Monthly Archives: April 2015

SHREK The Musical Runs May 8-17

PS_Shrek logo2SHREK The Musical
Presented by Playhouse South
May 8-17
Kettering

Directed by Becki Norgaard
Vocal direction by Lorri Johnson-Topping
Choregraphed by Annette Looper

Cast: Zach King as Shrek, Kyle Jones as Young Shrek, Alyssa Welker as Mama Shrek, Aaron Brewer as Papa Shrek, Esther Hyland as Fiona, Stephanie Penrod as Teen Fiona, Cate Shannon as Young Fiona, Mark Goodwin as King, Nancy Albert as Queen/Featured dancer, Jim Brown as Farquuad, Tia Seay as Donkey, Parisa Samavati as Dragon, Brent Hoggatt as Pinocchio, Mackensie Vonderbrink as Gingy, Aaron Eechaute-Lopez as Wolf/ Spinning Antelope/ Valet, Lisa Glover as Humpty Dumpty/ Blind mouse/ Featured Dancer, Angie Thacker as Mama Bear, Kurt Cypher as Papa Bear, Raef Norgaard as Baby Bear, Janelle Chamness as Fairy Godmother, Jamie Pavlofsky as Mama Duck, Mary Nunnery as Ugly Duckling, Serenity Earich as Baby Duckling, Emily Cypher as Elf, T.J. Montgomery as Peter Pan, Katelyn Byers as Tinkerbell, Xander Hildebrand as Arabian Princess, Lisa Newman as Queen of Hearts, Jess Jones as White Rabbit, Savannah Earich as Baby Rabbit, Kelsey Cypher as Little Red Riding Hood, Aaron Brewer as Mad Hatter, Alli Brown as Pig 1, Sammy Johnson as Pig 2, Leah Curran as Pig 3, Bobby Gray as Sugar Plum Fairy, Emma Gray as Gumdrop Fairy, Donna Cason as Wicked Witch 1, Cheryl Kayser as Wicked Witch 2, Aurora Nunnery as Cheshire kitten, Alicia Johnson as Female Pirate, Sara Bortz as Evil Stepmother, Jordan Eechaute- Lopez as Gnome/Bluebird, Nick Bellmayer as Lead Guard/ Featured Dancer, Tracie Puckett as Pied Piper/ Featured soloist, Amber Todd as Blind Mouse, Abby Land as Blind Mouse, Autumn Sanders as Tooth Fairy & Olivia Fogle as Ursula
Featured Dancers: (Duloc, Rats, Soldiers, other): Andrea Hansgen, Summer Lehman & Nicole Sword

A song-and dance-filled stage adaptation of the Oscar-winning DreamWorks animated film. Instead of a knight riding a noble steed, the hero is Shrek, a swamp-dwelling ogre teamed up with a chatterbox donkey. And the princess? She’s the slightly temperamental Fiona. After Shrek rescues Fiona from a dragon-guarded tower, the two fall in love before she reveals there’s more to her than meets the eye. Other fairytale misfits add surprises: from a Gingerbread Man with an attitude to Three Blind Mice channeling their inner Dreamgirls.

  • Fri-Sat, May 8-9 at 8pm
  • Sun, May 10 at 2pm
  • Fri-Sat, May 15-16 at 8pm
  • Sun, May 17 at 2pm

Official page | Facebook event |

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Giles Davies, Annie Fitzpatrick and Michael G. Bath Star in DEATH AND THE MAIDEN

GILES DAVIES, ANNIE FITZPATRICK AND MICHAEL G. BATH STAR IN ARIEL DORFMAN’S “DEATH AND THE MAIDEN”

Annie Fitzpatrick, Michael G. Bath & Giles Davies,

Annie Fitzpatrick, Michael G. Bath & Giles Davies,

CINCINNATI (FOR IMMEDIATE RELEASE) – At the Aronoff Center, on select dates from April 15th through May 2nd, Michael G. Bath, Giles Davies, and Annie Fitzpatrick star in DEATH AND THE MAIDEN by Ariel Dorfman.

DEATH AND THE MAIDEN is an award-winning moral thriller exploring the intricacies of memory and madness, the aftermath of violence, and the uncertainties of truth and justice. A stranger arrives at the home of a woman who was once the prisoner of a cruel dictatorship in a nameless Latin American country. Is the visitor who he claims to be — or is he the captor who raped and tortured her on behalf of the regime many years before? Is this finally an opportunity for her to confront the past? To exact revenge? To forgive? Or will her past trauma drive her to prolong the cycle of terror?

The stellar cast includes three of the finest professional actors who perform in the Cincinnati area. All three performers are members of Actors’ Equity Association.

Annie Fitzpatrick portrays Paulina in DEATH AND THE MAIDEN. She has performed in over 50 productions at The Ensemble Theatre of Cincinnati, most recently in “Hands on a Hardbody” and “Good People.” At Cincinnati Playhouse in the Park, she has appeared in “Pride and Prejudice” and “Hank Williams: Lost Highway,” and at Cincinnati Shakespeare Company she has appeared in “Little Women,” “A Man for All Seasons,” and “Blithe Spirit.” At The Know Theatre, she appeared in “Pluto” and “Collapse.” Her TV and film credits include Army Wives A&E’s Those Who Kill, Little Accidents, Fun Size, Milk Money, to be, and Broken Hearts.

Giles Davies portrays Roberto, the medical doctor whom Paulina claims to recognize as the man who held her prisoner and tortured her many years before. Giles currently resides in Tampa, Florida, but makes an annual pilgrimage to Cincinnati, having worked with the Cincinnati Shakespeare Company (among others) for 16 years. He was last seen (in Cincinnati) with CSC’s production of Henry IV 1 & 2 and The Two Noble Kinsmen. His performance of the role of Roberto in a prior Tampa production of DEATH AND THE MAIDEN inspired the creative team at Diogenes to produce the play here in Cincinnati.

Gerardo, Paulina’s husband, is portrayed by Michael G. Bath. He recently appeared as Ian Smithson in “The Other Place” and as Frank Nugent in “Hands on a Hardbody” (both at Ensemble Theatre Cincinnati). His numerous credits include Dr. Chumley in “Harvey” (Carnegie), Joseph in “The Irish Curse” (Clifton Performance Theater), and Francis Nurse in “The Crucible” (Xavier University with the Cincinnati Shakespeare Company). Audiences have also seen him as Mervyn in “A Behanding in Spokane” (Clifton Performance Theatre), and as Roy Cohn in “Angels in America Parts One & Two” (Know Theatre), among other roles.

The production is directed by newcomer Lindsey Augusta Mercer, who serves as Resident Assistant Director at Cincinnati Shakespeare Company. Brian Isaac Phillips, the Producing Artistic Director of Cincinnati Shakespeare, is an Artistic Consultant to the production.

“DEATH AND THE MAIDEN is an exceptionally fine script by Ariel Dorfman, and we are very pleased to have an exceptionally fine cast to bring it to life here in Cincinnati,” said Jeff Landen, on behalf of the producers. “The resulting performance is both entertaining and thought-provoking – the kind of theatre that is fascinating to attend, and likely to spark vigorous discussion on the way home.”

The sound and projections design for the show is by Doug Borntrager, and the lighting designer is Richard Riley Noble.

Director Lindsey Mercer describes Dorfman’s piece as “a challenging, but brilliant play which forces us to address the frightening and timeless reality of politics and morality. Can we react to violent crimes in a non-violent way? Can the path toward justice and healing coincide with peace?”

The show opens in the Jarson-Kaplan Theater at the Aronoff Center on April 15, with additional performances on April 17, 18, 29, and 30, and May 1 and 2. All performances begin at 7:30 p.m.

“Death and the Maiden” is presented by special arrangement with SAMUEL FRENCH, INC.

Content advisory: The play contains adult language and themes of sexual violence.

Tickets can be purchased in person at the Aronoff Center box office at 650 Walnut Street, online at CincinnatiArts.org, or by phone at (513) 621-2787 [ARTS].

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About Diogenes: Diogenes Theatre Company is an Ohio nonprofit corporation. Diogenes produces theatrical works showcasing the talents of some of the best theatre professionals in the Greater Cincinnati area.

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INDEPENDENCE on May 10-11

QCQTC_IndependenceINDEPENDENCE
Presented by Unity Productions and Queen City Queen Theatre Collective
May 10-11
Over-the-Rhine

Directed by Lindsey Augusta Mercer

Cast: Alison Vodnoy Wolf, Cathy Springfield, Linnea Bond & Kaleigh-Brooke Dillingham

Barebones staged reading. A family comedy/drama set In small-town Independence, Iowa. Kess, Jo, and Sherry, differ on how to handle the surfacing of their mother, Evelyn’s mental health concerns. Each has their own struggles with mother; Kess’ sexuality, Jo’s surprise pregnancy, and Sherry’s finishing high school to leave home for good. Evelyn basks in her grown daughters’ return, denies any need of assistance, and each character deals with finding their own state of independence.

  • Sun, May 10 at 7pm (at Know Theatre)
  • Mon, May 11 at 7:30pm (at Below Zero)

Facebook event | Press release |

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Titles Announced for 2015-2016 Season at New Edgeciff Theatre

NETDuring the curtain speech at tonight’s opening of RACE, Producing Artistic Director Jim Stump announced the titles of their upcoming season.

September 2015
FRANKIE AND JOHNNY IN THE CLAIR DE LUNE by Terrence McNally
Directed by Jared Doran

The play focuses on two lonely, middle-aged people whose first date ends with their tumbling into bed. Johnny is certain he has found his soul mate in Frankie. She, on the other hand, is far more cautious and disinclined to jump to conclusions. As the night unfolds, they slowly begin to reveal themselves to each other as they take tentative steps towards the possible start of a new relationship

October 2015
STRANGERS ON A TRAIN

Postponed from last season, the annual Sweet Suspense Fundraiser returns.

December 2015
THE SANTALAND DIARIES by David Sedaris, as adapted by Joe Mantello

Everyone’s favorite elf Crumpet, the elf fixated on spastic children, obnoxious parents, nutty co-workers and, oh yeah, One Life to Live, is back

April 2016
THE SHAPE OF THINGS by Neil LaBute
Directed by Elizabeth A. Harris

In a modern version of Adam’s seduction by Eve, THE SHAPE OF THINGS pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn’s subtle and insistent coaching results in a reconstruction of Adam’s fundamental moral character.

Plans are for their entire season to be performed at their new home, the old St. Patrick Church at 1662 Blue Rock Road in Northside.

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THE TAMING OF THE SHREW Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nicholas Rose as Petruchio and company. By Mikki Schaffner Photography.

Nicholas Rose as Petruchio and company. By Mikki Schaffner Photography.

THE TAMING OF THE SHREW presented by Cincinnati Shakespeare Company through April 25. Click here for more information on the production. I attended the opening night performance.

I’ve probably said it before, but large-cast productions, like this, really showcase the depth of talent in the CSC ensemble. No matter the size of the role, every actor on stage is committed to not only their character, but their relationships to every other character on stage.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Guest director Kevin Hammond offers a more-balanced take on the script. In this production, Petruchio is not bending Katherina to his will. Instead he is chipping-away (well, make that hammering-away) at the barriers “the shrew” has put around herself to protect her heart.

Nicholas Rose is excellent as Katherina’s (Kate’s) suitor, Petruchio. It is easy to see his attraction to the kindred spirit he sees in her. Even though the character goes to such lengths as denying Kate food and sleep, his soliloquy in Act II clearly shows his affection for Kate. Rose believably makes Petruchio’s actions come off as more playful and lovingly-intentioned than mean-spirited. Also to soften these tactics a bit, Petruchio suffers through them right along with her.

Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Also strong is Kelly Mengelkoch as Kate. Her shrew-ness is presented as an almost knee-jerk reaction to any man or any notion that she needs a man to complete her. Her temperament seems to indicate that she had been deeply hurt in the past and refuses to allow it to happen again. Add in a bit of stubbornness and it’s understandable why Petruchio had to go to such lengths to break through.

There is a great “a-ha” moment when Kate finally realizes that Petruchio does not want her as a subordinate, but an equal partner in life. The results of this trust and understanding shines through in the satisfying final scene.

Kelly Mengelkoch as Kate and Caitlin McWethy as Bianca. By Mikki Schaffner Photography

Kelly Mengelkoch as Kate and Caitlin McWethy as Bianca. By Mikki Schaffner Photography

The “battle” for the hand of Kate’s sister also plays out amusingly-well. Bianca (Caitlin McWethy) is woo-ed by disguised suitors Hortensio (Billy Chace) and Lucentio (Geoffrey Barnes). The latter with an assist from his flamboyant main servant Tranio (Justin McCombs).

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography.

Speaking of main servants, Jeremy Dubin is stellar fun as Gromio, partner in crime to Petruchio. Dubin’s ongoing bit was a guilty-pleasure. My inner child laughed every time, even though I knew it was coming.

Turning the set, I found it really clever for Andrew Hungerford to have the “inn” wrap around to stage-left and out of sight. It reinforced that concept of a play being performed by a traveling band of players. It also allowed for quick scene changes as pieces were moved from another part of the inn to the main playing area.

Overall, an excellent, fun, broad and bawdy battle of wills where the audience wins.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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