Tag Archives: UC College-Conservatory of Music

Broadway Alumni Present Cabaret to Mark CCM Musical Theatre’s 50th Anniversary

CCM_50th Anniversary Cabaret promo

Join CCM Musical Theatre alumni from the past five decades and current students in a cabaret of songs from Broadway, Off-Broadway and the Great American Songbook
on Sept. 16, 2018.

CINCINNATI, OH — The University of Cincinnati College-Conservatory of Music celebrates the 50th anniversary of its legendary Musical Theatre program with a Birthday Cabaret at 6 p.m. on Sunday, Sept. 16, 2018 in Patricia Corbett Theater. Featuring the program’s first graduate Pamela Myers, our newest stars of tomorrow and star performers from Broadway and beyond, the Birthday Cabaret promises to be a tuneful and invigorating tribute to 50 years of CCM Musical Theatre excellence.

Devised and directed by CCM Musical Theatre Chair Aubrey Berg and musical theatre alumnus Scott Coulter (BFA, 1993), with musical direction by Julie Spangler, the Birthday Cabaret offers Cincinnati audiences an unforgettable performance that showcases nearly a dozen alumni who represent five decades of CCM Musical Theatre. The program includes songs from Broadway, Off-Broadway and the Great American Songbook.

Alumni guest artists include Tony Award winners and nominees, stars who have appeared on Broadway and in regional theatres, and artists who have performed with renowned orchestras in concert halls throughout the country — all of whom studied at CCM before launching careers on the world’s stage. A full list of alumni guest artists can be found below.

CCM’s newest stars of tomorrow, the Musical Theatre class of 2019, will also perform a new song, which was written by composer and lyricist Andre Catrini (BFA Musical Theatre, 2011) to mark the program’s golden anniversary.

CCM conferred the United States’ first BFA in Musical Theatre to Pamela Myers in 1969. The first program of its kind in the country, CCM Musical Theatre was used by the National Association of Schools of Theatre in formulating the guidelines for the accreditation of Musical Theatre programs nationwide. Fifty years later, graduates continue to work on Broadway and throughout the nation in such productions as Anastasia, Hamilton, Waitress, The Book of Mormon, Pippin, Wicked, Jersey Boys, Les Miserables, Kinky Boots, Big Fish, Newsies and The Lion King.

During the 2017-18 season, CCM again took the No. 2 spot in Playbill Magazine’s list of “10 Most Represented Colleges on Broadway,” coming behind only New York University. CCM Musical Theatre is widely recognized for its “triple-threat” approach to training.  Graduates represent CCM in national and international touring productions, in dinner theatres and theme parks, on cruise ships, on television, in talent agencies, and as producers and creative artists in every facet of the entertainment industry.

Tickets for CCM Musical Theatre’s Birthday Cabaret are on sale now! Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office. Complete event information is below.

BIRTHDAY CABARET GUEST ARTISTS

Pamela Myers (BFA, 1969) made her Broadway debut as Marta in the original cast of Stephen Sondheim’s musical Company, introducing the show-stopping number “Another Hundred People.” She was nominated at the 1971 Tony awards for Best Performance by a Featured Actress in a Musical. Myers has appeared with Marvin Hamlisch and Jerry Herman on In Performance At The White House on PBS and guest starred on numerous TV shows. Myers has also guest starred with the Boston Pops, the Cincinnati Pops, and the Carnegie Hall Tribute to Judy Garland.

Faith Prince (BFA, 1979) established herself as a Broadway star with her portrayal of Miss Adelaide in the much-acclaimed 1992 revival of Guys and Dolls, for which she won both the Tony and Drama Desk Awards as Best Actress in a Musical. In 2001, she was again nominated for Tony and Drama Desk Awards for her portrayal of Ella Peterson in the 2001 revival of Bells Are Ringing. She was also featured in the 2008 Broadway musical A Catered Affair, for which she received Tony and Drama Desk nominations.

Jan Horvath (BFA, 1980) was in the original Broadway company of Hal Prince’s The Phantom of the Opera. Broadway credits include The Threepenny Opera, Sweet Charity, Oliver! andStardust. Internationally, she starred as Queen Isabella in the world premiere of Encounter 500 at La Sistina in Italy, and was featured in Bernstein’s Mass at the Vatican as part of the Jubilee Celebration. She made her Carnegie Hall debut singing in Bernstein’s Mass in 2002 and also appeared there with the New York Pops in “The Three Broadway Divas” concert.

Jessica Hendy (BFA, 1993) made her Broadway debut in the original cast of Cats in 1999. She has also performed in Aida and Amour on Broadway and in the national tour of Joseph and the Amazing Technicolor Dreamcoat. Regional credits include Next to Normal, The Great American Trailer Park Musical, Miss Saigon and The Gift of the Magi, among others. Hendy has also appeared as a guest soloist with the Cincinnati Symphony Orchestra, Long Beach Symphony Orchestra, Modesto Symphony, Grand Rapids Symphony and Kentucky Symphony Orchestra.

Scott Coulter (BFA, 1993), one of New York’s most honored vocalists, has received five Manhattan Association of Cabarets and Clubs (MAC) Awards, five Bistro Awards and two Nightlight Awards for Outstanding Vocalist. He spent a record-setting eight months Feinstein’s at The Regency performing the revue 11 O’clock Numbers at 11 O’clock, which he also co-created, directed and musically arranged. Scott was director and star of A Christmas Carol: The Symphonic Concert in its world premiere with the Baltimore Symphony and reprised his performance in the Emmy-nominated PBS production.

Lisa Howard (BFA, 1997) has starred on Broadway in Priscilla, Queen of the Desert, 9 to 5, the Tony Award-winning revival of South Pacific and The 25th Annual Putnam County Spelling Bee, for which she won a Drama Desk Award. She has performed in Spot-On Entertainment Co.’s “Broadway Today,” the Kaufman Center’s Broadway Close-up Series “Stephen Schwartz: Magic to Do” and William Finn’s “More Infinite Joy” and “Even More Infinite Joy” at Merkin Hall. She has sung with the Cincinnati Symphony and with Peter Nero and the Philly Pops.

Kristy Cates (BFA, 1999) made her Broadway debut in the original cast of Wicked, which won three Tony Awards, six Drama Desk Awards and the original cast album received a Grammy Award. Cates is perhaps best known for her role as Elphaba in Chicago’s production of Wicked. She also appeared in Princess Ida and in the Off-Broadway production of Boobs! The Musical. In 2016 she portrayed Ms. Basset in Broadway’s Finding Neverland. She most recently played the role of Grandma Josephine in Charlie and the Chocolate Factory.

Liz Pearce (BFA, 2000) is an actor, singer and dancer who currently lives in New York City. She has performed on Broadway, at Radio City Music Hall, in London’s West End, in National and International tours and at countless regional theatres across the country. Her Broadway credits include roles in the original casts of Billy Elliot and Metropolis. She has also appeared in national tours of Little Shop of Horrors, Seussical, Chicago, Scooby Doo in Stage Fright and Jesus Christ Superstar.

Ashley Brown (BFA, 2004) originated the title role in Broadway’s Mary Poppins for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress. Brown starred as Mary Poppins in the musical’s national tour, where she received a 2010 Garland award for “Best Performance in a Musical.” Other Broadway credits include Belle in The Beauty and The Beast. She previously played Magnolia in Francesca Zembello’s Showboat at the Lyric Opera of Chicago and recently returned to star in the role of Laurey in Oklahoma.

Katie Johannigman (BFA, 2012) began her career when she was only in the eighth grade by joining the national tour of Oliver!. Her other professional credits include Thoroughly Modern Millie, Pirates!, The Light in the Piazza, Anything Goes, Mary Poppins, Company, Cats andChicago. Her work as a choreographer has appeared at the Connecticut Repertory Theatre, The Human Race Theatre and the Broadway Method Academy, where she served as Artistic Director. She is currently a Visiting Assistant Professor of Musical theatre at CCM.

Raven Thomas (BFA, 2016) started her professional career in the performing arts shortly after graduating from CCM by joining the national tour of Lin-Manuel Miranda’s Hamilton, which won 11 Tony Awards in 2016. Cincinnati audiences may recognize her from CCM’s 2015 Mainstage production of Carousel, where she played the role of Mrs. Mullin. Thomas also played the role of Pilar in CCM’s 2014 Mainstage production of Legally Blonde.

PERFORMANCE TIME
6 p.m. Sunday, Sept. 16, 2018

Please note: Please note that the start time for CCM Musical Theatre’s 50th Anniversary Birthday Cabaret has changed due to a scheduling conflict with an FC Cincinnati game occurring in UC’s Nippert Stadium.

LOCATION
Patricia Corbett Theater, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM Musical Theatre’s Birthday Cabaret are $20 general, $15 non-UC students, and FREE for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates. For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available offcampus at the U Square complex on Calhoun Street and other neighboring lots. For directions to CCM Village, visit ccm.uc.edu/about/directions.

Musical Theatre Birthday Cabaret Sponsors: J. Brett Offenberger & Douglas E. Duckett and Cincinnati Dreams Come True Inc.

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at http://ccm.uc.edu.

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Cincinnati Opera and CCM’s OPERA FUSION: NEW WORKS Announces Fall 2018 Residencies

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EURYDICE
Music by Matthew Aucoin
Libretto by Sarah Ruhl
November 8-17, 2018
Free public performance of excerpts on Saturday, November 17

 POSTVILLE: HOMETOWN TO THE WORLD
Music by Laura Kaminsky
Libretto by Kimberly Reed
December 2-6, 2018

Free public performance of excerpts on Thursday, December 6 

Funded by The Andrew W. Mellon Foundation, the workshops will use the combined resources of Cincinnati Opera and the University of Cincinnati College-Conservatory of Music 

CINCINNATI, OH—Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) are pleased to announce that their groundbreaking joint program, Opera Fusion: New Works, will host two new operas in November and December of 2018.

In collaboration with the Metropolitan Opera/Lincoln Center Theater’s New Works Program and LA Opera, the new opera Eurydice, by composer Matthew Aucoin and playwright Sarah Ruhl, will receive a 10-day workshop in Cincinnati from November 8 to 17, 2018. The residency will culminate in a public performance in Cincinnati on November 17 in Music Hall’s Wilks Studio, followed by a public presentation in New York City at the Century Association on November 19.

From December 2-6, 2018, composer Laura Kaminsky and filmmaker Kimberly Reed will bring their latest work, Postville: Hometown to the World, to the program. Taking place in Postville, Iowa, this piece investigates the intersection of immigration, race, religion, ethnicity, and culture in America’s heartland. Selections from this opera will be performed publicly at the conclusion of the workshop on December 6, 2018, also in the Wilks Studio at Music Hall.

Postville: Hometown to the World is part of “Opera For All Voices,” an initiative which was established with the goal of creating works that attract audiences of all ages who may not have had prior exposure to opera. The initiative is led by Santa Fe Opera and San Francisco Opera, but the full consortium currently includes seven companies—Lyric Opera of Kansas City, Minnesota Opera, Opera Theatre of Saint Louis, San Francisco Opera, Santa Fe Opera, Sarasota Opera, and Seattle Opera. The consortium is working together to create new works, flexible in both scope and scale, which can be performed in a variety of venues off the main stage. The operas focus on storytelling in imaginative and compelling new ways, designed with modern attention spans in mind and the objective to break down pre-conceived notions about opera.

Tickets: Admission to each Cincinnati presentation is free, but reservations are required. Tickets will become available from the Cincinnati Opera box office on Monday, November 5 at 10 a.m. Call (513) 241-2742 to reserve.

EURYDICE
Music by Matthew Aucoin
Libretto by Sarah Ruhl
Workshop: November 8-17, 2018

Public performance: Saturday, November 17 at 7:30 p.m.
Music Hall’s Wilks Studio, 1241 Elm Street, Cincinnati

Eurydice, by composer Matthew Aucoin and playwright Sarah Ruhl, retells the ancient Greek myth of Orpheus from the perspective of his wife Eurydice, who is trapped in the underworld and awaits her rescue. The libretto is based on Ruhl’s play by the same name and uses contemporary English to portray the quirky and confused young lovers. The opera was co-commissioned by the Metropolitan Opera/Lincoln Center Theater’s New Works Program and LA Opera. At the completion of the workshop, excerpts from Eurydice will be publicly performed in Cincinnati on November 17 in Music Hall’s Wilks Studio at 7:30 p.m. A public performance in New York City at the Century Association will follow on November 19.

The Met/LCT New Works Program develops new opera and music theater works, providing support during the creative process leading to a workshop production produced by The Met/LCT. The Met/LCTNew Works program is funded by a generous gift to the Met from the Francis Goelet Charitable Trusts, and Lincoln Center Theater’s participation in the Met/LCT New Works Program is made possible by a major grant from the Ford Foundation.

POSTVILLE: HOMETOWN TO THE WORLD
Music by Laura Kaminsky
Libretto by Kimberly Reed
Workshop: December 2-6, 2018

Public performance: Thursday, December 6 at 7:30 p.m.
Music Hall’s Wilks Studio, 1241 Elm Street, Cincinnati

Postville: Hometown to the World is the latest piece by composer Laura Kaminsky and filmmaker Kimberly Reed, known for their partnership on the critically acclaimed opera As One, concerning the journey of a transgender person, which was featured in Cincinnati Opera’s 2018 Summer Festival. Their new work takes place in Postville, Iowa, which bills itself as the “Hometown to the World,” but which is known for a massive 2008 raid by the U.S. Immigration and Customs Enforcement Agency at a Kosher meat-packing plant, in which over a tenth of the town’s population was arrested and deported. This new work was created for the “Opera for All Voices” program, which is led by Santa Fe Opera and San Francisco Opera, and includes the Lyric Opera of Kansas City, Minnesota Opera, Opera Theatre of Saint Louis, Sarasota Opera, and Seattle Opera. It is Kaminsky and Reed’s second work to participate in Opera Fusion: New Works, following their opera Some Light Emerges, which had a residency in September 2016.

About Opera Fusion: New Works
Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. This collaboration is jointly led by Marcus Küchle, Director of Artistic Operations & New Works Development at Cincinnati Opera, and Robin Guarino, the J. Ralph Corbett Distinguished Chair in Opera at CCM. OF:NW offers composers or composer/librettist teams the opportunity to workshop an opera during a residency in Cincinnati. Residencies utilize the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a free public presentation of excerpts followed by an audience Q&A session, all of which is streamed online. Since its founding in 2011, OF:NW has developed ten new American operas, including Gregory Spears and Greg Pierce’s Fellow Travelers, Jake Heggie and Terrence McNally’s Great ScottRicky Ian Gordon and Lynn Nottage’s Intimate Apparel, and Rufus Wainwright and Daniel MacIvor’s Hadrian. For more information, visit ofnw.org. 

Founded in 1920, Cincinnati Opera presents a thrilling season of opera every June and July in multiple venues, including the recently renovated historic Music Hall. The company’s repertoire includes beloved classics and contemporary works brought to life by some of the world’s most dynamic performers and creative teams. 

Cincinnati Opera’s 2019 Summer Festival will run June 13 through July 28, featuring Wolfgang Amadeus Mozart’sThe Marriage of Figaro, Charles Gounod’s Romeo and Juliet, Richard Strauss’s Ariadne auf Naxos, The Gershwins’Porgy and Bess, and the world premiere of Blind Injustice, a world premiere opera inspired by stories of Ohio Innocence Project exonerees, by Scott Davenport Richards and David Cote. The 2019 season is possible with support from ArtsWave, Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, and many generous individuals, corporations, and foundations. 

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. 

cincinnatiopera.org

Declared “one of the nation’s leading conservatories” by The New York Times, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. 

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world’s stage. 

CCM’s 2018-19 Opera Series includes Mainstage productions of Benjamin Britten’s The Turn of the Screw (Nov. 15-18, 2018) and Wolfgang Amadeus Mozart’s La Clemenza di Tito (April 12-14, 2019), along with an undergraduate production of Johann Strauss’ Die Fledermaus (Feb. 8-10, 2019) and a Studio production of William Bolcom’sDinner at Eight (Feb. 22-24, 2019). 

ccm.uc.edu

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Stanley E. Romanstein Named Dean of University of Cincinnati College of Music

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An accomplished leader in education and the arts as well as a UC alumnus,
Romanstein’s appointment follows a national search for CCM’s next dean

CINCINNATI, OH—Kristi A. Nelson, senior vice president for academic affairs and provost at the University of Cincinnati, today announced the appointment of Stanley E. Romanstein, PhD, as Dean of the College-­Conservatory of Music (CCM). Romanstein’s appointment becomes effective July 1, 2018, pending approval of the University’s Board of Trustees.

“I am delighted to welcome Stanley Romanstein back to his alma mater as Dean of UC’s College-­Conservatory of Music,” said Nelson. “He is an outstanding organizational leader, entrepreneur and scholar, in addition to being a proud UC alumnus. I was most impressed with his passion for arts advocacy, his engaging interpersonal skills, and his forward-­thinking and student-­centric approach to education.”

Romanstein is an accomplished nonprofit executive with 22 years of leadership and management experience in education and the arts. He comes to CCM from Georgia State University’s Creative Media Institute, where he has served as a professor of  ractice/music and the arts for the past four years. He also serves as a principal at BLJackson Associates, a consulting firm that works with arts, humanities and education-­focused nonprofits across the country. Romanstein was previously President and CEO of the Atlanta Symphony Orchestra, President and CEO of the Minnesota Humanities Center, Director of Development at the Frederick R. Weisman Art Museum at the University of Minnesota, Executive Director of the Baltimore School for the Arts and Baltimore School for the Arts Foundation, and Associate Professor and Chair of the Department of Music at St. Lawrence University.

“I have firsthand knowledge of CCM’s excellence in music and arts education and I am a proud beneficiary of those high standards. I am honored to have the opportunity to contribute to my alma mater’s continued success as its next dean,” said Romanstein. “CCM’s reputation as a leading performing and media arts school is 150 years strong, and that reputation continues to grow thanks to the talents and dedication of its faculty, staff, alumni, donors, volunteers and community partners. Working together, we will continue to nurture the talents of our students and inspire future generations of artists, teachers, creative thinkers, innovative problem-­solvers and media-­savvy arts entrepreneurs.”

Romanstein continued, “I have found ideal partners in President Pinto and Provost Nelson and I look forward to working with them to build on CCM’s history and successes while advancing CCM’s role within the university’s strategic direction, Next Lives Here.”

Romanstein’s appointment follows a national search begun in fall 2017. The search was led by the UC Provost Office and chaired by Greer Glazer, Dean of the College of Nursing.

Nelson expressed her gratitude to bruce mcclung, who has served as CCM’s interim dean since July 2016. “I would like to acknowledge the outstanding service of Dean mcclung,” said Nelson. “UC owes mcclung a huge debt of gratitude for his leadership during the past two academic years, culminating with CCM’s 150th anniversary celebration.”

About Stanley E. Romanstein
Stanley E. Romanstein, PhD, brings to his new role at CCM extensive experience as a visionary leader, entrepreneurial strategist, engaging communicator, passionate fundraiser and successful manager.

In November of 2014, Romanstein began his tenure as professor of practice/music and the arts at Georgia State University’s Creative Media Institute, where his work focused on building music industry collaborations. During this time, he also served as a principal at BLJackson Associates, a consulting firm based in Atlanta that works with arts, humanities and education-­focused nonprofits across the country. The firm creates and implements tailored solutions to challenges in organizational strategy, governance and development/fundraising.

Romanstein has 22 years of leadership and management experience in education and the arts. As President and CEO of the Atlanta Symphony Orchestra (2010-­14), he strengthened the orchestra’s connection to the community through expanded concert offerings and a wide range of impactful education offerings. He also created and implemented a new business model that reversed a 12-­year history of financial loss and positioned the orchestra for long-­term sustainability and artistic achievement.

As President and CEO of the Minnesota Humanities Center (2001-­10), Romanstein transformed the center from a small organization with a local focus to a highly regarded regional and national leader in its field. He also created and distributed acclaimed new media;; this included a collection of four Somali folk tales taken from oral tradition and written down for the very first time, as well as an Emmy Award-­winning documentary entitled Iron Range: Minnesota Building America.

Romanstein proved to be an enthusiastic and productive fundraiser at the Minnesota Humanities Center, Frederick R. Weisman Art Museum and the Baltimore School of the Arts. He attracted new local, regional and national funding to support the center’s $4 million annual budget, including support from the Minnesota State Legislature by establishing partnerships with the state’s four ethnic councils: American Indian, African American, Latino and Asian. As Director of Development at the University of Minnesota’s Frederick R. Weisman Art Museum (2000-­01), Romanstein led what was, at the time, the highest grossing annual fund drive while laying the groundwork for the museum’s successful capital campaign. As Director of Baltimore School for the Arts (1996-­2000), Romanstein positioned the school for a successful capital campaign as well as a facility renovation and expansion.

From 1987-­96, Romanstein served as an associate professor and chair of the music department at St. Lawrence University, a highly selective liberal arts institution in New York. He refocused the department’s traditional music curriculum to emphasize interdisciplinary and multicultural perspectives and created meaningful connections with departments and colleagues across the campus.

Romanstein earned a Bachelor of Music Education degree, cum laude, from Carson-­Newman College in 1976. He then came to CCM to earn a Master of Music in Choral Conducting in 1980 and a PhD in Music in 1990. He was a Fulbright Scholar in Israel in 1985-­86 and in Japan in November-­December 1998.

About the University of Cincinnati College-­Conservatory of Music
Declared “one of the nation’s leading conservatories” by the New York Times, the University of Cincinnati College-­Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world’s stage.

CCM’s world-­class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-­million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-­of-­the-­art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. More than 150 internationally recognized faculty members work with students from around the world, specializing in the areas of:

  • Composition/Musicology/Theory,
  • Electronic Media,
  • Ensembles and Conducting (Choral Studies, Commercial Music Production, Jazz Studies, Orchestral Studies and Wind Studies),
  • Keyboard Studies (Harpsichord, Organ and Piano),
  • Music Education,
  • Performance Studies (Strings, Voice and Woodwinds/Brass/Percussion)
  • Theatre Arts, Production and Arts Administration (Acting, Arts
    Administration, Dance, Musical Theatre, Opera and Theatre Design and
    Production).

The largest single source of performing arts events in the state of Ohio, CCM presents nearly 1,000 major public performances each year, ranging from faculty and guest artist concerts to fully supported acting, dance, musical theatre and opera productions.

CCM is an accredited institution of the National Association of Schools of Dance (NASD), the National Association of Schools of Music (NASM) and the National Association of Schools of Theatre (NAST), as well as a member of the University/ Resident Theatre Association (U/RTA).

Learn more by visiting http://ccm.uc.edu.

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CFF18: H2O: A PLAY ABOUT WATER

CCM_H2O promo

H2O: A Play About Water presented by UC College-Conservatory of Music Drama

H2O: A PLAY ABOUT WATER
Part of the Cincinnati Fringe Festival ’18
Gabriel’s Corner
[Over-the-Rhine]

H20: A Play about Water. Water is life. 71% of our planet is water. Oceans rise. Droughts kill. Water soothes and water heals. H20 is an epic theatrical journey. Are you thirsty? Come have a drink of H20.

  • Sat, June 2 at 9pm
  • Mon, June 4 at 8:30pm
  • Wed, June 6 at 9pm

Official page | Press release | Facebook page | Facebook event | Official website

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CCM Acting Students Devise New Work for International Fringe Festival

CCM_H2O promo

H2O: A Play about Water will debut in Cincinnati on April 19, 2018, as part of CCM Acting’s Studio Series. Tickets become available at noon on Monday, April 16 through the CCM Box Office.

CCM students have devised a new work to be presented this summer at Scotland’s Edinburgh International Fringe Festival. Before the production travels overseas, H2O: A Play about Water will premiere in Cincinnati as the final installment of CCM’s 2017-18 Studio Series on April 19-21 in Cohen Family Studio Theater.

The play is an original 60-minute piece of theatre that was created by 30 students from the Acting, Musical Theatre and Technical Production Departments at CCM. Admission to the CCM performances is free, but reservations are required. Tickets become available at noon on Monday, April 16 through the CCM Box Office.

CCM Acting Department Chair Richard Hess conceived the show and directed the students as they crafted the new work. The play is a theatrical collage of scenes that explore the abundance, scarcity and restorative powers of water.

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“Water is life,” Hess says. “Seventy-one percent of our planet is water. Oceans rise. Droughts kill. Water soothes and water heals. H2O is an epic theatrical journey. Are you thirsty? Come have a drink of H2O.”

Faculty and students will travel to Scotland to present H2O: A Play about Water in four performances at the 71st Edinburgh International Fringe Festival on August 4-8, 2018. This is the first time CCM Acting students have presented an original work in the most prestigious Fringe Festival in the world.

“Some dreams can last 37 years, and when they come true, they are more vivid and more magical than expected,” says Hess about this opportunity. “In 1981 when I was a junior in college, I traveled to Scotland for a study abroad experience and stayed for the year studying drama and English at the University of Glasgow. I have dreamed of taking a show to the Edinburgh Fringe Festival since I first set foot in Scotland 37 years ago. Taking 30 CCM students to Scotland is a dream come true.”

You can see the Cincinnati premiere of H2O: A Play about Water in CCM’s Cohen Family Studio Theater from April 19-21. Visit CCM’s guide to Studio Series tickets for tips and tricks to secure your seats.
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Performance Times

  • 8 p.m. Thursday, April 19
  • 8 p.m. Friday, April 20
  • 2 and 8 p.m. Saturday, April 21

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free. Reservations are required. Tickets become available at noon on Monday, April 16. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Acting Studio Series Sponsor: Neil Artman and Margaret Straub

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