Monthly Archives: October 2013

SOUTH PACIFIC Comes Alive at NKU

The cast of NKU's SOUTH PACIFIC.

The ladies of NKU’s SOUTH PACIFIC.

HIGHLAND HEIGHTS, KY – The Department of Theatre & Dance at Northern Kentucky University is proud to present Rodgers & Hammerstein’s SOUTH PACIFIC directed by Mike King in the NKU Corbett Theatre. This production runs Oct. 24 – Nov. 3, 2013.

Set on an island military base during World War II, SOUTH PACIFIC follows two parallel love stories that are threatened by the dangers of prejudice and war. Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Meanwhile, the handsome Lt. Joe Cable falls in love with an innocent Tonkinese girl. To find happiness these young lovers will have to challenge the values their society has “carefully taught” them.

Mike King is at the helm, directing this classic Rodgers & Hammerstein masterpiece. We asked King to elaborate on the show and the process with his cast.

What is your favorite aspect of South Pacific?
It’s hard to say, but I think my favorite part of the show is the score. It contains so many memorable songs: Some Enchanted Evening, There is Nothing Like a Dame, Younger than Springtime, Cockeyed Optimist…and the list goes on and on. But I also really love the show’s book. It is a very serious story for this time period, with a subject—racism— that was especially difficult to deal with. Rodgers and Hammerstein are so well known for The Sound of Music, that many people don’t realize how innovative and edgy they were for their time period. They were pressured by producers to soften South Pacific’s message, but fortunately they stood their ground.

With such an iconic musical, what did you look for in your actors when they auditioned?
I looked for the things I usually look for. I looked for actors who could sing the songs. I looked for performers with strong dance skills. And, since the book scenes in this musical are so important, I looked for people with strong acting skills. It was exciting to find so many performers with all those skills.

What research did you do to prepare for directing South Pacific?
One of the most important pieces of research I did was reading James Michener’s Tales of the South Pacific, the source material for the show. I felt that really helped me understand the thoughts of some of the characters, their backgrounds, and the importance of the events that ended up being dramatized in the show. The extra insights from the book helped a great deal in directing the show.

Is there anything about the process of SOUTH PACIFIC that surprised you?
The process has been full of wonderful surprises. The production staff is full of new faces (or at least folks I hadn’t worked with before)—music director Damon Stevens, choreographer Jay Goodlett, lighting designer Jonathan Fuchs, and costume designer Ronnie Chamberlain. It’s been great to work with such talented artists. And the cast is full of new faces too, along with performers audiences have seen in other shows

Allysun (Ally) Mellick, one of the many talented actors in the cast, plays the role of Nellie Forbush. Ally is no stranger to the musical having fallen in love with the show and with performing after her mother took her to see SOUTH PACIFIC when she was a kid. Now she gets to take on the role of the fun and sassy Nellie. “Nellie is a very complex character but I do feel that I share similar traits with her. She is a country girl from a small town just like me and we are both fun- loving and easy going. I would even like to say that we are both Cockeyed Optimists! Becoming Nellie Forbush has been a blast because I do get to put a little of myself into the role.”-Mellick

Come relive the beauty and majesty of this one of a kind golden age musical. The show times are based on the days of the week. Wednesday – Saturday performances are at 8pm. Sunday performances are matinees and will start at 3pm.

For more information call the NKU Fine Arts Box Office at 859.572.5464 or go to www.Theatre.nku.edu.

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AS YOU LIKE IT Runs Nov. 21-Dec. 8

Top to bottom: Sophomore Hunter Henrickson as Touchstone, Senior Miranda Kaye Hamilton as Rosalind, and Junior Victoria Hawley as Celia

Top to bottom: Hunter Henrickson as Touchstone, Miranda Kaye Hamilton as Rosalind & Victoria Hawley as Celia

AS YOU LIKE IT
Presented by Northern Kentucky University
Nov. 21-Dec. 8
Highland Heights

Directed by Sandy Forman

AS YOU LIKE IT is considered by many to be one of Shakespeare’s greatest comedies. Rosalind, the daughter of a banished duke falls in love with Orlando the disinherited son of one of the duke’s friends. When she is banished from the court by her usurping uncle, Duke Frederick , Rosalind switches genders and as Ganymede travels with her loyal cousin Celia and the jester Touchstone to the Forest of Arden, where her father and his friends live in exile. As friends are made observations on life and love follow (including love, aging, the natural world, and death). But will these any of them ever find true happiness? Will the Duke finally come to his senses and reunited his family as well as his kingdom? Shakespeare keeps you guessing until the end!

  • Thu-Sat, Nov. 21-23 at 8pm
  • Sun, Nov. 24 at 3pm
  • Wed-Sat, Dec. 4-7 at 8pm
  • Sun, Dec. 8 at 3pm

Official page |

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UCT Announces 2014 Season

UCT_logoTHE UNION COMMUNITY THEATRE 2014 SEASON

THE WHO’S TOMMY
Directed by Roberto Henriquez
March 27, 28, 29, 30, Apr 2, 3, 4, 5
*Auditions to be announced THIS WEEK! *

LITTLE SHOP OF HORRORS
Directed by Laura Boggs
YOUTH PRODUCTION
Oct 1, 2, 3, 4, 8, 9, 10, 11

WHO IS EXCITED? WE ARE! Keep your eyes peeled as we announce Auditions for Tommy this week!

For more information on Union Community Theatre visit www.unionct.net.

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THE WHALE Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

THE WHALE presented by Clifton Players through Oct. 26. Read the show description.

The Clifton Players open their season by ambitiously tackling Samuel D. Hunter’s THE WHALE. The result is an uneven production that stumbles in defining the environment for the show.

Cathy Springfield as Liz & Reggie Willis as Charlie. Photo by Jim Springfield.

Cathy Springfield as Liz & Reggie Willis as Charlie. Photo by Jim Springfield.

Reggie Willis gives a strong performance as 600-pound Charlie. He worked well within the limitations of the body suit. The prosthesis design, by Kelly Yurko, succeeded in bringing the weight to Willis’ face and looked great head-on. Unfortunately, the intimacy of the space doesn’t allow distance to hide problems such as the make-up running onto Charlie’s shirt or the visible “scar” (perhaps a tear in the appliance) on his neck. Several times issues like this pulled focus at certain angles.

Leah Strasser as Ellie & Carter Bratton as Elder Thomas. Photo by Jim Springfield.

Leah Strasser as Ellie & Carter Bratton as Elder Thomas. Photo by Jim Springfield.

Carter Bratton does nice work as Elder Thomas. I really enjoyed both the energy he brought to the character and the physical choices he made for the wayward Mormon. I did think there were a few more comedic opportunities in the script. I also would have like a hint that ET he wasn’t being totally honest.

Cathy Springfield portrays Charlie’s nurse and friend Liz. Springfield has some nice moments when she has a good grasp of the character, but there were other times where she seem to lose that Liz attitude. Her initial outburst at Elder Thomas seemed more like a rant than actual pain or anger. When we learn the connection between Charlie and Liz it seemed to be delivered off-handedly with no break for the audience to comprehend and react. The revelation of Charlie’s betrayal (that is how I would characterize it) was disappointing. Liz immediately turns so her back is facing the audience, and we can’t see her reaction to the news or Charlie’s reaction to Liz’s hurt. Her subsequent lines don’t pack the emotion needed to sell the moment. And the reconciliation in a following scene seemed emotionally-light and rushed.

Leah Strasser as Ellie. Photo by Jim Springfield.

Leah Strasser as Ellie. Photo by Jim Springfield.

I would have liked to see a bit more vocal variety by Leah Strasser as Charlie’s daughter. I understand that Ellie is an angsty teenager mad at the world. But, when every word is uttered with the same vocal intonation, it’s hard to figure out who or what is making her so angry. Opening night, Strasser had a tendency to pounce on her pick-up lines, causing her dialogue to come off prepared instead of spontaneous. I also think there were a few more comedic opportunities in the script for Ellie as well.

Reggie Willis as Charlie & Carol Brammer as Mary. Photo by Jim Springfield.

Reggie Willis as Charlie & Carol Brammer as Mary. Photo by Jim Springfield.

Carol Brammer does some nice work as Mary, Charlie’s ex-wife and mother of Ellie. The chemistry between Charlie and Mary is great and their shared past is easy to believe. I did think Charlie’s weight gain should have had a bigger impact on Mary, considering what he looked like when she knew him, and how long it had been since she had seen him.

So overall a good script with a good cast, although uneven in characterization and emotion.

That being said, for me, attention to detail can make a good show great. There are also times when inconsistencies in choices can draw me out of the show and lessen my enjoyment. In this production, there were decisions in decor, props and blocking left me scratching my head.

Cathy Springfield as Liz, Reggie Willis as Charlie, Leah Strasser as Ellie & Carol Brammer as Mary. Photo by Jim Springfield.

Cathy Springfield as Liz, Reggie Willis as Charlie, Leah Strasser as Ellie & Carol Brammer as Mary. Photo by Jim Springfield.

To get to and to maintain 600 pounds, you have to eat alot of food. (Somewhere in the neighborhood of 9,000 calories per day according to the interweb.) While I don’t expect to see Willis constantly eating, we do need to see evidence of this eating over the course of the five days within the show. As presented, this production implies that Liz is Charlie’s enabler and his only source of food, and this just doesn’t ring true. He also binge eats, so not sure I buy him reaching for an open bag of doughnuts, just eating two, then putting them back.

Also, where is the evidence of food delivery being made to the house? The majority of the debris on the floor is from fast food joints that don’t deliver. Where are the empty cans from his multiple colas each day. The liquid in his giant drink cup looks more like Kool-aid than soda. You would think a man with limited mobility and his health issues would have his myriad of medications at arms reach.

Carter Bratton, Reggie Willis, Cathy Springfield & Leah Strasser. Photo by Jim Springfield.

Carter Bratton, Reggie Willis, Cathy Springfield & Leah Strasser. Photo by Jim Springfield.

Speaking of the debris on the floor. No character in the show makes any attempt to clean up this mess, although all (but Liz) initially react to it. Yet when a bucket of chicken is brought in for a scene, it is struck during the blackout, implying someone is selectively cleaning?

There just doesn’t seem to be any logic to it.

In one scene, Ellie makes a point of not sitting on the couch due to the strong smell coming from it. Yet a day or two later she is fully lounging on the couch with her hooded-head where her father normally sits.

It also goes against credibility to see the character of an experienced nurse fumble with a stethoscope they have used everyday for years. There needs to be a level of comfort with your props.

I’m not listing all these things just to be nit-picky. I’m trying to illustrate that many small issues can have a negative impact on my overall suspension of disbelief.

I applaud the Clifton Players for what they are attempting to do in this intimate theater space, but I think they need to make smarter production decisions and find more creative ways to tackle the limitations of their home venue.

Complete list of show times for THE WHALE.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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EdTA Seeks Membership Service Specialist

EdTA_logoThe Educational Theatre Association (EdTA) is a professional organization for theatre education with approximately 90,000 members nationwide. EdTA’s mission is shaping lives through theatre education by: Honoring student achievement in theatre and enriching their theatre education experience; Supporting teachers by providing professional development, networking opportunities, resources, and recognition; and Influencing public opinion that theatre education is essential and builds life skills. EdTA operates the International Thespian Society (ITS), an honorary organization that has inducted over 2 million theatre students since its founding in 1929.

POSITION:
EdTA seeks a Membership Service Specialist to perform day-to-day customer support and data processing. This is a full-time, entry level position with benefits. This individual will have heavy interaction with members, non-members, and staff.

SUMMARY OF BASIC DUTIES AND RESPONSIBILITIES:
The Membership Service Specialist answers phones, processes an array of transactions, responds to emails, troubleshoots and solves problems, and supports fulfillment of member benefits in many ways. Specialists frequently facilitate successful website navigation for members and non-members. Excellent and accurate communication and computer skills are essential. Knowledge of theatre is a plus.

JOB TITLE: Membership Service Specialist

POSITION REPORTS TO: Membership Manager

EDUCATION REQUIRED: High school diploma. Theatre education is helpful. Basic knowledge of accounting is helpful.

STATUS: Nonexempt; Regular full-time

STARTING WAGE: $11.00 per hour

BENEFITS: Include medical, dental, life, retirement (403 B), vacation, casual work environment

JOB DESCRIPTION:

  • Answers telephone calls and provides prompt, courteous, complete service to members and non-members of the Association. Provides comparable level of professional service with respect to fax, mail, email, and other communications with the Association. Routes incoming calls to Association staff as needed.
  • Enters batches of dues, registration, subscription, merchandise order and other transactions to the association management software modules.
  • Reviews and approves web transactions submitted to the Association website: Schooltheatre.org.
  • Facilitates successful member navigation of the Association website and online transactions.
  • Maintains Association database and records according to established procedures and standards.
  • Fulfills membership benefits (membership cards, certificates, etc.).
  • Process claims for lost magazines, resolve subscription problems, make subscription changes, send back issues, etc. as needed.
  • May serve as liaison with select Association vendors.
  • Provides recruitment information to prospective members.
  • Consults with troupe directors and serves as a reference on membership and troupe management issues.
  • Makes follow-up contact with prospective members to answer questions and encourage membership.
  • Fulfills requests for Association information and supplies from members.
  • Assists with monthly billing as needed.
  • Assists with mailings as needed.
  • May serve as backup to the Inventory and Shipping Coordinator for daily mail procedures including receiving incoming mail, opening, date stamping, sorting, routing, metering, etc.
  • Responsible for checking, monitoring, maintaining, and clearing the Association’s automated telephone system.
  • May be asked to travel on behalf of the Association.
  • Performs other duties as assigned by authorized co-workers. 

SKILLS AND QUALIFICATIONS:

  • Strong customer service skills and experience
  • Strong organization, multi-tasking, and time management skills
  • Very strong verbal and written communication skills
  • Self-motivated self-starter
  • High degree of accuracy is necessary
  • Excellent keyboard skills required (60 WPM minimum)
  • Must be able to maintain a high level of confidentiality and good judgment
  • Positive, team-oriented attitude
  • Knowledge of and experience in theatre is a strong plus 

COMPUTER SYSTEMS USED:

Microsoft Windows, Excel, Word, Outlook, and Internet Explorer. Adobe Acrobat a plus. Association Management Software experience desired.

Please submit cover letter, résumé, salary history and/or requirements by email to:

EdTA
Attn: David LaFleche, Director of Membership
members@schooltheatre.org

No phone calls, please.

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