Tag Archives: Ensemble Theatre Cincinnati

Ensemble Theatre Cincinnati Hosts Second Annual PLAY/WRITE: The Jackie Demaline Regional Collegiate Playwriting Competition

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Submission Deadline of March 31
Winner Presented on May 4

(Cincinnati, OH) Calling all collegiate playwrights in the tri-state area! Ensemble Theatre Cincinnati hosts the second annual PLAY/write: The Jackie Demaline Regional Collegiate Playwriting Competition, held in memory of writer, critic, and arts advocate, Jackie Demaline. Students currently enrolled at a university in the Greater Cincinnati/ Northern Kentucky region are welcome to submit their plays to the competition. The winning play will be selected by PLAY/write’s current judges, Cincinnati writers Joseph McDonough and David Lyman, with the assistance of a selection committee. The winner of this competition will receive $2,500 from the Jackie Demaline Fund and a professional staged reading of their script at Ensemble Theatre Cincinnati.

Demaline’s love of the arts started at a young age. Throughout her life, she continued to be a passionate believer in the arts as an entertainment writer and editor for multiple newspapers and publications. After moving to Cincinnati in 1994, she covered theatre and the arts for The Cincinnati Enquirer for 20 years and worked as an important catalyst for change and growth during a time when new theatres and companies were popping up all over Cincinnati and helped to secure their place in the community.

After a four-year battle with cancer, Demaline passed away on June 17, 2018. As her final gift to the community, she arranged for her estate to fund the PLAY/write competition. Through this, her legacy lives on—providing new voice development, kick-starting arts careers, and caring for the community through thoughtful programming.

Submission guidelines:

WHO:

  • Students currently enrolled at a university in the Greater Cincinnati/Northern Kentucky region

WHAT:

  • Original, unpublished full-length plays written in English. Translations, musicals, adaptations, and children’s plays not accepted.
  • Guidelines based off of the questions that Demaline asked herself when evaluating theatre:
    • Does it move me?
    • Excite me?
    • Stimulate me?
    • Provoke me?
    • Tell me something I didn’t know before about myself or the world I live in?
    • Hold up a mirror at an angle I’ve never tried so that things I know suddenly have new meaning?
    • Make me laugh or cry?
    • Make me mad?
    • Make me uncomfortable?
    • Make me think?

WHEN:

  • Submission deadline: 11:59 pm EST, March 31, 2020

HOW:

EVENT DETAILS:

  • The winning submission will be presented at 7:00 p.m., Monday, May 4, 2020 (Jackie’s Birthday), as part of ETC’s Studio Series. Admission is free, but reservations are required.

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2019-2020 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Additional support provided PNC.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre of Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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Teach. Out Loud. ETC Presents Regional Premiere Drama PIPELINE March 7-April 4, 2020

ETC_Pipeline logo

(Cincinnati, OH) Ensemble Theatre Cincinnati is going back to school with the regional premiere drama, Pipeline by Dominique Morisseau, the acclaimed MacArthu “Genius” Grant playwright. This 2018 Obie Award-winning play powerfully brings an urgent conversation to the forefront, compassionately probing the limits of our education system and a mother’s fight to give her son a future—without turning her back on the community that made him who he is. Directed by Ron OJ Parson. Production Sponsor is The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation.

Nya, an inner-city public high school teacher, is committed to her students but desperate to give her only son, Omari, opportunities they’ll never have. But when an explosive incident at his prestigious private school threatens to get him expelled, will all her efforts be lost? Don’t miss this compelling, must-see portrait of parenthood, education, and the experience of young black men in America.

“As audience members or art lovers, if you go to a museum 10 people can look at the same painting and take away 10 different things from it, and I think that’s the same with [Dominique Morisseau’s] plays. Every character in Pipeline is going to be watched by audience members, and they’ll latch onto their stories,” says Director Ron OJ Parson. “Her connection with the characters and the language, to me, is very rich. I liken the depth of character in her works to August Wilson. There are a lot of things you can find inside her plays to grasp.” 

About the Cast

Bryant Bentley (Dun) is a native of Dayton, OH, and was last seen at Ensemble Theatre in Detroit ’67. Other theater credits include The Watsons Go to Birmingham—1963, Indiana Repertory Theatre; Between Riverside and Crazy, Pittsburgh Public Theatre; Two Trains Running, The Piano Lesson, and Fences, American Players Theater;  Ma Rainey’s Black Bottom, A Soldier’s Play, and many more. Film/TV credits include The Killing of a Sacred Deer, the CBS series One Dollar, All or Nothin’, and The Public, written and directed by Emilio Estevez. 

Kenneth Early (Xavier) was last seen at Ensemble Theatre as the Caterpillar/Butterfly in Alice in Wonderland, where his other credits include The Dancing Princesses, Red Velvet, The Whipping Man, Grey Gardens, Snow White, and The Frog Princess. Other regional credits include Once on This Island, Misery, August Wilson’s Jitney, and To Kill a Mockingbird, Cincinnati Playhouse in the Park; Guess Who’s Coming to Dinner, Macbeth, Of Mice and Men, and To Kill a Mockingbird, Cincinnati Shakespeare Company; On Golden Pond, The Human Race Theatre; Once on This Island, Actor’s Theater of Louisville; Pluto and Harry and the Thief, Know Theater Cincinnati; and Awaited at the Aronoff Center for the Arts. 

Sharrell D. Luckett (Nya) is an award-winning artist and scholar. Off-Broadway credits include YoungGiftedandFat. Acting credits include Fences and Holding Up the Sky. Directing credits include Topdog/Underdog, In the Red and Brown Water, and For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf. Book credits include Black Acting MethodsYoungGiftedandFatTransweight, and African American Arts. Originally from Atlanta, Sharrell holds a Ph.D. in Theatre from the University of Missouri and is a professor of Drama and Performance Studies at the University of Cincinnati. She is also the director of the Helen Weinberger Center for Drama and Playwriting and founding director of the Black Acting Methods Studio. 

Connan Morrissey (Laurie) returns to Ensemble Theatre, having last appeared in A Doll’s House, Part 2. Her previous credits include roles in new and classical plays at Arena Stage, Actors Theatre of Louisville, Asolo Theatre Center, Folger Theatre, Virginia Stage Company, Round House Theatre, Olney Theatre Center, Clarence Brown Theatre, PlayMakers Repertory, Capital Repertory, North Carolina Stage Company, Vermont Stage Company, and Peterborough Players. Other work experiences include performance coaching for executives at Deloitte, PWC, Unilever, and Fifth Third Bank. Connan has an MFA from the University of North Carolina at Chapel Hill. 

Angelica Santiago (Jasmine) received her BFA in acting from Montclair State University. Her credits include The Wolves, Actors Theatre of Louisville ; Hype ManDraculaThe Electric HarvestA Christmas Carol, and We’ve Come to Believe, 43rd Humana Festival; As You Like ItHenry IV Part I , and King Lear, Kentucky Shakespeare Festival. 

Jay Wade (Omari) makes his Ensemble Theatre debut with this production and his second professional appearance in the role of Omari. He is from St. Louis, MO, and recently earned his BFA in Acting from Southeast Missouri State University.

Production team: Brian c. Mehring (Resident Scenic and Lighting Designer), Dana Rebecca Woods (Costume Designer), Matt Callahan (Sound Designer), Mike Tutaj (Projection Designer), Shannon Rae Lutz (Properties Master & Design Assistant), Matthew Hollstegge (Production Manager), and Jack Murphy (Technical Director). Production Stage Manager is Brandon T. Holmes. Assistant Stage Manager is Lexi Muller.

Performance Information
Performances Tuesday-Thursday at 7:30 pm; Friday & Saturday at 8:00 pm; Saturday & Sunday at 2:00 pm; Sunday at 7:00 pm. Performances vary. A complete calendar of performances is available www.ensemblecincinnati.org.

Ticket Prices
Tickets start at $35 for adults; student tickets are $28; and children are $24. Half-Price Rush Tickets: All remaining tickets for the current day’s performance(s) are available two hours prior to each show time for half-price (discount only applies to adult tickets) when purchasing by phone or in person. $15 Student Rush Tickets: Students may purchase up to two $15 student rush tickets two hours prior to show time with valid student I.D. Available in person only.

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2019-2020 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Additional support provided PNC.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre of Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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Ensemble Theatre Cincinnati Presents the Return of Backstage @ ETC on April 3, 2020

ETC_Backstage at ETC logo(Cincinnati, OH) After the success of its inaugural Backstage @ ETC event last year, Ensemble Theatre Cincinnati (ETC), Over-the-Rhine’s premiere theatre, is excited to bring back this behind-the-scenes fundraiser on April 3, 2020 from 5:30-7:30 pm. Guests are invited to venture offstage to see how ETC creates its beloved productions and community initiatives, as well as get a sneak peek at artistic elements of the upcoming regional premiere of Photograph 51, a drama about one of the biggest scientific breakthroughs of the 20th century.

Backstage @ ETC includes the opportunity to explore usually nonpublic areas of ETC and catch a glimpse at how theatrical magic is made—from scenery construction and painting to costumes and demonstrations of education programs. Dinner-by-the-bite will be offered while attendees learn about a variety of funding opportunities throughout the building.

Admission
Admission is $100 per person and includes 1 drink voucher and dinner-by-the-bite. All tickets can be purchased online, over the phone, or at the Box Office.

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2019-2020 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Additional support provided PNC.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre of Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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PIPELINE Runs March 7-April 4

ETC_Pipeline logoPIPELINE
Ensemble Theatre Cincinnati
March 7-April 4
[Over-the-Rhine]

Nya, an inner-city public high school teacher, is committed to her students but desperate to give her only son, Omari, opportunities they’ll never have. But when an explosive incident at his prestigious private school threatens to get him expelled, will all her efforts be lost? A compelling, must-see portrait of parenthood, education, and the experience of young black men in America, PIPELINE brings an urgent conversation powerfully to the forefront. This production contains mature language and content and may not be suitable for all audiences.

  • In preview Sat, March 7 at 7pm
  • In preview Tue, March 10 at 7pm
  • Wed-Thu, March 11-12 at 7:30pm
  • Fri, March 13 at 8pm
  • Sat, March 14 at 2pm & 8pm
  • Sun, March 15 at 2pm & 7pm
  • Tue-Thu, March 17-19 at 7:30pm
  • Fri, March 20 at 8pm
  • Sat, March 21 at 2pm & 8pm
  • Sun, March 22 at 2pm & 7pm
  • Tue-Thu, March 24-26 at 7:30pm
  • Fri, March 27 at 8pm
  • Sat, March 28 at 2pm & 8pm
  • Sun, March 29 at 2pm

Official page | Facebook event |

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FORTUNE Quick Review

FORTUNE presented by Ensemble Theatre Cincinnati through Feb. 15. I attended the opening night performance. 

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Jeremy Dubin as Jeremy & Kelly Mengelkoch as Maude. Photo by Ryan Kurtz.

With Valentine’s day only a few weeks away, it’s not surprising to see a romantic comedy or two pop up on local stages. Such is the case with FORTUNE at ETC which features real life husband and wife Jeremy Dubin and Kelly Mengelkoch. As with any good rom-com, the story isn’t as much about “if” they will get together, but the journey of “how” they get together.

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Kelly Mengelkoch as Maude & Jeremy Dubin as Jeremy. Photo by Ryan Kurtz.

Under the direction of Brian Robertson, Dubin and Mengelkoch easily win over the audience as two lonely souls who can’t seem to get out of their own way to find happiness. Their chemistry together is readily apparent and very enjoyable to watch.

Brian c. Mehring’s detailed set design is divided into two play areas. Madame Rosa’s (Maude’s) aged, fortune-telling apartment beautifully appointed by Shannon Rae Lutz on stage right is opposed by a wonderful, visually deceptive promenade. Amanda McGee’s costume design nicely defines the characters and their various permutations as the story progresses.

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Jeremy Dubin as Jeremy & Kelly Mengelkoch as Maude. Photo by Ryan Kurtz.

On opening night, the first act was a little uneven as if the actors hadn’t fully found their footing. The second act built a good momentum, culminating in a satisfying conclusion. For me, there were moments when the silliness of the promenade scenes was pushed a little too hard. There was also an issue with the sound effects drowning out Madame Rosa’s first reading. These are minor complaints that I’m sure will quickly resolve themselves.

Overall a funny, enjoyable beginning to a love story, perfect for a date night.

My rating: 4.5 out of 5.

Click here for more information on the production.

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