Category Archives: Reviews

UTOPIA, OHIO A New Musical Review

By Katrina Reynolds

UTOPIA, OHIO A New Musical presented by Hugo West Theatricals through August 13th. I attended the opening night performance. 

Oh, hello there! Not who you were expecting? Allow me to introduce myself: my name is Katrina (Kat) Reynolds and I am a local theatre artist. I was asked to step in as a guest reviewer for Behind The Curtain Cincinnati and I could not be more excited about that! (And if you like this, maybe I’ll be asked again, wink wink.) Now back to the business at hand…

Hugo West Theatricals does it again with its uncanny ability to bring us local history in theatrical form. Their current offering? Utopia, Ohio, a new musical written and produced by the incomparable Joshua Steele.

For those who may not know (yours truly included), the musical follows the real history of three little-known utopian experiments as told by the voices of individuals whose lives led them there: a widowed shoemaker, a Black man who escapes enslavement with his family, and a Jewish immigrant fleeing persecution. This place they called Utopia is a mere 30 miles from Cincinnati which in itself is an intriguing fact.

Under the helm of director Zach Steele (who also performs in the piece), Utopia, Ohio is a sort of folksy opera where most of the story is told through song. The styles of music throughout touch on several different genres and the vast majority of the performers play multiple instruments.

The staging of the show is rather creative: characters come in and out of the main playing area whilst adding an accessory to their costume to remind you that they are a different person. Projections by graphic designer Greg Glevick show us photos of the actual people who these actors are portraying. That in addition to strong acting choices assist with these character transitions. Costume Designer Jim Stump has made some smart choices which both clearly convey the time period and do not hinder the actors’ performances.

HWT_Utopia1

Ensemble of UTOPIA, OHIO by Hugo West Theatricals. Photo by Mikki Schaffner.

Serving as both Assistant Director and Dramaturg, Deondra Kamau Means had his work cut out for him. It is not easy to tell this tale in two acts, especially since the majority of the audience may be ignorant of the story origins. However, as per usual, Mr. Means succeeds.

While for the most part the ensemble is truly an unbreakable one, there are indeed stand-out performances. First artist of note (in not particular order) is Linsey Rogers as multiple leading characters. In addition to her undeniable acting talent, Ms. Rogers’ violin playing is exquisite. Another extraordinarily strong contender is Zack Steele as Moishe and several ensemble members. Mr. Steele has an intoxicating energy that is sure to draw any audience member in.

It is difficult to see things opening night as there might be a hiccup or two along the way. For example, there is no doubt Jeremiah Savon Jackson (as Samuel and Ensemble) is a talented vocalist; however, troubles navigating the microphone led to moments where he was not intelligible. When the story is told through song, it is very important to hear every word.

Josh Steele has written a fantastic piece which should come as no surprise to those of us who have been graced with his talent in past. My only critique would be that certain songs could be shortened as it can be easy to “tune out” if they go on for too long. It might be best to add more dialogue in order for songs not to be inordinately lengthy. However, it is obvious what Mr. Steele is trying to accomplish and I would say he should consider this production a success.

In summary, a thoroughly enjoyable (and educational!) show with strong acting, musicality, and vocals. Utopia, Ohio can be enjoyed at The Carnegie Center of Columbia Tusculum (a former Carnegie library).

Please click here for more information.

Leave a comment

Filed under Reviews

CFF23: My Fringe Show Rankings

QCF_Ruh-Roh!The question I get asked most by people with limited time and resources is, which shows are a “must see.” And I give them my bias answer, based on how I reacted to the shows. Please understand that differences between shows in the rankings can be infinitesimal. And I guarantee everyone’s list is different and just as valid.

And if you do decide to attend, I highly recommend you look at all the options. Aside from the fact that there are still plenty of shows I just haven’t seen yet. If a show sounds interesting to you, I highly encourage you to see it. Grab a friend, split a flex pass and hit three shows. You never know what you might discover. Happy Fringing.
-Rob

Updated 6/15/23

My Rankings

  1. RUH-ROH!
    Jordan Trovillion & Trey Tatum return for the final chapter of the adventures of the teen sleuth and her faithful dog companion. Imaginative, clever and funny, RUH-ROH! is a satisfying finale and completely accessible even if you have not seen the previous installments.
  2. BLOODLINES
  3. HEART RIPPED OUT TWICE AND SO CAN YOU!
  4. 1NCE UPON A LIE
    Paul Strickland is back with new tall tales from his latest visit to Aunt True and Uncle False. Funny, heartfelt and with the clever word-play you expert from this master storyteller.
  5. THE REMBRANDT JOB
    Ocean’s Eleven they aren’t. A fun, tongue in cheek retelling of a bizarre but true art theft at Cincinnati’s Taft Museum. Dale Hodges narrates the story as one of the missing works and Paul Morris shines as the sleazy Jim Hough.
  6. THREAD AND BONE
  7. JULIE
  8. MADE IN AMERICA
  9. WHO’S AFRAID OF WINNIE-THE-POOH
  10. ONE LAST NIGHT WITH MARY MACLANE
  11. HAPPY GO LUCKY
  12. ANATOMICA
  13. RAPPINGS
  14. PERFECT PURITY
  15. THE HIGHWAY WOMAN
  16. DAD (HATES) JOKES
  17. GRANNY FIX-IT
  18. DEARLY DEPARTED
  19. GENTRIFICATION THE MUSICAL
  20. KEEPING OUR TORCH
  21. TO SPITE ONE’S FACE
  22. RUNAWAY PRINCESS
  23. SHMILF LIFE
  24. SPANK BANK TIME MACHINE
  25. MAGIC FOR ANIMALS
  26. UDFCC 

Leave a comment

Filed under Reviews

VIOLET Quick Review

VIOLET presented by NKU School of the Arts through Oct. 2. I attended the closing Wednesday night performance. 

NKU_Violet 1

Let’s cut to the chase: NKU School of the Arts is currently presenting an impressive production of VIOLET.

Vocally the show is excellent with powerful solos from Jeremiah Savon Jackson (Flick), Yolee Louis (Almeta), Chloe Hedrick (Music Hall Singer), and Chloe Esmeier (the Violet understudy in the title role for this performance). The harmonies were beautiful.

I also enjoyed the excellent character work by Hailey Watson (Young Vi), Rachel Gardner (Old Lady), Sylas Craven (Preacher), and Tre Taylor (Virgil).

NKU_Violet2

Hailey Watson as Young Vi & Trey Finkenstead as Father.

Both Chris Monell (Monty) and Trey Finkenstead (Father) created solid, believable characters and handled their songs very well.

The orchestra, under the leadership of Scot Buzza, sounded great and were hot miked. Thankfully, so were the actors so I could hear well when there were one or two vocalists. In the group numbers, there were times when the combination caused the lyrics to get muddy.

Director Jamey Strawn keeps the action clear and easy to follow as the story takes us to various locations and back and forth in time. The set design worked well and set changes were made with efficiency and never drew my focus.

Overall, an impressive, smartly presented, not often produced musical that my guest and I thoroughly enjoyed.

My rating: 4.75 out of 5.

Click here for more information on the production.

Leave a comment

Filed under Reviews

it’s not a trip, it’s a journey Quick Review

it’s not a trip, it’s a journey presented by Know Theatre of Cincinnati through Oct. 9. I attended the opening Saturday night performance. 

KTC_its not a trip1

Angelique Archer as Frankie, A.J. Baldwin as Rain, Ariel Mary Ann as Willie, & Jasimine Bouldin as June. Photo by Dan. R. Winters.

Director Daryl Harris smartly leads a quartet of charismatic young women on this tale of a life-changing journey to the Grand Canyon.

I enjoyed the short pre-show that introduces the four characters via a signature song and dance, choreographed by Kim Popa. Make sure you are in your seats before show time.

KTC_its not a trip2

A.J. Baldwin as Rain & Jasimine Bouldin as June. Photo by Dan. R. Winters.

I found Jasimine Bouldin’s performance as June to be completely engaging. The actress’ expressive face and emotional beats well defined her character. AJ Baldwin is strong as the emotionally troubled Rain and her relationships with the other characters are nicely established. As Frankie, Angelique Archer brings the attitude and is believable as the cracks in her armor begin to show. Ariel Mary Ann has several nice moments as Willie. I would encourage you to tie your blocking to your lines as a few times you seemed to plant your body before speaking. And always remember to breathe.

The projections work well in establishing location and the overall progress of their trip.

The structure of the show is almost a series of vignettes as the action switches between the car and their various stops along the way. This does result in a start and stop quality that affects the energy and pacing between scenes, particularly when the four chair “car” is struck and reset. Perhaps if the chairs were on a truck it would help with the flow.

Overall, a fun, sassy and emotionally-fulfilling road trip.

My rating: 4.25 out of 5.

Click here for more information on the production.

Leave a comment

Filed under Reviews

THE HALF-LIFE OF MARIE CURIE Quick Review

THE HALF-LIFE OF MARIE CURIE presented by Falcon Theatre through Oct. 8. I attended the opening night performance. 

FT_The Half-Life of Marie Curie2

Tracy Schoster as Heartha Ayrton & Tara Williams as Marie Curie.

Falcon Theatre kicks off their season with a work by the prolific and oft-produced playwright Lauren Gunderson. This two-person show features Tara Williams as the titular character and Tracy Schoster as fellow scientist and friend, Heartha Ayrton.

The two have an easy chemistry and their personal years-long friendship serves their onstage relationship well as Heartha rushes to her friend’s side during one of the darkest times in Curie’s life. With Ayrton having the stronger personality, I did feel there were times, particularly in their first scene together, where she was talking “at” instead of “to” her friend. I’m all about the snark, but the tone could have been lightened here and there.

FT_The Half-Life of Marie Curie1

Tara Williams as Marie Curie.

There were times when the blocking became a bit stagnant with extended periods of sitting, especially in the first scene that was confined to a small play space.

Of the Gunderson plays I have seen, this script lacks the depth I am used to finding in her other works. Perhaps it is because this is a commissioned work and was not created as organically. With only two characters, aside from a well-acted disagreement halfway through the performance, there is little conflict between the two, resulting in grievances aired against those not present.

A couple of choices did impact my ability to be pulled into the story. While I’m not expecting expensive and elaborate time-period appropriate costumes, Ayrton’s styling and costume seem to be decades outside of the time frame of the play. I also question the decision to forego the use of accents. In this day of representation, it seems ill-advised to eliminate an integral part of each character’s identity, in a way “Americanizing” their story.

Overall, an interesting, solidly performed, but at times flawed, look at two turn-of-the-century scientific pioneers.

My rating: 4.25 out of 5.

Click here for more information on the production.

Leave a comment

Filed under Reviews