Category Archives: Reviews

BUZZER Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

PIP_buzzer7

Jackson (Cincinnati native Eric Lynch) listens to the escalating tensions of his friend and girlfriend. Photo by Sandy Underwood.

BUZZER presented by Cincinnati Playhouse in the Park through April 19. Click here for more information on the production. I attended the opening night performance.

Truth is an ongoing theme in BUZZER, Playhouse’s penultimate offering of the Shelterhouse season. Don, a recovering addict, is working through a 12-step program and tying to make amends. Taken in by his childhood friend, Jackson and Jackson’s girlfriend Suzy, the truths of their shared history come out, for better or worse, over the course of the play.

I really enjoyed the script by Tracey Scott Wilson. I found the characters to be believable and mostly-likeable. Their motivations are clearly defined and the way these unfold, as the layers peel away, is very engaging. There are some nice moments of humor spread throughout and a great intensity several scenes late in act two.

Jackson (Eric Lynch, center) tries to set ground rules with Don (Alec Shaw) and Suzy (Carly Zien) . Photo by Sandy Underwood.

Jackson (Eric Lynch, center) tries to set ground rules with Don (Alec Shaw) and Suzy (Carly Zien) . Photo by Sandy Underwood.

The three member cast is excellent. Eric Lynch’s Jackson has a rightfully-earned chip on his shoulder and a strong sense of compassion for those people important to him. Suzy, portrayed by Carly Zien, has a good heart but struggles with being honest about her vulnerability. Alec Shaw does an impressive job of bringing a likability and earnestness to recovering addict Don.

The three actors shine under the direction of Timothy Douglas. The character’s interactions are natural and ring true. Douglas finds a great emotional balance in the tone, where others could easily have over-emphasized the conflict.

PIP_buzzer4

Suzy (Carly Zien) and Don (Alec Shaw) discuss differing perceptions of their shared history. Photo by Sandy Underwood.

Sound designer Matthew M. Nielson impresses with the sounds of the neighborhood intruding into the apartment. The outside confrontation worked extremely well, with the audience being able to recognize voices and intent, without being able to make out the entire conversation.

I thought the final short scene at the end of the play serves more as an epilogue, than the actual ending of the play. I found the last two scenes prior to this to be extremely well-done and intensely engrossing in different ways. A physical confrontation versus an emotional one. The damage done in the latter, with one character refusing to speak a truth that the other two characters obviously know, and which one begs to hear, leads to an ending that some audience members would see as less than satisfying.

Jackson (Eric Lynch) and his girlfriend Suzy (Carly Zien) share an affectionate moment. Photo by Sandy Underwood.

Jackson (Eric Lynch) and his girlfriend Suzy (Carly Zien) share an affectionate moment. Photo by Sandy Underwood.

Understandable in a way, but people don’t always make the right decisions, and the consequences of that can have a less than ideal outcome. For me, that lack of satisfaction shows that the production successfully pulled me in and and had me vested in the characters and the outcome.

A great production of an engrossing character-driven drama.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

DETROIT ’67 Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Darnell Pierre Benjamin as Sly. Photo by Mikki Schaffner.

Darnell Pierre Benjamin as Sly. Photo by Mikki Schaffner.

DETROIT ’67 presented by Ensemble Theatre Cincinnati through April 5. Click here for more information on the production. I attended the opening night performance.

Director D. Lynn Meyers makes great use of the space and elicits memorable performances from her cast. The solid five-person ensemble includes Darnell Pierre Benjamin as Sly, Bryant Bentley as Lank, Burgess Byrd as Bunny, Zina Camblin as Chelle and Leslie Goddard as Caroline.

Zina Camblin as Chelle Bryant Bentley as Lank. Photo by Mikki Schaffner.

Zina Camblin as Chelle
Bryant Bentley as Lank. Photo by Mikki Schaffner.

Bentley serves as the focal point for the show and does excellent work. His relationships with each character are fully-formed and very believable. Simply put, he is a good man and a bit of a dreamer.

Byrd is fun, sassy and quite the force of nature as go-to-girl Bunny. I enjoyed the underlying mother-hen quality to her character. The scene where Chelle confided her fears to Bunny about Lank’s decision-making, worked really well.

Burgess Byrd as Bunny. Photo by Mikki Schaffner.

Burgess Byrd as Bunny. Photo by Mikki Schaffner.

Part of the success of the character of Bunny has to go to costume designer Chad Phillips. The bold prints and smart accessories visually defined the character creating a great synergy with Byrd’s performance. Another highlight was Sly’s celebratory purple jacket. Across the show, all costumes were vintage and fit the characters nicely.

I also enjoyed the dynamic between Lank and Benjamin’s Sly. Their close, “partners in crime” friendship worked well.  When it comes the ladies, Sly is a bit of a good-natured player. It’s effective when he lets that persona drop a bit to reveal his honest affection for Chelle.

Leslie Goddard as Caroline & Zina Camblin as Chelle. Photo by Mikki Schaffner.

Leslie Goddard as Caroline & Zina Camblin as Chelle. Photo by Mikki Schaffner.

Camblin has a strong character in overly-protective Chelle. She handles the role well, but on opening night she didn’t seem 100% comfortable yet. I do think there were a couple of opportunities to see her character’s shell crack a bit more, especially in her second act scene with Sly. This would create an even stronger emotional impact later.

Leslie Goddard as Caroline & Bryant Bentley as Lank. Photo  by Mikki Schaffner.

Leslie Goddard as Caroline & Bryant Bentley as Lank. Photo by Mikki Schaffner.

The character of Caroline is a bit frustrating to me. As written, the audience is given practically no information about her in the first act. so we go into intermission with little sense on how she fits into the narrative. The role is nicely played by Goddard. Caroline’s relationship with Lank reads as genuine and their quiet scene together works well.

Darnell Pierre Benjamin as Sly & Bryant Bentley as Lank. Photo by Mikki Schaffner.

Darnell Pierre Benjamin as Sly & Bryant Bentley as Lank. Photo by Mikki Schaffner.

Excellent work by set designer Brian c. Mehring and the properties master, Shannon Rae Lutz. The sound of the wooden staircase and the metal support beams immediately evoked memories of my childhood home. I probably say this at least once a year, but when it comes to filling a set with “life clutter,” no one does it better than Lutz. Her choices are always extremely interesting, thoughtful and fun to explore.

Bryant Bentley as Lank & Burgess Byrd as Bunny. (background) Leslie Goddard as Caroline. Photo by Mikki Schaffner.

Bryant Bentley as Lank
& Burgess Byrd as Bunny.
(background) Leslie Goddard as
Caroline. Photo by Mikki Schaffner.

I did what to mention that there were moments I had trouble hearing and understanding the dialogue. At times the actors became a bit too soft, other times the issue seemed to be that they were facing upstage. During the confrontation between Chelle and Caroline, the latter was blocked near the bar, facing toward Chelle for a long stretch of dialogue, upstaging herself to most of audience right. Also at times, a few of the acting choices were too small or lacked a physical component to read to the back of the house.

Overall a solid production that packs an emotional punch. Another tale that puts a face to the statistics of a tragic moment in history. A moment, unfortunately, still reflected in current events.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

PETER AND THE STARCATCHER Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Joanna Howard as Molly and Josh Landay as her father, Lord Leonard Aster, as they prepare to set sail on the adventure of a lifetime. Photo by Sandy Underwood.

Joanna Howard as Molly and Josh Landay as her father, Lord Leonard Aster, as they prepare to set sail on the adventure of a lifetime. Photo by Sandy Underwood.

PETER AND THE STARCATCHER presented by Cincinnati Playhouse in the Park through April 4. Click here for more information on the production. I attended the opening night performance.

“It’s supposed to hurt. That’s how you know it meant something.” -Molly Aster to Peter Pan

Did you ever wonder how Peter Pan came to live in Neverland? Or how Hook’s hand-losing encounter with a crocodile actually played out? These questions and more are answered in PETER AND THE STARCATCHER, a bright and boisterous prequel to the story you already know.

Black Stache (Tom Story, second from right) threatens Fighting Prawn, the leader of the Mollusks (Arturo Soria, right) as Smee (José Restrepo, left), Mrs. Bumbrake (Andy Paterson, second from left) and Alf (Nick Vannoy, center) look on. Photo by Sandy Underwood.

Black Stache (Tom Story, second from right) threatens Fighting Prawn, the leader of the Mollusks (Arturo Soria, right) as Smee (José Restrepo, left), Mrs. Bumbrake (Andy Paterson, second from left) and Alf (Nick Vannoy, center) look on. Photo by Sandy Underwood.

The shows boasts a strong ensemble across the cast. Personal favorites include: Joanna Howard, who is perfect as precocious Molly Aster; Tom Story as the over-the-top scene-chewing villain Black Stache; and Jose Restrepo as his much put upon sidekick, Smee. I also enjoyed the comedic work of Andy Paterson as both Mrs. Bumbrake (smartly paired with Nick Vannoy as Alf) and the Teacher.

A 12-member cast invites you to discover the Neverland you never knew. Photo by Sandy Underwood.

A 12-member cast invites you to discover the Neverland you never knew. Photo by Sandy Underwood.

The script itself was a mixed bag for me. I felt that the first act was a bit long and the story really didn’t gain much momentum until act two. There were comedic elements that I enjoyed, such as the use of alliteration, Black Stache’s ongoing malapropism and the word choice for the native tongue of the Mollusk Islanders. Conversely, the broad humor, groan-worthy puns, somewhat predictable choices of anachronisms and the plot stretches to explain elements of the Pan mythos left me…meh.

Black Stache (Tom Story, second from right, with Noah Zachary) strikes a threatening pose as Smee (José Restrepo, left), Mrs. Bumbrake (Andy Paterson, second from left) and Alf (Nick Vannoy, center) look on. Photo by Sandy Underwood.

Black Stache (Tom Story, second from right, with Noah Zachary) strikes a threatening pose as Smee (José Restrepo, left), Mrs. Bumbrake (Andy Paterson, second from left) and Alf (Nick Vannoy, center) look on. Photo by Sandy Underwood.

The show is creatively staged with lighting and set and prop pieces. The suspended stars was a great lighting element and I enjoyed how they were used throughout the production. The costumes, designed by David Kay Mickelsen, were also a highlight.

Overall the show is fun and entertaining, but I never felt emotionally connected to the story. That being said, the opening night audience responded more strongly to the work than I did. The show is definitely worth the trip for Peter Pan fans.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

LITTLE WOMEN Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

(Clockwise from top) Maggie Lou Rader as Jo, Kelly Mengelkoch as Meg, Courtney Lucien as Amy, Annie Fitzpatrick as Marmee, and Caitlin McWethy as Beth. By Mikki Schaffner Photography.

(Clockwise from top) Maggie Lou Rader as Jo, Kelly Mengelkoch as Meg, Courtney Lucien as Amy, Annie Fitzpatrick as
Marmee, and Caitlin McWethy as Beth. By Mikki Schaffner Photography.

LITTLE WOMEN presented by Cincinnati Shakespeare Company through March 21. Click here for more information on the production. I attended the opening night performance.

A cold February night brings the March Family to the stage at Cincinnati Shakespeare Company. Director Sara Clark has assembled a talented and strong ensemble to bring these characters to life.

When some of the cast were playing the younger versions of their characters, I felt they pushed a bit too hard and the performances didn’t come off as honest. The characterizations did grow stronger as the play progressed. For me, the family became cohesive with the news of their father’s illness.

Maggie Lou Rader was engaging as strong-willed Jo. I enjoyed Caitlin McWethy’s Beth, who was the only one who could calm Jo’s forthrightness. I would have liked to have seen some physical or verbal reaction by Jo at the end of the scene where Jo is reading to Beth in the bedroom.

 Justin McCombs as Laurie & Courtney Lucien as Amy. By Mikki Schaffner Photography.

Justin McCombs as Laurie & Courtney Lucien as Amy. By Mikki Schaffner Photography.

The pigtails and fingers-on-chalkboard voice of young Amy nicely transformed into a worldly and educated young woman as played by Courtney Lucien. I thought the deepening of Amy and Laurie’s relationship come together naturally. Also well-handled was the change this caused in Jo and Laurie’s (Justin McCombs) relationship.

Nicholas Rose as Professor Bhaer & Maggie Lou Rader as Jo. By Mikki Schaffner Photography

Nicholas Rose as Professor Bhaer & Maggie Lou Rader as Jo. By Mikki Schaffner Photography

I thoroughly enjoyed Nicholas Rose as Professor Bhaer. His performance was charming, sweet and I found it quite easy to see the attraction between Bhaer and Jo. Abby Rowold is convincingly old and bitter aged-up into the role of Aunt March. I was confused by the gender-bending casting of Frank Delaney as Aunt Carol. For me, it was more distracting than a strong comic element.

Miranda McGee as Sallie Gardiner & Kelly Mengelkoch as Meg. By Mikki Schaffner Photography.

Miranda McGee as Sallie Gardiner & Kelly Mengelkoch as Meg. By Mikki Schaffner Photography.

Speaking of distracting, I had the same reaction to the technological additions (flat screen windows and projections) to the show. The concept is interesting, but perhaps better used on a more contemporary script. For me, the digital special effects intruded on the simplicity of the time period.

Small complaints aside, this is a heartfelt and entertaining version of the literary classic.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

Leave a comment

Filed under Reviews

AUGUST: OSAGE COUNTY Review (GYTN)

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve,  Carol Brammer as Barbara & Kevin Crowley as Bill.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve, Carol Brammer as Barbara & Kevin Crowley as Bill.

AUGUST: OSAGE COUNTY presented by The Clifton Players & Untethered Theatre through March 14. Click here for more information on the production. I attended the opening night performance. GYTN = Get You Tickets Now.

I purposely avoid watching motion picture versions of plays before I have a chance to see them on the stage. This production was my first opportunity to see AUGUST: OSAGE COUNTY. Aside from the show’s description, I went into Thursday’s performance with no foreknowledge of the play. And I’m really happy about that fact.

It’s perfectly understandable why this play by Tracy Letts won so many award, including the 2008 Pulitzer Prize for Drama and the 2008 Tony Award for Best Play. The script is excellent.

At its core, AUGUST: OSAGE COUNTY is about the destruction of a family and the audience is front and center to witness it. One event starts the dominoes tumbling, and it’s one bombshell revelation after another. Just when you think you’ve heard or seen the worse the show has to offer, there is another explosive scene. The drama also has some great comic moments that come about organically.

Kevin Crowley as Bill Fordham & Carol Brammer as Barbara Fordham.

Kevin Crowley as Bill & Carol Brammer as Barbara.

For me, the show has a bit of a reality TV feel to it. But unlike a normal guilty-pleasure, there is no screen to serve as a buffer. There is an intimacy to what is happening. And you are so close to it, that at times, there is this uncomfortable sense of being an intruder. But you still can’t turn away.

The three-act play has a run-time of 3 hours and 15 minutes with two fifteen-minute intermissions. It doesn’t feel like it. Not once was I compelled to look at my watch, because there is so much to take in from the performances. The ensemble, across the board, does outstanding work. This is a challenging and complex play and I feel that the actors treated it as such and met the challenge. For many of them, the characters are so different from the work that I have seen them do in the past, that it shines as their best.

Each character, and their relationships to each other, are clearly defined and believable. Beyond that, each character carries a burden of some kind that is a heavy influence on their traits and motivations. I found myself connecting emotionally to every one of them. The energy of it is palpable.

I really enjoyed the spiritual serenity Leah Strasser brought to the role of Johanna. The vulnerability of Carter Bratton’s Little Charles. The empathy I had for Kevin Crowley’s Bill. The disdain I had for the meanness of Christine Dye’s Mattie Fae. The sympathy for poor Ivy played by MaryKate Moran. Nathan Neorr’s “stranger danger” vibe. And my love/hate relationship with Carol Brammer’s Barbara where I’m calling her a bitch in my mind one moment, and feeling sorry for her in the next. The tone of Buz Davis’ opening scene as Beverly is spot on and I totally understood what his conversation with Johnna really was.

Christine Dye as Mattie Fae & Bob Allen as Charlie.

Christine Dye as Mattie Fae & Bob Allen as Charlie.

There are many powerful moments in the play. Bob Allen and Christine Dye’s final scene together. Mindy Heithaus and Carol Brammer’s first scene together and their final confrontation. Brammer and Kevin Crowley’s uncomfortable entrance and their final scene. The awkwardness of the conversation between Brammer and Reggie Willis as Sherriff Gilbeau. The encounter between Nathan Neorr and Sarah White is handled very well. White is totally convincing as a 15 year-old girl and I’m really glad she decided to commute from NYC for the role. Dale Hodges is amazing as trainwreck Violet and the dinner scene of her versus the entire family is pitch perfect. I also liked how the scene with the three sisters showed how the apple doesn’t fall very far from the tree.

Another factor in the success of the show is Buz Davis’ direction. The scene work is amazing. Davis is also responsible for the set design, which affords six playing areas in the small space. Everyone who worked on this show should be proud of what they have achieved.

This production of AUGUST: OSAGE COUNTY is one of those magical theatrical experiences that I will carry forever. It is superbly acted and emotionally engaging.  I hope you get a chance to experience it for yourself. It is a lengthy run, but the house size is small, so buy your tickets early and in advance.

My rating: 5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

1 Comment

Filed under Reviews