Category Archives: In Other News

2024-2025 Orchid Awards for Loveland Stage Company

JAMES AND THE GIANT PEACH JR.

  • Excellence in Direction – Michael Yarick
  • Excellence in Choreography – Jenna Schroeder
  • Excellence in Costume Design – Kathy Christopher, Nate Huitger, and Beth Swan
  • Excellence in Ensemble – The Cast of ‘James & The Giant Peach Jr.’
  • Excellence in Lighting Execution – Cole Blevins, Justin Hanks, and Andrew Theademan
  • Excellence in Musical Theatre Performance – Caitlin Linz
  • Excellence in Musical Theatre Performance – Lauren Fritzsche
  • Excellence in Musical Theatre Performance – Colton Perrmann
  • Excellence in Musical Theatre Performance – Wren Dewald
  • Excellence in Producing – Kiya Fix
  • Excellence in Program – Michael Yarick
  • Excellence in Properties – Meredith Campbell, Blake Evans, Kiya Fix, Jae Liles, and Michael Yarick
  • Excellence in Set Décor – Blake Evans
  • Excellence in Set Design – Kiya Fix

DISENCHANTED 

  • Excellence in Costume Design – Melinda Hubbard
  • Excellence in Direction – Carissa Sloan
  • Excellence in Ensemble – The Cast of ‘Disenchanted!’
  • Excellence in Musical Theatre Performance – Monica Weber
  • Excellence in Musical Theatre Performance – Jun Holubeck
  • Excellence in Musical Theatre Performance – Kim Guzman
  • Excellence in Hair/Wigs – Christina Siciliano
  • Excellence in Musical Direction – J.E. Kurzynski
  • Excellence in Musical Theatre Performance – Pettrina Barresi
  • Excellence in Musical Theatre Performance – Kayla Haas
  • Excellence in Orchestral Performance – J.E. Kurzynski, Austin Bengal, and Bob Schwartz
  • Excellence in Producing – Jill Gornet

GODSPELL

  • Excellence in Choreography – Hunter Gee
  • Excellence in Costume Design – Emily Pine
  • Excellence in Musical Theatre Performance – Brett Gregory Parr
  • Excellence in Musical Theatre Performance – Justin Hanks
  • Excellence in Musical Theatre Performance – Michael Yarick
  • Excellence in Direction – Amy Prestridge
  • Excellence in Ensemble – The Cast of ‘Godspell’
  • Excellence in Musical Direction – Amy Prestridge & Bob Schwartz
  • Excellence in Musical Theatre Performance – Ashley Merk
  • Excellence in Musical Theatre Performance – Keilah Boone
  • Excellence in Musical Theatre Performance – Tosha Love
  • Excellence in Orchestral Performance – The ‘Godspell’ Orchestra
  • Excellence in Overall Performance Quality – The Cast of ‘Godspell’
  • Excellence in Program – Peggy Goodwin and Carissa Sloan
  • Excellence in Properties – Doug Bruening
  • Excellence in Set Construction – Tom Cavano and Dave Wall
  • Excellence in Sound Design – Kyle Echols
  • Excellence in Stage Management – Nate Huitger
  • Excellence in Vocal Direction – Amy Prestridge

THE TOXIC AVENGER

  • Excellence in Costume Design – Tom Morris
  • Excellence in Direction – John Sloan
  • Excellence in Hair/Wigs – Christina Siciliano
  • Excellence in Musical Theatre Performance – Amanda Marasch
  • Excellence in Musical Theatre Performance – Garrett Klaas
  • Excellence in Musical Theatre Performance – Justin Hanks
  • Excellence in Musical Theatre Performance – Kayla Haas
  • Excellence in Musical Theatre Performance – Nick Dunker
  • Excellence in Producing – Jill Gornet
  • Excellence in Properties – Jae Liles
  • Excellence in Choreography – Garrett Klaas
  • Excellence in Lighting Design – Vincent Eldridge
  • Excellence in Make-Up – Christina Siciliano
  • Excellence in Musical Direction – Jon Scheiding
  • Excellence in Orchestral Performance – The Toxic Avenger Orchestra
  • Excellence in Photography – Mark Motz
  • Excellence in Program – Peggy Goodwin and Carissa Sloan
  • Excellence in Set Décor – Jeff Centrello
  • Excellence in Sound Design – Izy Jones
  • Excellence in Sound Execution – Josh Marcus and Leah Marcus
  • Excellence in Stage Management – Glenna Knapp
  • Excellence in Vocal Direction – Jon Scheiding

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CFF25: My Fringe Show Rankings

The question I get asked most by people with limited time and resources is, which shows are a “must see.” And I give them my bias answer, based on how I reacted to the shows. Please understand that differences between shows in the rankings can be infinitesimal. And I guarantee everyone’s list is different and just as valid.

And if you do decide to attend, I highly recommend you look at all the options. Aside from the fact that there are still plenty of shows I just haven’t seen yet. If a show sounds interesting to you, I highly encourage you to see it. Grab a friend, split a flex pass and hit three shows. You never know what you might discover. Happy Fringing.
-Rob

Updated 6/10/25

My Rankings

  1. ELEANOR’S STORY: LIFE AFTER WAR | Review |
  2. TEA TIME | Review |
  3. A CABARET OF LEGENDS | Review |
  4. MUTTNIK
  5. AMERICAN’T
  6. WHISPERS OF THE DEEP | Review |
  7. THE FAMILY CROW: A Murder Mystery
  8. Z IS FOR ZEBRA
  9. STUCK
  10. CLOCKWORK O’FRINGE
  11. EVERY GOOD STORY ENDS WITH ONE | Review |
  12. 1 GAY WEDDING AND ABSOLUTELY NO FUNERALS
  13. ARSENIC AND OLD SPICE | Review |
  14. WINNING: WINNING
  15. TRUMPETS! A Pretty Gay Video Game Play
  16. BUBBLEGUM
  17. TRAITORS

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The Passing Of Janessa Touchet

From Rememberus.icu

The world of ballet and the broader artistic community are mourning the tragic loss of Janessa Touchet, a principal dancer with the Cincinnati Ballet, who passed away peacefully surrounded by her loving family.

Janessa, a native of Metairie, Louisiana, and a resident of Carmel, Indiana, leaves behind a legacy of elegance, energy, and dedication that inspired countless dancers and delighted audiences across the globe.

Janessa’s journey in ballet began at the age of three at the Giacobbe Academy of Dance in Metairie, where she trained for 15 years under the guidance of Joseph and Maria Giacobbe.

It was here that she laid the foundation for her distinctive style—one that married technical excellence with expressive freedom. The school’s eclectic approach, blending elements of Cecchetti, Vaganova, and Bournonville methods, deeply shaped Janessa’s artistry.

“Joseph always said he wanted the dancer to think Italian and move Russian,” Janessa once reflected, capturing the depth and nuance of the instruction she received.

Her training was not without its challenges. Janessa danced for three hours each evening after school, then all day on weekends, yet she cherished every moment. Her commitment was unwavering, and her passion unmistakable.

She supplemented her early training with summer intensives at prestigious institutions like the Hartford Ballet and Royal Danish Ballet. Later, she completed a year in the Professional Division at Pacific Northwest Ballet School, which gave her a strong foundation in the Balanchine technique—something she grew to appreciate deeply in her professional career.

At just 19, Janessa joined Cincinnati Ballet as an apprentice and quickly ascended through the ranks. Her breakout role came as Tinkerbell in Peter Pan, and from there, she went on to dazzle audiences in principal roles ranging from classical staples like The Sleeping Beauty to contemporary works such as Jorma Elo’s Plan to B. Critics often described her as “vigorous,” “fast on her feet,” and “radiant,” noting the effortless power and expressiveness she brought to each performance.

In 2006, Janessa reached a career milestone when she was nominated for the prestigious Benois de la Danse prize—an extraordinary honor, especially as she was still a soloist at the time. Along with a fellow dancer from Cincinnati Ballet, she was one of only two Americans recognized that year, cementing her status as a leading figure in the ballet world.

Yet for all her accomplishments, Janessa remained grounded and generous. She credited her success to her early mentors and the support of those around her. “I have been so fortunate to work with amazing coaches,” she said, highlighting figures like Kirk Peterson and Eldar Aliev, whose guidance helped her grow artistically. More recently, Janessa had begun giving back through coaching and teaching variation classes, discovering a passion for mentoring the next generation of dancers.

Outside the studio and stage, Janessa was known for her warmth, humility, and sense of humor. She worked at Carmel’s Dance Wear in Metairie and had once danced with NOBT Trainee/2nd Company. Her joy in dancing was matched by her enthusiasm for helping others discover the same fulfillment. Whether through her graceful performances or encouraging words in a studio, Janessa made a lasting impact on everyone she encountered.

Janessa’s favorite role, Juliet in Romeo and Juliet, seemed to mirror the depth of her emotional range as an artist. “It’s the one role I couldn’t pull myself away from,” she once said. “I usually leave my work in the studio, but this role required me to be Juliet all the time.” Her ability to embody such powerful characters onstage reflected the rich inner world she brought to her work.

Those closest to her remember not just a phenomenal dancer but a woman of integrity, resilience, and boundless passion. As she once said about her favorite pointe shoes, “I can just focus on my dancing, which I believe is the way it should be.” And that is exactly what she did—pouring her heart and soul into every performance, every rehearsal, and every moment shared with others.

Janessa Touchet’s passing is an immeasurable loss to the world of ballet and to all who knew her. She leaves behind her family, colleagues, friends, and fans—grateful for the beauty she brought into the world. Final arrangements will be shared in the coming days. In the meantime, we hold Janessa in our hearts and celebrate the luminous life of a truly extraordinary artist.

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The Passing of Julie Jordan

Posted by Trevor Jordan and Erin Jordan Spanski

5/6/25 – Julie’s funeral will be held at Spring Grove Cemetery this Saturday, May 10. Visitation will take place at noon, with Service at 1 p.m., followed by a reception. In lieu of flowers, we are organizing a donation in her honor; details to follow.


We are heartbroken to share that our mom, Julie Helmes Jordan, passed away suddenly yesterday. She passed peacefully, without pain, and was surrounded by loved ones.

As we begin planning arrangements, we want to celebrate the life she had, and the impact her love and selflessness had on us all, especially her kids and her grandchildren.

If you have a positive memory with her that you would like to share, please feel free to comment it or share with us separately – we would love to read it ❤.

We appreciate the outpouring love we’ve received already, and we will share details on funeral arrangements as soon as they are finalized.

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The Passing of Jim Percival

From Jennifer Day

Community theatre friends, our dear friend Jim Percival passed away last week. Over several decades, Jim volunteered his time styling wigs and hair for local community theatre groups in this area. He won Orchid Awards many times over for his work. He was talented and wickedly funny and kind and generous. And many other positive adjectives. Please keep his husband Scott in your hearts.

Visitation and funeral arrangements are available here.

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