Category Archives: Reviews

THE COLOR PURPLE Review

By Katrina “Kat” Reynold

THE COLOR PURPLE presented by The Carnegie through July 6. I attended the Opening Night performance. 

The cast of THE COLOR PURPLE. Photo by Mikki Schaffner Photography.

I do not usually enjoy when a story is turned into a musical during its stage adaptation process. When the beloved and incredible book by Alice Walker became one of those to “fall” to this trend, I rolled my eyes and called it a day. However, this reviewer will gladly eat her words and shout from the rooftops about the glory that is the musical The Color Purple. With book by Marsha Norman and Music and Lyrics by Brenda Russell, Allee Willis, and Stephen Bray, this heart-breaking and triumphant tale is given a beautiful “new” life.

Hot off the success of Jaja’s African Hair Braiding with Ensemble Theatre Cincinnati, Director Torie Wiggins gives us yet another impeccably directed production. With casting prowess beyond measure and her skillful way of knowing exactly how to tell a story with movement and organic scene changes, Ms. Wiggins is a queen our city can not lose anytime soon. In addition, Music Direction by Jason Alexander Holmes is worthy of a standing ovation. With strong harmonies and dissonant chords, Mr. Holmes adds the other important part of telling a story: the soundtrack.

Not to be overlooked, praise should also be given to Scenic Designer Tyler Gabbard, Costume Designer Maria F. Ortiz Lopez, and Wig & Hair Designer Tiara M. Jones whose talents enhanced the aesthetics of the stunningly executed piece.

And now: the cast. Truth be told, I was half-tempted to scan the program and simply say “They are all incredible – do not miss it.” The words “strong ensemble” do not do this band of performing artists justice. While there are certainly key players who should be mentioned, there is not one weak link in this cast. Bravx to each of them!

In the role of Mister, Kenneth Early brings a difficult yet important player to life with the exceptional professionalism we have come to know and love in him. One can only imagine the challenge of portraying such a flawed character, but Mr. Early is able to do it wholly with strong vocals and an energy which keeps you wanting more of him.

Elana (Elle) Elmore plays the infamous Shug Avery and she has zero trouble portraying the women with whom everyone seems to fall in love. Ms. Elmore slinks effortlessly across the stage, just oozing confidence and appeal, and delivers both belty tunes ad heartfelt ballads like it’s just another day at the office. What a role and what an artist!

In their professional debut (yes, you read that correctly) audiences are graced by the star power of Jordyn Jones as Celie. Mx. Jones possesses a wisdom beyond their years which they use to their advantage as Celie grows up before our very eyes. Their ability to make themself so small as Celie (physically, emotionally, and verbally) juxtaposed with the big emotions and equally big vocals is worth the price of admission alone. Mx. Jones is going places and we would all be lucky to be along for the ride.

Quick shout-outs to Brittany Hayes as Sofia (she’s a show stopper!) and to the trio of “church ladies”: Edin Kebede, Roniece Hutchins, and Fiona Capri (harmonies that will make your body tingle).

The time for stories for and about people of colour is always; however, it seems particularly significant now. The journeys depicted are not always pretty and sure aren’t always fair, but we are left with an uplifting sense of promise. Whether you are familiar with the characters of The Color Purple and their histories or you are a newbie to Alice Walker’s gorgeous saga, this show gets the infrequently given but always deserved “must-see” stamp of approval from me. You do not want to miss the caliber of acting, singing, and energy of this cast and creative team (plus a cathartic sob-fest never hurt anyone). I will encourage all who attend to forgo the eye makeup – it isn’t worth the effort.

Click here for more information about the production.

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CFF25: WHISPERS FROM THE DEEP Review

WHISPERS FROM THE DEEP presented by A to Z Productions as part of the 2025 Cincinnati Fringe Festival. 

A mysterious narrator and his ministry of shadow puppets take you on an eerie, captivating journey through haunting tales from the deepest reaches of the sea. Tales from the Crypt meet The Lighthouse in these horrifying tales.

Partners in life and art (I liked this turn of phrase so much I stole it from their bio), the team of Alexx Rouse and Zach Robinson have created an entertaining deep dive of three chilling sea tales wrapped in a musical number. Think Tales from the Crypt meets Pee Wee’s Playhouse with a nautical theme.

Alexx and Zach are joined in the cast by Merritt Beischel, Zoë Peterson and several puppets, along with Calvin Horner as keyboard accompanist and vocalist . Zoë, Merritt and Alexx narrate the individual stories, each handling the storytelling demands of their role well. Zach serves as main puppeteer and host.

Fun, humorous and quirky, WHISPERS is definitely worth your time for a quick trip under the sea.

Three performances remain at the The Basement at First Lutheran Church:

  • Sun, June 8 at 6:45pm
  • Wed, June 11 at 8:30pm
  • Fri, June 13 at 8:30pm

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JAJA’S AFRICAN HAIR BRAIDING Review

By Katrina “Kat” Reynold

JAJA’S AFRICAN HAIR BRAIDING presented by Ensemble Theatre Cincinnati through June 22nd. I attended the Opening Night performance. 

Brianna Miller as Miriam, Elexis Selmon as Jennifer, Samantha Russell* as Marie, Candice Handy* as Aminata & Keisha L. Kemper as Bea. Photo by Ryan Kurtz.

To close out its incredible 2024-2025 season, Ensemble Theatre Cincinnati presents the Regional Premiere of Tony Award-nominated Jaja’s African Hair Braiding by Jocelyn Bioh. Set in the heart of Harlem, a lively community of West African immigrants work together and survive together. While the term “love letter” can be overused in describing a script, there is little doubt that Ms. Bioh is offering us a celebration of African culture and the common bonds those deemed “outsiders” share.

When producing a show celebrating the allure of strong, melanated women, who better to direct than the inimitable Torie Wiggins? And let me tell you, Ms. Wiggins does not make one misstep in her direction: her cast is rock-solid, her use of the playing space is as smooth as a silk press, and her attention to detail is unmatched. Resident Scenic & Lighting Designer Brian c. Mehring along with the work of Properties Curator/Design Assistant Shannon Rae Lutz are to be applauded as well. The set is an absolute work of art and gives off the exact vibe of a busy shop that has been operational for more than a minute.

Huge and well-deserved praise is due to the Costume, Hair, & Wig Designer, Tiara M. Jones. Since the action takes place entirely in Jaja’s hair braiding salon, great hair is paramount. Not only did Ms. Jones create wigs in different stages of braiding (truly flawless work), but a few of the players portray more than one character. In addition, the costume choices are nothing short of brilliant. I think we will all agree Tiara is the actual star of this show – brava!

It is an impossible task to cite any of these performing artists over another, so prepare yourselves for as much as I can squeeze into a review before you lose interest.

A.J. Baldwin (multiple roles) always has the uncanny ability to chameleon herself into any role and turn them into someone you know you know.

Beasley (multiple roles) is absolutely giving character this round and I want more.

Jasimine Bouldin delivers as Ndidi, with a well-executed accent (shout-out to Dialect Coach Debora Crabbe for her work with the entire cast) and her deliberate and precise subtleties.

Burgess Byrd glows as Jaja and owns the stage every moment she graces it. Just when you think Ms. Byrd can’t get any better, she does.

Candice Handy (Aminata) is not only a vision aesthetically, but her entire manner from the way she walks to her facial expressions are a director’s dream.

Keisha L. Kemper (Bea) is impossible to ignore and her adept depiction of her character’s complicated arc is *chef’s kiss”.

Brianna Miller is delightful as Miriam – there is absolutely nothing not to like about her!

Samantha Russell’s Marie is splendidly done; she manages to make the heavy lifting of this central character look easy and that is admirable.

Elexis Selmon as Jennifer changes before the audience’s very eyes (in more ways than one) and she simply gives us “likable” energy.

Samuel Stricklen has his work cut out – not only as the only male performer, but in making each of his characters so wonderfully distinctive. Spoiler alert: he crushes the assignment.

What else can a white girl convey about this show except it is a beautiful thing to see an ensemble of black women who gets to say exactly what they want? This is their time, their laughter, and their heartache; no hiding or dumbing it down for a society who just doesn’t always “get it”. At its very core, Jaja’s is about community, home, and heart.

I was fully engaged in this experience from start to finish and I left the theatre feeling something we do not always get to feel in today’s climate: hope. I implore Cincinnati to sell out this show every single night and to continue to talk about it long after the lights dim on this run.

Click here for more information about the production.

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CFF25: A CABARET OF LEGENDS Review

A CABARET OF LEGENDS presented by Dynamite Lunchbox Entertainment as part of the 2025 Cincinnati Fringe Festival. 

Legendary songs from the collections of Legendary Artists, and the stories behind them. Starring International award-winning vocalist and performer Tymisha Harris (Josephine, Josie & Grace). “As a standard bearer for almost an entire century of music, you really couldn’t do better than badass burlesque diva Tymisha Harris.” – 5 STARS, Edmonton Journal

Tymisha Harris is a vocal chameleon and a force of nature, covering songs from Ella Fitzgerald to Beyoncé. She has one of those voices where she could sing the side of a cereal box and still be thoroughly entertaining.

A technical glitch (yay, live theater!) may have caused a few bumps along the way, but for her opening night audience, we did not care. She won us over with her first number and we thoroughly enjoyed everything she was serving up, resulting in a spontaneous standing ovation.

I hope she returns to the Cincy Fringe with another show very soon, and I’ll be there opening night.

Four performances remain at the Know Theatre:

  • Tue, June 3 at 6:45pm
  • Thu, June 5 at 8:30pm
  • Sat. June 7 at 8:30pm
  • Sun, June 8 at 6:45pm

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CFF25: EVERY GOOD STORY ENDS WITH ONE Review

EVERY GOOD STORY ENDS WITH ONE presented by Martin Dockery as part of the 2025 Cincinnati Fringe Festival. 

An all-true, hilarious story about an unbelievable romance. While performing a disastrous show in Australia, Dockery begins receiving mail and gifts from a secret admirer. A ridiculous, heartfelt, high-voltage mystery! Dockery’s won 50 awards over 17 years of touring.

Watching a Martin Dockery show is like catching up with an old friend who always has a great new story to tell.

Dockery is an entertaining storyteller with spot-on comic timing. “High-voltage’ is an accurate description of his performance style, with words tumbling out at break-neck speed and an intensity that keeps your full attention.

BTW, he does explain what he means by “one” in the show’s title, and the ending does not disappoint.

Overall, another enjoyable and entertaining visit with my old friend Martin.

Five performances remain at the Coffee Emporium:

  • Tue, June 3 at 8:30pm
  • Wed, June 4 at 8:30pm
  • Thu, June 5 at 6:45pm
  • Fri, June 6 at 6:45pm
  • Sun, June 8 at 8:30pm

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