Yearly Archives: 2013

La Comedia’s HOLIDAY CELEBRATION Runs Nov. 1-Dec. 29

LAC_Holiday CelebrationLa Comedia’s HOLIDAY CELEBRATION
Presented by La Comedia Dinner Theatre
Nov. 1-Dec. 29
Springboro

This musical journey features spectacular dancing, fun-loving characters and Santa Claus himself. Then, with the warmth and beauty of the Nativity, celebrate the wonder of the true meaning of Christmas, featuring our traditional rendition of “O Holy Night.”

  • Fri, Nov. 1 at 10:30am & 5:30pm
  • Sat, Nov. 2 at 5:30pm
  • Sun, Nov. 3 at 10:30am & 5:30pm
  • Wed-Fri, Nov. 6-8 at 10:30am & 5:30pm
  • Sat, Nov. 9 at 5:30pm
  • Sun, Nov. 10 at 10:30am & 5:30pm
  • Wed-Fri, Nov. 13-15 at 10:30am & 5:30pm
  • Sat, Nov. 16 at 5:30pm
  • Sun, Nov. 17 at 10:30am & 5:30pm
  • Wed-Fri, Nov. 20-22 at 10:30am & 5:30pm
  • Sat, Nov. 23 at 5:30pm
  • Sun, Nov. 24 at 10:30am & 5:30pm
  • Fri-Sat, Nov. 29-30 at 5:30pm
  • Sun, Dec. 1 at 10:30am & 5:30pm
  • Wed-Sun, Dec. 4-8 at 10:30am & 5:30pm
  • Wed-Sun, Dec. 11-15 at 10:30am & 5:30pm
  • Wed-Sun, Dec. 18-22 at 10:30am & 5:30pm
  • Fri-Sat, Dec. 27-28 at 5:30pm
  • Sun, Dec. 29 at 10:30am & 5:30pm

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ETC Named Finalist in ‘Toyota 100 Cars for Good Program’

ENSEMBLE THEATRE CINCINNATI NAMED FINALIST IN TOYOTA 100 CARS FOR GOOD PROGRAM

Ensemble Theatre Cincinnati One of Five Organizations Highlighted for Voting on October 4

[Join the Facebook event here.]

ETC_new_logo_banner(Cincinnati, OH) Cincinnati-based Ensemble Theatre Cincinnati is one of 250 finalists in Toyota’s 100 Cars for Good program, which will award vehicles to 100 nonprofit organizations based on votes from the public beginning this week.

Toyota’s 100 Cars for Good program will showcase five nonprofit organizations each day for 50 days at http://www.Facebook.com/Toyota. Visitors to the page will receive two votes each day to select two separate winning organizations they feel are most deserving of new Toyota vehicles. ENSEMBLE THEATRE CINCINNATI will be one of the five organizations highlighted for voting on FRIDAY, OCTOBER 4, 2013.

Local residents are encouraged to support Ensemble Theatre Cincinnati in the quest for a new Toyota Tundra. If Ensemble Theatre Cincinnati receives the most votes and is awarded the vehicle, the car will be used to focus resources on furthering the organization’s commitment to provide arts opportunities to low-income schools and award-winning theatre to the local community.

Not only will a vehicle reduce organizational shipping costs for production materials, but it will also be used to transport educational materials, specifically for Ensemble Theatre Cincinnati’s Prelude Program. ETC’s educational programs focus on introducing economically disadvantaged students, who typically have little or no arts programming in their schools, to the arts. Prelude helps students write, design, and perform their own plays while fostering the development of collaborative and critical-thinking skills.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign. 

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts. 

2013-2014 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Additional support provided by Garfield Suites Hotel, The Greater Cincinnati Foundation, the Shubert Foundation, and National Endowment for the Arts. 

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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BULL Runs Nov. 1-30

George Alexander as Carter, Kate Glasheen as Isobel, Dylan Shelton as Thomas & Jay Stratton as Tony

George Alexander as Carter, Kate Glasheen as Isobel, Dylan Shelton as Thomas & Jay Stratton as Tony

BULL
Presented by Know Theatre of Cincinnati
Nov. 1-30
Over-the-Rhine

Reviews: Behind the Curtain | CityBeat | Enquirer

Directed by Brian Robertson

Cast: George Alexander as Carter, Kate Glasheen as Isobel, Dylan Shelton as Thomas & Jay Stratton as Tony

Running with the bulls, nice guys get gored.
The hazards of office life in a cut-throat economy are explored in this brutally funny play.  Three mid-level executives are pitted against each other competing for just two positions in their department. Alliances are formed and the weak are rooted out. There is no room for mercy in a world driven by profit and success.

  • Fri-Sat, Nov. 1-2 at 8pm
  • Thu-Sat, Nov. 7-9 at 8pm
  • Thu-Sat, Nov. 14-16 at 8pm
  • Sun, Nov. 17 at 3pm
  • Thu-Sat, Nov. 21-23 at 8pm
  • Thu-Sat, Nov. 28-30 at 8pm

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KTC Producing Artistic Director Resigns

Know Theatre’s Producing Artistic Director Eric Vosmeier Resigns
Andrew Hungerford is named as the next leader of Know Theatre

Eric Vosmeier.

Eric Vosmeier.

Producing Artistic Director, Eric Vosmeier has tendered his resignation to Know Theatre’s Board of Directors. His last day at the helm of the organization will be June 30, 2014, just after the 11th Annual Cincinnati Fringe Festival and at the end of the company’s 13-14 fiscal year.

Board President Matthew Lafkas says, “Eric has been an asset to Know Theatre and the Board of Directors is grateful for his years of service and dedication. During his time at Know Theatre, he has been a thought leader for the larger theatrical community and the proof can be seen in what he’s programed and created for Know Theatre such as: Calculus: The Musical!, FringeNext, and the Jackson Street Market.”

Vosmeier sums up his reasons, “It’s simply time to move on and make way for someone else to take the reigns at Know Theatre. I believe this place demands a fresh perspective and new ways of thinking. The best way to accomplish this is to step down and allow those different voices the opportunity. I have been absolutely honored to be a part of this phenomenal staff for nearly 8 years, but the time has come to hand the reigns over to someone who can guide the theatre to its next evolution.”

Andrew Hungerford

Andrew Hungerford

To that end, Vosmeier and Know Theatre’s Board of Directors have hired long-time resident scenic and lighting designer, Andrew Hungerford as the next producing artistic director for Know Theatre. Andrew has been with the company since 2007 and has been instrumental in not only the ongoing increases in the quality of our production department, but has been a sounding board for many of the company’s projects, as well as a partner to Eric in selecting programming over the past several seasons.

Originally from Metro Detroit, Andrew Hungerford has spent the last ten years involved with Cincinnati’s theatre scene. After attending graduate school at UC College Conservatory of Music, he quickly became a frequent designer on Cincinnati’s stages. He has been resident scenic and lighting designer for Know Theatre of Cincinnati since 2007 and Cincinnati Shakespeare Company since 2010.

Hungerford says, “I’ve spent most of my professional career as part of the Cincinnati Theatre scene, and given a lot of my life over the last seven years to Know Theatre. When the opportunity arose to lead Know into its next phase, it just made sense as the next step for both the company and me. There was no way I could turn down the opportunity. As someone who cares deeply about contemporary Theatre, I’m thrilled to have the opportunity to contribute to the regional and national dialogue with a company that I love, in the amazingly supportive artistic community of Cincinnati.”

Along with his design work, Hungerford is a playwright, director, producer, and (infrequently) an actor. He has taken shows to the Edinburgh Fringe on three occasions, and produced work as part of the Cincinnati and Hollywood Fringes. Despite all this time on the road, Hungerford considers Cincinnati as his artistic home.

Vosmeier says, “Andrew is the best person I can imagine handing the reigns over to. He’s been part of the company longer than I have and he’s a superb choice to take what we’ve created during my tenure and to continue to build upon it. I have always valued his opinions, many of which have helped informed mine. I have more confidence in his first day at artistic director than I had in mine, so I think that’s a good sign.”

Lafkas adds, “The Board of Directors and I are simply wowed by Andrew’s talent and his passion for Know Theatre. He has a great vision for the theatre’s future and we’re anxious that he’ll be the next artistic leader. We have great faith that he’ll be able to take what Jay and Jason and Eric have created over the past 15 years and continue to build upon it.”

About Eric Vosmeier:
Eric Vosmeier joined Know Theatre of Cincinnati in 2007 as the Associate Artistic Director charged with producing the Cincinnati Fringe Festival, programming and operations for the Underground bar, and directing for the mainstage season. After a short time Eric was made Managing Director, a position he held for a little over two years. When the previous leadership departed, Eric was offered the position of Producing Artistic Director by the Board and accepted. He has been in this position since October 2009.

During Eric’s tenure as producer of the Cincinnati Fringe Festival, attendance has nearly doubled, seeing increases from 4500 theatregoers in 2007 to 8500 in 2013. Eric’s approach to the festival has been artist-centric from the beginning. The approach has distinguished the Cincinnati Fringe, which has become an integral part of the our national reputation among artists. By focusing on creating the best possible for festival for Fringe artists, he was able to steadily increase the quality and quantity of applications and the audience responded in kind. The 2013 Festival broke every single previous sales record.

Eric also created a cadre of new programming for the company as a whole:

– Early on as managing director, Eric inked a deal with the creators of Calculus: The Musical! for the exclusive North American touring rights for the show. Since that time, Calculus has proved to be an amazing asset for Know Theatre, currently accounting for over 10% of it’s operating revenue.

– FringeNext was launched in 2010 for the purpose of creating a high-school artist version of the Festival. The success of FringeNext has driven some of the growth in recent years.

– Also in 2010, Know Theatre launched the Jackson Street Market – an artist service initiative designed to leverage Know Theatre’s resources on behalf of the local artist community with the goal of providing opportunity for local artists to stay local and create work for Cincinnati audiences. Over the years, JSM has served a number of organizations and individuals such as: Pones, INC Laboratory of Dance, Art on the Streets, Higher Level Art, The Requiem Project, and more. It has also incubated and helped launch the perpetually successful True Theatre and Over-the-Rhine Improv, which still regularly perform at Know Theatre.

– Several improvements/capital investments to Know Theatre’s facility have occurred under Eric’s watch, including the addition of the marquee onto the building’s façade, new seats and seating risers in the theatre, new LED theatrical lighting, a new sound system, and within the next month some renovations to the Underground lobby/bar space.

– Finally, Eric invested in the future of the organization by continually pressing for increases in staff salaries, the addition of health insurance to staff compensation packages, and by creating a first draft of a strategic plan which lays a path for Know Theatre’s continued artistic growth.

– Mainstage productions during his tenure have included: 4 world premiere works; dozens of CEA/Acclaim/LCT awards for shows such as Angels in America, Adding Machine: A Musical, Sideways Stories from Wayside School, When the Rain Stops Falling, Skin Tights Bloody, Bloody Andrew Jackson, and many more.

Vosmeier adds, “I look back on what we’ve done with a great deal of pride. But while that work has strengthened Know Theatre and solidified our place in the regional arts scene, I am most proud of the staff we gathered to run this place. Alex, Doug, Kristen, and Nick (and everyone who has been on staff in the past 8 years) have made possible everything that we have accomplished. I am very proud of them and the work they make for our audiences. They are the reason that Know Theatre has survived economic hardships. They are the reason for the Festival’s success. They are the reason that we’ve been able to continue growing and getting better – because they keep growing and getting better. They are my friends and my family and I don’t imagine I’ll ever have the luck of having such dynamic individuals working with me again.”

Eric will remain in his position of producing artistic director until June 30, 2014. This will allow him to see through one more Fringe Festival and complete a transitional process with Andrew during the first half of 2014. Eric says, “The last transition of leadership was a little rocky and I think held Know Theatre back from its potential as we played catch-up immediately following. Andrew and I hope to avoid any such pitfalls this time around by creating a longer transition period and allowing for a holistic approach to this process. I want to ensure that we’re able to appropriately transition our institutional memory, internal best practices, and community relationships.”

Eric does not yet have plans for what he’s doing next, but he’s excited about what his future holds. “I’ve got a few ideas cooking and I’m working on possible projects for the short term. But at the moment I’m focused on making sure this transition process is a successful one and working to ensure that we’re executing everything we need to through the end of the season. I look forward to seeing this process through and handing Andrew an organization that has forward momentum from his first day in this position. Transitions are a great opportunity to evaluate, improve, and build capacity and that’s what I’m focusing on just now.”

More about our next producing artistic director, Andrew Hungerford:
Andrew holds a B.A. in Theatre and a B.S. in Astrophysics from Michigan State University. He received his MFA in Lighting Design from the University of Cincinnati College-Conservatory of Music.

Andrew’s writing and performance experience round out an approach to design that aims to serve the theatrical experience as a whole. If the lighting isn’t helping the story be told, for example, he feels that he isn’t doing his job.

Andrew was the 2006 recipient of the USITT Lighting Design Award sponsored by Barbizon. His lighting design for the opera Ariodante was included in the 2007 US entry to the Prague Quadrennial. Andrew was a 2009 finalist for the TCG*NEA Career Development Grant for Designers. Other awards include: • 2013: LCT Awards– Lighting & Scenic Design, When the Rain Stops Falling. Know Theatre • 2012: LCT Award–Projection Design, Gruesome Playground Injuries (w/ Doug Borntrager). Know Theatre. • 2011: Acclaim Award–Production Design (lighting, scenery, and puppets), The Dragon. Know Theatre. • 2010: Wilde Award–Lighting Design, K2. Performance Network Theatre.

Andrew is in his seventh season as scenic and lighting designer at Know Theatre of Cincinnati and fourth season as scenic and lighting designer for Cincinnati Shakespeare Company. He also spent eight seasons as lighting designer for The Children’s Theatre of Cincinnati. Other credits include: Portland Stage Company (Portland, ME); Cincinnati Playhouse in the Park; The Shakespeare Theatre of New Jersey (Madison, NJ); The Flea Theater (New York, NY); The Theatre @ Boston Court (Pasadena, CA); Stanford Summer Theatre (Palo Alto, CA); Performance Network Theatre (Ann Arbor, MI); and The Opera Theatre and Music Festival of Lucca (Italy).

Know Theatre of Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know Theatre is supported by the National Theatre Company Grant from The American Theatre Wing, dedicated to supporting the most promising emerging theatre companies from around the country. Know Theatre of Cincinnati also receives support from The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation. Our mission is to create evocative and explosive live entertainment.

We value a playful artistic community where artists can collaborate and grow.

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CCM and The Carnegie In Stitches Over BOEING BOEING

CCM AND THE CARNEGIE IN STITCHES OVER TONY AWARD WINNING SEX FARCE BOEING BOEING

TC_Boeing BoeingCOVINGTON, KY- How does one man stay secretly engaged to three sexy flight attendant fiancées at the same time? Make sure they work for different international airlines. Make sure to know the flight timetables. And make sure it’s the 60s.

The Carnegie proudly continues its 2013-14 Theatre Series with the Tony Award winning comedy BOEING BOEING, playing weekends November 8 – 24, 2013 at The Carnegie in Covington, KY. Co-produced with The University of Cincinnati College-Conservatory of Music Drama Program (CCM Drama), the show is directed by new faculty member Brant Russell in his Greater Cincinnati debut. Tickets are $17 – $24 and are available online at http://www.thecarnegie.com or by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

“Boeing Boeing” is presented by special arrangement with SAMUEL FRENCH, INC.

The Plot Plot of BOEING BOEING
Bernard is engaged to Gloria. And to Gabriella. And to Gretchen. Three beautiful flight attendants kept secret from each other only by Bernard’s precise timetables of flights in and out of Paris. But when Boeing invents a faster engine, Bernard’s three foxy fiancées converge on his flat at the same time, igniting a mad dash of hidden women and nick-of-time maneuvers as Bernard tries desperately to save his perfect bachelor fantasy. Throw in a surprise visit by Bernard’s amorous old school chum, Robert, and Berthe, the reluctant housekeeper, and the New York Times writes that BOEING BOEING “soars right out of its time zone and into some unpolluted stratosphere of classic physical comedy.”

Gina Gershon, Jerry Lewis, Tony Awards and World Records
Debuting in France in 1962, Marc Camoletti’s BOEING BOEING enjoyed its 1965 English language premiere in London, where it ran for seven years and 2,000 performances on its way to becoming the most performed French play worldwide. In the same year, BOEING BOEING crossed the pond to the United States, where it had a brief stint on Broadway, but more memorably was adapted to a film of the same title, starring Tony Curtis as Bernard and Jerry Lewis at Robert.

Revived in 2008 at New York’s Longacre Theatre, BOEING BOEING played 279 performances on the strength of a revised script and all-star cast including screen actors Christine Baranski (Cybill, The Big Bang Theory) and Gina Gershon (Face/Off, Killer Joe, Rescue Me) and lauded Shakespearean actor Mark Rylance. The show would take home the Tony Award for “Best Revival of a Play,” as well as a “Best Actor” win for Rylance as Robert.

Script, Director Make Regional Debuts with CCM Talent
The Carnegie’s staging of BOEING BOEING will mark the regional premiere of the Broadway revival script, as well as the local debut of new CCM faculty member Brant Russell. An accomplished theatre artist and Chicagoland native with extensive experience as a director, actor and playwright, Russell joined the CCM staff this past fall.

“Coming to a place like CCM is exhilarating,” says Russell. “The talented, driven students, my gifted colleagues, the international reputation, the insistence on excellence all combine to provide a supportive and challenging atmosphere. I’m very grateful to be here.”

Despite impressive credentials working with nationally renowned playwrights, and staff experience with companies including Chicago Shakespeare Theatre, Writers’ Theater and Steppenwolf, Russell admits “BOEING is totally outside of my experience. Staging it will be a bit of an experiment for me, but it’s just the kind of fun experiment that a director really relishes.”

CCM’s co-production with The Carnegie is the fourth collaboration between the two organizations, following recent stagings of IN THE NEXT ROOM OR THE VIBRATOR PLAY and the musical PARADE, the latter receiving the League of Cincinnati Theatres award for “Best Musical of 2012-13.”

Dine Under the Dome
On Saturday, November 9 at 6pm, The Carnegie will host Dine Under the Dome, a ticketed dinner in The Carnegie Galleries, to precede the performance. Tickets are $40 per person, and include a themed gourmet dinner by Jeff Thomas Catering, wine, dessert and gratuity. Dinner tickets do not include admission to the performance.

A full menu will be available at www.thecarnegie.com by October 9.

Reservations may be made by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

Ticketing
Tickets to The Carnegie’s production of BOEING BOEING are $17 – $24 and may be purchased online at www.thecarnegie.com or by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

BOEING BOEING will include nine performances over three weekends:

  • Friday, November 8, 7:30pm
  • Saturday, November 9, 7:30pm
  • Sunday, November 10, 3pm†
  • Friday, November 15, 7:30pm
  • Saturday, November 16, 7:30pm
  • Sunday, November 17, 3pm†
  • Friday, November 22, 7:30pm
  • Saturday, November 23, 7:30pm
  • Sunday, November 24, 3pm 

† Performance includes open captioning

Subscriptions
Subscriptions are still available for 2013-14:

Pick Three Subscription: Patrons attend the remaining three 2013-14 Theatre Series offerings, selecting one performance of their choice for each. Pick Three Subscriptions are $67 each ($3 off each of the three remaining performances).

Single Ticket Pricing

  • $24 Adults
  • $22 Carnegie and Enjoy The Arts Members
  • $19 Groups of 8 or More
  • $17 Students

About The Carnegie
THE CARNEGIE is a multidisciplinary arts venue serving the Northern Kentucky and Greater Cincinnati community. Over the course of the past ten years The Carnegie has “morphed” from a grassroots gallery with an education component into an all-inclusive arts organization offering professional theatre, art exhibitions showcasing the best of local and regional artists, and a comprehensive arts education program.

The Carnegie is home to The Carnegie Galleries, comprised of more than 6,000 square feet of gallery space where emerging and established artists exhibit in multiple shows throughout the year; the Eva G. Farris Education Center, which provides arts education to thousands of children, many of whom are at or below the poverty level; and the newly renovated 447-seat Otto M. Budig Theatre, which offers an affordable theatre space for local, up-and-coming and established production companies and is home to The Carnegie’s Theatre Series and Carnegie in Concert series. The Carnegie is the largest arts venue in Northern Kentucky.

The Carnegie receives ongoing operating support from ArtsWave, Kenton County Fiscal Courts, the Kentucky Arts Council, the Greater Cincinnati Foundation and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

About the College-Conservatory of Music
The University of Cincinnati College-Conservatory of Music (CCM) is recognized both nationally and internationally as one of the leading conservatories for the performing and electronic media arts, composition, scholarship and pedagogy. In the most recent rankings by U.S. News and World Report, CCM was honored as the sixth top program in the country for pursuing a graduate degree in music. CCM ensembles have performed internationally, recorded for major labels and won ASCAP awards for excellence and programming.

CCM is the largest single source of performing arts presentations in the state of Ohio. Its annual calendar boasts nearly 1,000 events, ranging from solo recitals to fully staged opera and musical theatre productions.

In 1999 CCM celebrated the completion of the CCM Village, the renovated and expanded home of the college. Its stunning, comprehensive performance and educational facilities are unrivaled in the nation. Designed by architect Henry N. Cobb, the CCM Village received a National Honor Award from the American Institute of Architects in 2001.

In 2011, CCM was officially recognized by the Ohio Board of Regents as the state’s first Center of Excellence in Music and Theatre Arts.

More than 150 internationally recognized faculty members work with students from around the world, specializing in one of eight academic divisions: Composition, Musicology, Theory; Dance; Electronic Media; Ensembles and Conducting; Keyboard Studies; Music Education; Opera, Musical Theatre, Drama, Arts Administration, Theatre Design and Production; and Performance Studies.

For more information, visit http://ccm.uc.edu. Experience the sound of synergy at UC’s College-Conservatory of Music.

BOEING BOEING Cast and Production Team List

Cast

Bernard Spencer House (CCM)
Bertha Hannah Halvorson (CCM)
Robert Shaun Sutton (CCM)
Gabriella Fabiola Rodriguez (CCM)
Gloria Sarah Vargo (CCM)
Gretchen Megan Marshall (CCM)

Production Team

Director Brant Russell (CCM)
Scenic Designer Christina Chester (CCM)
Lighting Designer Ethan Peterson (CCM)
Costumer Janet Powell
Sound Designer Cory Wills (CCM)
Properties Alex Kuntz (CCM)
Wig & Makeup Designer Taylor Malott (CCM)
Stage Manager Clare Jaymes (CCM)
Production Manager Bleu Pellman
Technical Director Richard R. Sillen, Jr.
Producer Joshua Steele

Director Biography
Brant Russell (director) teaches at the University of Cincinnati College-Conservatory of Music, and is Resident Director at the Kenyon Playwrights Conference. Last year at KPC, he developed new plays with Tracey Scott Wilson, Rona Munro, and Craig Lucas. He has directed in Chicago at Next, Steep, Collaboraction, Strawdog, Theater Seven and others. His acting work has been seen at Steep / Naked Angels, Next, TheaterHikes and Strawdog. His short plays have been produced by Collaboraction and American Blues Theater. He has been on staff at Chicago Dramatist, Chicago Shakespeare Theater, Writers’ Theater and Steppenwolf. He lives in Pleasant Ridge with his wife, Marta, son, Foster, and cats, Jackson and Pearl.

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