Tag Archives: UC College-Conservatory of Music

HÄNSEL UND GRETEL Runs Feb. 13-15

HÄNSEL UND GRETEL
UC College-Conservatory of Music Opera Undergraduate Opera d’Arte Series
Feb. 13-15
Cohen Family Studio Theater [University Heights]

Directed by Kenneth Shaw
Music directed and conducted by Brett Scott
Produced by Amy Johnson

CCM’s nationally recognized Opera d’arte leans toward the dark side. The beloved, tuneful melodies remain, while CCM’s undergraduate singers transform the Grimm Brothers’ fairy tale into a cautionary tale highlighting family and child protection. Sung in German with English supertitles.

  • Thu-Sat, Feb. 13-15 at 8pm

Official page | Facebook event |

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SEUSSICAL Brings the Beloved World of Dr. Seuss to Life at The Carnegie This Winter

Image by scenic designer Tyler Gabbard.

In partnership with the University of Cincinnati College-Conservatory of
Music

The family-friendly musical comes to Covington January 31–February 16

The Carnegie and University of Cincinnati College-Conservatory of Music (CCM) are joining forces this winter for a wildly imaginative, all-new production of SEUSSICAL. Audiences are invited to step into the magical world of Dr. Seuss as his beloved characters come alive in a joyous adventure for the whole family. This enchanting musical immerses audiences in a fantastical journey that sparks laughter, captures hearts, and leaves lasting memories. Featuring a cast of students from the Musical Theatre program at CCM, SEUSSICAL will transport both young and old to a place where imagination knows no bounds!

“Whether you’re discovering SEUSSICAL for the first time or you’re a long-time fan, you’ll delight in this wonderfully creative production,” says Tyler Gabbard, Director of Theatre at The Carnegie. “The creative team and cast are bringing a vibrant new vision to the show that celebrates the power of theatre—its ability to spark imagination, transport us to new worlds, and embrace our differences. It’s SEUSSICAL like you’ve never seen before!”

The production is directed by Rachel Stevens. A director, developer, educator and acting coach, Stevens was assistant director on the Broadway run of the Tony Award-winning musical Natasha, Pierre & the Great Comet of 1812. Her Off-Broadway credits include Smart Blonde (associate director, 59E59) and
Preludes (assistant director, Lincoln Center Theater, LCT3), and her New York directing and devising credits include work with The Civilians’ R&D Group, SheNYC Festival, NYMF, Theatre Now, TheaterWorksUSA and New York Film Academy. Her regional credits include a production of Natasha, Pierre & the Great Comet of 1812 at American Repertory Theatre directed by Rachel Chavkin and The Bandstand at Paper Mill Playhouse directed by Andy Blankenbuehler, along with productions at Quantum Theatre, City Theatre Company and Front Porch Theatricals. Stevens, along with choreographer Jessica Harris and music director Julie Spangler, are on the Musical Theatre faculty at CCM; all three are making their Carnegie debut.

Returning to The Carnegie, Monique Churchill delighted audiences with her BroadwayWorld Award-winning turn as Lauren in Kinky Boots. Churchill plays lovable bird next door Gertrude McFuzz. Carnegie audiences will also recognize Matthew Danforth who appeared alongside Churchill in Guys and Dolls.

Tickets range from $18-$45 and may be purchased by calling (859) 957-1940 or by visiting www.thecarnegie.com.

CREATIVE TEAM

  • Director: Rachel Stevens
  • Choreographer: Jessica Harris
  • Music Director: Julie Spangler
  • Scenic Designer: Tyler Gabbard
  • Costume Designer: Charlotte Campbell Parrott
  • Lighting Designer: Julie Cowger
  • Sound Designer: Dani Lobello
  • Wig Designer: Candace Leyland
  • Producer: Tyler Gabbard

CAST

  • Cat in the Hat: Joey Baccioco
  • Horton the Elephant: Matthew Danforth
  • Gertrude McFuzz: Monique Churchill
  • Mayzie LaBird: Sydney Short
  • Sour Kangaroo: Essence Bell
  • Jojo: Carter Minor
  • Ensemble: Arden Allmon, Dominic Carroll, Ry Dever, Josh Devine, Nick Gundrum & Indya Lincicome
  • Standbys: Grace Baker, Edin Kebede, Jack Haroutunian & Gabe Raskind

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About The Carnegie
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center. More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. The Carnegie receives ongoing operating support from the Kentucky Arts Council, City of Covington, Kenton County Fiscal Courts, Carol Ann & Ralph V. Haile, Jr. Foundation, the Greater Cincinnati Foundation, and Cincinnati International Wine Festival

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Cincinnati Opera and CCM to Host Free, Public Preview of LALOVAVI

A new opera by Kevin Day and Tifara Brown, on February 1, 2025, as part of Opera Fusion: New Works partnership

Commissioned by Cincinnati Opera, LALOVAVI will receive its world premiere in 2026


CINCINNATI (December 11, 2024)—Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) invite the public to a free preview of Lalovavi, a new opera by composer Kevin Day and librettist Tifara Brown.

Taking place February 1, 2025, the event is part of CCM and Cincinnati Opera’s creative partnership, Opera Fusion: New Works (OF:NW), and will feature a performance of excerpts from Acts II and III of the opera, following a May 2024 performance that highlighted Act I. This event marks an exciting milestone in the development of Lalovavi, which will premiere in summer 2026 as part of Cincinnati Opera’s trailblazing Black Opera Project.

Lalovavi is an Afrofuturist opera set 400 years into the future. It follows the journey of Persephone, the youngest teenage daughter of the Primus of Atlas, formerly the city of Atlanta. Currency and status in Atlas are determined based on the presence of Syndica, a rare gene that promotes vitality and longevity. When Persephone is found to possess this gene, she is betrayed by her family and must run for her life. She is thrust into an epic adventure, uncovering a hidden past that leads her to discover love’s true meaning and the power to determine her own destiny.

Opera Fusion: New Works (OF:NW) is co-directed by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, and provides composers and librettists the opportunity to collaborate with singers and creative personnel to refine their operas-in-progress. Lalovavi will receive a 10-day workshop, during which Day and Brown will work alongside stage director and dramaturg Kimille Howard, conductor Kevin Miller, and a cast of singers to further develop the work, culminating in the performance of excerpts.

EVENT DETAILS

What:
Opera Fusion: New Works presents Lalovavi

When and Where:
Saturday, February 1, 2025 | 2 p.m.
Wilks Studio at Cincinnati Music Hall
1241 Elm Street, Cincinnati, OH 45202

Tickets:
Admission is free, though seating is limited and reservations are required. Reservations are available by calling 513-241-2742 or visiting cincinnatiopera.org.


About Opera Fusion: New Works
Funded through a generous gift from the Mellon Foundation, Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. This collaboration is jointly led by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera. OF:NW offers composers or composer/librettist teams the opportunity to workshop an opera during a residency in Cincinnati. Residencies utilize the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a free public presentation of excerpts followed by an audience Q&A session. For more information, visit ofnw.org.

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers 10 degree types (BA, BFA, BM, MA, MFA, MM, MME, AD, DMA, PhD) in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs and workshops. The college also offers a new graduate certificate in Music Pedagogy and two academic minors (Media Production, Music).
Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy), and more. CCM Voice and Opera program support is provided by the Mellon Foundation for Opera Fusion: New Works, The Louise Dieterle Nippert Musical Arts Fund, and the Patricia A. Corbett Estate. Additional support for CCM’s undergraduate opera productions is provided by Rafael and Kimberly de Acha. Guest directors for the 2024-25 season are supported by the Bacchus Legacy Foundation. To learn more, visit ccm.uc.edu.

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Opera Fusion: New Works and The Black Opera Project receive generous funding from the Mellon Foundation. Lead funder for Lalovavi is the David C. Herriman Fund of Greater Cincinnati Foundation. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more at cincinnatiopera.org.

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WITCH Review

By Katrina “Kat” Reynold

WITCH presented by UC College-Conservatory of Music and The Carnegie through November 17th. I attended the Opening Night performance. 

Carson Mehlbauer as Cuddy Banks & Nikolas Gray as Frank Thorney. Photo by Mikki Schaffner Photography.

As part of its new artistic partnership with The Carnegie, UC College-Conservatory of Music (CCM) is bringing WITCH by Jen Silverman to audiences this weekend. Described as “an inventive retelling of a Jacobean drama” (aka The Witch of Edmonton), the fable debates how much souls are actually worth when hope seems lost.

Director Lindsey Augusta Mercer has gathered an impressive village to surround an equally impressive group of CCM students. Pacing of the show is strong and the aesthetics are top-notch. Scenic Design by Doug Stock is quite literally worth the price of admission alone (and mad props to Scenic Carpenters Ethan Kuchta, Jack Murphy, Nathan Neorr, and Patrick Earl Phillips for their execution of it). Excellent, detailed work is also done by Costume Designer Maria Fernanda Ortiz Lopez – she is absolutely one of my favourites in terms of costuming that I have seen in recent years. Finally, particular kudos to Fight Director Gina Cerimele-Mechley for a beautifully choreographed fight scene on stairs. Bra – freaking – va!

WITCH boasts a solid ensemble of performing artists, but this should come as no surprise to CCM fans. Starting the show off strong is Debra Najor as our titular character. Ms. Najor’s delivery of the fresh dialogue is both confident and natural. When I grow up, I’d like to play the role of Scratch – but thankfully until I do, Nico Graves’ iteration of this character will more than satiate your desires. Mx. Graves excels at the physical embodiment of a presumed evil and then just as easily shows us a charming and sensitive side few could resist – excellent work! Finally, special shout-out to Carson Mehlbauer who gives a top-notch turn as Cuddy Banks, an unlikely heir. Mr. Mehlbauer carries out his character’s roller coaster of an arc with the skill envying those of many professionals in the city and beyond. Without a doubt, you will not want to avert your eyes from him when he is present in a scene.

While placed in a very different time period WITCH is ridiculously poignant and significant today, especially in light of some very recent events. The themes of hope and enduring through tough times are ultimately relatable and the play is in turn engaging. Mx. Mercer et al have bestowed a lovely gift upon theatre-goers with this piece and I highly encourage those who were not present for its opening to try and attend before it closes this coming Sunday. What do you do when hope seems lost? For me, theatre helps.

Click here for more information about the production.

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DANCE WORKS Runs Dec. 5-8

DANCE WORKS
UC College-Conservatory of Music Dance
Dec. 5-8
Patricia Corbett Theater [University Heights]

The mixed repertoire program features “Stretto” choreographed by guest artist Matthew Farmer and set to Bach’s Cello Suites, performed by a CCM student with music direction by Aik Khai Pung; a work en pointe choreographed by Cincinnati Ballet guest artist David Morse; and additional modern and ballet works.

  • Thu-Fri, Dec. 5-6 at 8pm
  • Sat, Dec. 7 at 3pm & 8pm

Official page | Facebook event |

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