adam Hougland presents his seventh world premiere for Cincinnati Ballet with the music of the award-winning Ariel Quartet. The quartet, which originally formed in Israel during the members’ early years, is now internationally recognized and serves as the Quartet-in-Residence at University of Cincinnati’s College-Conservatory of Music. Hougland is known for his creation of the spectacular productions of The Firebird and Mozart’s Requiem specifically for Cincinnati Ballet, and in 2011 he was named one of Dance Magazine’s “25 to Watch.” He contributed his talent to a piece in the collaborative performance of Frampton & Cincinnati Ballet Live, which was performed at the Joyce Theater in New York City in 2014, and audiences may remember his piece All My Favorite People, set to the music of Over the Rhine, performed in last season’s New Works.

Ballet Toybox returns offering the perfect opportunity to introduce young children to the joy of dance, Sunday, March 19 at 2 pm at the Aronoff Center. The program features the Cincinnati Ballet Second Company in a mix of ballet and storybook classics. At under an hour and only $20 a ticket, Ballet Toybox is an interactive adventure where the audience learns about the essential elements that make up the beauty, humor and inspiring discipline of dance.

Known as Cincinnati’s hottest dance party of the year, Club B returns in April 2017, chaired by long time Cincinnati Ballet supporters Keke Sansalone, Cynthia Henderson, Halle Quinn and Chris Lippert. The date and location are still to be announced.

A special spring presentation of The Kaplan New Works Series runs April 20 through 29 in the Aronoff’s intimate Jarson–Kaplan theater, rounding out the season with a tradition of innovation in dance. New Works brings acclaimed choreographers from all over the world to Cincinnati Ballet. This season features an impressive roster of female choreographers in a continued effort to shine a spotlight on the talented women who are underrepresented in the dance world. The lineup includes Cincinnati Ballet’s own Artistic Director and CEO, Victoria Morgan along with Jennifer Archibald, Annabelle Lopez Ochoa and Heather Britt. Jennifer Archibald, the founder and artistic director of New York City’s acclaimed Arch Dance Company, presented her piece Sit in the 2014 Kaplan New Works Series, described by the Cincinnati Enquirer as, “…voluptuous…fiery…sensual…” This time she teams up with fellow female innovator, the artist known as Swoon, to present an unparalleled collaboration of performance and visual art. The experience is augmented by a presentation of Swoon’s work at the Contemporary Arts Center in the fall of 2017. Cincinnati audience favorite and the creator of DANCEFIX, Heather Britt returns with her anticipated choreography that exudes an energy of fearless confidence and innovation. New Works will also feature the U.S. premiere of Eros Redux, a mythical piece by international choreographer extraordinaire Annabelle Lopez Ochoa. Temecula Performing Arts Examiner describes Ochoa as, “a truly masterful choreographer with an edge for what dance can and should be in this constantly changing industry.”

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Cincinnati Ballet 2016-2017 Season Sponsors: The Otto M. Budig Family Foundation, ArtsWave, PNC Bank, Rhonda & Larry A. Sheakley Family Foundation, Rosemary & Mark Schlachter, The Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, National Endowment for the Arts, Frisch’s

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy-winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org

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http://twitter.com/cincyballet

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2016-2017 Season Announced at Ensemble Theatre Cincinnati

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THE LEGEND OF GEORGIA MCBRIDE
Sept. 6-25
How can an Elvis impersonator become a winning drag queen in the Florida Panhandle? With an empty bank account and pregnant wife, Casey’s going to have to answer that question fast in this music-filled comedy about finding your true voice.

BROWNSVILLE SONG (B-SIDE FOR TRAY)
Oct. 11-30
“My name is Tramaine Berry Thompson and I am more than meets the eye…” A senseless act of gang violence alters a high school senior’s dreams, leaving his family to pick up the pieces and find hope and resilience within their tight-knit Brooklyn borough.

CINDERELLA: AFTER EVER AFTER
Nov. 30-Dec. 30
An original new work and sequel to ETC’s “fractured fairy tale.” With book by Joseph McDonough, lyrics by David Kisor, and music by Fitz Patton, the story of Cinderella and Prince Freddy continues.

FIRST DATE
Jan. 17-Feb. 5, 2017
Aaron is a “blind date virgin,” while Casey has been on more than her fair share. When the two are set up by a mutual friend, sparks fly—or do they? The night unfolds over the course of this couple’s hilarious first date, and it’s not without its share of surprises in the form of imaginary visits from Aaron’s ex-girlfriend, Casey’s uptight sister, the pair’s protective parents and even their future son! Google background checks, awkward pauses and bailouts are all there during this unforgettable first encounter between two romantics, who just might be perfect for each other. Or not.

WHEN WE WERE YOUNG AND UNAFRAID
Feb 21-March 12, 2017
Agnes has turned her quiet bed and breakfast into one of the few spots where a woman on the run can seek refuge.  But to Agnes’ dismay, her latest young runaway Mary Anne is having a profound influence on her teenage daughter Penny, forcing each girl to question her destiny.  And as the drums of the feminist revolution grow louder, Agnes is forced to confront her own presumptions about the people she’s been trying to help.

BLOOMSDAY
April 4-23
Set in Dublin against the backdrop of James Joyce’s Ulysses, BLOOMSDAY follows a man in search of the woman who captured his heart 30 years earlier. Weaving in and out of time, we witness the very separate paths their lives have taken. A moving and sometimes heartbreaking comedy; this new play brings the power and importance of living in the present into the light.

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Lewis Black’s ONE SLIGHT HITCH is a Wedding Day Dream Turned Disaster at the Human Race Theatre Company

HRTC_One Slgiht Hitch promo1

Alex Sunderhaus, Alex Curtis, Cecily Dowd, Brian Dykstra, Rita Rehn, Dana Berger & Kyle Nunn. Photo by Scott J. Kimmins.

Comedian/playwright Black’s romantic farce is a nightmare for any father of the bride at The Loft Theatre, April 7 – 24, 2016.

(Dayton, OH) — Spring has sprung and while love is in the air at The Human Race, April showers loom for the characters of the theatre company’s latest production, One Slight Hitch. Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster? The production at The Human Race’s downtown Dayton home at The Loft Theatre is directed by Margarett Perry and features actors Brian Dykstra and Rita Rehn, with Dana Berger, Alex Curtis, Cecily Dowd, Kyle Nunn and Alex Sunderhaus. The preview performance of One Slight Hitch is Thursday, April 7. Opening night is Friday, April 8. The production runs through April 24.

For years, Lewis Black has been a nationally recognized comedian and social critic thanks largely to his regular “Back in Black” segments on The Daily Show and multiple Comedy Central specials. But years before he was a successful stand up, Black aspired to be a playwright, first studying at the University of North Carolina at Chapel Hill before earning an MFA degree at the Yale School of Drama. He served as the associate artistic director and playwright-in-residence of New York City’s West Bank Café Downstairs Theatre Bar, where he developed hundreds of one-act plays in the 1980s. Black’s stand-up comedy began as an opening act for the plays. His full-length plays include The Laundry Hour, The Czar of Rock and Roll, Nightfall and The Deal. His comedy CDs have earned him two Grammy Awards, and as an author, three of his books, Nothing’s Sacred, Me of Little Faith, and I’m Dreaming of a Black Christmas are New York Times best sellers. On film, Black has starred in such movies as Accepted, Unaccompanied Minors and Man of the Year, but is now probably best known as the voice of “Anger” in Disney/Pixar’s hit animated film, Inside Out.

Black wrote One Slight Hitch in the early 1980s, inspired by his breakup with a girlfriend who married quickly after their separation. Confused and upset over her nuptials, he turned his pain into a comedy that had some initial success with readings at various regional theatres and festivals. It was even optioned for Broadway before interest in the script faded for the better part of 30 years. Now a published work, Black attributes the play’s newfound success to his celebrity status as the “King of Rant,” but cautions that it is very different than his stand-up persona. “If my name weren’t on it,” he says, “nobody would know that I wrote this play.”

Director Margarett Perry returns to The Loft Theatre after having helmed The Human Race Theatre Company’s March 2015 production of Vanya and Sonia and Masha and Spike in the Victoria Theatre. The Resident Director at Ithaca, New York’s Kitchen Theatre, Perry has developed and directed new works Off-Broadway and in regional theatres across the country. Her other shows for The Human Race include Other Desert Cities, God of Carnage, Painting Churches, The Retreat from Moscow and the world premiere of Michael Slade’s Under a Red Moon. One Slight Hitch, however, holds a special place in heart as it allows her the opportunity to finally direct a play by one of her oldest, dearest friends, Lewis Black, and to bring her long-time collaborator, Brian Dykstra, along for the ride. “Brian and I have known Lew for years,” says Perry. “We met him when we were doing a play of Brian’s at the West Bank Café Downstairs Theatre Bar and Lew opened for our show every night with a 20 minute set. I had just moved to New York City. Lew was just getting started as a comedian, but we knew he was something special. When we first found out that this comedian would be opening for our show, we thought, ‘What?! How is that going to work?’ Obviously, it rocked.” Bound by a common sense of humor, the trio’s friendship has never wavered. She fondly recalls seeing Black perform on numerous occasions throughout the years and of more relaxed times at the West Bank Café’s weekend midnight comedy shows. “I have an enormous amount of respect for both Brian and Lew and so I’m really looking forward to working with both of them and sharing their talents with Dayton audiences,” beams Perry. “I’m getting nostalgic, but it’s just magical that all these years later we are working on Lew’s play in Dayton at The Human Race.” The director wants to let everyone in on one pleasant surprise, “You may not see it from his performances on The Daily Show, but Lew has a big heart. So naturally, One Slight Hitch is a funny, smart play with a big heart.”

CAST AND DESIGN TEAM

Perry has assembled a seven-member cast, most of whom will be new to Loft Theatre audiences. New York City actor and playwright Brian Dykstra (Lucky Guy on Broadway, The Body Politic and Call Me Waldo Off-Broadway, All the Way at The Repertory Theatre of St. Louis) is the harried father of the bride, “Doc.” Rita Rehn (Nine on Broadway, Last Dance and Defiance Off-Broadway) plays his wife, “Delia.” Alex Curtis (The Grapes of Wrath at Trinity Rep and Yellowjackets at Berkeley Rep) is “Ryan,” the ex-boyfriend with the worst timing. New York-based actress Dana Berger (Elementary on CBS, Seminar at Kitchen Theatre Company) is the bride, “Courtney,” and the oldest of three daughters. Cincinnati native Alex Sunderhaus (HRTC’s Vanya and Sonia and Masha and Spike at the Victoria Theatre and August: Osage County, HRTC’s collaboration with Wright State University) plays middle sister “Melanie.” Centerville High School junior Cecily Dowd (Muse Machine’s Mary Poppins) is teenage daughter “PB.” Cincinnati Conservatory of Music alum Kyle Nunn (HRTC’s Miracle on South Division Street) returns for his second comedy at The Loft as Courtney’s fiancé, “Harper,” a role for which he was hand-selected by Lewis Black himself.

Dayton area artist Ray Zupp takes his first turn as scenic designer at The Human Race, having created sets for a number of regional performing arts organizations. One Slight Hitch marks frequent Human Race costume designer Janet G. Powell’s twelfth production at The Loft. Resident Artist John Rensel is the lighting designer. Todd Mack Reischman (HRTC’s Seussical, Big River), resident sound designer at Indiana Repertory Theatre, serves as the sound designer. Kay Carver is the production stage manager.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of One Slight Hitch is sponsored by India and John Clarke and the Theda and Tamblin Clark-Smith Family Foundation, Doug Annala and Sam Rinehart, Heidelberg Distributing Company, Burhill Leasing Corporation and Matthew J. Scarr, CPA LLC.

Performance and special event information

Tickets for the preview performance of One Slight Hitch on April 7 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances April 8  – 24, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, April 10 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for One Slight Hitch are 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 p.m. and at 2:00 p.m. on Sunday matinees.

Tickets and performance information on One Slight Hitch are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office. 

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces a summer Festival of New Works and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, the Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

CALENDAR EDITORS, PLEASE NOTE:

The Human Race Theatre Company presents
ONE SLIGHT HITCH
by Lewis Black
Directed by Margarett Perry
April 7 – 24, 2016

Performed at The Loft Theatre
Metropolitan Arts Center
126 North Main Street (between First and Second streets)
Dayton, Ohio 45402

Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster?

For tickets:

Ticket prices start at: $35 – $50 for adults, $32 – $46 for seniors and $17.50  – $25.00 for students. Prices vary depending on performance date.

Discounts: Select side-area seats available for $25 at all performances; “Sawbuck Sunday” April 10 at 7:00 p.m. – $10 seats available for walk up sales only

Group sales: Contact Betty Gould at (937) 461-8295 or Betty.Gould@victoriatheatre.com

ONE SLIGHT HITCH performance dates:

  • Wednesday, April 6 8:00 p.m.  Pay-What-You-CAN open rehearsal
  • Thursday, April 7 8:00 p.m.  “Inside Track” pre-show discussion/Preview performance
  • Friday, April 8 8:00 p.m.  Opening night with post-show party at Uno Pizzeria & Grill
  • Saturday, April 9 8:00 p.m.
  • Sunday, April 10 2:00 p.m.
  • Sunday, April 10 7:00 p.m.  “Sawbuck Sunday” – $10 tickets at the door
  • Tuesday, April 12 7:00 p.m.  Lite Fare at The Loft pre-show lobby dining
  • Wednesday, April 13 8:00 p.m.
  • Thursday, April 14 8:00 p.m.
  • Friday, April 15 8:00 p.m.
  • Saturday, April 16 8:00 p.m.  Audio Described/Sign Interpreted performance (reserve by April 1)
  • Sunday, April 17 2:00 p.m.  “While We’re on the Subject” post-show talk-back
  • Tuesday, April 19 7:00 p.m.
  • Wednesday, April 20 8:00 p.m.
  • Thursday, April 21 8:00 p.m.
  • Friday, April 22 8:00 p.m.
  • Saturday, April 23 8:00 p.m.
  • Sunday, April 24 2:00 p.m.  Closing performance

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