Category Archives: Press Releases

Ensemble Theatre Cincinnati Presents Virtual Dramatic Reading of SIDE MAN, March 22-April 4, 2021

ETC_Side Man logoBy popular demand, our virtual production of the Tony Award-winning play SIDE MAN has an extended run! You can catch this incredible story on ETC On Demand now through April 11.

(Cincinnati, OH) The Tony Award-winning play Side Man, by acclaimed playwright and television producer Warren Leight (Law & Order: Special Victims Unit), returns to Ensemble Theatre Cincinnati (ETC), this time on the digital stage with a dramatic reading. In 1999, ETC was the first regional theatre to produce Side Man while it was still running to sold-out houses on Broadway. The show, which reunites familiar Cincinnati actors on ETC’s (virtual) stage, will be streaming online through ETC On Demand March 22-April 4, 2021 and is directed by D. Lynn Meyers.

Set from 1953 and traveling to 1985, this 1999 Tony Award for Best Play winner, chronicles the life of trumpet player’s broken family as it navigates the decline of jazz as popular entertainment. Although the musicians are talented players, the nation is changing the channel to rock. “In its depiction of a young man struggling to remain the glue in the troubled marriage of his vacant, trumpet-playing father and unbalanced, alcoholic mother, this lovely play has an abiding power,” says The New York Times.

“Before Side Man became a hit on Broadway, I had fallen in love with the script and knew it was a show that had the potential to bring audiences to ETC,” says Producing Artistic Director D. Lynn Meyers. “Including the reigning Tony winner and Pulitzer finalist in that 1999 season undoubtedly was a catalyst for the theatre, drawing new patrons into the area, many of whom then became subscribers. Warren Leight graciously trusted a theatre and a director he didn’t know to do the regional premiere and came to see it opening night. This led to two other premieres of his work, Glimmer, Glimmer and Shine and James and Annie.”

About the Playwright

Warren Leight (Playwright) is an award-winning writer and showrunner who is currently helms Law & Order: Special Victims Unit, now enjoying an historic 22nd season. Previously, he was showrunner and Executive Producer of HBO’s Peabody Award-winning In Treatment, the FX drama Lights Out, and the Edgar-winning Law and Order: Criminal Intent. His play Side Man won the 1999 Tony Award for Best Play and was a 1999 Pulitzer Prize Finalist. His other plays include No Foreigners Beyond This Point (Drama Desk nomination), Home Front, Fame Takes a Holiday, Glimmer, Glimmer and Shine (ATCA nomination), and The Loop. He wrote the book to the musical Mayor (Drama Desk nomination) and co-wrote the book to Leap of Faith (Drama Desk nomination). Two collections of one-acts, Dark, No Sugar and Stray Cats, have been published by DPS. His many articles and humor pieces have appeared in dozens of periodicals including the International Herald Tribune, Rolling Stone, Village Voice, Mademoiselle, National Lampoon, and BOMB Magazine.

About the Cast

Charlie Clark (Gene) was last seen at Ensemble Theatre as Bruce in Fun Home, where his credits include Next to Normal, Violet, Rapture, Blister, Burn, Hands on a Hardbody, Luna Gale, and Next Fall, among others. Some of his other local credits include Church Girls, Take Me Out, Dirty Rotten Scoundrels, On Golden Pond, Carousel, Love’s Labour’s Lost, See What I Wanna See, The Full Monty, and Sunday in the Park with George. His Chicago credits include Company, Merrily We Roll Along, Into the Woods, Kiss of the Spiderwoman, and Sweeney Todd. His Twin Cities credits include Guys and Dolls and Mary Poppins, and Bridges of Madison County. 

Michael G. Bath (Ziggy) returns to Ensemble Theatre, having last appeared in The Frog Princess, Fly By Night,
The Dancing Princesses, Cinderella: After Ever After, The Legend of Georgia McBride, Cinderella, Sleeping Beauty, and Hands on a Hardbody, among others. Other regional credits include Superior Donuts with Clifton Players and Angels in America at Know Theatre. Mr. Bath has also performed with Cincinnati Playhouse in the Park, Children’s Theatre of Cincinnati, the Performance Gallery, Showboat Majestic, and Stage First Cincinnati.

Jennifer Joplin (Terry) was last seen at Ensemble Theatre in The Humans. She has called Cincinnati home for a decade where some of her favorite credits include Outside MullingarTribes, and Rapture, Blister, Burn, Ensemble Theatre Cincinnati; Feast, Girl in the Red Corner, and Man-Beast, Know Theatre of Cincinnati; and the roles of Lady Macbeth and Cleopatra at Cincinnati Shakespeare Company. Her film credits include Donnybrook and Old Man and the Gun. She is a graduate of Wright State University where she is an adjunct professor.

Brian Isaac Phillips (Al) returns to Ensemble Theatre Cincinnati, having appeared in Outside MullingarDead Man’s Cell PhoneThe SeafarerIce Floe, and the Off-Center Series production of God’s Country, as well as directing the 2018 production of Red Velvet. Other recent credits include Collapse at Know Theatre, Porgy & Bess and Carmen at the Cincinnati Opera, as well as Lloyd in Noises Off at Cincinnati Shakespeare Company. Other favorites include the title roles in HamletMacbeth and Henry VA Streetcar Named DesireThe Weir, all with Cincinnati Shakespeare Company, The Goat or Who is Sylvia with New Stage Collective, as well as productions with Playhouse in the Park and The Children’s Theatre. Brian is serving his 18th season as Producing Artistic Director at Cincinnati Shakespeare Company.

Geoffrey Warren Barnes II (Jonesy) was last seen at Ensemble Theatre in Sleeping Beauty (2014) and Hands on a Hardbody. His credits include After Aida (joint project with Ensemble Theatre Cincinnati and Cincinnati Opera); Drunk Santa Xmas Spectacular, All the Way, Fences, Macbeth, and Twelfth Night, Cincinnati Shakespeare Company; and Marian: or the true tale of Robin Hood, Know Theatre of Cincinnati. Geoffrey holds a BFA in Musical Theater from Webster University in St. Louis and an MFA in acting from the University of Texas at Austin. He is an alumnus of the Cincinnati School for the Creative and Performing Arts.

Maliyah Gramata-Jones (Patsy) made her Ensemble Theatre debut as #00 in the 2019 production of The Wolves. Offstage, Maliyah is a teaching artist and arts ambassador, having toured Japan, Germany, Poland, Canada, and the US. Her recent credits include Megan Jones in Puffs and A in Red Bike at Know Theatre of Cincinnati, as well as Nurse in Titus Andronicus at Cincinnati Shakespeare Company. 

Spencer Lackey (Clifford) makes his Ensemble Theatre debut with this production. He is an Ohio-born actor based in New York and his theatre credits include Barefoot in the Park, Shakespeare in Love!, The Gospel of Fat Kathy, A Midsummer Night’s Dream, The Other Rhine, METH: A Love Story, and Justice. His film/television credits include Dead of Winter, Notzilla, Healing River, A Very Special High School Story, and Paranoia.

Performance Information
This virtual reading can be rented through ETC on Demand, the theatre’s new digital streaming platform. Tickets are $10 for one 48-hour rental or $60 for a subscription to all upcoming virtual content (excluding benefit readings) through June 2021. ETC On Demand will be able to be accessed through the theatre’s main website. Subscribers can contact the box office Monday through Friday, 9:00 am until 5:00 pm for more information.

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2020-2021 Season Presenting Sponsor is the Otto M. Budig Family Foundation.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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Another Exciting Sinclair Theatre Production Coming March 26

SCCT_The Cold Equations logoSinclair Theatre presents THE COLD EQUATIONS: A Play for Radio, based upon the short story of the same name by Tom Godwin, streaming free on Sinclair Theatre’s Facebook page beginning March 26, 2021.  Adapted and directed by Daniel Brunk, the audio performance features the voices of Connor Gray, Mari Pullings, Alexis Paige, Kiarra Matos, Helen Mahle-Grisez and Lydia Dye.

While Godwin’s original science fiction space story was published in 1954, its timeless ethical dilemma remains in Brunk’s updated version, accompanied by a creatively expanded plot. “The Cold Equations” refers to scientific calculations used to create unemotional procedures designed to ensure successful missions.

Brunk, who also recorded and edited the production, says, “I started listening to OTR (Old Time Radio) maybe 15 or 20 years ago and I heard “The Cold Equations” as produced by the NBC radio program X Minus One around that time.  The thought of making my own radio version has been with me for a decade.”

“It turned out that now was the perfect time to undertake the project, given the pandemic and the necessary limitations on live performances,”  says Brunk. “It also provides Sinclair’s Theatre department with the opportunity to produce a different kind of theatre, and allows the students to gain experience as voice actors.”

Brunk is an award-winning sound and lighting designer and assistant professor of theatre technology at Sinclair. He holds a B.A. in Theatre and English from the University of Maine and an M.F.A. in Theatre Production/Design & Technology from Ohio University. He has previously worked at the University of Maine at Farmington, Dartmouth College, and Papermill Theatre in New Hampshire.

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VIR:US, Monologues About Seeking Connections in a Pandemic Now Streaming from The Drama Workshop

TDW_Virus logoThe Drama Workshop’s latest offering as part of our Home Brew Theatre series, is proud to announce VIR:US, Monologues About Seeking Connections in a Pandemic. The six monologues are performed by their authors and range from silly and farcical to poignant and touching.

Single tickets are available at https://thedramaworkshop.org/homeview-series2, for $5, and the full series of Home View Theatre videos can be purchased there as well. A new offering is released every few weeks.

The videos are written and performed by Betsy Bossart, Chris Bishop, Stephanie Klein, Lindsey Pullum, Fred Tacon and Eric Thomas.

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Live and Streamed Performance CZECH IT OUT Presented by KSO on March 6

KSO_Strange Noir promoCZECH IT OUT
(All Dvorák)
7:30 p.m. Saturday, March 6, 2021
Verst Group Logistics
1985 International Way, Hebron, KY

The Kentucky Symphony Orchestra returns to an industrial warehouse for Czech It Out — an all Antonin Dvorak program — featuring local cellist prodigy, Miriam K. Smith. Even in a pandemic, the beauty of music, with its transcendent consoling and uplifting qualities, generates the power to bring our community together. Finding venues with the required space to appropriately distance and offer opportunities thas been challenging. Since October, thankfully neighbors and friends at Verst Group Logistics (VGL) and St. Peter in Chains Cathedral Basilica, have graciously opened their doors to live KSO rehearsals and performances. While distribution warehouses are continually moving product in and out, VGL has gone out of their way to make room for the KSO to use its 60,000 sq ft. heated industrial warehouse for live, in-person concerts.

Dvorák’s 7th Symphony in D minor will open the program. Inspired by premiere of Brahms’ Third Symphony, Dvorák’s
seventh symphony is a beautiful, yet somber and darker hued work, reflecting Dvorák’s mindset after the losses of both his mother and Bedrich Smetana — the father of modern Czech music. Symphony No. 7 is often regarded as Antonin Dvorák’s best symphony, though his 9th Symphony (“From the New World”), written in the U.S., remains his most popular.

KSO_Miriam K SmithDvorák’s renowned Cello Concerto in B minor was also composed in the U.S., though premiered in London. Local 14-year old Miriam K. Smith will make her KSO debut with her first performance of Dvorak’s masterwork. Miriam made her orchestral debut at age 8, and has since appeared as a soloist with the Cincinnati Symphony, Louisville, and Wisconsin Chamber Orchestras. Winner of numerous competitions, Ms Smith has also won awards for her recordings. (See full bio below)

The KSO continues to employ musicians to safely make great live music available for residents of Northern Kentucky and Greater Cincinnati. Join us as Miriam K. Smith and the orchestra fill a Hebron, KY warehouse with the music of Dvorak —7:30 p.m. Saturday, March 6th. Kentucky Safe at Work Guidelines will be employed, and patrons are required to don masks and maintain distance.

Tickets for each show this year remain — $35 — to experience great musicians, guest artists and innovative programming unique to our region. For those who must stay home, the KSO is live streaming each concert (with multiple cameras) for your ‘at home access’ for the price of a single ticket. Tickets are available online at kyso.org, by phone (859) 431-6216, or at the door. Czech us out!

Czech it Out
(All Dvorák)
7:30 p.m. Saturday, March 6, 2021
Verst Group Logistics
1985 International Way, Hebron, KY

Antonin Dvorák – Symphony No. 7 in D minor

      • I Allegro maestoso
      • II Poco Adagio
      • III Scherzo: Vivace
      • IV Finale: Allegro

Intermission

Dvorák – Cello Concerto in B minor

      • I Allegro
      • II Adagio, ma non troppo
      • III Finale, Allegro moderato
      • Miriam K. Smith, cello

Miriam K. Smith made her orchestral debut at age 8 playing the Haydn Cello Concerto No. 1 in C Major with the Seven Hills Sinfonietta. Recent engagements have included her debut with the Cincinnati Symphony Orchestra and Louisville Orchestra, Blue Ash Montgomery Symphony Orchestra, the Hilton Head Symphony Orchestra and the Wright State Chamber Orchestra. Miriam opened the Wisconsin Chamber Orchestra’s 2019 Masterworks Series performing the Saint-Saëns Cello Concerto No. 1 in A Minor.

She has twice performed in recital at Carnegie Hall as 1st place winner of American Protégé International and American Fine Arts Festival competitions, as well as the Cleveland Orchestra’s Rainbow concerts. In 2018 Miriam performed solo recitals in Cincinnati and Chicago, and for an outdoor crowd of 40,000+ with the Wisconsin Chamber Orchestra’s “Concerts on the Square.” That same year she recieved a Global Music Award as an emerging artist for her recording titled – Ignite!

Ms. Smith has studied with Sarah Kim and Alan Rafferty since she began playing the cello at age 4. She has also appeared in masterclasses with world renowned cellists. Visit her website www.miriamksmith.com for more details.

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NEW WORKS Streams FREE Feb. 25-28 & March 5-7

CB_New Works 2021Five world-premiere, contemporary ballets recorded at the Aronoff Center

Cincinnati Ballet’s The Kaplan New Works Series shifts to an innovative, digital experience, streaming FREE, Feb. 25-28 and March 5-7. Audiences can look forward to thought-provoking new work that reflects this unprecedented moment in time. Cincinnati Ballet’s Resident Choreographer Jennifer Archibald and choreographers Dana Genshaft and Helen Pickett will share their personal perspectives through movement. The digital program also features choreography from Cincinnati Ballet Principal Dancer Melissa Gelfin De-Poli and Corps de Ballet Dancer Taylor Carrasco. New Works was recorded at the Aronoff Center’s Jarson-Kaplan Theater with multiple cameras for an immersive digital experience, following strict health and safety protocols.

What the choreographers say inspired their pieces for New Works:

Jennifer Archibald, Pursuit:
“It’s a play on power. It’s a play on the fearlessness and the sexual power of the madams of the 19th century. A lot of the madams of the 19th century had some of the highest wages of American women at that time. A lot of them funded irrigation and roadbuilding projects, and they provided their employees with healthcare. They were these brazenly public women. Even if you didn’t agree with their life choices, they were able to gain power and control of their womanhood and moved through society in this non-apologetic way.”

Taylor Carrasco, Regards:
“I decided to go the gay, queer route because that is how I identify and there have been a lot of voices like mine that have not been heard. Luckily, I’ve been given a platform. So, when I was thinking about how I wanted to explain that voice, I started gravitating towards Broadway music, because when I thought about, it is an art form that has a lot of gay men involved in it, but if you look at the subject matter of a lot of Broadway works, they’re not extremely inclusive of gays. You’re probably not going to be lead male unless you’re strong and masculine and fawning after a beautiful woman. I wanted to give people like me a space to feel like themselves.”

Melissa Gelfin De-Poli, Ain’t I a Woman:
“I am exploring the voice of intersection — intersections of equality for the voices of minority groups. Humans whose voices have been silenced, whose being has been hushed because of gender, race, religion. But more importantly, I hope to address ‘the how’ — how can we put away the blocks of judgment between us and race as one.”

Dana Genshaft, Wunderkammer:
“My piece is about fantasy. Fantasy is the bridge our minds make when it is reaching for ‘knowing.’ When we don’t know, we often create fantasies to make sense of the world. This piece is about acceptance of the things that are unknown, strange or don’t fit into society, that somehow don’t have a place in the logical, ‘real’ world.”

Helen Pickett, BALANCE:
“BALANCE is a journey solo, a dive into the continual negotiation of life’s on and off balance, physically and emotionally. What do we choose to carry or relinquish? In the solo, there is a chair and the image of the world printed on a carpet. Is that carpet the small/interior world, and the room, the large/exterior world? Or vice versa? How can we move fluidly between both worlds? When we DO find our balance, we dance our way through life.”

WHO: Cincinnati Ballet
WHAT: The Kaplan New Works Series
WHEN: February 25-28 & March 5-7
*Video link will be available at cballet.org beginning at 8 pm, Thursday, February 25 through 11:59 pm, Sunday,
February 28 and again beginning at 8 pm Friday, March 5 through 11:59 pm, Sunday, March 7.
WHERE: FREE at cballet.org

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to enrich, expand, and excel in the art of dance through performance, a high-caliber academy, and impactful education and outreach in local to global communities, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, provides extensive education and community engagement programs, and offers top-level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

Cincinnati Ballet 2020-2021 Season Sponsors: Rhonda & Larry A. Sheakley, Margaret and Michael Valentine, ArtsWave, Mercy Health, Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, Frisch’s, The Austin E. Knowlton Foundation

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