Category Archives: Reviews

THE COVER OF LIFE Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Gretchen Reinersman as Tood Cliffert, Lisa Dirkes as Weetsie Cliffert & Tara Williams as Kate Miller. Photo by Mikki Schaffner.

Gretchen Reinersman as Tood Cliffert, Lisa Dirkes as Weetsie Cliffert & Tara Williams as Kate Miller. Photo by Mikki Schaffner.

THE COVER OF LIFE presented by Falcon Theater through April 25. Click here for more information on the production. I attended the opening Saturday performance.

There is a famous notion that 90% of directing is casting, If this is the case, director Tracy M. Schoster definitely succeeded with her wonderful ensemble for THE COVER OF LIFE. Not only is every character well-defined and unique, but the dynamics among all the characters are as well.

Kristy Rucker as Addie Mae McGough. Photo by Mikki Schaffner.

Kristy Rucker as Addie Mae McGough. Photo by Mikki Schaffner.

Tara Williams deftly handles Kate’s journey from cynic to visitor to friend. Gretchen Reinersman shines as simple-spoken, yet wise beyond her years, Tood. Lisa Dirkes smartly finds the humor in dedicated-wife and dedicated-Christian, Weetsie. Holly Sauerbrunn’s smart-tongued, deadpan delivery of pragmatic, life-weary Aunt Ola is spot on. The moment Merritt Beischel throws out the first verbal barb, it speaks volumes to who Sybil is. Kristy Rucker makes busybody Addie Mae fun and endearing. Jared Earland as Tommy looks like he stepped out of a recruitment poster and handles the youngest-brother angst well.

Lisa Dirkes as Weetsie Cliffert & Holly Sauerbrunn as Aunt Ola Cliffert. Photo by Mikki Schaffner.

Lisa Dirkes as Weetsie Cliffert & Holly Sauerbrunn as Aunt Ola Cliffert. Photo by Mikki Schaffner.

Thanks to the director, there are many, very nicely-done moments in the show. Favorites include: Kate and Tood on the hilltop and their final goodbye. Todd and Aunt Ola’s private conversations. Sybil and Weetsie’s argument in front of company. Weetsie eavesdropping on Tood and Sybill and Tood and Tommy at the pond. I could mention a few more, but those would be spoilers. The show is well-paced, flows well and Schoster creates great stage pictures.

Gretchen Reinersman as Tood Cliffert, Merritt Beischel as Sybil Harrist-Cliffert & Lisa Dirkes as Weetsie Cliffert. Photo by Mikki Schaffner.

Gretchen Reinersman as Tood Cliffert, Merritt Beischel as Sybil Harrist-Cliffert & Lisa Dirkes as Weetsie Cliffert. Photo by Mikki Schaffner.

The costumes, designed by Tara Williams, evoked the time-period and complimented the personalities of the characters. Great work done by Prop Mistress Alecia Lewkowich as well.

This is the first production since the organization has completed some upgrades to their recently purchased venue. The raisers have been installed and the new seating is definitely more comfortable. Freshly repainted, the theater now has an intimate black box aesthetic that works well.

Gretchen Reinersman as Tood Cliffert & Jared Earland as Tommy Cliffert. Photo by Mikki Schaffner.

Gretchen Reinersman as Tood Cliffert & Jared Earland as Tommy Cliffert. Photo by Mikki Schaffner.

Overall an emotionally strong, heartfelt and heartbreaking production. Congratulations to all. The first weekend did sell out, so I recommend you get your tickets in advance.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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THE UNDERPANTS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Brian Griffin as Versati, Erin Ward as Louise Maske, Michael Hall as Cohen & Randy Lee Bailey as Theo Maske. Photo by Mikki Schaffner.

Brian Griffin as Versati, Erin Ward as Louise Maske, Michael Hall as Cohen & Randy Lee Bailey as Theo Maske. Photo by Mikki Schaffner.

THE UNDERPANTS presented by The Carnegie through April 26. Click here for more information on the production. I attended the opening night performance.

As the lights come up and music plays, Theo Maske (Randy lee Baily) and his wife, Louise (Erin Ward) have a pantomimed confrontation over “The Underpants” incident. I thought this was a great introduction to the farce I was about to see. Unfortunately once the dialogue started, that energy seemed to disappear, offering a very sedate and conversational farce for the most part. As the second act progressed toward its hectic conclusion the energy level did reach farce-level.

Tom Manning as Klinglehoff, Jodie Schwegmann-Meyn as Gertrude & Erin Ward as Louise Maske. Photo by Mikki Schaffner.

Tom Manning as Klinglehoff, Jodie Schwegmann-Meyn as Gertrude & Erin Ward as Louise Maske. Photo by Mikki Schaffner.

Among the talented ensemble, I really enjoyed Jodie Schwegmann-Meyn as Gertrude. Every time she entered a scene, she brought a great character and great energy to the stage. Tom Manning’s character of Klinlehoff makes an appearance late in the second act. It’s a fun role but I had issues understanding his dialogue at times.

Randy Lee Bailey as Theo Maske & Erin Ward as his wife Louise, Photo by Mikki Schaffner.

Randy Lee Bailey as Theo Maske & Erin Ward as his wife Louise, Photo by Mikki Schaffner.

The set was a stand out element of the production. Scenic designer Ryan Howell created a great multi-level play space. The color scheme of the set complemented the colors of the theater so well that the set looked like it belong there.

Overall a good production that hasn’t found its equilibrium yet in characterization and tone.

My rating: 3.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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RACE Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Robert Allen as Charles Strickland. Photo by Mikki Schaffner.

Robert Allen as Charles Strickland. Photo by Mikki Schaffner.

RACE presented by New Edgecliff Theatre through April 25. Click here for more information on the production. I attended the opening night performance.

For its final show of the season, NET tackles a contemporary look at the “race” in a play by David Mamet. Commenting on his own work, Mamet has said the “theme is race and the lies we tell each other on the subject.” At the beginning, the theme is discussed clinically as an experienced attorney shares his legal-wisdom with his young protege. But when the theme turns personal, lines are quickly drawn between the characters.

Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

The four-person ensemble is solid across the board. Tackling a Mamet play is not an easy undertaking with its dense dialogue. Opening night, there were times when it felt like the cast was not quite on top of the script yet.

As the accused Charles Strickland, Robert Allen brings a great presence to the character. He is all indignation and wounded pride. There were moments when this came off as defensive which made me think the character was guilty of something. Perhaps a bit of rich man arrogance and swagger would have diffused that a bit at the beginning of the play.

Reggie Willis as Henry Brown. Photo by Mikki Schaffner.

Reggie Willis as Henry Brown. Photo by Mikki Schaffner.

Jack Lawson, one of the defense attorneys, is portrayed by Michael Shooner. Jack tends to wear his arrogance like an accessory. I thought Lawson’s mentoring relationship with Susan was very believable and yet contained a hint on inappropriateness that worked for the character.

Renika Williams as Susan. Photo by Mikki Schaffner.

Renika Williams as Susan. Photo by Mikki Schaffner.

Reggie Willis plays the other defense attorney, Henry Brown. I enjoyed how he would allow Jack to lead the interaction when dealing with Strickland, but clearly showed he was an equal partner when their client wasn’t present. Henry’s animosity toward Susan made sense, but initially it seemed a bit harsh. Perhaps if it built a little more.

Rounding out the cast is Renika Williams as young attorney Susan. Williams does well in holding her own against her peers. I wouldn’t have minded to see Susan a bit more grounded with a bigger chip on her shoulder. There were a few times Susan’s reactions seemed more appropriate to the actor’s age than the character’s.

Robert Allen as Charles Strickland, Reggie Willis as Henry Brown & Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Robert Allen as Charles Strickland, Reggie Willis as Henry Brown & Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Daryl Harris’ solid hand and knowledge of the material is visible in his direction of the actors. He also handles the performance space well, finding every opportunity to naturally move the action away from the stage left table to balance out the staging.

Set designer Rachel Kuhn uses the Hoffner Lodge space well. With the main floor being an over-sized conference room, she created two playing contrasting playing areas. By hanging material between the poles of the balcony, she smartly uses silhouette to depict the office area above.

Renika Williams as Susan & Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Renika Williams as Susan & Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Both prop master Mary Gascho and costume designer Sherry Amott Tippey do well in presenting “wealth” on a limited budget. The only costume that read less than ideal for me was Strickland’s first suit.

Overall, a well-executed, interesting and at times, intense drama.

My rating: 4 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

 

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THE TAMING OF THE SHREW Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nicholas Rose as Petruchio and company. By Mikki Schaffner Photography.

Nicholas Rose as Petruchio and company. By Mikki Schaffner Photography.

THE TAMING OF THE SHREW presented by Cincinnati Shakespeare Company through April 25. Click here for more information on the production. I attended the opening night performance.

I’ve probably said it before, but large-cast productions, like this, really showcase the depth of talent in the CSC ensemble. No matter the size of the role, every actor on stage is committed to not only their character, but their relationships to every other character on stage.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Guest director Kevin Hammond offers a more-balanced take on the script. In this production, Petruchio is not bending Katherina to his will. Instead he is chipping-away (well, make that hammering-away) at the barriers “the shrew” has put around herself to protect her heart.

Nicholas Rose is excellent as Katherina’s (Kate’s) suitor, Petruchio. It is easy to see his attraction to the kindred spirit he sees in her. Even though the character goes to such lengths as denying Kate food and sleep, his soliloquy in Act II clearly shows his affection for Kate. Rose believably makes Petruchio’s actions come off as more playful and lovingly-intentioned than mean-spirited. Also to soften these tactics a bit, Petruchio suffers through them right along with her.

Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Also strong is Kelly Mengelkoch as Kate. Her shrew-ness is presented as an almost knee-jerk reaction to any man or any notion that she needs a man to complete her. Her temperament seems to indicate that she had been deeply hurt in the past and refuses to allow it to happen again. Add in a bit of stubbornness and it’s understandable why Petruchio had to go to such lengths to break through.

There is a great “a-ha” moment when Kate finally realizes that Petruchio does not want her as a subordinate, but an equal partner in life. The results of this trust and understanding shines through in the satisfying final scene.

Kelly Mengelkoch as Kate and Caitlin McWethy as Bianca. By Mikki Schaffner Photography

Kelly Mengelkoch as Kate and Caitlin McWethy as Bianca. By Mikki Schaffner Photography

The “battle” for the hand of Kate’s sister also plays out amusingly-well. Bianca (Caitlin McWethy) is woo-ed by disguised suitors Hortensio (Billy Chace) and Lucentio (Geoffrey Barnes). The latter with an assist from his flamboyant main servant Tranio (Justin McCombs).

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography.

Speaking of main servants, Jeremy Dubin is stellar fun as Gromio, partner in crime to Petruchio. Dubin’s ongoing bit was a guilty-pleasure. My inner child laughed every time, even though I knew it was coming.

Turning the set, I found it really clever for Andrew Hungerford to have the “inn” wrap around to stage-left and out of sight. It reinforced that concept of a play being performed by a traveling band of players. It also allowed for quick scene changes as pieces were moved from another part of the inn to the main playing area.

Overall, an excellent, fun, broad and bawdy battle of wills where the audience wins.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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HEARTS LIKE FISTS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Maggie Lou Rader as Lisa, Linnea Bond as Sally, Sola Thompson as Nina & Miranda McGee as Jazmin. Photo by Daniel R. Winters.

Maggie Lou Rader as Lisa, Linnea Bond as Sally, Sola Thompson as Nina & Miranda McGee as Jazmin. Photo by Daniel R. Winters.

HEARTS LIKE FISTS presented by Know Theatre of Cincinnati through April 25. Click here for more information on the production. I attended the opening night performance.

Associate Artistic Director Tamara Winters takes the reins of the final mainstage production, offering a strong cast and smartly-staged production.

If Lex Luthor can blame Superman for his hair loss to justify his descent into villainy, then Doctor X’s madness, caused by a broken heart (and a few good blows to the head), doesn’t seem all that far-fetched. In fact, the weakness for each character in the show is relationship-oriented.

James Creque as Doctor X & Sola Thompson as Nina.

James Creque as Doctor X & Sola Thompson as Nina. Photo by Daniel R. Winters.

James Creque is fun and creepy as drain-bamaged Doctor X. I wouldn’t have minded if he took his performance a bit bigger. Also fun is Lisa DeRoberts as the “awww”-inducing, unlucky in love Nurse, who feeds the hole in her heart with donuts….[mmmmm…donuts…]

Lisa DeRoberts as Nurse. Photo by Daniel R. Winters.

Lisa DeRoberts as Nurse. Photo by Daniel R. Winters.

The terrific trio of heroines include: Linnea Bond as Sally, who struggles with an on-again/off-again relationship with the police commissioner; Sola Thompson’s Nina, who struggles with her attraction to bad boys; and Jazmin, played by Miranda McGee, who struggles with monogamy. Recruited into their ranks is Lisa (Maggie Lou Rader) who struggles with commitment. Rounding out the cast is Andrew Ian Adams as handsome and clueless Peter, who struggles with his fear that his heart is damaged beyond repair.

James Creque as Doctor X & Maggie Lou Rader as Lisa.

James Creque as Doctor X & Maggie Lou Rader as Lisa. Photo by Daniel R. Winters.

A definite highlight of the production are the fight scenes, choreographed by Jonn Baca. Adding even more bang (WHAM! and POW!) are the projected images and sound effects courtesy of Doug Borntrager.

It may have been fun to use voice-over to read some of the locations shifts, ala the Super Friends cartoon. The set worked well, and I thought the dot pattern used to accent the walls was a great touch.

Maggie Lou Rader as Lisa & Andrew Ian Adams as Peter. Photo by Daniel R. Winters.

Maggie Lou Rader as Lisa & Andrew Ian Adams as Peter. Photo by Daniel R. Winters.

I liked the concept of the costumes for both The Crimefighters and Doctor X, but I did miss some color. Maybe a different color for Doctor X’s lab coat (blood red?) and perhaps a block of the lime green in the women’s tops would have added to the comic book feel. The light-up wrist bands communicators were perfect.

Opening night, I did feel that the pacing could be tightened-up a bit, perhaps a few too many dramatic pauses by the heroes. I did have trouble hearing Doctor at the beginning of his opening monologue and in the hospital scene.

Overall a fun, theatrical, comic-book romp that kicks butt and breaks a few hearts.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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