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Cincinnati Playhouse Adds Eric Ting as Fourth Associate Artist for 2015-2016 Season

Eric Ting.

Eric Ting.

(CINCINNATI) — Cincinnati Playhouse in the Park Artistic Director Blake Robison announced today that Obie Award-winning director Eric Ting will be added next season to the theatre’s Associate Artists program, which was launched by Robison in 2013 for his second season at the Playhouse. Ting will join current associate artists Timothy Douglas, Michael Evan Haney and KJ Sanchez, who have served the Playhouse in that capacity for the past two years.

Robison has extended the Associate Artist program beyond its initial two-year mandate so that each of these artists will have an ongoing relationship with the theatre and community. “The Associate Artists program is an inclusive, forward-looking model that has generated a lot of excitement,” Robison said. “They form the backbone of our directing corps and bring diverse backgrounds, experiences and viewpoints to the Playhouse. “I’m thrilled to welcome Eric to the Cincinnati Playhouse family,” Robison continued. “As our fourth associate artist, he will direct plays, participate in season planning, join us in community outreach and bring his own network of connections to benefit the Playhouse.

“I’ve known Eric for nearly 15 years, when he began his career as a theatre student at the University of Tennessee. Since then, he has created an impressive body of work as one of the country’s most gifted young directors. He’s in touch with a new generation of American playwrights, and he brings a fresh perspective to the classics. He’s distinguished himself off-Broadway with an Obie Award. And his time at Long Wharf Theatre has given him experience in an institutional theatre.”

“I’m incredibly honored to be named a Cincinnati Playhouse associate artist,” Ting said. “I’ve long admired Blake’s work as an artistic leader and have been following the storied work of the Playhouse ever since my sister’s family settled in nearby Montgomery. The Associate Artists program combines two of the things I hold most dear in life: art-making and community building. There’s no more human art than the theatre, no art better suited to connecting us. And the Playhouse is a true testament to that.”

Ting’s recent directing credits include the world premiere The World of Extreme Happiness by Frances Ya-Chu Cowhig, which debuted at Goodman Theatre and opens in February at Manhattan Theatre Club; A Great Wilderness by Sam Hunter at Williamstown Theatre Festival; the world premiere of Rising Son by Dick Lee at Singapore Repertory Theatre; Jackie Sibblies Drury’s We Are Proud to Present A Presentation on the Herero of Namibia, Formerly South-West Africa from the German Sudwestafrika, Between the Years 1884-1915, a world premiere at Soho Rep and Victory Gardens Theater for which he received the Obie Award for direction; the world premiere of Miriam by Nora Chipaumire at BAM Next Wave; and Warrior Class by Ken Lin at Alliance Theatre. Upcoming projects include Brownsville Song: B-Side for Tray by Kimber Lee at Long Wharf and Branden Jacobs-Jenkins’ Appropriate at the Mark Taper Forum.

As Long Wharf’s associate artistic director, Ting has directed the world premieres of Laura Jacqmin’s January Joiner, Aditi Brennan Kapil’s Agnes Under the Big Top and Ernest Hemingway’s The Old Man and the Sea, which he also co-adapted. He has directed workshops and readings for the Lark Play Development Center, Vineyard Theatre, Yale Repertory Theatre, the Public Theater, Hartford Stage, Prelude, Victory Gardens Theater, Goodman Theatre, Marin Theatre Company, Bay Area Playwrights, ACT (San Francisco) and the Vineyard Arts Project.

Ting’s personal awards and grants include a Theatre Communications Group New Generations Future Leaders fellowship and a Jerome and Roslyn Milstein Meyer Career Development Prize. A founding member of the artists’ collective INTELLIGENT BEASTS, his work has been presented internationally, including France, Canada, Romania, the Czech Republic, Hungary and Bali.

The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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A CHRISTMAS CAROL Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Ebenezer Scrooge (Bruce Cromer) celebrates his renewed holiday spirit . Photo by Sandy Underwood.

Ebenezer Scrooge (Bruce Cromer) celebrates his renewed holiday spirit . Photo by Sandy Underwood.

A CHRISTMAS CAROL presented by Cincinnati Playhouse in the Park through Dec. 28. Click here for more information on the production. I attended the opening night performance.

Now in it’s 24th season, Playhouse’s A CHRISTMAS CAROL continues to entertain audiences of all ages (well ages 6 and up 🙂.)

: The Ghost of Christmas Past (Dale Hodges, left) and Ebenezer Scrooge (Bruce Cromer, right) look on as Boy Scrooge (Ethan Verderber) is summoned home by his sister Fan (Kinley Brooke Shoemaker). Photo by Sandy Underwood.

The Ghost of Christmas Past (Dale Hodges, left) and Ebenezer Scrooge (Bruce Cromer, right) look on as Boy Scrooge (Ethan Verderber) is summoned home by his sister Fan (Kinley Brooke Shoemaker). Photo by Sandy Underwood.

The great sets and costumes, broad humor and a healthy dose of theatre magic are only responsible for part of the success. Each holiday season, director Michael Evan Haney brings together a talented 29-person cast of new faces, local children and a who’s who of our city’s favorite actors, many of whom have become traditions themselves.

The ghost of Jacob Marley (Gregory Procaccino) appears to a terrified yet skeptical Ebenezer Scrooge (Bruce Cromer) . Photo by Sandy Underwood.

The ghost of Jacob Marley (Gregory Procaccino) appears to a terrified yet skeptical Ebenezer Scrooge (Bruce Cromer) . Photo by Sandy Underwood.

Bruce Cromer leads the cast as the miserly Ebenezer Scrooge. This is his tenth year in that role, and previous to that, he played Bob Cratchit for eight. Cromer is excellent in the role and his gradual, touching and comedic transformation throughout the show is a joy to watch.

Gregory Procaccino has the distinction of performing in all 24 performances of CAROL. This year, Procaccino continues to terrorize Scrooge as the ghost of Jacob Marley.

Having performed in 22 of the 24 productions of A CHRISTMAS CAROL, Dale Hodges returns as the sprite-ly Ghost of Christmas Past.

Making his ninth appearance, Stephen Skiles is first seen as Mr. Sosser.

Young Scrooge (Jared Joplin, right) courts Belle (Joy Farmer-Clary, left) as Ebenezer Scrooge (Bruce Cromer, second from left) and other cast members witness this scene from Ebenezer’s past. Photo by Sandy Underwood.

Young Scrooge (Jared Joplin, right) courts Belle (Joy Farmer-Clary, left) as Ebenezer Scrooge (Bruce Cromer, second from left) and other cast members witness this scene from Ebenezer’s past. Photo by Sandy Underwood.

Nick Rose returns for a fifth time,beginning as Mr. Cupp.

Jared Joplin returns for a second time in the role of Young and Mature Ebenezer Scrooge. When both Scrooges stand side by side on stage it’s easy to believe they are the same person at different ages. Joplin’s first performance in this role was in 2004, where he played opposite his real-life father, Joneal Joplin, in the elder’s final year as Ebenezer Scrooge.

The cast of A CHRISTMAS CAROL gathers for holiday revels with Mr. and Mrs. Fezziwig. Photo by Sandy Underwood.

The cast of A CHRISTMAS CAROL gathers for holiday revels with Mr. and Mrs. Fezziwig. Photo by Sandy Underwood.

Cincinnati-native Ryan Wesley Gilreath returns, for his second year, to the production that inspired him, 21 years ago, to pursue acting. This year he performs as Bob Cratchit.

Kelly Menglekoch, an 11-year resident ensemble member at Cincinnati Shakespeare Company, returns this year as Mrs. Cratchit.

Annie Fitzpatrick makes her CAROL debut this year with a great comic turn as Mrs. Fezziwig.

Ebenezer Scrooge (Bruce Cromer, center) and Tiny Tim (Ty Joseph Shelton) lead the 29-member cast in the finale. Photo by Sandy Underwood.

Ebenezer Scrooge (Bruce Cromer, center) and Tiny Tim (Ty Joseph Shelton) lead the 29-member cast in the finale. Photo by Sandy Underwood.

Be sure to pay attention, as most of the actors appear as several different characters.

It would take a true Scrooge indeed not to enjoy this fabulous production and annual Christmas present from the Playhouse.

God bless us, every one! indeed.

My rating: 4.50 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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TENDERLY: THE ROSEMARY CLOONEY MUSICAL Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Susan Haefner, as Rosemary Clooney, sings one of Rosemary’s signature songs. Photo by Gordon DeVinney.

Susan Haefner, as Rosemary Clooney, sings one of Rosemary’s signature songs. Photo by Gordon DeVinney.

TENDERLY: THE ROSEMARY CLOONEY MUSICAL presented by Cincinnati Playhouse in the Park through Jan. 4. Click here for more information on the production. I attended the opening Friday performance.

Before seeing this show, my knowledge about the late Rosemary Clooney was limited to the fact that she: got her start locally; was in the movie musical, “White Christmas;” is the sister of former, local news-anchor Nick, and aunt of actor George; appeared on the TV show, “E.R.,” and was mother of actor Miguel Ferrer.

The show uses her psychoanalysis therapy sessions, following a nervous breakdown in 1968, to chronicle her life in flashback and song.

Rosemary Clooney (Susan Haefner) recounts a passionate moment in her life to The Doctor (Michael Marotta). Photo by Sandy Underwood.

Rosemary Clooney (Susan Haefner) recounts a passionate moment in her life to The Doctor (Michael Marotta). Photo by Sandy Underwood.

Susan Haefner does an excellent job in the title role, giving Clooney a brassy honesty that rings true. Vocally strong, she does an excellent job of recreating Clooney’s musical performances.

Actor Michael Marotta, who Playhouse audiences may recognize as Herr Schultz in last season’s “Cabaret,” is credited in the program as The Doctor. Marotta also does excellent work. His character’s eight-year relationship with Clooney, as her therapist, grows naturally throughout the show. He also shows great versatility in taking on the roles of family and friends in the flashbacks.

Susan Haefner as Rosemary Clooney & Michael Marotta as The Doctor. Photo by Sandy Underwood.

Susan Haefner as Rosemary Clooney & Michael Marotta as The Doctor. Photo by Sandy Underwood.

Together, favorites moments include their duets with Moratta portraying sister Betty and long-time friend Bing Crosby. Their final scene together, as former-therapist and ex-patient, is a great emotional ending for the characters.

As jukebox musicals go, this one by Janet Yates Vogt and Cincinnati-native Mark Friedman, is definitely on the more successful side, in integrating the artist’s musical catalog, with an interesting book. Since my knowledge of The Kennedys begins with Jack and Bobby, I was a little lost with the reference to  “Ethel” when Bobby’s assassination was discussed.  I was also unclear if there were consequences of Clooney violating her “morality clause” when she began her affair with Ferrer.

Rosemary Clooney (Susan Haefner) and The Doctor (Michael Marotta) dance together. Photo by Sandy Underwood.

Rosemary Clooney (Susan Haefner) and The Doctor (Michael Marotta) dance together. Photo by Sandy Underwood.

Director Blake Robison does an excellent job of blocking the show in the intimate, thrust space. The show is well-paced and he brings solid performances out of his actors. Also excellent is music director Scot Woolley insetting the tone for the vocal performances. He is very fun to watch as the leads the on stage trio, giving some of the musical numbers a night club feel. (I’m assuming it was a trio, from my seat I could only see Scot and the musicians are not credited in the program.) Dee Anne Bryll’s choreography is fun to watch and does a great job of capturing the era.

On the technical side, the excellent work by Set Designer Bill Clarke, Costume Designer Bill Black, Lighting Designer Phil Monat and Sound Designer Jeremy J. Lee, bring the whole show together.

TENDERLY is extremely well-done and a great trip down memory-lane for Rosemary Clooney fans, and for me an interesting and entertaining look into an icon’s career.

My rating: 4.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Local Arts Organizations Unite for The Holidays with the Character Crew

CINCINNATI BALLET, CINCINNATI PLAYHOUSE IN THE PARK, ENSEMBLE THEATRE CINCINNATI AND THE CHILDREN’S THEATRE OF CINCINNATI UNITE ONCE AGAIN FOR THE HOLIDAYS WITH THE CHARACTER CREW

(CINCINNATI) – Cincinnati Ballet, Cincinnati Playhouse in the Park, Ensemble Theatre Cincinnati and The Children’s Theatre of Cincinnati are joining together to spread holiday cheer across the Tristate with a number of special character appearances beginning Nov. 15.

Characters from Cincinnati Ballet’s annual production of Frisch’s Presents The Nutcracker; Cincinnati Playhouse in the Park’s classic A Christmas Carol, presented by U.S. Bank; Ensemble Theatre Cincinnati’s holiday production of Sleeping Beauty, sponsored by Macy’s; and The Children’s Theatre of Cincinnati’s world premiere production of The Snow Queen, also sponsored by Macy’s, will come together at holiday events around the city from mid-November through Nov. 30.

The Character Crew will make appearances at the following holiday attractions:

  • Saturday, Nov. 15 (11 a.m. to 1 p.m.): Greater Cincinnati Holiday Market, Duke Energy Convention Center
  • Friday, Nov. 21 (5 to 9 p.m.): Festival of Lights Members’ Preview, Cincinnati Zoo & Botanical Garden
  • Saturday, Nov. 22 (1 to 2 p.m.): Community Appreciation Day, Joseph-Beth Booksellers Cincinnati
  • Saturday, Nov. 22 (4:30 to 5:30 p.m.): Balluminaria, Eden Park’s Mirror Lake
  • Friday, Nov. 28 (11 a.m. to 1 p.m.): Tree Lighting and Santa Arrival, Cincinnati Museum Center at Union Terminal
  • Saturday, Nov. 29 (2 to 4 p.m.): Crafty Supermarket, Music Hall
  • Saturday, Nov. 29 (5:30 to 7 p.m.): Macy’s Downtown Dazzle, Fountain Square
  • Sunday, Nov. 30 (12 to 2 p.m.): Winterfair, Northern Kentucky Convention Center

About Cincinnati Ballet, Cincinnati Playhouse in the Park, Ensemble Theatre Cincinnati and The Children’s Theatre of Cincinnati

CB_logoSince 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of important classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Cincinnati Ballet’s mission is to inspire hope and joy in our community and beyond through the power and passion of dance. Returning Dec. 19 through Dec. 27, the beloved holiday tradition of Frisch’s Presents The Nutcracker, performed since 1974, continues to delight children and adults alike. For more information, visit www.cballet.org.

PIP_logoThe Cincinnati Playhouse in the Park has been offering local audiences the finest in professional theatre for 55 years. Winner of two Tony Awards, the Playhouse is nationally known for its commitment to new works and as an artistic home for America’s best actors, directors and designers. Faithful storytelling and spellbinding special effects combine in the Playhouse’s annual production of A Christmas Carol, one of the city’s most popular family plays, which returns Nov. 26 through Dec. 28 for its 24th year. For more information, visit www.cincyplay.com.

ETC_new_logo_bannerNow in its 29th season, Ensemble Theatre Cincinnati (ETC), located in historic Over-the-Rhine, is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. This season marks the 17th year ETC has been presenting family-friendly musicals for the holidays. This season, ETC presents a magical, musical version of Sleeping Beauty, Dec. 3 to Jan. 4. For more information, visit www.ensemblecincinnati.org.

TCT_logoThe Children’s Theatre of Cincinnati (TCTC) brings art to life for children and the young-at-heart through three key programs: MainStage at the Taft, ArtReach and Learning the Craft. Currently celebrating its 90th season, TCTC is the oldest children’s theatre in the country and serves nearly 150,000 children, families and schools each season. From Dec. 5 to 13, The Children’s Theatre presents the world premiere musical The Snow Queen. For more information, visit www.thechildrenstheatre.com.

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Playhouse in the Park Presents Beloved Holiday Classic A CHRISTMAS CAROL, Nov. 26-Dec. 28

CINCINNATI PLAYHOUSE IN THE PARK AND U.S. BANK PRESENT THE BELOVED HOLIDAY CLASSIC
A CHRISTMAS CAROL, NOV. 26 TO DEC. 28

PIP_A Christmas Carol(CINCINNATI) — Three holiday spirits — Christmas Past, Present and Future — conspire to redeem a miserly humbug at the Cincinnati Playhouse in the Park as U.S. Bank presents Charles Dickens’ iconic holiday story, A CHRISTMAS CAROL. The beloved tale, enjoyed each season by multiple generations of Cincinnatians, will be performed for its 24th year in the Playhouse’s Robert S. Marx Theatre from Nov. 26 through Dec. 28.

Dickens, considered to be one of the greatest writers of all time, wrote the instantly successful A CHRISTMAS CAROL in 1843. His most popular work among a prolific output of classics, A CHRISTMAS CAROL is credited for revitalizing the celebration of Christmas as we know it today. So renowned is the story in popular culture that the central character’s name has become a synonym for a mean, tight-fisted person. A CHRISTMAS CAROL has also inspired countless television, film and stage adaptations — in male, female and even cartoon forms.

The Playhouse’s version of A CHRISTMAS CAROL, adapted by Howard Dallin, brings Dickens’ narrative to vivid life with spectacular effects that illuminate Ebenezer Scrooge’s time-traveling journey with the spirits one magical Christmas Eve. From his kind-hearted sister Fan and first love Belle to his generous employer Fezziwig and humble clerk Bob Cratchit, Scrooge is repeatedly shown the saving grace of love and concern for humanity. The heartwarming message of A CHRISTMAS CAROL helps to make it one of the Playhouse’s most popular productions each season and a perfect way to introduce children to the joys of theatre.

The cast of the 2014 production of A CHRISTMAS CAROL features both new and returning actors. Bruce Cromer portrays Ebenezer Scrooge for the 10th time, adding to his tenure as the longest-running reformed humbug in Playhouse history. (Cromer previously portrayed long-suffering clerk Bob Cratchit for eight seasons.) Also returning are Craig Wesley Divino as Fred, Joy Farmer-Clary as Belle/Catherine Margaret, Ryan Wesley Gilreath as Bob Cratchit/Schoolmaster Oxlip, Dale Hodges as the Ghost of Christmas Past/Mrs. Peake, Kelly Mengelkoch as Mrs. Cratchit/Laundress, Gregory Procaccino as Jacob Marley/Old Joe, Nick Rose as Mr. Cupp/Percy/Guest at Fezziwig’s and Stephen Skiles as Mr. Sosser/Topper/Man with Shoe Shine/Guest at Fezziwig’s. Jared Joplin, who portrayed Young and Mature Scrooge/Ghost of Christmas Past in the 2004 production (opposite his father, Joneal Joplin, as Ebenezer Scrooge), returns to the role this season. New to A CHRISTMAS CAROL this season are popular Cincinnati actor Annie Fitzpatrick (most recently seen on the Marx Theatre stage as Lady Lucas/Mrs. Gardiner in Pride and Prejudice) as Mrs. Fezziwig/Patience and Douglas Rees (who appeared as Dr. John H. Watson in Sherlock Holmes and the Adventure of the Suicide Club) as Mr. Fezziwig/Ghost of Christmas Present.

Members of the Playhouse’s Bruce E. Coyle Acting Intern Company — Ollie Corchado, Jay Hobson, Alex Purcell, Christopher Michael Richardson, Laurie Roberts, Claire Simba, Kelsey Torstveit and D’Amante M. Wilson — will play carolers, party guests and others.

Nine Tristate children also appear in A CHRISTMAS CAROL. Returning are Tad Ehlers as Peter Cratchit/Gregory/Apprentice at Fezziwig’s, Joseph Forest Lennon Hamzy as Ignorance/Matthew/Rich Son at Fezziwig’s, Ty Joseph Shelton as Tiny Tim and Ethan Verderber as Boy Scrooge/Guest at Fezziwig’s/Bootblack. New to the production this year are Nathan E. Goodlett as George/Charles/Apprentice at Fezziwig’s, Delaney Ragusa as Martha Cratchit/Guest at Fezziwig’s, Jordan Shaw as Want/Guest at Fezziwig’s, Kinley Brooke Shoemaker as Fan/Guest at Fezziwig’s and Livvy Stubenrauch as Belinda Cratchit/Guest at Fezziwig’s.

“It is a recurring joy to bring Charles Dickens’ A CHRISTMAS CAROL to life every holiday season. To see the rapt expressions of thousands of children with their families as they are introduced to the wonders of live theatre at Cincinnati Playhouse in the Park is a yearly gift,” says Michael Evan Haney, who is directing the production for the 22nd time. (Haney has been associated with A CHRISTMAS CAROL since its first year; he played the first Bob Cratchit for two seasons.)

The creative team for A CHRISTMAS CAROL includes James Leonard Joy (set designer), David Murin (costume designer), Kirk Bookman (lighting designer), David B. Smith (sound designer/composer), Steve O’Shea (lighting contractor), Cindy Witherspoon (costume coordinator), Rebecca N. Childs (music director) and Dee Anne Bryll (choreographer). The stage manager is Andrea L. Shell, and second stage managers are Becky Merold and Jenifer Morrow.

The production is sponsored by U.S. Bank. The design sponsor is Time Warner Cable Business Class. Artist sponsor/Ebenezer Scrooge is AAA and Provident Travel. Additional support is provided by The Stona Fitch Family.

All show times for A CHRISTMAS CAROL are at 2 p.m. for matinees and 7 p.m. for evening performances to accommodate families with children. Please note the earlier curtain time. There will be no performances on Thanksgiving Day, Christmas Eve, Christmas Day and selected weekdays in early December. There is an added performance on Monday, Dec. 22.

A CHRISTMAS CAROL is suitable for all general audiences, including children ages 5 and older. Due to the full-length nature of the show, children younger than 5 cannot be admitted.

Tickets for A CHRISTMAS CAROL start at $35. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Tickets for children, teenagers and students are $30 and $45. The official opening night is at 7 p.m. Friday, Nov. 28.

The production will be audio described for those with visual impairments at 2 p.m. Saturday, Dec. 6, and signed for persons with hearing impairments at 2 p.m. Sunday, Dec. 7. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets for A CHRISTMAS CAROL are on sale now. For ticket information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

For the 19th year, the Playhouse will partner with the University of Cincinnati’s Hoxworth Blood Center for a blood drive on Saturday, Nov. 22, from 8 a.m. to 2 p.m. Blood donors who attend the special event will receive vouchers good for half-price tickets to select performances of A CHRISTMAS CAROL and RING OF FIRE: THE MUSIC OF JOHNNY CASH. To schedule an appointment, visit www.hoxworth.org/groups/playhouse. Donation times are limited, so donors are strongly encouraged to make an appointment in advance. Questions may be directed to Hoxworth at 513-451-0910.

Spread the joy this holiday season by participating in the Playhouse’s Cratchit Family Food Drive for the Freestore Foodbank. Bring donations — non-perishable food or personal care items (no glass, please) — to the Playhouse during performances in November and December and place them in barrels located near the Box Office.

Characters from A CHRISTMAS CAROL, Ensemble Theatre Cincinnati’s holiday production of SLEEPING BEAUTY, Cincinnati Ballet’s FRISCH’S PRESENTS THE NUTCRACKER and The Children’s Theatre of Cincinnati’s production of THE SNOW QUEEN will be spreading the holiday spirit at festive events throughout the Tristate this season. For a full listing of events, visit www.cincyplay.com.

The 2014-15 Marx Theatre Series is sponsored by The Otto M. Budig Family Foundation, and the Robert S. Marx season design sponsor is Macy’s. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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