Tag Archives: The Carnegie

PUMP BOYS AND DINETTES runs April 13-29

PUMP BOYS AND DINETTES
Presented by The Carnegie
April 13-29
Covington

Reviews: Enquirer | CityBeat | Cincinnati Examiner |

A piece down Highway 57 from Frog Level is a shabby gas station (with a hot tub out back), the Double Cupp Diner, and the best foot-stompin’ good time you’ve ever had at the theatre. Five rowdy filling station boys and sassy diner waitresses sing and play their own instruments in this hilarious and heartwarming country western music revue, with songs including “Farmer Tan” and “The Night Dolly Parton Was Almost Mine.” The New York Times wrote that PUMP BOYS is “as refreshing as an ice cold beer after a bowl of five-alarm chili.”

Directed by Jared Doren
Music directed by Steve Goers
Choreographed by Patti James
Produced by Joshua Steele

Cast: Brad Myers as Jackson, Steve Goers as L.M., Jon Kovach as Jim, Sara Mackie as Rhetta Cupp & Annie Kalahurka as Prudie Cupp

  • Fri*-Sat, April 13-14 at 7:30pm
  • Sun, April 15 at 3pm
  • Fri*-Sat, April 20-21 at 7:30pm
  • Sun, April 22 at 3pm
  • Fri-Sat, April 27-28 at 7:30pm
  • Sun, April 29 at 3pm

Official page | Online ticketing | FaceBook event | Goldstar discount |

Local media coverage: Cincinnati Examiner article |Enquirer article |

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The Carnegie Puts On Its “Drinkin’ Shoes” and Serves Up Delicious Diner Eats with Production of PUMP BOYS AND DINETTES

COVINGTON, KY- Jackson, L.M. and the boys have closed up the gas station, fired up the hot tub, broken out the guitars and drums and put on their best coveralls for a foot-stompin’ good time with the girls from the Double Cupp Diner.

The Carnegie Visual and Performing Arts Center (The Carnegie) proudly presents the musical PUMP BOYS AND DINETTES (PUMP BOYS), playing weekends April 13 – 29, 2012 in the historic Otto M. Budig Theatre. Five rowdy filling station boys and sassy diner waitresses sing and play their own instruments in this hilarious and heartwarming country music revue. Directed by Jared Doren, with music direction by Steve Goers, PUMP BOYS is the final production of The Carnegie’s 2011-12 Theatre Series. Tickets are $19 – $26 and are available at The Carnegie Box Office, 859.957.1940, or www.thecarnegie.com.

Opening weekend (April 13 – 15) includes an authentic country diner experience by-the-bite in The Carnegie Galleries, served up by Jeff Thomas Catering. Admission is free with ticket purchase; food charged a la carte.

PUMP BOYS AND DINETTES was conceived and written by John Foley, Mark Hardwick, Debra Monk, Cass Morgan, John Schimmel and Jim Wann.

The Carnegie’s 2011-12 Theatre Series is presented in honor of Otto M. Budig, Jr., whose leadership instilled the beauty, elegance and life that The Carnegie’s Theatre now enjoys during its fifth anniversary year.

PUMP BOYS Synopsis ­­­ – “Work won’t kill you, but worry will”
Though Uncle Bob’s Winnebago might still need some work, and Clyde Wood’s cow ate all thirty-six marijuana plants behind the garage, there’s still a party going at the gas station across from the Double Cupp Diner. A piece down Highway 57 from Frog Level, five rowdy pump boys and sassy diner waitresses sing and play their own instruments in a hilarious and heartwarming country music revue, with songs including “Farmer Tan” and “The Night Dolly Parton Was Almost Mine.”

“Worry is like a rocking chair,” says Jim, “gives you something to do but it don’t get you nowhere.” As sisters Rhetta and Prudie Cupp go through the grind of another day aching for tips and fantasizing about a beach vacation, the boys take their sweet time fixing automobiles, talkin’ ‘bout fishing, and extolling the undeniable sexual power of the farmer tan. When the day is done, everyone’s looking for a little slice of love and happiness, and they find both in the simple pleasures of life along the highway.

Opening Weekend Diner – “The boys can’t get enough of our pie”

The New York Times wrote that PUMP BOYS is “as refreshing as an ice cold beer after a bowl of five-alarm chili.” Jeff Thomas Catering serves up that simile with an opening weekend country-fried culinary experience, featuring classic roadside diner eats by-the-bite. Patrons will enjoy highway delicacies including meatloaf and mashed potatoes, heavenly hash, and (of course) banana cream and lemon meringue pies in a complete country road trip at The Carnegie.

Admission to the diner is free with purchase of PUMP BOYS ticket. Food is charged a la carte.

Opening weekend performances are Friday, April 13; Saturday, April 14; and Sunday, April 15. The diner will be open one hour prior to curtain (6:30pm on Friday and Saturday, 2:00pm on Sunday).

The Cast of PUMP BOYS
Years before recent Broadway productions of SWEENEY TODD and COMPANY brought into vogue the idea of actors playing their own instruments, PUMP BOYS charmed audiences with its unique cast of multi-talented singer/actor/instrumentalists. The Carnegie production stays true to this original concept, headlined by award-winning music director Steve Goers, who also plays piano and the role of L.M., the service station co-owner. Goers, a celebrated band leader of productions at the University of Cincinnati College-Conservatory of Music (CCM), Ensemble Theatre and The Covedale Center for the Performing Arts, among others, is also a composer of internationally-produced musicals including WHERE THE WILD THINGS ARE and HOW I BECAME A PIRATE, and plays in the lauded Beatles tribute band, “Savoy Truffle.” The role of Jim is played by fellow “Truffle” musician and CCM jazz alumnus Brad Myers, known locally as the lead guitarist for Ray’s Music Exchange, the Steely Dan Tribute Band “Aja,” and orchestra pits for productions at CCM, The Covedale and others. Rising actor and Miami University student Jon Kovach plays rhythm guitar and the role of Jackson, returning to The Carnegie following a string of notable performances at the Pioneer Playhouse (Danville, Kentucky), The Covedale and Children’s Theatre of Cincinnati.

Making their Carnegie debuts and filling out the “gentler” side of the cast as the Cupp sisters are Sara Mackie* (Rhetta Cupp) and Lisa DeRoberts (Prudie Cupp). Mackie is a critically acclaimed favorite of numerous productions at Ensemble Theatre (including as Betty Jean in the MARVELOUS WONDERETTES and Linoleum in THE GREAT AMERICAN TRAILER PARK MUSICAL) and Dayton’s Human Race Theatre Company, and is an alumnus of Wright State University. DeRoberts, a Xavier University grad, is also an Ensemble Theatre veteran, having performed in recent productions of CINDERELLA and MELANCHOLY PLAY, among other credits at The Covedale and Showboat Majestic. Both women play myriad percussion instruments throughout the show.

*Actor appears through the courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The Directors and Designers of PUMP BOYS
Making his directorial debut at The Carnegie is Jared Doren, whose staging credits include noteworthy productions of THE ELEPHANT MAN, THE BOYS NEXT DOOR and ART at Falcon Theatre. Also a veteran actor, Doren has been seen on-stage in many productions at Ensemble Theatre, including both THE FROG PRINCESS and SLEEPING BEAUTY with PUMP BOYS actress Sara Mackie. Doren collaborates for the first time with returning choreographer Patti James, an Acclaim Award MVP and CCM faculty member whose past Carnegie credits include DIRTY ROTTEN SCOUNDRELS and CAROUSEL. Steve Goers plays a multi-faceted role as music director, pianist and performer in the PUMP BOYS. Northern Kentucky University faculty member Ron Shaw returns to The Carnegie as production scenic designer, having last designed The Carnegie’s top-selling production of THE ODD COUPLE in 2011.

A cast and production team list, as well as selected bios, follow this release.

A Beloved Show for More Than Thirty Years
Debuting in 1981 and moving to Broadway in February of 1982, PUMP BOYS AND DINETTES received a Tony Award nomination for “Best Musical” (losing to the musical NINE), as well as four Drama Desk nominations, including “Outstanding Lyrics” and “Outstanding Music.” The show’s six writers (including John Schimmel as Eddie, the bass player) were the original cast for the Broadway run, which played 573 performances.

The Carnegie’s production of PUMP BOYS is the first professional staging of the show in Greater Cincinnati in more than a decade.

ASL Interpretation and Closed Captioning
Throughout the 2011-12 season, The Carnegie is proud to offer fully-accessible performances for the deaf and hard of hearing, featuring closed captioning and American Sign Language interpreters. PUMP BOYS performances including this accessibility are as follows:

  • Friday, April 13, 7:30pm
  • Friday, April 20, 7:30pm

Captioning has been offered for major theatrical performances at The Carnegie since 2006 thanks to the support of volunteers.

Interpretation and captioning will be offered free of charge to patrons who request these services with their tickets.

Ticketing
PUMP BOYS AND DINETTES will include nine performances:

  • Friday, April 13, 7:30pm†*
  • Saturday, April 14, 7:30pm*
  • Sunday, April 15, 3:00pm*
  • Friday, April 20, 7:30pm†
  • Saturday, April 21, 7:30pm
  • Sunday, April 22, 3:00pm
  • Friday, April 27, 7:30pm
  • Saturday, April 28, 7:30pm
  • Sunday, April 29, 3:00pm

† Denotes ASL-interpreted and closed-captioned performance
*Opening weekend performances to include an authentic country diner experience by-the-bite in The Carnegie Galleries, served up by Jeff Thomas Catering.

Pricing:

  • $26 Adults
  • $23 Carnegie Members, Enjoy The Arts Members, WVXU Perks Card Members
  • $21 Groups of 8 or more
  • $19 Students

Tickets may be purchased through The Carnegie Box Office at 859.957.1940 (open Tuesday through Friday, noon to 5:00pm) or online at www.thecarnegie.com.

About The Carnegie Visual and Performing Arts Center
THE CARNEGIE THEATRE SERIES produces professional, innovative stagings of an eclectic range of popular and rarely-performed works. Striving to unite the greater Northern Kentucky and Cincinnati theatre community through partnerships and collaborations, the series engages and nurtures both emerging and established talent, including working professionals, committed part-time theatre artists, university performing arts students, and younger students. Carnegie Theatre Series productions bring together these forces to provide quality theatre for Northern Kentucky and the Greater Cincinnati area.

The Carnegie Visual and Performing Arts Center is a multidisciplinary arts venue serving the Northern Kentucky and Greater Cincinnati community. Over the course of the past ten years The Carnegie has “morphed” from a grassroots gallery with an education component into an all-inclusive arts organization offering professional theatre, art exhibitions showcasing the best of local and regional artists, and a comprehensive arts education program.

The Carnegie is home to The Carnegie Galleries, comprised of more than 6,000 square feet of gallery space where emerging and established artists exhibit in multiple shows throughout the year; the Eva G. Farris Education Center, which provides arts education to thousands of children, many of whom are at or below the poverty level; and the newly renovated 465-seat Otto M. Budig Theatre, which offers an affordable theatre space for local, up-and-coming and established production companies and is home to The Carnegie’s Theatre and Concert Series. The Carnegie is the largest arts venue in Northern Kentucky.

The Carnegie Visual and Performing Arts Center receives ongoing operating support from ArtsWave, Kenton County Fiscal Courts, the Kentucky Arts Council and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

For More Information
Contact Shannan Boyer, Communications Manager, at 859.957.1935 or sboyer@thecarnegie.com.

###

PUMP BOYS AND DINETTES Biographies, Cast & Production Team

Jared D. Doren (Director) is thrilled to be making his directing debut at the Carnegie. Local directing credits include The Elephant Man, The Complete Works of William Shakespeare, Abridged, The Boys Next Door and Art (Falcon Theater). Local performance credits include Snow White, Cinderella, The Frog Princess, Sleeping Beauty, Alice in Wonderland, A Question of Mercy and Two Weeks with the Queen (Ensemble Theatre of Cincinnati).

Patti James (Choreographer of PUMP BOYS & DINETTES) is happy to back with The Carnegie, where she worked on CAROUSEL in 2011 and on the 2009 productions of DIRTY ROTTEN SCOUNDRELS and OLIVER!. Before returning in 1992 to her hometown of Cincinnati, Patti performed in and choreographed shows in the U.S., as well as Canada and Australia. She has worked in musicals, theme parks, film, television and industrial shows. Tours in the U.S. included Chicago and Ballroom. Patti performed the role of Lottie in the musical Mack and Mabel (starring Gary Sandy) at the Ensemble Theatre in Cincinnati. More recently she choreographed The Great American Trailer Park Musical, Grey Gardens and Marvelous Wonderettes for Ensemble Theatre.

Patti is an Adjunct Assistant Professor of Musical Theatre at the CCM, teaching tap and jazz, as well as choreographing productions of Candide, Dancing at Lughnasa, Merrily We Roll Along, The Full Monty, Wonderful Town, Little Women, Good News (Acclaim Award 2009 and a CEA nomination 2009), Anything Goes (Cincinnati Entertainment Award 2010), and Evita. For her involvement in Cincinnati theatre, Patti received the Acclaim MVP Award in 2009-2010. She has taught dance at Walt Disney World, Sydney Australia’s School of Performing Arts, the Southern Ballet in Orlando and Northern Kentucky University.

For eight years, Patti directed and choreographed “Home For the Holidays,” featuring the Cincinnati Symphony Orchestra. For the Cincinnati Pops Orchestra, she choreographed the 2004 Today’s Tonys and the 2007 “Red, White and Boom” at Riverbend. Patti has worked with The Northern Kentucky Symphony on Jesus Christ Superstar, Evita, The Sound of Music and Oliver! She also choreographed the production of Mariel for the Cincinnati Playhouse in the Park. Patti has worked with numerous theatre groups and high schools throughout Cincinnati and Northern Kentucky.

Patti lives with her husband of 31 years, Keith, and they have two grown daughters, Alexis (her husband Emmett) and Chloe.

Steve Goers (Music Director and Performer in PUMP BOYS AND DINETTES) is an Adjunct Instructor of Musical Theater at CCM, where he has music directed productions of Falsettos, Hair, Passion, BatBoy, Urinetown and GOOD NEWS. Since moving to Cincinnati from Chicago, he has been very active in the Cincinnati theatre community, and has worked with Ensemble Theatre, Children’s Theatre of Cincinnati, the Covedale, the Showboat Majestic, Cincinnati Young People’s Theatre, Ovation, Clear Stage, Performance Gallery and NKU. He was recently honored with a 2009-2010 Season Acclaim MVP Award. Steve has composed numerous works for theater, industrial video, radio and film, including a collaboration with Chicago playwright/lyricist Alyn Cardarelli on twelve internationally-distributed musicals for children featuring world premiere adaptations of Where the Wild Things Are, Stellaluna, and How I Became a Pirate. Steve has toured the US and Africa with productions of Barnum and Bubbling Brown Sugar, and was featured as pianist and session producer on the album Ella Jenkins and a Union of Friends Pulling Together, which received a GRAMMY nomination for Best Children’s Album. Steve is a graduate of the DePaul University School of Music.

PUMP BOYS AND DINETTES Cast

ROLE/ACTOR

  • Jackson (Rhythm Guitar)/Jon Kovach
  • L.M. (Piano, Accordion)/Steve Goers
  • Jim (Lead Guitar)/Brad Myers
  • Rhetta Cupp (Percussion)/Sara Mackie*
  • Prudie Cupp (Percussion)/Lisa DeRoberts

*Actor appears through the courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

PUMP BOYS AND DINETTES Production Team

  • Director Jared Doren
  • Music Director Steve Goers
  • Choreographer Patti James
  • Technical Director Richard Sillen
  • Scenic Designer Ron Shaw
  • Lighting Designer David LaRose
  • Costumer Jim Stump
  • Sound Designer Zachary Ireson
  • Stage Manager Brittney Lanni
  • Assistant Stage Manager Jordan Loyd
  • Production Manager Bleu Pellman
  • Producer Joshua Steele

 

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THE KING AND I Earns Three LCT Awards

Carnegie Visual and Performing Arts Center’s Production of THE KING AND I in Concert Earns Three League of Cincinnati Theatres Awards

Lee Merrill plays the role of Anna opposite of Broadway veteran Ronn K. Smith as The King in a concert staging of the beloved Rodgers & Hammerstein musical THE KING AND I. Photo by Matt Steffen.

(CINCINNATI, JAN. 25, 2012)– The League of Cincinnati Theatres (LCT) has recognized Carnegie Visual and Performing Arts Center’s production of The King and I in Concert, produced in collaboration with the Cincinnati Chamber Orchestra, with three awards. Panelists praised cast members Ronn K. Smith, Lee Merrill and Teresa De Zarn for their performances.

Merrill portrays Anna Leonowens, a British schoolteacher hired by the King of Siam (Smith) to educate his children. As time passes, the two overcome their collision of cultures and traditions to develop a deep friendship and, ultimately, unspoken love. The original production of this Rodgers and Hammerstein classic, which features songs including “Whistle a Happy Tune,” “Shall We Dance” and “Getting to Know You,” earned five Tony Awards, including one for Best Musical.

Merrill and Smith received recognition, respectively, as leading actress and actor in a musical. According to one panelist, “Both performers were strong, believable and had wonderful chemistry with each other.”

De Zarn also was singled out with an award for featured actress in a musical for her portrayal of Lady Thiang. “Her song ‘Something Wonderful’ was truly something wonderful,” said one panelist. “She has an excellent and clear voice but she ‘acted’ the song to a level of poignancy that I rarely experience.”

The King and I in Concert continues weekends through Jan. 29. Details and ticket information can be found at http://www.thecarnegie.com.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at http://www.leagueofcincytheatres.info.

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THE KING AND I runs Jan. 20-29

THE KING AND I
Presented by The Carnegie
Jan. 20-29
Covington 

Reviews: The Enquirer |

From the incomparable creators of CAROUSEL comes the cherished memoir of Anna, beloved British schoolteacher to the wives and children of the bombastic King of Siam. Eastern and Western cultures collide as Anna and the King hold fiercely to their respective traditions while wrestling with a love that neither is able to express.

Featuring timeless songs including “Getting To Know You” and “Whistle a Happy Tune,” the dazzling score of THE KING AND I soars on the voices of Broadway veterans Ronn K. Smith (MISS SAIGON, MAN OF LA MANCHA) and Teresa De Zarn (THE SECRET GARDEN, CATS), accompanied by members of the Cincinnati Chamber Orchestra.

Presented in concert, with limited staging, costumes, and scenic design.

  • Fri-Sat, Jan 20-21 at 7:30pm
  • Sun, Jan. 22 at 3pm
  • Fri-Sat, Jan. 27-28 at 7:30pm
  • Sun, Jan. 29 at 3pm

Official page with cast and crew | Online ticketing | FaceBook event | Goldstar discount |

Local media: Fox19 article |

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Beloved Rodgers & Hammerstein Masterpiece to Soar with Broadway Veterans, Cincinnati Chamber Orchestra

COVINGTON, KY- “Getting To Know You,” “I Have Dreamed” and “Something Wonderful” are among the timeless melodies in store as part of an innovative presentation of a cherished classic, and in the words of The King of Siam, “etcetera, etcetera, etcetera.”

The Carnegie Visual and Performing Arts Center (The Carnegie) proudly presents Rodgers & Hammerstein’s THE KING AND I, In Concert, playing weekends January 20 – 29 in the historic Otto M. Budig Theatre. Broadway veterans Ronn K. Smith (The King)* and Teresa De Zarn (Lady Thiang) are accompanied by musicians from the Cincinnati Chamber Orchestra (CCO), under the baton of Mischa Santora. Directed by Joe Deer, THE KING AND I, In Concert is the third production of The Carnegie’s 2011-12 Theatre Series and the third installment in its Carnegie in Concert series. Tickets are $19 – $28 and are available at The Carnegie Box Office, 859.957.1940, or www.thecarnegie.com.

THE KING AND I is presented in concert, with limited staging, costumes and scenic design.

THE KING AND I, In Concert is sponsored by Mark and Rosemary Schlachter. The Carnegie’s 2011-12 Theatre Series is presented in honor of Otto M. Budig, Jr., whose leadership instilled the beauty, elegance and life that The Carnegie’s Theatre now enjoys during its fifth anniversary year.

“Something Wonderful”- The KING AND I Story, In Concert

It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palance in Bangkok, having been summoned by the bombastic King to serve as tutor to his many children and wives. The King is largely considered to be a barbarian by those in the West, and he seeks Anna’s assistance in changing his image, if not his ways. Eastern and Western cultures collide as Anna and the King hold fiercely to their respective traditions while wrestling with a love that neither is able to express.

Produced in concert, in the vein of the New York City Center’s Encores! series, The Carnegie’s presentation of THE KING AND I will serve to accentuate the glorious Rodgers & Hammerstein score and lyrics free from the cumbersome production values generally associated with the show. Greatly truncated will be most of the scenic elements, costume pieces and other technical hurdles which would otherwise make THE KING AND I an untenable production for The Carnegie’s stage. Rarely undertaken in the Greater Cincinnati area, the “in concert” medium provides a viable vehicle for the local presentation of masterpieces like THE KING AND I, which would otherwise be impossible.

“Getting To Know You” – The Performers of THE KING AND I

In the titular role of THE KING AND I is Atlanta-based actor Ronn K. Smith*, a veteran of Broadway, off-Broadway and national and international tours. With a glittering résumé including touring engagements of MISS SAIGON and MAN OF LA MANCHA, the Broadway revival of INHERIT THE WIND, and myriad regional opera and musical theatre credits, Smith is no stranger to the King of Siam, having previously played the role at Maine State Music Theatre and Pennsylvania’s Fulton Theatre. The show holds a special place in Smith’s heart, and it’s with no shortage of anticipation that he enters into this unique concert staging.

“It’s the journey that this King takes over the course of the show that makes him so exciting to play,” explains Smith. “While maintaining the appearance of total, masculine control, The King really does consider and is changed by the ideas of a woman. That is an exciting evolution to play nightly.”

Smith is joined in the cast by fellow Broadway veteran Teresa De Zarn, who sings the role of The King’s eldest wife, Lady Thiang. De Zarn, whose Broadway credits include CATS and THE SECRET GARDEN, is a Cincinnati native and alumnus of Northern Kentucky University. Both De Zarn and Smith share a stage for the first time with Dayton-based actress and vocalist Lee Merrill, who makes her Carnegie debut in the role of Anna. At home in both the operatic and musical theatre milieus, Merrill possesses a sterling, extensive list of principal credits at venues across the country, including the Muni in St. Louis, Paper Mill Playhouse, Houston Grand Opera and Glimmerglass. She has also performed with dozens of national-caliber symphonies, including as the leading ladies in concert stagings of CAMELOT and MY FAIR LADY, and is a voice faculty member at Wright State University.

Lauded professional operatic performer Emily Lorini returns to The Carnegie in the role of Tuptim, on the heels of an enthusiastically received vocal performance as Julie Jordan in The Carnegie’s April 2011 staging of CAROUSEL. She is paired with Carnegie newcomer and CCM graduate alumnus Jonathan Zeng, who plays the role of Tuptim’s clandestine lover, Lun Tha. Ron Burrage (Kralahome, Ensemble), Bree Sprankle (Ensemble), Noah Lentini (Chulalongkorn) and Henry Howland (Ensemble) return to The Carnegie in supporting roles, and are joined by Matt Dentino (Sir Edward Ramsey, Ensemble), Katy Lindhart (Ensemble) and Jonah Sorcher (Louis) making their Carnegie debuts.

*Smith assumes the role of The King in place of the previously announced Ron Bohmer.

“King is pleased with you” – The Directors of THE KING AND I

Helming The Carnegie’s concert production of THE KING AND I is veteran stage director and Broadway performer Joe Deer, who, during a career that has included many Off Broadway and national touring credits, has worked with and performed alongside Kristen Chenoweth, Nicole Scherzinger, Leslie Uggams and Chita Rivera. Deer is also a professor and head of the Musical Theatre program at Wright State University, where his recent production of THE LIGHT IN THE PIAZZA, along with other regional productions of A LITTLE NIGHT MUSIC (New Stage Collective) and LEND ME A TENOR (Human Race Theatre Company), earned a “best of” award during 2009 and 2010.

Deer makes his Carnegie debut with THE KING AND I, and also collaborates for the first time with production music director and Cincinnati Chamber Orchestra music director Mischa Santora. Excited about a rare foray into the world of musical theatre, Santora brings a wealth of operatic and symphonic experience to the production, having appeared with the Philadelphia, Minnesota and Louisville orchestras and the Los Angeles Philharmoic, among many other ensembles around the world. Known locally and across the country as an innovative concert programmer, Santora has worked with solo artists including Richard Stolzman and James Galway, among many others.

Becky Childs returns to The Carnegie as vocal director of the production, having won an Acclaim Award in the same capacity for her work on The Carnegie’s CAROUSEL. CCM alumnus James Horban serves in a dual capacity as scenic and lighting designer for the concert production’s relatively compact visual design.

A cast and production team list, as well as selected bios, follow this release.

Ticketing

THE KING AND I will feature six performances:

  • Friday, January 20, 7:30pm
  • Saturday, January 21, 7:30pm
  • Sunday, January 22, 3:00pm
  • Friday, January 27, 7:30pm
  • Saturday, January 28, 7:30pm
  • Sunday, January 29, 3:00pm

Pricing:

$28 Adults
$25 Carnegie Members, Enjoy The Arts Members, WVXU Perks Card Members
$21 Groups of 10 or more
$19 Students

Tickets may be purchased through The Carnegie Box Office at 859.957.1940 (open Tuesday through Friday, noon to 5:00pm) or online at www.thecarnegie.com.

About The Carnegie Visual and Performing Arts Center

THE CARNEGIE THEATRE SERIES produces professional, innovative stagings of an eclectic range of popular and rarely-performed works. Striving to unite the greater Northern Kentucky and Cincinnati theatre community through partnerships and collaborations, the series engages and nurtures both emerging and established talent, including working professionals, committed part-time theatre artists, university performing arts students, and younger students. Carnegie Theatre Series productions bring together these forces to provide quality theatre for Northern Kentucky and the Greater Cincinnati area.

CARNEGIE IN CONCERT strives to break the mold of chamber music offerings from yesteryear. The series challenges established programming norms by blending traditional string quartets, wind ensembles, and solo piano performances with gospel, jazz, musical theatre, boogie woogie, and a cadre of other musical styles. The relationship between performer and audience is also re-imagined through an open dialogue revealing the essence of the selections and their meaning to the performers. The comfortable and intimate Otto M. Budig Theatre provides a unique environment for a unique concert experience, complete with a cash bar in the beautiful Carnegie Galleries.

The Carnegie Visual and Performing Arts Center is a multidisciplinary arts venue serving the Northern Kentucky and Greater Cincinnati community. Over the course of the past ten years The Carnegie has “morphed” from a grassroots gallery with an education component into an all-inclusive arts organization offering professional theatre, art exhibitions showcasing the best of local and regional artists, and a comprehensive arts education program.

The Carnegie is home to the Carnegie Galleries, comprised of more than 6,000 square feet of gallery space where emerging and established artists exhibit in multiple shows throughout the year; the Eva G. Farris Education Center, which provides arts education to thousands of children, many of whom are at or below the poverty level; and the newly renovated 465-seat Otto M. Budig Theatre, which offers an affordable theatre space for local, up-and coming and established production companies and is home to The Carnegie’s Theatre and Concert Series. The Carnegie is the largest arts venue in Northern Kentucky.

The Carnegie Visual and Performing Arts Center receives ongoing operating support from ArtsWave, Kenton County Fiscal Courts, the Kentucky Arts Council and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

About the Cincinnati Chamber Orchestra

Recipient of the prestigious 2009 Scripps-Corbett Award, the Cincinnati Chamber Orchestra has grown in size and scope to become one of the cultural cornerstones of the Greater Cincinnati area over the past 36 years.

Founded as a volunteer organization in 1974 by Paul Nadler, the Cincinnati Chamber Orchestra today has a core membership of 32 paid union musicians. The artistic goal of the Chamber Orchestra is to perform music that is not generally heard when attending concerts presented by a large symphony orchestra, and thereby offer a unique musical experience to the listener. The orchestra’s size allows for flexibility and creativity in programming and represents the ideal size group for orchestral works from the Baroque and Classical eras as well as commissioned works by contemporary composers.

In July 2000, Mischa Santora assumed position as CCO Music Director. In addition to leading the CCO, Maestro Santora guest conducts many of the leading orchestras in North and South America, Europe, Asia and Australia. In 2009, the CCO was the recipient of the Scripps Corbett Award for Artistic Excellence.

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