Monthly Archives: March 2012

ULYSSES runs April 26-28

ULYSSES
Presented by UC College-Conservatory of Music Drama
April 26-28
University Heights

A masterwork of modern literature comes to life. Using the structure of the Homeric Odyssey, the work takes place during Dublin’s “dailiest day possible,” June 16, 1904, as the protagonist, Stephen Dedalus, makes his way through the streets and haunts of the city. At its most basic level, Ulysses is about Stephen’s search for a symbolic father and Leopold Bloom’s search for a son. But the story, so rich with striking characters and wondrous scenes, becomes an unforgettable quest for self. This production features adult themes and situations and is intended for mature audiences.

Adapted by Alison Vodnoy Wolf
Directed by Michael Burnham

Cast: Alyssa Caputo, Jaclyn Chantel, Kate Daugherty, Hannah Halvorson, Will Kiley, Brynn Langford, John Patrick Maddock, Mary Malloy, Megan Marshall, Madeline McKenzie, John Odom, Callie Schuterra, Shaun S. Sutton, Mariel Tompkins, Mia Vera,& Ian Weber

  • Thu-Fri, April 26-27 at 8pm
  • Sat, April 28 at 2pm & 8pm

Admission is free, but reservations are required. Tickets become available on Monday, April 23 at noon. Limit two tickets per order.

Official page | FaceBook event |

Local media coverage: Enquirer article |

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AL DURA: TRUTH OR DECEPTION? on April 24

al Dura: Truth or Deception?
Presented by Cincinnati Playwrights Initiative
April 24
Downtown

Loosely based on a tragic incident in the Middle East, as well as a follow-up notorious round of court battle in Paris, France. On September 30, 2000, France 2 TV broadcast footage of a shootout in Gaza, zooming in on a Palestinian father and his 12-year-old son taking cover behind a concrete drum. According to the report, filmed by a Palestinian reporter for the state-run French network, the boy, Mohammed al Dura, was gunned down by the Israeli forces . . . but was he really . . . ? What you hear from the media is not always the truth, and too often the media become the NEWS. . . .

Written and directed by Kalman Kivkovich

Cast: Ed Barzee as Philippe Karsenty, David Bezona as Marc Levy, Clint Bramkamp as Professor Richard Landes, Angela Forbes as Radio Reporter, Dennis Blom as TV Reporter, Chessie Vigran, Dee Dunn, Tim Bessler, Jay A. Goldfarb & J. Lee Rasmussen

  • Tue, April 24 at 7:30pm

Official page | Online ticketing | FaceBook event |

Local media coveage: Cincinnati Examiner article |

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Centers Earns LCT Award for RAPUNZEL! RAPUNZEL!

David A. Centers Earns a League of Cincinnati Theatres Award for Children’s Theatre Production of RAPUNZEL! RAPUNZEL! 

(CINCINNATI, MARCH 27, 2012)– David A. Centers, scenic designer for The Children’s Theatre of Cincinnati, has been recognized with a League of Cincinnati Theatres (LCT) Award for the company’s production of RAPUNZEL! RAPUNZEL! A Very Hairy Fairy Tale. Centers received an LCT Award in the same category earlier this year for his work on the company’s production of Disney’s MY SON PINOCCHIO JR.

Centers scenic design for the show was described as “simple and very well executed in a style that was great for the play.” In addition to the show’s signature tower, the set also boasts a forest that “wasn’t too dank, dark and dismal, but instead had personality.”

RAPUNZEL! RAPUNZEL! is a world premiere musical that offers numerous new twists on the classic fairy tale thanks to its playwrights/composers, the local team of Janet Yates Vogt and Mark Friedman. Still front and center is a beautiful princess with extra long hair, locked by the evil Lady Zaza in a tower guarded by a 17-foot dragon. Lady Zaza aims to keep Rapunzel from her rightful place as ruler of the kingdom, until the arrival of a handsome suitor who’s not entirely certain for what he’s searching.

Performances for RAPUNZEL! RAPUNZEL! continue through March 31. Ticket information is available at www.thechildrenstheatre.com.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.info.

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TIGERS BE STILL Earns LCT Award for Sound Design

Vincent Olivieri Earns League of Cincinnati Theatres Award for Sound Design in Cincinnati Playhouse in the Park’s TIGERS BE STILL

Lindsey Kyler as Sherry and Eric Nelsen as Zack. Photo by Sandy Underwood.

(CINCINNATI, MARCH 27, 2012)– Vincent Olivieri, sound designer for the Cincinnati Playhouse in the Park’s production of TIGERS BE STILL, has earned a League of Cincinnati Theatres (LCT) Award for his work. According to LCT panelists, “Olivieri set the tone, mood and memory through a deft and specific soundscape.”

Written by Kim Rosenstock, TIGERS BE STILL is billed by the Playhouse as a darkly funny and moving new comedy about a young woman juggling the excitement of her first job with even bigger challenges at home: a depressed mother who won’t get out of bed and a sister who won’t get off the couch.

Panelists described Olivieri’s sound design as key to the show’s success. “On a very small stage, scenes took place in a school gym, drugstore, office, closet, outdoors and in the living spaces of two houses. Except for the main set, capturing the essence of these scenes was limited to a couple of props and pieces of furniture — and the sound!,” said one LCT panelist. “The sound effects were so believable that I was in that school gym with the scratchy microphone, in that store with the scanner, watching the movie with the characters — and I knew there were dogs behind that basement door. Bravo.”

Olivieri also created the sound design for TIGERS BE STILL director Rob Ruggiero’s previous productions of HIGH and LAST TRAIN TO NIBROC at the Playhouse. Locally, he’s additionally worked frequently at Ensemble Theatre of Cincinnati.

TIGERS BE STILL continues through April 15. Ticket information is available at www.cincyplay.com.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.info.

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TIGERS BE STILL Review

Lindsey Kyler as Sherry and Eric Nelsen as Zack. Photo by Sandy Underwood.

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

TIGERS BE STILL presented by Cincinnati Playhouse in the Park through April 15. You can read the show description here.

I do want to say up front, that using laughter as an indicator, the audience as a whole, enjoyed the production much more than I did.

Some of you may remember those television commercials that would intone, “Four out of five doctors recommend” such and such a product? Apparently when it comes to theater, I’m that one dissenting voice more often then I care to be.

When I go to see a show, I’m prepared to go along for the ride, but my willing suspension of disbelief does have its limits. The more mine is taxed, the less likely I can hold on to it for the entire show. When the main conceit of the show forces you, against all logic, to accept that there are no other “locations” for the therapy sessions to take place, the play is starting out on extremely shaky ground for me. Adding more conceits, on top of this over the course of the play, strained it even further.

Joanne Tucker as Grace, Eric Nelsen as Zack and Lindsey Kyler as Sherry. Photo by Sandy Underwood.

Also problematic was the large number of scenes. There is no breakdown in the program but it seemed to be more than 12 but less than 20. It felt like every time the play started to gain some momentum, we would be handed a tidbit of information that abruptly ended the scene. These bits of information would have had more value if there was some emotional depth in the performances added to the thin script. I don’t find fault with the acting, as I felt the four-person ensemble (Lindsey Kyler as Sherry, Darrin Baker as Joseph, Eric Nelsen as Zack & Joanne Tucker as Grace) were giving exactly what they were directed to do, I just found most of the performances to be emotionally forced at the beginning. It felt like the director (Rob Ruggiero) was more interested in the audience laughing at the extreme antics of the characters than the absurdity of the situations. Laughing at them as caricatures instead of with them as people, if you will.

Darrin Baker as Joseph & Eric Nelsen as Zack. Photo by Sandy Underwood.

An example of a missed opportunity was the scene with Joseph and Zack where Joseph was trying to cancel his wife’s magazine subscription. If we would wonderful to have seen more of Zack’s emotional struggle in recognizing his father’s pain but feeling unable to offer any comfort. This would have given his “big reveal” more impact.

Given the space limitations of the theater, the multi-level set was very impressive. I really enjoyed the pre-show music choices, but I did find some of the sound cues during the performance itself a bit on the too loud side.

Overall, I did like where most of the characters ended up, but I didn’t find the journey getting there to be worth the one hour and forty-minute intermission-less wait.

Click here for a complete list of show times, articles and other reviews for TIGERS BE STILL.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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