Tag Archives: Ensemble Theatre of Cincinnati

NEXT TO NORMAL Returns to ETC’s Stage for An Encore Presentation, June 15-July 1

Tickets go on sale to general public
Friday, April 6 @ 10 am

Please note, no passes, coupons or discounts will be accepted for this limited engagement

Jessica Hendy as Diana and Charlie Clark as Dr. Madden/Dr. Fine. Photo by Ryan Kurtz.

Due to popular demand, the stunning rock musical NEXT TO NORMAL, which enjoyed a sell-out run this past fall, returns to Ensemble Theatre this summer, June 15-July 1 with nearly all the original cast members in tow, including Jessica Hendy, Nick Cearly, Mike Schwitter, Charlie Clark, and Mia Gentile.

Fresh from a remarkable Broadway run comes one of the most lauded musicals of the new century! With provocative lyrics and an electrifying score that includes more than 30 original songs, this thrilling, emotional powerhouse of a musical is a story about the stop/start life of a bipolar mother as she rides the sharp edge between coping and insanity. My review.

Please Note: This production contains strong language and adult themes and may not be suitable for all audiences.

Approximate Running Time: 2 hrs, 20 minutes, includes one intermission.

Season Presenting Sponsor:
The Otto M. Budig Family Foundation

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TIME STANDS STILL runs March 14-April 1

TIME STANDS STILL 
Presented by Ensemble Theatre of Cincinnati 
March 14-April 1
Over-the-Rhine

Reviews: Enquirer |Behind the Curtain | CityBeat |

This explosive new drama examines the relationship between headstrong Sarah, a star photojournalist, and James, a foreign correspondent, who were once addicted to the adrenaline of documenting the realities of war and are now grounded in their Brooklyn loft. Now, James writes online movie reviews while Sarah recovers from being injured by a roadside bomb in Iraq, itching to get back behind the camera. But, when their own story takes a sudden turn, the adventurous couple confronts the prospect of a more conventional life…and everything changes-in a flash. A gripping story of the war waged within ourselves, set against the backdrop of the Middle East conflict. This production contains mature language and mature themes and may not be suitable for all audiences.

  • Wed-Thu, March 14-15 at 7:30pm
  • Fri, March 16 at 8pm
  • Sat, March 17 at 2pm & 8pm
  • Sun, March 18 at 2pm
  • Tue-Thu, March 20-22 at 7:30pm
  • Fri, March 23 at 8pm
  • Sat, March 24 at 2pm & 8pm
  • Sun, March 25 at 2pm
  • Tue-Thu, March 27-29 at 7:30pm
  • Fri, March 30 at 8pm
  • Sat, March 31 at 2pm & 8pm
  • Sun, April 1 at 2pm

Official page | Online ticketing | FaceBook event | Goldstar discount |

Local media coverage: Enquirer article |

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THE WHIPPING MAN Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

Ken Early & Jarred Baugh in ETC's THE WHIPPING MAN. Photo by Ryan Kurtz.

THE WHIPPING MAN presented by Ensemble Theatre of Cincinnati through Feb. 18*. You can read the show description here.

*Please note that three performances have been added, extending the run to Feb. 18.

Bravo to ETC for giving Cincinnati audiences the experience of THE WHIPPING MAN.

Director D. Lynn Meyers delivers a well-focused and emotionally sincere production that would be satisfying in a black box staging.  The contributions of the crew elevates this production even further, making it the most memorable drama I’ve seen produced at ETC and my favorite of the 2011-12 season.

The script by Matthew Lopez is extremely-well written and layered. The themes explored in the work are well-defined and flow naturally from the three characters and their situation. No gimmicks are needed to prop up the story.

I was also impressed with the casting of the show. Both Jarred Baugh as Caleb and Mark St. Cyr as John are excellent in their roles. Exploring the ying and yang qualities of their characters is very fun to watch. Local actor Ken Early as Simon, personifies what hard work and determination can achieve. His performance commands the stage and he conquers every challenge the role demands. Physically his age and height, in comparison to his cast mates, serves to reinforce Simon’s father-figure status in Caleb’s and John’s lives.

The set by Brian C. Mehring is impressively detailed. When combined with his lighting, the two add weight to the atmosphere of the show. His efforts to mimic natural lighting during the day and lamplight at night, are very successful. Solid sound design by Benjamin Marcum also adds much to the overall feeling of the show. Also impressive was the attention to detail. Favorite examples are the wall lamps and the dripping ceiling.

It seems funny to say it, but part of me wishes that they had not been an intermission. I found coming back from the break into a “flashback” scene to be a bit jarring. It took a minute or two to fall back into the story. Perhaps a stronger visual clue would help.

A small note during John and Simon’s confrontation. I had trouble understanding what John reveals to Simon in that heated moment.

Overall a wonderful show that personifies why I love going to the theater. The momentum displayed by ETC this season is very exciting. I look forward to seeing it continue.

Click here for a complete list of show times, articles and other reviews for THE WHIPPING MAN.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Ensemble Theatre of Cincinnati Presents Regional Premiere of THE WHIPPING MAN By Matthew Lopez, January 25-February 12, 2012

(Cincinnati, Ohio) Ensemble Theatre of Cincinnati’s 2011-2012 season continues with the regional premiere of THE WHIPPING MAN by Matthew Lopez, one of the nation’s most exciting, promising new playwrights and recipient of the 2011 Outer Critics Circle John Gassner Award. Directed by D. Lynn Meyers, this historical drama is a riveting story of violence, passion and hope surrounding the tumultuous days following the end of the American Civil War and plays January 25-February 12, 2012. Described as “emotionally potent” by The New York Times, THE WHIPPING MAN is one of the most original and thrilling news plays about the history of race, religious identity and what it means to be free.

In the spring of 1865, Caleb De Leon, a Jewish Confederate soldier, returns home to Richmond, Virginia badly wounded. His family gone, the once grand house has been pillaged and burned beyond recognition. Amidst the wreckage are two familiar faces: Simon, the former slave who raised him, and John, the former slave who grew up alongside him, both of whom were also raised as Jews. Out from the rubble of the fallen South, Simon, John and Caleb face one another for the first time as free men as they observe Passover around a makeshift Seder.

Having just closed its extended New York debut less than a year ago, this extraordinary new work is rooted in the largely unknown, but true history of Jewish slaveholders in the South. Jews, although a minority in the American South, did in fact have a long history in Richmond, and Jewish leaders were vocal on both sides of the slavery debate. As was often the case in Christian slave-owning households, slaves of Jewish masters also took up the practices and beliefs of their owners, infusing them with their own perspectives and symbols, using ritual to ground daily living and provide hope for the future.

THE WHIPPING MAN is a powerful exploration of lives that come unraveled as the devastation of slavery is revealed in the wake of the Emancipation Proclamation. As we journey along with Simon, Caleb, and John, other less well known consequences of the fall of the American South are revealed: the bankrupting of an economic system based on black bodily labor, the fleeing of wealthy slave-owning families in the aftermath of the Civil War, and the interweaving of Jewish and African American lives and religious beliefs and customs.

“What’s important to remember is that even though the Civil War ended, the story of American slavery and the struggle for equality absolutely did not,” explains Producing Artistic Director D. Lynn Meyers. “I love how Lopez sheds fresh new light on an important and defining era in American history. This play reminds us that the struggle for human equality is universal and never obsolete.”

This production is supported in part by an award from the National Endowment for the Arts. Artistic sponsor: Schiff, Kreidler-Shell and an anonymous donor in honor of Thomas More College. Promotional partners include: Bridges for A Just Community, Jewish Federation of Cincinnati, David’s Voice and Yelp.

Special Performance Event:
Thursday, January 26: a talk-back follows the 7:30 pm performance of THE WHIPPING MAN and features Dr. Gary Zola, Executive Director of The Jacob Rader Marcus Center of the American Jewish Archives (AJA) and Professor of the American Jewish Experience at Hebrew Union College-Jewish Institute of Religion (HUC-JIR) in Cincinnati. In partnership with Mayerson JCC.

About the Cast
Jarred Baugh (Caleb) makes his Ensemble Theatre of Cincinnati debut with The Whipping Man. Mr. Baugh lives in New York, where he has performed Off-Broadway with Blue Man Group, The New York Classical Theatre’s production of Henry V, as well as working in commercials and with his sketch comedy group The Polite Society. He was last seen in this area in Romeo and Juliet at Human Race Theatre in Dayton.

Mark St. Cyr (John) makes his Equity debut with Ensemble Theatre of Cincinnati. Mr. St. Cyr’s regional credits include The Piano Teacher, A Christmas Carol, What’s Bugging Greg, Happy Worst Day Ever, and Lilly’s Purple Plastic Purse, at Cincinnati Playhouse in the Park; The Adventures of Tom Sawyer and The Torch-Bearers at Peterborough Players; and Leonce & Lena, Tell It Under Water, and The Kid Who Talked to Penguins at Hangar Theatre. He received a B.F.A in Acting from Elon University, where he performed in Love’s Labour’s Lost, The Country Wife, A Midsummer Night’s Dream, and Blues For an Alabama Sky.

Ken Early (Simon) recently appeared on ETC’s stage this past December in the world premiere of Snow White. His other ETC credits include The Frog Princess, Alice in Wonderland, Sleeping Beauty, and Grey Gardens. His other regional credits include Adding Machine the Musical and The Last Days of Judas Iscariot at Know Theatre of Cincinnati. For New Stage Collective, he performed in Dead City, Take Me Out, and Side Show.

Production team includes Brian c. Mehring (Resident Scenic & Lighting Designer), Aaron Clements (Technical Operations Director), Matthew Hollstegge (Production Coordinator & Master Electrician), Shannon Rae Lutz (Properties Master & Design Assistant), Benjamin Marcum (Sound Designer), Chad Phillips (Costume Designer), and Rocco Dal Vera (Dialect Coach). Production Stage Manager is Constance Dubinski.

Performance & Single Ticket Information
Performances run Tuesday through Sunday. Performance times: Tuesday-Thursday: 7:30 p.m.; Friday and Saturday: 8:00 p.m.; Saturday and Sunday: 2:00 p.m.

Ticket prices for weeknight performances are $36; weekend performances are $42.

Senior/student, Public Radio Perks Card, AAA, and Enjoy the Arts discounts available; tickets and seating are subject to availability. ETC accepts all major credit cards, Over-the-Rhine Merchant gift cards, and Downtown Cincinnati gift cards. Group rates are available for 10 or more people. A full list of available discounts is available on ETC’s website.

Ensemble Theatre of Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Ensemble Theatre of Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre of Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

2011-2012 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Season Sponsors: John & Ruth Sawyer, LPK, and PNC Bank. Season Fairy Godmother Sponsor: William and Susan Friedlander. Season Media Sponsors: 91.7 FM WVUX and 90.9 FM WGUC. Additional seasonal support provided by the Charles H. Dater Foundation, Garfield Suites Hotel, The Greater Cincinnati Foundation, The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation, and The Merten Company.

Ensemble Theatre of Cincinnati, a professional Equity theatre, is dedicated to the production and development of new works and works new to the region.

WHAT
The Regional Premiere of Ensemble Theatre of Cincinnati’s The Whipping Man, by Matthew Lopez

WHERE
Ensemble Theatre of Cincinnati, 1127 Vine Street, Cincinnati, Ohio 45202, http://www.cincyetc.com
(513) 421-3555

WHEN
January 25-February 12, 2012
Opening Night: Wednesday, January 25 at 7:30 p.m.

Tuesday, Wednesday and Thursday evening performances at 7:30 p.m.
Friday and Saturday evening performances at 8:00 p.m.
Saturday and Sunday matinee performances at 2:00 p.m.

SPECIAL PERFORMANCE EVENTS
Sign-interpreted performance is Wednesday, February 8 at 7:30 p.m.

Thursday, January 26: Talk back following the performance. Featured guest is Dr. Gary Zola from Hebrew Union College.

Tuesday, January 31: Young professionals night, in partnership with Yelp Cincinnati. After party following performance at The Lackman, 1237 Vine Street.

CONTENT ADVISORY & OTHER IMPORTANT INFORMTION
This production contains strong adult language and themes and may not be suitable for all audiences.
There will be no late seating for this production.

TICKETS
Purchase by calling the box office at (513) 421-3555, in person at ETC Box Office, or online at http://www.cincyetc.com
$36 for Tuesday, Wednesday, and Thursday evening performances
$42 for Friday, Saturday, Sunday, and Opening Night performances
$16 for children 12 and under

DISCOUNTS
Half-Price Rush Tickets: All remaining tickets for the current day’s performance(s) are available two hours prior to each showtime for half-price (discount does not apply to senior or children’s tickets) when purchasing by phone or in person.

AAA, ArtsWave Fun Card, Cincinnati Public Radio Perks Card, Military/Educator and ETA discounts available. Group discounts available for 10+ adults. A full list of available discounts is available on ETC’s website at http://www.cincyetc.com.

PARKING & SECURITY
Parking for all performances is available directly across the street from the theatre at the Gateway Garage and surface lot on the corner of 12th and Vine Streets. Charges vary.

CAST
Caleb DeLeon: Jarred Baugh*
John: Mark St. Cyr*
Simon: Ken Early

PRODUCTION TEAM
D. Lynn Meyers**: Director
Chad Phillips: Costume Designer
Constance Dubinski*: Stage Manager
Benjamin Marcum: Sound Designer
Brian c. Mehring: Set & Lighting Designer
Aaron Clements: Technical Operations Director
Shannon Rae Lutz: Properties Master & Design Assistant
Rocco Dal Vera: Dialect Coach
Matthew Hollstegge: Master Electrician & Production Coordinator

*Denotes a member of Actors’ Equity Association, the union of professional actors and stage managers in the United States.

**Director is a member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.

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THE WHIPPING MAN runs Jan. 25-Feb. 18

THE WHIPPING MAN
Presented by Ensemble Theatre of Cincinnati
Jan. 25-Feb. 18
Over-the-Rhine

Reviews: The Enquirer | Behind the Curtain |

It’s Passover, 1865. The Civil War has just ended and the annual celebration of freedom from bondage is being observed in Jewish homes across the country. Caleb DeLeon, a Jewish Confederate soldier, returns wounded from the battlefield to find his family home in ruins, abandoned by everyone except Simon and John, two former slaves, who were raised as Jews in the DeLeon home. As the three men wait for the family’s return, they wrestle with their shared past as master and slave, uncovering a tangle of long-buried family secrets as well as new ones…ties that bind them together and that, ultimately, might cost each man his freedom.

This production contains mature language and themes and may not be suitable for all audiences.

  • Wed-Thu, Jan. 25-26 at 7:30pm
  • Fri, Jan. 27 at 8pm
  • Sat, Jan. 28 at 2pm & 8pm
  • Sun, Jan. 29 at 2pm
  • Tue-Thu, Jan. 31-Feb. 2 at 7:30pm
  • Fri, Feb. 3 at 8pm
  • Sat, Feb. 4 at 2pm & 8pm
  • Sun, Feb. 5 at 2pm
  • Tue-Thur Feb. 7-9 at 7:30pm
  • Fri, Feb. 10 at 8pm
  • Sat, Feb. 11 at 2pm & 8pm
  • Sun, Feb. 12 at 2pm
  • Thu, Feb. 16 at 7:30pm
  • Fri-Sat, Feb. 17-18 at 8pm

Official page | Online ticketing | FaceBook event | Goldstar discount |

Local media coverage: WVXU interview | Enquirer article | CityBeat article |

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