Tag Archives: Know Theatre of Cincinnati

ALL CHILDISH THINGS Opens This Friday at Know Theatre

A long time ago (2006), in a galaxy far, far away (Norwood)…

KTC_All Childish Things promo2.jpg

James Creque as Carter, Ben Dudley as Dave, Chris Wesselman as Max & Laurie Benning Roberts as Kendra. Image by Daniel R. Winters.

Know Theatre–Your Theatrical Playground–is ready to open a brand new comic adventure about epic friendship, fandom, and what it takes to be a hero when your Jedi mind tricks won’t cut it anymore.

ALL CHILDISH THINGS by Michigan playwright Joseph Zettelmaier is the story of three friends whose lives have fallen spectacularly short of the promise their beloved Star Wars movies made to them as kids.

Now in their 30s, Dave still lives in his mom’s basement, Max is trying to raise a kid by himself, and Carter’s getting too old to keep living like a teenager. But they have a plan: if they can pull off a heist of Cincinnati’s secret Kenner Toys warehouse, they just might be able to change their lives forever.

Because, when the Force is with you, what could possibly go wrong?

Starring Ben Dudley as Dave, Chris Wesselman as Max, James Creque as Carter, Laurie Benning Roberts as Kendra, and Michael Sherman as The Big Man, All Childish Things is the show you’re looking for this November: whether you know what a nerf-herder is or not!

Come to the Know and find out what happens when this ragtag bunch of misfits gets in way over their heads. ALL CHILDISH THINGS opens this Friday, November 20 at 8 PM and runs through December 19.

Showtimes are Wed – Saturday at 8 PM, and Sundays at 3 PM.

Regular tickets are $20. $10 (cash-only) Rush tickets become available 10 minutes before showtime when seats are still open. Select Wednesdays are FREE thanks to Know Theatre’s Welcome Experiment program. For tickets and more information, call 513-300-5669 or visit www.knowtheatre.com.

About Know Theatre
KNOW THEATRE OF CINCINNATI, now in its 18th season, is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate member of the National New Play Network.

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ANDY’S HOUSE OF [BLANK] Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Paul Strickland. Photo by Daniel R. Winters Photography.

Paul Strickland. Photo by Daniel R. Winters Photography.

ANDY’S HOUSE OF [BLANK] presented by Know Theatre of Cincinnati through Nov. 14. Click here for more information on the production. I attended the opening night performance.

“Weird is extraordinary.” –Andy

Paul Strickland and Trey Tatum take their very enjoyable, diamond in the rough musical from SERIALS! 2: THUNDERDOME and polish it to a brilliant shine into this full-length, fully-staged production.

First and foremost, the show is funny. Throw-your-head-back and laugh-out-loud funny. Those familiar with Strickland’s fringe entries know he is quite the homespun-wisdom wordsmith. Partnering with musician and drinking-buddy Trey Tatum, the two have a created a quirky, genuine and touching musical with a sci-fi conceit.

Trey Tatum. Photo by Daniel R. Winters Photography.

Trey Tatum. Photo by Daniel R. Winters Photography.

Tatum and Strickland serve as narrators and portray teen-aged versions of themselves in the play. They also provide the musical accompaniment for the show, playing piano and guitar, respectively. The two have an easy chemistry and great rapport with each other and the audience.

Rounding out the cast are Erika Kate MacDonald & Christopher Michael Richardson, returning to the roles they originated.

MacDonald gives Sadie an emotionally-guarded quality that I feel works well for the character. I wouldn’t mind seeing Richardson a bit “bigger” on stage.

Richardson is fun as Andy, the “werido” owner of his ever-changing roadside attraction. He has a rich, powerful voice that easily fills the space. There were a couple of times I thought he might bust loose with his belt. He didn’t at the performance I attended, but I say if the spirit of the show moves you, go for it.

Christopher Michael Richardson as Andy & Erika Kate MacDonald as Sadie. Photo by Daniel R. Winters Photography.

Christopher Michael Richardson as Andy & Erika Kate MacDonald as Sadie. Photo by Daniel R. Winters Photography.

Director Bridget Leak keeps the show moving at a nice pace and makes good use of the small play area. Understanding her cast’s limitations, there is no choreography. The musical numbers are performed concert style and Trey’s solo work is limited. 🙂

For the Serials performances, the props were constructed out of cardboard. Scenic designer and charge Sarah Beth Hall has taken that concept to the nth degree, cluttering Andy’s shop with an amazing array of two- and three-dimensional objects.

For this production, technical director Nick Koehike has rebuilt the Underground stage, giving future performances a more versatile play space and smartly improving the sight lines at the same time. I also enjoyed how he incorporated cardboard into the set pieces.

Erika Kate MacDonald as Sadie, Christopher Michael Richardson as Andy & Paul Strickland. Photo by Daniel R. Winters Photography.

Erika Kate MacDonald as Sadie, Christopher Michael Richardson as Andy & Paul Strickland. Photo by Daniel R. Winters Photography.

The well-done lighting and sound design by Andrew Hungerford and Doug Borntrager added depth to the production.

Another great element for the show was Know partnering with local artists to creatively provide missives for the “Unmailed Love Letters” section of Andy’s shop. You can check them out near the windows before and after the show, and at intermission.

To recap: A throw-your-head-back, laugh-out-loud funny, quirky, genuine and touching little musical. Even if you caught ANDY’s original incarnation, the fully-realized production is definitely worth re-visiting.

My rating: 4.5 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Open Auditions Announced for CALCULUS THE MUSICAL Tour at Know Theatre of Cincinnati

Know Theatre announces Open Auditions for the
2016 Calculus: The Musical Educational Tour

KTC_logoEach year Know Theatre chooses an intrepid duo of performers to help us spread love and advanced mathematics to students with our tour of Matheatre’s CALCULUS THE MUSICAL, and it’s time to hold open auditions for local Cincinnati artists!

Do you act, sing, have intermediate or better guitar and/or piano skills, and have Calculus in your heart? If so, this may be the perfect gig for you!

CALCULUS THE MUSICAL is a comic “review” of the concepts and history of Calculus, blending sketch comedy and classroom lecture with musical parodies that span genres from light opera to hip-hop. The show has become an integral part of Calculus curricula in local and national high schools and we’re excited to send the show back out on the road with a revamped score and libretto.

Roles Available

  • Isaac Newton: (Lead)  Males and Females, 18-35. All Ethnicities.
    Actors must play piano and/or guitar at an intermediate level, as they accompany themselves. An interest in teaching or mathematics is preferred but not required.
  • All Other Roles: (Supporting) Males and Females, 18-35, All Ethnicities.
    Actors must play piano and/or guitar at an intermediate level, as they accompany themselves. An interest in teaching or mathematics is preferred but not required.

Schedule and Pay

Contract runs from February 22nd, 2016 to May 7th, 2016.*

The tour pays $300/wk during rehearsals and for in-town performance weeks, $405/wk for out-of-town performance weeks.

*Exact dates for rehearsals and performances TBD ASAP as we finalize bookings.

Auditions

Please prepare a one-minute, family-friendly comedic monologue and up to 32 bars of a self-accompanied song on piano or guitar. (If both instruments can be played, please be prepared to demonstrate this.) A piano and guitar will be available for use. Please be prepared to move and do math.

All auditions are by appointment only. To schedule an audition, please e-mail a headshot and resume to Kristen Ruthemeyer with the subject line “Calculus Audition Request” at kristenr@knowtheatre.com.

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ALL CHILDISH THINGS Runs Nov. 20-Dec. 19

James Creque, Ben Dudley, Chris Wesselman & Laurie Benning Roberts. Photo by Daniel R. Winters Photography.

James Creque, Ben Dudley, Chris Wesselman & Laurie Benning Roberts. Photo by Daniel R. Winters Photography.

ALL CHILDISH THINGS
Know Theatre of Cincinnati
Nov. 20-Dec. 19
Over-the-Rhine

Directed by Tamara Winters

Cast: Ben Dudley as Dave, Chris Wesselman as Max, James Creque as Carter, Laurie Roberts as Kendra & Michael Sherman as The Big Man

A long time ago (2006) in a galaxy far, far away (Norwood)…. Dave, Carter and Max have a problem. Their lives never fulfilled the promise that the Star Wars films made, they never had the means to embark on their own galactic adventure. Now they’re 30, and Dave’s still living in his mom’s basement. And Kendra, Carter’s new girlfriend, doesn’t even know what a nerf-herder is. But they have a plan. They will raid Kenner’s secret warehouse and get all the collectibles they can. Their mysterious buyer has promised them more money than they could imagine (and they can imagine quite a bit). Max may have a bad feeling about this, but when the Force is with you, what could possibly go wrong?

  • Fri-Sat, Nov. 20-21 at 8pm
  • Sun, Nov. 22 at 3pm
  • Fri-Sat, Nov. 27-28 at 8pm
  • Sun, Nov. 29 at 3pm
  • Thu-Sat, Dec. 3-5 at 8pm
  • Sun, Dec. 6 at 3pm
  • Thu-Sat, Dec. 10-12 at 8pm
  • Sun, Dec. 13 at 3pm
  • Thu-Sat, Dec. 17-19 at 8pm

Official page |

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Knows 18th Season Continues with a Unique Original Musical, ANDY’S HOUSE OF [BLANK]

KNOW’S 18TH SEASON CONTINUES
WITH A UNIQUE ORIGINAL MUSICAL
ANDY’S HOUSE OF [BLANK] by ​Paul Strickland and Trey Tatum directed by ​Bridget Leak 

A new musical about small towns, summer jobs, and second chances that happen  over and over and over and over and over and over and over again. 

KTC_Andys House of Blank logoAndy always was an unusual man, running a store that was part Emporium of Oddities and part Museum of Unmailed Love Letters. When Sadie, his old school crush, comes back to town for her father’s funeral, she shows up at the store with a mysterious machine. And then she shows up over and over and over again. In this brand new, small town, mystery spot musical, originally developed as part of Know Theatre’s Serials program, Paul and Trey recount the strange events of the summer they met as teenagers working at Andy’s House of [blank]. As they piece together their hazy memories, the two uncover a story of unrequited love and what it means to change your world.

Know Theatre ​continues its 18th season (“We’re Adults Now!”) by reliving summer jobs of the past in this developmental production of the brand new, full­length version of ​Andy’s House of [blank], which had previously been mounted in five 15­minute installments at Know’s biannual, episodic theatre party, Serials, in the winter of 2015.

With this production, Know reinforces its commitment to supporting local artists in the development of new works.​ ​It also marks the second time a show has graduated from Serials to further life on Know’s stages. Says ​Artistic Director Andrew Hungerford​,

“One of the many things that I love about Serials is that it provides a fantastic incubator to fast track new works from the page to the stage. When we saw ​Andy’s House unfold during Serials: Thunderdome last winter, we knew that it was something special. It’s incredibly gratifying to be able to provide a playground for artists like the team behind ​Andy’s House, and to work with them to develop the show beyond an episodic experiment into a fully realized production.”

Regarding their collaboration and the inspiration for the show, co­creators ​Paul Strickland​ and ​Trey Tatum explain,

TREY:​ I met Paul during the 2014 Cincy Fringe [and] we learned that we grew up 45 minutes apart from each other. I was terrified about [Serials! 2] Thunderdome, so I reached out to Paul and asked if he wanted to write a musical with me.

PAUL:​ I knew I wanted to be involved in Serials but had NO ideas that I thought would be sustainable in that format. I began the process [with Trey] not really knowing how well I’d collaborate (I’ve often worked solely on my own and my ex­wife has assured me I don’t work well with others) but, despite the growing pains and difficulties that come with ANY good collaboration, this was the most fun I’ve ever had making a script.

TREY:​ At our first meeting, Paul was clear that he wanted the musical to be set in a shop of curiosities.

PAUL:​ I had visited the Abita Mystery House just outside of New Orleans, an oddities shop and roadside attraction and the owner is remarkably but somehow-­still­-not­-entirely self­-aware.  [Trey] and I talked for more than an hour about outsider art and oddity shops all over the country. It occurred to me that I’ve never heard of a musical that really capitalized on what is so lovely about roadside attractions, one of my great loves and passions in life. That’s where the show began for me.

TREY: ​Writing with Paul is almost easier than writing on my own. The pile of good ideas is bigger, my weak points just happen to be Paul’s strong points. Thematically, ideas about obsession and the lengths we go to be desirable to others came out slowly over time. We had outlined episodes 1­3 and were stuck (this was before episode one even went up) and we went on a long walk thru Covington and refused to go back home until we figured out the ending. That was when we really settled on obsessions as a guiding force in the story.

About the fun they’ve had throughout the process and the opportunity to develop the show further, ​Director Bridget Leak​ remarks,

“Trey and I have been using the hashtag #bestfriendsclub because that is how that project was developed, in our kitchen over dinner and drinks. The Serials process was about cramming as many rehearsals as we could into each week, but we always made sure that it was fun (and booze was there). This fully realized production is an opportunity to really play with the theatricality of the environment ­ a curiosity shop with dead animals mounted on the walls ­ and to really take the time and care to develop the love story between Andy and Sadie, AND to keep it fun ­ if this process doesn’t feel like us hanging out in the kitchen playing (with booze), there’s no point in doing it!”

ANDY’S HOUSE OF [BLANK] will feature the original cast from its run at Serials! 2: Thunderdome. Co­creators Paul Strickland ​and ​Trey Tatum​ revive their semi­autobiographical roles of Paul and Trey, who revisit the experiences they had one summer working at Andy’s House and provide the instrumental backing for all songs. Reprising his role as the heartbroken shop owner, Andy, is ​Christopher Michael Richardson, ​a Member of the Bruce E. Coyle Acting Intern Company at Cincinnati Playhouse in the Park during the 2014/2015 Season. Rounding out the cast is ​Erika Kate MacDonald​ as Sadie, the former love interest of Andy’s who appears with a strange machine and then keeps showing up again and again­­for the first time.

Opening October 30th, ​Andy’s House of [blank] will completely transform Know Theatre’s Underground space into the titular emporium and museum for this one­of­a­kind MainStage presentation…that’s actually on our SecondStage. It’s just the kind of unique and creative programming you’ve come to expect from ​Your Theatrical Playground.

Cast

  • Erika Kate MacDonald ​as Sadie
  • Christopher Michael Richardson​ as ​Andy
  • Paul Strickland​ as Paul
  • Trey Tatum​ as ​Trey

Production Team

  • Director — Bridget Leak
  • Production Stage Manager — Kristen Ruthemeyer
  • Stage Manager — Harrison Swayne
  • Scenic Design — Sarah Beth Hall
  • Costume Design — Noelle Wedig
  • Lighting Design — Andrew Hungerford
  • Sound Design — Douglas Borntrager
  • Technical Director — Nick Koehlke

Calendar Listing

  • Production: ANDY’S HOUSE OF [BLANK]
    by Paul Strickland & Trey Tatum
  • When:  ​October 30th ­ November 14th, 2015
    Wednesdays ­ Saturdays @ 8PM, Sundays @ 3PM
  • Where:   Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202 In historic Over­the­Rhine.
  • Tickets:  $20 in advance
    $10 Rush tickets​ at the door 10 minutes prior to curtain (when available)
    FREE​ ​performances​ on Wednesdays​, ​as part of Know Theatre’s ​Welcome Experiment
    (Subject to availability; reserved Welcome Experiment tickets must be claimed 15 minutes before the performance or be subject to redistribution.)
    6 Ticket Flex­Passes​ are available for ​$100​ and can be used in any combination of patrons and shows for all MainStage and SecondStage programming at Know Theatre.

Know Theatre is Cincinnati’s Theatrical Playground.

The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience.

Since 1997, Know Theatre has sought to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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