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The American Guild of Musical Artists and Cincinnati Opera Announce New Three-Year Agreement

CINCINNATI (March 4, 2025) – The American Guild of Musical Artists (AGMA) and Cincinnati Opera proudly announce a new three-year Collective Bargaining Agreement (CBA). The CBA was ratified by the AGMA Board of Governors on March 3, 2025, after being approved by the artists.

This agreement secures improvements for AGMA members of Cincinnati Opera, including wage increases, better financial support for non-local Artists, stronger workplace protections, and new policies addressing artificial intelligence, data security, and bereavement leave. It also expands rights for Choristers, Corps Dancers, and Principal Artists, enhances conditions for Staging Staff, and ensures fairer policies across all working groups.

“These negotiations were a testament to the strength and solidarity of the artists of Cincinnati Opera,” said AGMA Counsel Martha Kinsella. “We advocated strongly for meaningful wage increases and achieved the best contractual raises in recent memory. I want to extend my deepest gratitude to our Negotiation Committee, which represented nearly all working groups, for their dedication, strategic thinking, and unwavering advocacy throughout this process. I also want to thank Cincinnati Opera’s management team, who bargained in good faith from start to finish, demonstrating their commitment to the artists who bring these productions to life.”

The agreement comes as Cincinnati Opera prepares for its 105th anniversary Summer Festival that will feature the prominent involvement of AGMA members onstage and behind the scenes. Its 2025 season, which runs June 12–July 27, includes three mainstage productions—Rigoletto, Tosca, and an all-new production of Fiddler on the Roof—and three Studio Sessions, intimate performances curated and performed by Cincinnati Opera artists.

The agreement begins retroactive to January 1, 2025, and runs through December 31, 2027.

“Cincinnati Opera is deeply grateful for the extraordinary talent and dedication of our artists, who bring inspiring passion and creativity to every production,” said Chris Milligan, The Harry Fath General Director & CEO of Cincinnati Opera. “This agreement reflects our ongoing commitment to fostering a work environment where artists can thrive. I’m grateful to Cincinnati Opera’s negotiating team for their thoughtfulness, preparedness, and collaborative spirit, and to our colleagues at AGMA for a continued fruitful partnership.”

“The 12-member Negotiation Committee is a sign of the profound commitment the artists have to Cincinnati Opera and played an important role in shaping the dynamic and focus of the negotiations. We are pleased with both the process and outcome of the negotiations,” said Stephen Hanna and Jennifer Shaw, Cincinnati Opera delegates and members of the Negotiation Committee.

About the American Guild of Musical Artists
The American Guild of Musical Artists (AGMA) is the labor union of singers, dancers, staging staff, and faculty, staff, and instructors in opera, ballet and concert dance, and concert choral performance in the United States. A national union with a membership of 7,000 artists, AGMA provides forceful advocacy and defense of its members’ employment and artistic rights. AGMA negotiates and enforces 70 collective bargaining agreements throughout the country, ensuring fair and safe working conditions and enhancing the quality of life of its members. AGMA has a direct charter from the AFL-CIO and is affiliated with the AFL-CIO Branch of Associated Actors and Artists of America and the Department for Professional Employees (DPE). AGMA is also a part of the Coalition of Broadway Unions and Guilds (COBUG).

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more at cincinnatiopera.org.

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Cincinnati Opera Announces New Date, Name, and Speakers for FIDDLER ON THE ROOF Opera Rap

CINCINNATI (February 26, 2025)—Cincinnati Opera has announced a new name, date, and guest speakers for an event this spring, part of its popular series of Opera Raps. Opera Raps are free community conversations exploring the works featured during the company’s 2025 Summer Festival. For a complete list of Opera Raps, visit cincinnatiopera.org/operaraps.

The beloved musical Fiddler on the Roof is full of classic tunes like “If I Were a Rich Man” and “Matchmaker, Matchmaker.” The creators of the show—Jerry Bock (music), Sheldon Harnick (lyrics), and Joseph Stein (book)—were so prolific that they also produced many songs that did not make the final cut. Evans Mirageas and musical guests will serve as guides through the forgotten songs of Fiddler on the Roof, including hits from the show as we know it today and surprises from the archives.

April 10, 2025, at 7:30 p.m.
Fiddler on the Roof: Wonder of Wonders—How Fiddler Came to Be
The Amberley Room, Mayerson JCC
8485 Ridge Road, Cincinnati, OH 45236

Presented in partnership with the Mayerson JCC, this special two-part evening features preeminent Fiddler on the Roof scholar and author Alisa Solomon (Wonder of Wonders: A Cultural History of Fiddler on the Roof, Metropolitan Books) and Broadway scholar Ben Whiteley, who will trace the origins, creation, and worldwide success of one of the most beloved musicals ever written. With rare video footage of the creative process and live musical performances, Solomon and Whiteley will share behind-the-scenes stories alongside excerpts from Fiddler’s beloved score. Whiteley will also offer a fascinating glimpse into “the songs that got away”—selections originally written for the show that were cut prior to its Broadway opening.

Admission: Free, though reservations are required. To reserve, call 513-241-2742 or visit cincinnatiopera.org.

About Cincinnati Opera

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more at cincinnatiopera.org.

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Cincinnati Opera Receives Anonymous Gift in Support of Opera Fusion: New Works, Extending the Program by Three Years

The gift enables the continuation of the company’s acclaimed partnership with the University of Cincinnati College-Conservatory of Music that nurtures the development of new American operas

The next workshop to be featured as part of Opera Fusion: New Works is THE POST OFFICE by Laura Kaminsky and Elaine Sexton, with a free, public performance of excerpts on March 22, 2025

CINCINNATI (February 12, 2025)—Cincinnati Opera is delighted to announce a generous donation in support of Opera Fusion: New Works (OF:NW), its joint creative venture with the University of Cincinnati College-Conservatory of Music (CCM). The company has received an anonymous gift that will extend OF:NW by three years.

Cincinnati Opera and CCM launched Opera Fusion: New Works in 2011 to foster the development of new American operas, receiving significant support from the Mellon Foundation. Jointly led by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, the nationally unique initiative offers composers and librettists the opportunity to A moment from the Opera Fusion: New Works workshop for Lalovavi by Kevin Day and Tifara Brown. Photo by Philip Groshong, May 2024.
workshop their operas-in-progress, utilizing the facilities, personnel, and talent of both Cincinnati Opera and CCM.

To date, the program has hosted 34 workshops or orchestral readings for 28 operas, including several works which have since received multiple productions throughout the U.S.: Fellow Travelers by Gregory Spears and Greg Pierce, Eurydice by Matthew Aucoin and Sarah Ruhl, and Champion by Terence Blanchard and Michael Cristofer. Two OF:NW projects received their New York City premieres earlier this month to enthusiastic audience and critical acclaim: Blind Injustice by Scott Davenport Richards and David Cote, and Morgiane by Edmond Dédé.

Funding from the Mellon Foundation, which has supported OF:NW since its inception, is due to end in 2025. The newly announced gift will enable the program to continue through 2028 and host workshops for six additional operas.

Said Evans Mirageas, “Opera Fusion: New Works has been transformative for Cincinnati Opera, CCM, and opera in America. This generous gift will allow this unique creative collaboration to continue to thrive, giving composers and librettists valuable resources to shape their stories and ensuring the vibrancy of the art form for decades to come.”

“CCM is proud to continue our partnership with Cincinnati Opera, and we are grateful for the wonderful gift that makes this possible,” said Peter Jutras, the Thomas James Kelly Professor of Music and Dean at CCM. “Opera Fusion: New Works is an initiative that exemplifies the spirit of our university’s ‘Next Lives Here’ strategic direction, connecting our students with the artists who are shaping the future of their industry and adding to the opera repertoire with impactful stories that resonate with contemporary audiences.”

To learn more about Opera Fusion: New Works, visit ofnw.org.

Up Next for OF:NW: THE POST OFFICE
Cincinnati Opera and CCM are also pleased to share details of the next opera to be workshopped through OF:NW: The Post Office, with music by Laura Kaminsky and libretto by Elaine Sexton. A public performance of excerpts will take place Saturday, March 22, 2025, at 7:30 p.m. at Cincinnati Music Hall.

The work is set in a one-room post office, where three U.S. postal workers and a customer from disparate backgrounds take sides in a blistering conflict centered around same-sex marriage. The formerly collegial friendship between the postmaster, who is Black and straight, and his colleague, who is white and gay, turns foul when the latter happily
announces his upcoming wedding. Taking place in the present day, with increasing hostility, toxicity, and violence playing out in the news, everyday exchanges become fraught: civil rights, reproductive rights, and LGBTQIA rights are challenged and threatened, and the sanctity of the postal service itself is at risk.

Event Details

What:
Opera Fusion: New Works presents THE POST OFFICE

When and Where:
Saturday, March 22, 2025 | 7:30 p.m.
The Presidents’ Garret | Corbett Opera Center at Cincinnati Music Hall
1243 Elm Street, Cincinnati, OH 45202

Tickets:
Admission is free, though seating is limited and reservations are required. Reservations are available by calling 513-241-2742 or visiting cincinnatiopera.org.

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers 10 degree types in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs and workshops. CCM is the largest single source of performing arts presentations in the state of Ohio. Its annual calendar boasts nearly 1,000 events, ranging from solo recitals and large ensemble concerts to fully-staged acting, dance, opera and musical theatre performances.

Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of
Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy), and more. CCM Voice and Opera program support is provided by the Mellon Foundation for Opera Fusion: New Works, The Louise Dieterle Nippert Musical Arts Fund, and the Patricia A. Corbett Estate. Additional support for CCM’s undergraduate opera productions is provided by Rafael and Kimberly de Acha. Guest directors for the 2024-25 season are supported by the Bacchus Legacy Foundation. To learn more, visit ccm.uc.edu.

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Opera Fusion: New Works receives support from the Mellon Foundation and a generous anonymous donor. Cincinnati Opera is a member of OPERA America. Learn more at cincinnatiopera.org.

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Cincinnati Opera Announces 2025 Opera Raps Series

Discover the stories behind the works featured during
Cincinnati Opera’s 2025 Summer Festival


CINCINNATI (December 18, 2024)—Cincinnati Opera announces the return of its popular Opera Raps series, offering audiences a fascinating exploration of the history, controversy, and personalities behind the works featured during its 2025 Summer Festival. Led by Cincinnati Opera’s Harry T. Wilks Artistic Director Evans Mirageas along with special guest artists, the four-part series runs from January 8 through April 3, 2025, and delves into RigolettoTosca, and Fiddler on the Roof with exclusive performances, stories, and insights. See below for details.


Cincinnati Opera
2025 OPERA RAPS CALENDAR

January 8, 2025, at 7:30 p.m.
Opera Houses Lost and Found: A Season Preview
Wilks Studio, Cincinnati Music Hall
1241 Elm Street, Cincinnati, OH 45202

The works featured during Cincinnati Opera’s 2025 Summer Festival—RigolettoTosca, and Fiddler on the Roof—received their world or US premieres in New York City opera houses and theaters. Join Evans Mirageas and guest artists to trace the histories of these productions tied to historic and now-mostly-vanished venues. With exclusive video and live performances, they’ll share the stories of how these works came to be in America.Admission: Free. Reservations are available beginning December 18 at noon; call 513-241-2742 or visit cincinnatiopera.org.


February 12, 2025, at 7:30 p.m.
Rigoletto: Banned at the Box Office
Mercantile Library
414 Walnut Street, Suite 1100, Cincinnati, OH 45202

Though Giuseppe Verdi’s Rigoletto now occupies a secure position in the operatic canon, at its premiere, it was the subject of significant controversy and censorship. The source material for the libretto had already been banned in France: the drama Le roi s’amuse by Victor Hugo. Determined to adapt the play into an opera, Verdi fought at every turn to preserve the power of the story and integrity of the source material, with varying degrees of success. Join in this exploration of Rigoletto, as well as Verdi’s other hotly contested operas, featuring special musical performances.

Admission: Free. Reservations are available beginning December 18 at noon; call 513-241-2742 or visit cincinnatiopera.org.


March 12, 2025, at 7:30 p.m.
Tosca: A Roman Evening
Cincinnati Opera Production Facility
7712 Reinhold Drive, Cincinnati, OH 45237

Throughout Giacomo Puccini’s opera Tosca, the city of Rome plays an ever-present role. The opera is set among iconic Roman landmarks like the Castel Sant’Angelo and Palazzo Farnese, and even includes music in the Roman dialect. Evans Mirageas and featured artists will lead guests on a musical tour of Rome, interweaving music from Tosca with classic Roman songs.

Admission: Free. Reservations are available beginning December 18 at noon; call 513-241-2742 or visit cincinnatiopera.org.


April 3, 2025, at 7:30 p.m.
Fiddler on the Roof: The Songs That Got Away
The Amberley Room, Mayerson JCC
8485 Ridge Road, Cincinnati, OH 45236

The beloved musical Fiddler on the Roof is full of classic tunes like “If I Were a Rich Man” and “Matchmaker, Matchmaker.” The creators of the show—Jerry Bock (music), Sheldon Harnick (lyrics), and Joseph Stein (book)—were so prolific that they also produced many songs that did not make the final cut. Evans Mirageas and musical guests will serve as guides through the forgotten songs of Fiddler on the Roof, including hits from the show as we know it today and surprises from the archives.

Admission: Free. Reservations are available beginning December 18 at noon; call 513-241-2742 or visit cincinnatiopera.org.


About Cincinnati Opera

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more at cincinnatiopera.org.

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Cincinnati Opera and CCM to Host Free, Public Preview of LALOVAVI

A new opera by Kevin Day and Tifara Brown, on February 1, 2025, as part of Opera Fusion: New Works partnership

Commissioned by Cincinnati Opera, LALOVAVI will receive its world premiere in 2026


CINCINNATI (December 11, 2024)—Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) invite the public to a free preview of Lalovavi, a new opera by composer Kevin Day and librettist Tifara Brown.

Taking place February 1, 2025, the event is part of CCM and Cincinnati Opera’s creative partnership, Opera Fusion: New Works (OF:NW), and will feature a performance of excerpts from Acts II and III of the opera, following a May 2024 performance that highlighted Act I. This event marks an exciting milestone in the development of Lalovavi, which will premiere in summer 2026 as part of Cincinnati Opera’s trailblazing Black Opera Project.

Lalovavi is an Afrofuturist opera set 400 years into the future. It follows the journey of Persephone, the youngest teenage daughter of the Primus of Atlas, formerly the city of Atlanta. Currency and status in Atlas are determined based on the presence of Syndica, a rare gene that promotes vitality and longevity. When Persephone is found to possess this gene, she is betrayed by her family and must run for her life. She is thrust into an epic adventure, uncovering a hidden past that leads her to discover love’s true meaning and the power to determine her own destiny.

Opera Fusion: New Works (OF:NW) is co-directed by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, and provides composers and librettists the opportunity to collaborate with singers and creative personnel to refine their operas-in-progress. Lalovavi will receive a 10-day workshop, during which Day and Brown will work alongside stage director and dramaturg Kimille Howard, conductor Kevin Miller, and a cast of singers to further develop the work, culminating in the performance of excerpts.

EVENT DETAILS

What:
Opera Fusion: New Works presents Lalovavi

When and Where:
Saturday, February 1, 2025 | 2 p.m.
Wilks Studio at Cincinnati Music Hall
1241 Elm Street, Cincinnati, OH 45202

Tickets:
Admission is free, though seating is limited and reservations are required. Reservations are available by calling 513-241-2742 or visiting cincinnatiopera.org.


About Opera Fusion: New Works
Funded through a generous gift from the Mellon Foundation, Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. This collaboration is jointly led by Robin Guarino, professor of opera at CCM, and Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera. OF:NW offers composers or composer/librettist teams the opportunity to workshop an opera during a residency in Cincinnati. Residencies utilize the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a free public presentation of excerpts followed by an audience Q&A session. For more information, visit ofnw.org.

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers 10 degree types (BA, BFA, BM, MA, MFA, MM, MME, AD, DMA, PhD) in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs and workshops. The college also offers a new graduate certificate in Music Pedagogy and two academic minors (Media Production, Music).
Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy), and more. CCM Voice and Opera program support is provided by the Mellon Foundation for Opera Fusion: New Works, The Louise Dieterle Nippert Musical Arts Fund, and the Patricia A. Corbett Estate. Additional support for CCM’s undergraduate opera productions is provided by Rafael and Kimberly de Acha. Guest directors for the 2024-25 season are supported by the Bacchus Legacy Foundation. To learn more, visit ccm.uc.edu.

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Opera Fusion: New Works and The Black Opera Project receive generous funding from the Mellon Foundation. Lead funder for Lalovavi is the David C. Herriman Fund of Greater Cincinnati Foundation. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more at cincinnatiopera.org.

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