Tag Archives: Cincinnati Fringe Festival

CFF19: My Fringe Show Rankings

Updated 6/14/19 11:15am

Picks of the Fringe
As a “critic” I get to nominate productions as my choice for the Critic’s Pick of the Fringe. Below, in alphabetical order, are the shows IMHO currently in the running for nomination.

CFF19_90 Lies an hour1

Paul Strickland. Photo by Paul Kerford Wilson.

90 LIES AN HOUR
Paul Strickland returns with the fourth part of his Trailer Park Trilogy (and no, you don’t need to have seen the previous shows to enjoy this one.) 90 LIES AN HOUR features three new tales written and performed by this talented storyteller which are full of wit, wonderful word play and a bit of down home wisdom. The show is closed out with a song that expertly brings the show full circle.

 

CFF19_Descent1

Hannah Gregory as The Angel, Tess Talbot as Annie & Wes Carmen as Paul. Photo by Paul Kerford Wilson.

DESCENT: A Murder Ballad
A simple story told incredibly well, punctuated by the haunting and soulful songs performed by Hannah Gregory, who is also responsible for the book and music. Caitlin McWethy’s nuanced direction elicits some wonderful performances from her small, talented cast lead by the wonderful Tess Talbot. The show flowed extremely well, and the small addition and removal of a black jacket made it easy to follow the story as it jumped between past and present.

 

CFF19_The MILF Also Rises 1

Jen Joplin. Photo by Dan Winters.

THE MILF ALSO RISES
Local actress and “middle-aged mother” Jen Joplin unsurprisingly impresses in her one-person show, THE MILF ALSO RISES. Joplin builds an instant rapport with the audience, giving the show a “hanging with an old friend” vibe that is punctuated with a wry smile, a smart tongue, a bit of self-deprecating humor, and a few slugs of bourbon. The script is timely, smart and insightful without being a lecture.

 

CFF19_ This House Will Never Let Us Go1

Rebecca Comtois as Joan, Kristen Vaughan as Iris & Playwright Mac Rogers as Griffin. Photo by Jeff Burkle.

THIS HOUSE WILL NEVER LET US GO
Fringe favorite Gideon Productions returns this year with an unique take on a horror genre staple. Playwright Mac Rogers provides a smartly-written, character-driven script that plays to the strengths of the excellent cast. Together they easily pull the audience into the “House” as the tale builds to a shocking and satisfying conclusion.

 

CFF19_Zoinks1

Jordan Trovillion as Nolan Blackwell & playwright Trey Tatum as Casper. Photo by Paul Kerford Wilson.

ZOINKS!
Part homage and part satire, ZOINKS is a modern take on the teenage mystery solver (and their trusted canine companion). The staging is incredibly creative and engaging thanks to the directing skills of Bridget Leak. So engaging in fact, that several audience members are asked to lend their voices to the story. Jordan Trovillion is excellent as Nolan Blackwell, the teenage sleuth who would rather confront monsters and mysteries than the realities of her home. Tatum also takes on the role of Casper, Nolan’s four-legged partner in crime-solving, a friend so true that you will make you miss your own pup. A truly remember-able Fringe experience.

My Fringe Show Rankings
While all shows cannot be a “pick,” there are plenty of strong and enjoyable productions to choose from for your fringe adventure. Below I am ranking the other shows I’ve attended to date, based on a number of criteria from the voices in my head. 🙂 Please understand that differences between shows in the rankings can be infinitesimal. Update 6/5. I’ve split out the solo performances into their own list.

  • CFF19_Kill You With My Love1

    Sarah Willis as Kay in KILL YOU WITH MY LOVE. Photo by Kyle Chaney.

    KILL YOU WITH MY LOVE
    A solid ensemble brings this tale of a cursed love life to life on stage. As she packs to flee another possible tragedy, the classic rock records Kay plays summons the haunting memories of her late lovers.

  • MARTHA
    Local actor and playwright Sean P. Mette smartly fictionalizes the final years of Martha. Born in captivity, this Cincinnati Zoo resident was the last surviving passenger pigeon in existence. Does knowing you are the last of your kind bring any comfort?
  • THE CONSCIOUSNESS
  • LIVE NUKES
  • VEGETABLES
  • SUFFER FOOLS

Solo Performances

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DANDY DARKLY’S ALL ABOARD! Pull into the Cincy Fringe Festival

CFF19_Dandy Darkly logoUPDATE: DANDY DARKLY’S ALL ABOARD! wins top award *Critics’ Choice: BEST SHOW!* at the 2019 Orlando Fringe!

“Where were you the night The Gaybird Steamer ran off her tracks?”

Dandy Darkly’s latest storytelling spooktacular is a Southern Gothic tall tale as told by the peculiar characters there that tragic Halloween night; from the little boy chased by the ghosts that still haunt her as an adult to the cruel Colonel buried in his bunker, tinkering with his sinister toys.

DANDY DARKLY’S ALL ABOARD! is a raucous uprooting of Deep South shame served alongside a heaping helping of sizzling social satire and howling humor. Enjoy a dripping earful of Southern Gothic grotesquery: creepy country robots, African spider gods, beauty shop gossip and inbred family freakery — oh, and trains! All aboard for Dandy’s most beautifully batshit creation yet.

Dandy Darkly is a preeminent American storyteller and a most resplendent star of the Fringe Festival performance circuit. He infuses his surprisingly contemporary ghost stories with a dose of social activism and pop cultural nuance and regales it all accompanied by a nonstop soundscape of pre-recorded music composed by long time collaborators Adam Tendler (piano), Bryce Edwards (bass), Carlos Espinosa, Jr. (saxophone), Jeffrey Underhill (guitar, banjo) and Rachel Blumberg (drums, ukulele). Ian Bjorklund returns as director. The show is peppered with eclectic sound effects to create an utterly captivating theatrical experience that must be seen to be believed. All Aboard! was named a top show of the 2018 Edinburgh Fringe (The Stage) and won “Best of” the 2018 San Francisco Fringe. Critically-acclaimed. Award-winning. The less you know, the better.

Simply “Go.  See.  Dandy!”

Go to https://www.cincyfringe.com/the-lineup/primary-lineup/ for more info and dates!

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DIAGNOSE THIS! TALES OF A MEDICAL ACTOR Comes to 2019 Cincy Fringe

CFF19_Diagnose ThisPortland, Oregon-based Donna Kay Yarborough may have significantly improved your health care without you even knowing it. She spends her workdays in pretending to be a patient so medical students can make their mistakes on her instead of you.

Donna works as a Standardized Patient (a.k.a. Medical Actor). In the simplest terms, a standardized patient is a person goes through situations and procedures with medical students as they train to become healthcare professionals. She might be a patient receiving a diagnosis of cancer, the mother of an injured child, or a nervous woman having a pelvic exam. A living, breathing “practice dummy” for new doctors — ones that, mind you, maybe administering the first pelvic exam of their life… and not doing it well.

Unbeknownst to these young doctors, Donna evaluates their bedside manner. She gets high hilarity out of the faux pas, missteps, and feet in mouth of these future physicians, all while pretending to be someone she’s not.

As part of the 2019 Cincy Fringe festival, Donna (formerly of “Shenatra!” and “The Famous Haydell Sisters”) will be getting on stage to tell some of the most outrageous stories from her many years in the profession. Plus, sharing her own tale of medical misdiagnosis, she hopes to inspire frank discussion of healthcare in America.

“Diagnose This! Tales of a Medical Actor” is a mixture of stand-up, storytelling, and soap-boxing that will leave you wincing, wowed, and wanting more.

All performances are in the Art Academy of Cincinnati,  room A361, as part of the 2019 Cincy Fringe festival. Showtimes are:

  • Sunday, June 2, 7:00 pm
  • Tuesday, June 4, 8:30 pm
  • Wednesday, June 5, 7:00 pm
  • Friday,  June 7, 8:30 pm
  • Sunday, June 9, 4:45 pm
  • Tuesday, June 11, 8:30 pm
  • Wednesday, June 12, 7:00 pm
  • Friday, June 14, 6:30 pm

For more information, email Donna@DonnaKaySpeaks.com

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World Premiere of Flight Attendant School Drop Out Comedy at 2019 Cincy Fringe

CFF19_Stow Your BaggageSTOW YOUR BAGGAGE by Alexx Rouse
The world premiere of flight attendant school drop out comedy at the 2019 Cincinnati Fringe Festival

(CINCINNATI, OHIO) STOW YOUR BAGGAGE by Alexx Rouse is a comedy solo show premiering at Cincinnati Fringe on June 4th and will not hesitate to point out that there are plenty of wonderfully qualified flight attendants in this world. Alexx is just not one of them. But that won’t stop her from turning Art Academy Room 204 at the Cincinnati Fringe Festival into her test flight, hoping to prove that she’s worthy of getting hired anyway. Along the way Alexx makes sure to hit all of the marks of a good flight attendant: completing the safety speech, taking care of beverage service, all while entertaining the passengers with stories as well as booze. So put your tray tables in the all-right-let’s-talk position and enjoy the flight.

ABOUT THE PERFORMER
Alexx Rouse has been participating in Cincy Fringe since 2012 when at seventeen she premiered her first ever play You’ll Have 25 Minutes To Complete This Essay at the second year of FringeNext. Since then she has written several more shows and performed in some of them. Recent Writing Credits: Less Full House (Serials! 2019), Dolly Parton vs. The Mothman (Desktop Theatre 2019), The Great Space Caper (Madcap Puppets 2019) Bad Poetry Night (Cincy Fringe 2018), All’s Faire (Serials 2018), and Busted Bumpers and Other Metaphors (Sold out show at Cincy & Indy Fringe 2017) You also might have caught her onstage at The Know in Susan Swayne & the Bewildered Bride or in Queen City Flash’s Seckatary Hawkins. She also produces Travis McElroy’s Cincinnati Underground Society Shows.

REVIEWS OF ALEXX ROUSE’S PREVIOUS SOLO WORK:

  • “Most importantly Rouse’s show is very funny” -City Beat 2017
  • “I leapt to my feet at the end of the performance; it definitely is one of the best shows I’ve seen” -Sappy Critic
  • “Her rapid fire delivery, intense body language, and real life humor captivaties.” -Indy Fringe Talk

THE CREATIVE TEAM

  • Writer/Performer: Alexx Rouse
  • Director: Erika Kate MacDonald
  • Dramaturgy: Paul Strickland
  • Stage Manager: Zach Robinson

TICKETS AND INFORMATION
Tickets can be purchased online at cincyfringe.com or at the Know Theatre Box Office.

Venue: Art Academy Room 204 1212 Jackson St, Cincinnati, OH 45202

Show dates and times (60 minutes):

  • Tues. 6/4 7:45 pm
  • Thurs. 6/6 7 pm
  • Sat. 6/8 6:30 pm
  • Wed. 6/12 8:30 pm
  • Fri. 6/14 7:45 pm

Tickets: $15 | Multi-show passes available

Festival dates May 31 – June 15, 2019.

For info about Cincy Fringe visit cincyfringe.com.

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Gideon Productions Present THIS HOUSE WILL NEVER LET US GO as Part of Cincy Fringe Festival

CFF19_This House Will Never Let Us GoWORLD PREMIERE AS PART OF THE CINCY FRINGE FESTIVAL!
WRITTEN BY MAC ROGERS
DIRECTED BY JORDANA WILLIAMS 

JUNE 2nd – JUNE 7th @ GABRIEL’S CORNER

Gideon Productions, the company behind the Cincy Fringe hits God Of Obsidian (2017 Linda Bowen Full Frontal Pick) and Musical Chairs (2018 Critic’s Pick Award), will present the World Premiere of playwright Mac Rogers’ (The Honeycomb Trilogy; the global hit podcasts The Message, LifeAfter and Steal The Stars) horror drama THIS HOUSE WILL NEVER LET US GO, running from June 2nd to June 7th at Gabriel’s Corner as part of the Cincinnati Fringe Festival. The production will be directed by Jordana Williams (The Honeycomb Trilogy; Steal the Stars) and will feature Rebecca Comtois (Viral; Crystal Skillman’s Geek! with Vampire Cowboys), Mac Rogers (NYIT Outstanding Lead Actor Nominee for The Adventures of Nervous-Boy with Nosedive Productions), and Kristen Vaughan (Frankenstein Upstairs, The Honeycomb Trilogy, NYIT Outstanding Lead Actress Winner for Benefactors).

Joan hasn’t had a real home since she left Griffin. Instead, she’s been living off of house-sitting, maintaining the neglected homes of rich people who live far away. It looks like she just  landed the perfect summer gig – watching a lavish beach house with an absent owner – until Joan discovers there’s another woman already living there. A mysterious, ageless woman named Iris, who has plans for Joan. As Griffin worms his way back into her life and frightening forces close in, Joan realizes she’s going to have to make an agonizing choice.

This House Will Never Let Us Go will run June 2nd at 7:00pm, June 4th at 8:30pm, June 5th at 6:30pm, and June 7 at 6:30pm, as part of the Cincinnati Fringe Festival at Gabriel’s Corner (Sycamore & Liberty, Cincinnati, OH, 45202). Tickets ($15) may be purchased online at www.cincyfringe.com. The show will run 60 minutes with no intermission.

MAC ROGERS (Playwright and Griffin) is an award-winning playwright and audio dramatist. His sci-fi thriller podcasts THE MESSAGE, STEAL THE STARS, and LIFEAFTER were downloaded over 7 million times.  His plays God of Obsidian and Musical Chairs were both Cincy Fringe award-winners. His plays include THE HONEYCOMB TRILOGY (New York Times and Backstage Critic’s Picks and winner of the NYIT Award for Best Premiere Production), VIRAL (winner of Outstanding Play at FringeNYC 2009), and UNIVERSAL ROBOTS (nominated for four New York Innovative Theatre awards). Mac’s plays have earned acclaim from The New York Times, The Guardian, Time Out New York, The New York Post, and many others. 

JORDANA WILLIAMS (Director) has directed numerous plays by Mac Rogers, including the CityBeat Critic’s Picks God Of Obsidian, Musical Chairs, and Ligature Marks, as well as The Honeycomb Trilogy (NY Times and Time Out NY Critics’ Picks), Universal Robots and Viral. She also directed Mac’s Steal the Stars, a 2018 Audie Award finalist for Best Audio Drama. Other favorite directing work includes Kill Shakespeare at NY Comic Con, Vince Gatton’s Alexandria and The Particulars at FringeNYC.

REBECCA COMTOIS (Joan) previously worked with Mac Rogers and Jordana Williams on CityBeat Critic’s Picks God Of Obsidian, Musical Chairs, and Ligature Marks, as well as Viral (Winner of FringeNYC’s Outstanding Production of a Play) and The Honeycomb Trilogy (NY Times and Time Out NY Critics’ Picks).  Other notable roles include Minnie the Minotaur in Cystal Skillman’s Geek! (Vampire Cowboys), Jenny in James Comtios’ Infectious Opportunity (Nosedive Productions) and Mag in Taylor Mac’s The Hot Month  (Boomerang’s Legacy Reading Series).

KRISTEN VAUGHAN (Iris) is a three-time NYIT Awards nominee for Lead Actress, winning for Jane in Benefactors (Retro Productions).  Among Kristen’s other roles; Amelia Cooke in The Honeycomb Trilogy and Victoria Frankenstein in Frankenstein Upstairs (Gideon Productions), and Blanche DuBois in A Streetcar Named Desire (Bleecker Company).  www.kristenvaughan.com

Critical acclaim for Gideon Productions:

“Television is where you find complicated storytelling. Film is the home of epic sci-fi trilogies. Giant aliens are expensive. Mac Rogers’s “Honeycomb Trilogy,” a titanic story about humanity in crisis wedged into a small theater in Queens, laid waste to these truisms, and provided giddy, cerebral fun along the way.” The New York Times 

“Mac Rogers—genre playwright extraordinaire—can rant like Sorkin, plot like Mamet, banter like Whedon and sting like a bee.”  Time Out New York

“One of the most intelligent and complex theatrical events of the year.” Flavorpill 

GIDEON PRODUCTIONS crafts gripping plays that explore what’s strange about being human and what’s human about being strange, using familiar genres and cultural touchstones as a springboard to something wholly unexpected.

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www.gideonth.com

www.cincyfringe.com

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