Monthly Archives: April 2015

VIDEO: Project38 – End of Festival Collection

CSC_Project38 Festival logoOver the last 20 years, CSC has brought classical theatre and literature to life for over 200,000 students from 150 schools in more than 100 zip codes across three states. This close connection with students and educators has inspired them to take on this exciting new endeavor. Last season, Cincinnati Shakespeare also “completed the canon” by producing all 38 of Shakespeare’s plays. The 38 plays have served as the inspiration for the title of PROJECT38.

In this program, CSC will collaborate with 38 different area schools. Each school will be given one of the 38 plays in Shakespeare’s canon. Then, over the course of the year, teaching artists from CSC will go out to each of the schools and work with the students and faculty on bringing that play to life in various ways. This could be through a traditional production, a monologue or scene, or a dance piece, or music piece, a mural, etc.- anything the students & school can conceive of and feel passionately about. It will culminate in the PROJECT38 festival at the end of the school year which will become a multi-day celebration in which all the students will gather, and share what they’ve created with each other, their schools, family and friends and with the community at large.

For more information visit http://cincyshakes.com/project38/

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MEMORIAM, at the Aronoff, Explores Edges of Memories, Memory Loss

Joined by cast of senior citizen extras

Steven Evans & Ms. Neile Martin.

Steven Evans & Ms. Neile Martin.

CINCINNATI, OHIO — Modern dance company MamLuft&Co. Dance premieres Memoriam (In Memory of Memory) at the Aronoff Center’s Jarson-Kaplan Theater on Memorial Day weekend, Friday and Saturday, May 22 and 23, 2015 (8pm, tickets available now at cincinnatiarts.org, more information at MLCo.org/memoriam).

The company — recently named “Best Dance Company Pushing the Envelope” (2012) by CityBeat — is joined by a cast of extras comprised of senior citizens from the community.

CityBeat has also described MamLuft&Co. Dance as “intrepid” and “impressive” by, and the paper’s Kathy Valin calls Jeanne Mam-Luft “a brainy director and accomplished choreographer (and filmmaker).” Seen and Heard International’s Rafael de Acha describes the company’s work as “potent stuff,” “athletic,” and “pure.”

In MEMORIAM, the company and its senior guest performers embark on a journey through the mind, memories, and experiences of unnamed main characters portrayed by MamLuft&Co. Dance artists Steven Evans (originally from Cincinnati, Ohio) and Ms. Neile Martin (Memphis, Tenessee).

While MEMORIAM begins carefree and untroubled, the experiences of Mr. Evans and Ms. Martin’s characters take a foreboding turn when Ms. Martin begins to lose her memories (effectively, the experiences that have made her who she is). The succeeding loss is felt and echoed among the community, portrayed by a chorus of MamLuft&Co. Dance performers and aforementioned extras played by senior citizens from the Cincinnati and Northern Kentucky area.

Heightened by multi-media projections featuring authentic vintage home movies (dating back to a wedding in 1930s Netherlands) and depictions of stars-turned-memories-turned-brain-synpases, MEMORIAM is a bittersweet story about remembering and fading, memorializing and forgetting, and asking what we lose when we forget.

MEMORIAM (In Memory of Memory) is choreographed by Elena Rodriguez (Rehearsal Director originally from Queens, NY), Susan Honer (Choreographer from Roanoke, VA), and Jeanne Mam-Luft (Director/Choreographer from Dallas, TX), in collaboration with the performers Nicole Suzel (Texas/New Jersey/New York), Clint Fisher (Springfield, Ohio), Vivian Kim (Lincoln, Nebraska), and Delia Constantino (Zanesville, Ohio). The score is composed by long-time company friend and collaborator, Mike Wall (who works under the moniker, soundFORMovement), and lighting design is by Daniel Feith (who has worked with Pilobolus, Doug Varone and Dancers, Momix, Cincinnati Ballet, Dayton Ballet, and many other notable dance organizations).

MamLuft&Co. Dance gratefully acknowledges the operating support of the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Memoriam makes its premiere at the Aronoff Center, where MamLuft&Co. Dance is a resident company, and whose rent is subsidized by an award from The Greater Cincinnati Foundation. MamLuft&Co. Dance is also a resident company of the Clifton Cultural Arts Center with generous support from Mark McKillip. Memoriam is made possible through a Project Support Grant from ArtsWave. MamLuft&Co. Dance’s Outreach Program has been supported through a grant from The Summerfair Foundation, whose award will fund the purchase of a dance floor. Last, but not least, MamLuft&Co. Dance has been awarded funds from The Wohlgemuth-Herschede Foundation and The Louise Taft Semple Foundation in support of its Education and Outreach Programming for 2015-2016.

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Laughter Abounds with TDW’s Production of JEEVES IN BLOOM

(Cheviot, OH) The Drama Workshop is pleased to stage its final show of the 2014-2015 season, the hilarious British comedy, JEEVES IN BLOOM.

TDW_Jeeves in Bloom logo2JEEVES IN BLOOM opens May 1, running through May 17. Performances are Friday, Saturday and Sunday each weekend, with Friday and Saturday shows starting at 8 pm. Sunday afternoon matinees start at 2 pm.

Taken from the classic stories by P. G. Wodehouse, Bertie Wooster has been summoned to the country house of his aunt and uncle, and is accompanied by his trusted butler, Jeeves. Thank goodness for that, as Jeeves is called upon to rescue Bertie and his upper-class friends and relations from the ridiculous situations they create for themselves. All too quickly, Jeeves’ many talents are called into service as nefarious plots, bizarre escapades and romantic interludes play out in the quiet English countryside.

Described as “Downton Abbey with laughs,” JEEVES IN BLOOM is adapted from the original stories by Margaret Raether. TDW’s production is directed by Dennis Murphy, produced by Gretchen Gantner, and features the on-stage talents of an award-winning cast, including Bill Keeton, Carolmarie Stock, Doug Tumeo, Joe Ward, Justin Spencer, Elizabeth Malloy, and Doug Malcolm.

Tickets for all performances are $15 each when paid in advance, and may be ordered by phoning the TDW 24/7 ticket line at 513.598.8303, or by ordering online at www.thedramaworkshop.org. Discounted rates are available for groups of 10 or more by special arrangement with the TDW box office.

The Drama Workshop was founded in 1954. TDW is a 501(c)3 non-profit organization dedicated to advancing education and promotion of the theatrical arts. The Drama Workshop is widely recognized as one of greater Cincinnati’s most accomplished community theater organizations, garnering dozens of awards annually from the Association of Community Theatres of Greater Cincinnati.

TDW productions have been selected to represent the Southwest Ohio region at the Ohio Community Theatre Association annual conference eight of the last ten years, and presented an excerpt of “Nunsense” at the 2014 state conference. TDW was also honored to represent the state of Ohio at the 2013 American Association of Community Theatre regional conference in Hartford, Wisconsin. The Drama Workshop was recognized in 2013 by the Cincinnati Preservation Association for their efforts to rehabilitate the former Glenmore Bowl into The Glenmore Playhouse.

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Auditions Announced for PARADE at Middletown Lyric Theatre

MLT_logoPARADE
Book by  Alfred Uhry
Music and Lyrics by Jason Robert Brown
Co-Conceived by Harold Prince Based on the true story of the trial and lynching of Leo M. Frank

Director: Charley Shafor
Vocal Director: Brett Greenwood
Music Conductor: Brett Greenwood
Rehearsal Pianist: Mary Ellen Clinard

For detailed audition information including character descriptions click here.

AUDITION DATES & TIMES:
Tuesday, June 2nd – 7:00pm – 9:00pm
Wednesday, June 3rd – 7:00pm – 9:00pm

AUDITION REQUIREMENTS:
Please prepare 32 measures of two songs a ballad and an up tempo. Please no a Capella or singing with CD’s. An accompanist will be provided. You may be asked to read cold from the script. Callbacks will only be used if necessary.

General Statement about casting and production:
This show is capable of being performed with 13-15 people playing multiple roles. We could cast upwards of 20+. This is a complex score and requires a great deal of singing by many of the roles. This is a great opportunity for the “musical theatre serious minded.”

Teens that want to audition must be at least 13 years old. This musical deals with mature content.

PRODUCTION DATES:
September 18, 19, 25 at 8:00pm
September 25th at 2:00pm and 8:00pm

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IT’S A GRAND NIGHT FOR MURDER Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Rhys Boatwright as Phil & Robert Macke as Ginger. Photo by Mikki Schaffner Photography.

Rhys Boatwright as Phil & Robert Macke as Ginger. Photo by Mikki Schaffner Photography.

IT’S A GRAND NIGHT FOR MURDER presented by Northern Kentucky University through April 25 as part of the Y.E.S Festival of New Plays. Click here for more information on the production. I attended the opening Sunday performance.

It may not have happened at Albuquerque, but this play took several wrong turns that it never quite recovered from.

Dakota Dean as Heather & Emily Fry as Sally. Photo by Mikki Schaffner Photography.

Dakota Dean as Heather & Emily Fry as Sally. Photo by Mikki Schaffner Photography.

Perhaps the intent was to write a zany-comedy murder-mystery. What was on stage was the cast of a murder-mystery and the cast of a zany-comedy, dropped into the same production. These two extremes never meshed together.

Kudos to the young cast for giving their best effort. There were times when they seemed to flounder on stage, making me wish director Terry Powell had stepped in with a stronger hand.

The only advice I can give to the cast is to work their characterizations to meet a bit more in the middle and to ground the character’s reactions a bit more in reality.

My rating: 3.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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