Category Archives: Auditions

Auditions Announced for THE DEMON IN THE WALL

THE DEMON IN THE WALL by Mark McDonough and Jay Mobley
Directed by Jay Mobley

Audition Location and Date:
Boxelder Community Room – 4573 Hamilton Ave, Cincinnati, OH 45223
Sat, Jan. 31 from 4-6pm

Please prepare a short comedic monologue, and bring a headshot, resume, and list of possible conflicts for the months of February and March 2026.

THE DEMON IN THE WALL is a new one-act, 75-minute comedy. We are seeking flexible performers who are interested in problem-solving, portraying multiple characters, and developing new work. Experience in puppetry and/or devised theatre is a plus. At this stage, this is a volunteer-based project.

Synopsis: For eons, a demon has been trapped in the wall between the men’s and women’s restrooms in an office building. He has become embroiled in office politics. Now, he senses that the Grimorean Hammer, the only weapon that can break him free from his imprisonment, has entered this realm! The demon must send Sylvie, an office worker who thinks he’s a voice in her head, to go get the hammer and rescue him. A wild fantasy comedy romp ensues!

Roles:

  • SYLVIE, a businessperson
  • ANDRES, a custodian at Sylvie’s office
  • SIR, their boss
  • A DEMON, a powerful ancient evil trapped in the bathroom wall at their workplace A
  • GOBLIN, an opportunist from another realm seeking his fortune HEIRONOCLES
  • SKULLCRUSHER, guardian of the Grimorean Hammer MUSTORGON THE BLOODLETTER,
  • Heironocles’ mother
  • BOB, Heironcles’ father
  • A SIREN, a dangerous magical shapeshifter

Sylvie, Andres, and the Goblin should each have a dedicated actor. The remaining characters can be played by two other actors, each playing multiple characters.

We are open to gender neutral casting. Script samples are available upon request.

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Auditions Announced for LA CAGE AUX FOLLES at The Carnegie

LA CAGE AUX FOLLES
Rehearse: July 20—August 13
Perform: August 14—23, 2026

Rachel Stevens, Director
Josh Walden, Choreographer
Jacob Priddy, Music Director

These auditions are for non-union actors for select roles in LA CAGE AUX FOLLES. All roles in DEAR EVAN HANSEN and MURDER FOR TWO have been cast.

Actors who auditioned by video or in-person during our Fall 2025 casting process do not need to resubmit to be considered. These actors will be invited to callbacks as needed.

Actors in principal roles will receive $350/week minimum. Actors in ensemble roles will receive $250/week minimum.

VIDEO SUBMISSIONS
Submissions are due by 11:59 PM EST on Monday, February 23, 2026

Prepare one 16-32 bar cut.
Audition videos will only be accepted as links. Files requiring download will not be accepted.
Please ensure that privacy settings are such that we are enabled to view by the link only, with no need for password or additional access request. Please film your material in a horizontal/landscape frame on a solid background or plain wall.  A ¾ shot is preferred.

Please submit your headshot and résumé.
Your headshot must be an image file and your resume must be in PDF format. Both should be labeled with your name (i.e. Gabbard_Tyler.pdf)

An optional dance reel may be included with your submission as a separate video.
Actors called back for select roles will be asked to submit a dance combo in advance of their acting/vocal callback.

CALLBACKS
Callbacks will be a mix of live and digital based on availability of the auditionee and production staff. In-person callbacks will take place on Sunday, March 8 from 6-10 PM at The Carnegie.

QUESTIONS?
Email Tyler Gabbard, Director of Theatre at tgabbard@thecarnegie.com.

AVAILABLE ROLES
The Carnegie is committed to inclusive casting. All races, ethnicities, gender identities, body types, and mobilities are encouraged to apply. Pronouns listed in the character breakdown refer to the genders of the characters only. Actors should submit for any roles they feel comfortable playing.

JEAN-MICHEL: He/Him, 20s, Baritone
Charming; well-mannered, educated; desperately in love with his fiancée, Anne.

JACOB: He/Him, 20s-30s, Baritone
Sometimes the butler, sometimes the maid; brilliant comedian who sings and moves well.

ANNE: She/Her, 20s, Range Flexible
Jean-Michel’s fiancée; spunky, witty, good-natured; a strong dancer.

LES CAGELLES: Ranges Flexible
These are the 6 showgirls at La Cage aux Folles. They are the most accomplished female impersonators in France. They have different talents, distinct personalities, and all must sing and dance in heels. Unique and specialty tricks are welcome. Cagelles will double as other ensemble characters outside of the club.

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Auditions Announced for LIGHT UP THE SKY at The Drama Workshop

The Drama Workshop and directors Dane Rogers and Sarah Louise Rogers are pleased to announce the revised audition dates for LIGHT UP THE SKY by Moss Hart.

Audition Dates:

  • Friday Feb 13 7-10pm.
  • Sunday Feb 15  7-10pm.

The Glenmore Playhouse – 3716 Glenmore Ave, Cheviot, OH 45211.

Please enter through the side door on Gamble Ave.

Please sign up at this link: https://www.signupgenius.com/go/70A094FA8A622A6FC1-62201838-auditions

Performance Dates. Performances are May 1-17, 2026 at 7:30 p.m. There are 10 performances over 3 weekends, including a Thursday performance the final weekend.

Synopsis: Set in a Boston hotel suite, Light Up the Sky contrasts the glamorous onstage life with the neurotic offstage antics of creating a Broadway show. This classic American comedy features flamboyant theatrical characters stretched to the manic breaking point. No one is safe from Hart’s loving mockery.

Audition Requirements

Headshots and resumes are appreciated. Please also bring your conflicts from March through May 2026. Auditioners may be asked to read from the script.

Character Descriptions

  • Sidney Black — a flamboyant showman with no legitimate theater experience, who has sunk $300k into the play.
  • Irene Livingston — a famous actress, self-adoring with a haughty manner and explosive temper, the star of the new play.
  • Peter Sloan — a naive young playwright with a blue-collar background, who has idealistic notions. Hart’s memory of himself as a novice.
  • Carleton FitzGerald — the temperamental director, whose tag-line is “I could cry”.
  • Owen Turner — an older playwright, practical and calm, who has worked with the star and director before.
  • Stella Livingston — the star’s tough mother, a pessimist who plays endless games of gin rummy with Frances Black.
  • Frances Black — a former female athlete, a bit crass, now married to producer Sidney Black.
  • Miss Nan Lowell — a likeable author, ghost-writing the star’s memoir; the linchpin of the first act.
  • Tyler Rayburn — an out-of-place Ivy League-educated businessman, husband of the star, who treats him as a servant.
  • Sven — a masseur, employed by the star, seen and heard briefly in the first act.
  • Max, a Shriner — an unruly conventioneer, seen and heard briefly in the second act.
  • A Plain-Clothes Man — a detective, who returns Peter Sloan to the suite at Sidney Black’s behest during the third act.
  • William H. Gallegher — a Shriner from Elkhart, Indiana, a theatre lover, whose entry triggers the third-act climax.

Smaller roles might be combined to one actor.

If you have questions, please email directors at danerogers1@gmail.com and sarahhoback@gmail.com.

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Auditions Announced for CABARET at Mariemont Players Inc.

Willkommen! Mariemont Players is thrilled to announce auditions for the iconic musical Cabaret (1998 Version) — a bold, electrifying night of music, movement, and unforgettable storytelling.

Directed by Angelo Cerniglia, this legendary show invites performers to step into the dazzling, dangerous world of the Kit Kat Club, where glamour meets grit and nothing is quite as it seems.

Auditions:

  • Thursday, Feb 19 | 7:00–9:30 PM
  • Saturday, Feb 21 | 1:00–4:30 PM

Callbacks (if needed): Sunday, Feb 22

Mariemont Players, Cincinnati
  • Prepare 16–32 bars of musical theatre (a cappella) and be ready to move — choreography will be taught!
  • Performers 18+ of all identities, abilities, and experience levels are encouraged to audition.

Production runs July 9–26, 2026

Visit our website to sign up for an audition slot, review full details, and get ready to leave your troubles outside… because life is a cabaret! Sign up here: https://www.mariemontplayers.com/auditions/cabaretauditions

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Auditions Announced for NUNSENSE at TheatreLab Dayton

NUNSENSE
Produced by TheatreLab Dayton

TheatreLab Dayton is thrilled to announce auditions for Dan Goggin’s NUNSENSE—the habit-forming musical comedy that has been making audiences laugh for decades! We’re seeking strong comedic performers with excellent vocal chops, sharp timing, and fearless physicality.

This is a NON-AEA production. Performers will be contracted and receive a stipend.

AUDITION DETAILS

In-Person Auditions:

  •  January 19 & 20, 6:00 PM

Callbacks:

  •  January 20, following auditions

Location:

  •  TheatreLab Dayton
  • 116 N Jefferson St, Dayton

Video Submissions:

  •  Accepted through 12:00 PM (noon) on January 19

AUDITION REQUIREMENTS

  • Please prepare 32 bars (approximately 1 minute) of a song in the style of the show (musical comedy / legit Broadway sound).
  • Sheet music is required for in-person auditions (an accompanist will be provided).
  • Be prepared to read from sides; some movement may be included at callbacks.

ROLES AVAILABLE
All roles are female-presenting and require strong comedic instincts.

Sister Mary Regina (Reverend Mother)

  • The formidable, confident leader of the convent
  • Strong belt and legit mix
  • Excellent comedic authority and timing

Sister Mary Hubert (Mistress of Novices)

  • Second-in-command with a classic musical theatre sound
  • Elegant, warm, and quietly competitive
  • Strong mezzo with control and humor

Sister Robert Anne

  • Street-smart, tough, and hilariously blunt
  • Big personality with strong belt
  • Great comedic edge and energy

Sister Mary Leo

  • The convent’s novice and ballet dancer
  • High soprano with excellent physicality
  • Sweet, earnest, and eager to please

Sister Mary Amnesia

  • A delightfully mysterious nun who “can’t remember” anything
  • Character-driven performer with strong comedic instincts
  • Flexible vocal range; physical comedy a plus​

 VIDEO AUDITION SUBMISSIONS

Please submit:

  • A video of your prepared song (with accompaniment)
  • Your name and the role(s) you’re interested in​

We can’t wait to laugh with you—come make some joyful noise with TheatreLab Dayton!

Official page |

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