Tag Archives: UC College-Conservatory of Music

WITCH Runs Nov. 14-17

WITCH
UC College-Conservatory of Music & The Carnegie
Nov. 14-17
The Carnegie [Covington]

Cast: Staylie Grace as Winnifred, Nico Graves as Scratch, Nikolas Gray as Frank, Carson Mehlbauer as Cuddy, Debra Najor as Elizabeth, Samuel Stricklen as Arthur, Victor Brame as Understudy & Katie Reeser as Understudy

A beguiling devil arrives in a quiet English town to bargain for the souls of its residents in exchange for their darkest wishes — unexpected passions flare, alliances are formed, and the village is forever changed. The Carnegie and the University of Cincinnati College-Conservatory of Music join forces to present this smart modern fable that explores the intricacies of temptation and resilience. Jen Silverman’s bold transformation of a Jacobean drama begs the question: would you know what to ask for if the Devil came knocking on your door?

  • Thu-Fri, Nov. 14-15 at 7:30pm
  • Sat, Nov. 16 at 2pm & 7:30pm
  • Sun, Nov. 17 at 3pm

Official page | Facebook event |

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Cast Announced for CCM’s WITCH at The Carnegie

TC_logo_newJen Silverman’s dark comedy comes to life at The Carnegie this November in partnership with the University of Cincinnati College-Conservatory of Music – CCM. The cast features CCM Acting students alongside faculty member Samuel Stricklen.

A beguiling devil arrives in a quiet English town to bargain for the souls of its residents — unexpected passions flare, alliances are formed, and the village is forever changed. Silverman’s bold transformation of a Jacobean drama begs the question: would you know what to ask for if the Devil came knocking on your door?

Cast:

  • Staylie Grace as Winnifred
  • Nico Graves as Scratch
  • Nikolas Gray as Frank
  • Carson Mehlbauer as Cuddy
  • Debra Najor as Elizabeth
  • Samuel Stricklen as Arthur
  • Victor Brame as Understudy
  • Katie Reeser as Understudy

Performances run Nov. 14-17.

For more information visit www.thecarnegie.com/whats-on/witch.

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LA FINTA GIARDINIERA (THE PRETEND GARDEN GIRL) Runs Oct. 31-Nov. 2

LA FINTA GIARDINIERA (THE PRETEND GARDEN GIRL)
UC College-Conservatory of Music
Oct. 31-Nov. 2
Patricia Corbett Theater [University Heights]

Directed by Brian Robertson
Guest conducted by Gary Wedow

If you’re falling in love with the new girl gardener, make sure she’s not your estranged wife first. A musical chairs approach to romance, La Finta Giardiniera features feuding lovers, silly disguises and temporary insanity. CCM sets the story on the backlot of a sound stage for a reality TV show. Enjoy the hijinks both on and off stage as the reality show’s cast and crew try to complete the making of La Finta Giardiniera. Sung in Italian with English subtitles. 

  • Thu-Sat, Oct. 31-Nov. 2 at 8pm

Official page | Facebook event |

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Performance Masterclass Series Available at University of Cincinnati College-Conservatory of Music

CCM_logoPerformance Masterclass Series

This series of masterclasses will offer a chance for individual students to learn from and perform in front of CCM faculty, leading Broadway actors, directors, casting directors, agents, and/or other creatives, and receive feedback. A cornerstone of exceptional theatrical training involves observing peers work with professionals like these, as well as getting to work with them personally! A few of the Masterclasses offered will be in Intimacy Coaching, Improvisation, Voiceover work, Dance, Puppetry plus many many more. Sign up for the entire series OR drop in on a few!

Suggested Ages: 13 & up (unless otherwise noted) Attire: Comfortable clothing that does not restrict movement. Moderator: Bethany Xan Kerr Want to register for it all? Select “Register Now”. Only available to attend on specific dates? Select “Drop-in” and pick whichever dates work in your schedule

Please use this link to sign up for Masterclasses.  https://go.asapconnected.com/?org=1185#CourseID=300839

1st semester:

  • Sept 14 – Binh Anh Le and Ashley May Burkhardt – Music and Storytelling workshop
  • September 28 – Jason Alexander Holmes – Musical Theatre Choral workshop
  • October 12 – David Choate from Revolution Dance Theatre – Dance workshop
  • November 2 – Erin Carr – Intimacy Coordinator Workshop (Ages 13 and up only please.)
  • November 16 – Ken jones – Improv workshop

2nd semester:

  • February 1 – Mimi and Russell White – Puppetry Workshop recommended ages 9 and up)
  • February 22nd – Ian Axness (CCM Assistant Professor of Musical Theatre and Resident Music Director – Musical Theatre Audition (for conservatory) workshop
  • March 8 – Rad Pereira – Bipoc, queer author and advocate (ZOOM)
  • April 5 – Samuel Strickland CCM Assistant Professor of Acting – Viewpoints workshop
  • April 19 – Jeffrey Heimbrock – Broadway swing/star (ZOOM)

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Cincinnati Opera and CCM to Workshop HILDEGARD

A new opera by Sarah Kirkland Snider, commissioned and produced by Beth Morrison Projects, through Opera Fusion: New Works partnership

The workshop culminates in a free, public presentation of excerpts from the opera on Thursday, October 10.


CINCINNATI (September 11, 2024)—Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) have announced the next opera to be workshopped through their joint program, Opera Fusion: New Works (OF:NW): Hildegard, with music and libretto by Sarah Kirkland Snider.

Commissioned and produced by Beth Morrison Projects, Hildegard imagines three of the most pivotal events in the life of 12th-century German Benedictine nun, visionary, composer, and polymath Hildegard von Bingen. It’s the year 1147, and Hildegard begins transcribing her visions of God. She enlists the assistance of a young convalescent, Richardis von Stade, and the two women quickly develop a transformative partnership that awakens them creatively, spiritually, and—much to the internal conflict of both women—romantically. In the meantime, a dispute with Hildegard’s superior costs her and her novitiate daughters the right to make music, underscoring Hildegard’s fundamental lack of agency in the male-dominated monastic culture and jeopardizing her standing within the Church. As Hildegard anxiously awaits the Pope to declare her prophet or heretic, the love between Hildegard and Richardis becomes impossible to ignore, and an unforeseen crisis threatens both their hard-won accomplishments and the intimacy, in all its complexity and secrecy, that has become their salvation.

Sarah Kirkland Snider
Composer/Librettist
Photo: Shervin Lainez

Opera Fusion: New Works (OF:NW) is co-directed by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, and provides composers and librettists the opportunity to collaborate with singers and creative personnel to refine their operas-in-progress. During the October workshop for Hildegard, Snider will work to further develop the work alongside director Elkhanah Pulitzer, dramaturg Annie Wang, and a cast of singers that includes Kiera Duffy as Hildegard and Mikaela Bennett as Richardis.

A public performance of excerpts from Hildegard will take place on Thursday, October 10, 2024, at 7:30 p.m. (ET) at Cincinnati Music Hall’s Wilks Studio (1241 Elm Street, Cincinnati, OH 45202). Admission to the public performance is free, though seating is limited and reservations are required. Reservations are available by calling 513-241-2742 or visiting cincinnatiopera.org.


About Opera Fusion: New Works
Funded through a generous gift from the Mellon Foundation, Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. This collaboration is jointly led by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera. OF:NW offers composers or composer/librettist teams the opportunity to workshop an opera during a residency in Cincinnati. Residencies utilize the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a free public presentation of excerpts followed by an audience Q&A session. For more information, visit ofnw.org.

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers 10 degree types (BA, BFA, BM, MA, MFA, MM, MME, AD, DMA, PhD) in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs and workshops. The college also offers a new graduate certificate in Music Pedagogy and two academic minors (Media Production, Music).

Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy), and more. CCM Voice and Opera program support is provided by the Mellon Foundation for Opera Fusion: New Works, The Louise Dieterle Nippert Musical Arts Fund, and the Patricia A. Corbett Estate. Additional support for CCM’s undergraduate opera productions is provided by Rafael and Kimberly de Acha. Guest directors for the 2024-25 season are supported by the Bacchus Legacy Foundation. To learn more, visit ccm.uc.edu.

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project is supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Opera Fusion: New Works receives generous funding from the Mellon Foundation. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a proud member of OPERA America. Learn more at cincinnatiopera.org.

About Beth Morrison Projects
Founded in 2006 to support the work of living composers and their multi-media collaborators, Beth Morrison Projects encourages risk-taking, creating a structure for new work that is unique to the artist and allows them to feel safe to experiment and push boundaries. Noted as “the edge of innovation” (Opera News), Beth Morrison Projects is a “contemporary opera mastermind” (Los Angeles Times) and “its own genre” (Opera News). Projects have been performed at numerous prestigious venues and festivals around the world including Brooklyn Academy of Music, Disney Hall, The Barbican, Lincoln Center, The Walker Art Center, The Beijing Music Festival, New Visions Arts Festival, The Holland Festival, O Festival Rotterdam, and more. Recent and upcoming projects include works by composers Michael Gordon, Ted Hearne, Huang Ruo, David T. Little, Missy Mazzoli, Emma O’Halloran, Paola Prestini, Ellen Reid, Sarah Kirkland Snider, and more, with directors Tom Creed, James Darrah, Rachel Dickstein, Lee Sunday Evans, Patricia McGregor, Zoe Aja Moore, Kevin Newbury, Matthew Ozawa, Karmina Silec, Jay Scheib, Michael VQ, and Basil Twist.

About Beth Morrison
Recipient of the Musical America Award for Best Artist of the Year and Agent of Change, and a Kennedy Center Next50 Honoree, Beth Morrison is hailed as a “contemporary opera mastermind” (Los Angeles Times) and “a powerhouse leading the industry to new heights” (WQXR). She created Beth Morrison Projects (BMP) in 2006 to identify and support the work of emerging and established living composers, and to create a new kind of opera, and Opera News has noted: “More than any other figure in the opera industry, Beth Morrison has helped propel the art form into the twenty-first century.” In 2013, Beth co-founded the PROTOTYPE Festival with HERE, which has become “essential to the evolution of American opera” (New Yorker).

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