Category Archives: Auditions

Auditions Announced for LOST IN YONKERS at Oxford Area Community Theatre

OXACT_logoLOST IN YONKERS By Neil Simon

Directed by Rebecca Howard

Fri, Nov. 20 at 6pm
Sat, Nov. 21 at 11am

Oxford Community Arts Center
10 South College

Parts available:

  • 3 women (two early-mid 30s; one 65+
  • 2 men (mid-30s to early 40s)
  • 2 boys (13-14 & 16-17)

Production runs Feb. 19-28.

For more information contact the director at info@oxact.org.

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Auditions Announced for NIGHT WATCH at Dayton Theatre Guild

DTGNIGHT WATCH by Lucille Fletcher

Elaine Wheeler, troubled by unsettling memories and vague fears, suffers from insomnia and appears to be close to becoming unhinged as one suspicious event after another takes place. From their Manhattan townhouse, her husband tries to comfort her, but when he steps away for a moment, Elaine screams as she sees (or believes she sees) the body of a dead man in the window across the way. The police are called, but find nothing except an empty chair. Elaine’s terror grows as shortly thereafter she sees still another body — this time a woman’s — but by now the police are skeptical and pay no heed to her frantic pleas.

Production Dates: January 8 – 24, 2016
Directed by: Saul Caplan
Produced by: Debra Kent & Barbara Jorgensen
Audition Dates: Monday and Tuesday, November 23 and 24, 2015 at 7:00 p.m.
For further information, email: debra.kent@daytontheatreguild.org

Casting Requirements:
• Auditions will consist of cold readings from the script.
• A résumé and headshot are not required, but are encouraged.
• Please bring all conflicts between November 25, 2015 and January 24, 2016

The director is looking to cast the following roles:
• Elaine Wheeler (35-50 give or take): Wealthy, pampered, stylish, privileged but not snobbish. Also not a particularly strong person. She’s always been submissive to the men in her life.
• Blanche (same age or a few years younger than Elaine): Attractive and poised. Elaine’s best friend, travelling companion, and nurse.
• Dr. Tracey Lake (old enough to have become a respectable, reputable, published
doctor): A respectable, reputable, published doctor. Very professional.
• Helga (age is not very important): Live-in maid and blackmailer (aren’t they all?
I’ve seen “Downton Abby”). Good German accent required.
• John Wheeler (a few years older than Elaine): Elaine’s husband. Strong, dominant, self-assured. Used to being in charge.
• Curtis Appleby (older character-man): Next-door neighbor and busy-body. He’s a little bit…uh…fussy (how’s THAT for a euphemism?).
• Lt. Walker: Older cop
• Vanelli: Younger cop
• Sam Hoke (character man): Pushy New York deli owner. APPEARS IN ONE SCENE ONLY (at the end of act 1). Possibly may not be required to stay for curtain call.

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Auditions Announced for THE ROAR OF THE GREASEPAINT, THE SMELL OF THE CROWD at Dayton Playhouse

DPH_logoThe next auditions at Dayton Playhouse are for THE ROAR OF THE GREASEPAINT, THE SMELL OF THE CROWD. Monday & Tuesday, November 23 & 24, starting at 7:00 P.M. each evening at Dayton Playhouse, 1301 E. Siebenthaler Ave, Dayton, OH 45414

Auditions will consist of:

  • Vocal auditions (bring sheet music for a Broadway-type song that shows off your voice – an accompanist will be provided).
  • A dance audition (you will be taught a short routine – dress comfortably so you can show off your ability to move and to follow directions).
  • Readings from the script.

Headshots and résumés are appreciated, but not required. Be prepared to list all conflicts between November 23, 2015 and February 7, 2016.

THE ROAR OF THE GREASEPAINT, THE SMELL OF THE CROWD will run weekends between January 22 and February 7, 2016.

GREASEPAINT is the 1965 tuneful follow-up to Anthony Newley and Leslie Bricusse’s 1962 smash Stop the World, I Want to Get Off. While more known for its many hit songs (many of which are still played today: “A Wonderful Day Like Today”, “Who Can I Turn To?”, “The Joker”, and the ever-popular “Feeling Good”), the plot is possibly more relevant today than it was in the 1960’s. Cocky and Sir are deeply involved in a game in which Cocky always loses because Sir changes the rules to suit himself. Only after Cocky realizes that it is he who is being played, is there a hope for the future and a fairer game.

Director Jim Lockwood, Music Director Judy Mansky, and Choreographer Allison Eder will be looking for actors to fill these parts:

  • Cocky – (Tenor with a nice lower register) the ever-hopeful loveable loser with a strong Cockney accent. He is all but a slave to Sir, but dreams of a life of freedom. The game seems to promise a rosier future, but loss after loss is discouraging.
  • Sir – (Bass-Baritone) – the boss and the rule-maker for the game. He claims to be concerned with fair play, but is actually more concerned with winning. A scoundrel, but still loveable in his own way. Strong upper class British accent.
  • The Kid – (Mezzo) a sassy young (or young in spirit) woman with a Cockney accent, who helps Sir cheat Cocky. She also leads the Urchins.
  • The Girl – (Soprano) – almost speechless, the young expresses herself in song and dance, and mime. She is the love interest of Cocky, but as a prize in ‘the game’, she is won by Sir, and has no say in her fate.
  • The Negro – (strong Baritone) – a black man who wanders into the game area and is invited to play; his presence reveals the deeply held prejudices of both Sir and Cocky. While they argue about the rules, The Negro manages to win the game, and sing triumphantly, “Feeling Good”.
  • The Bully – (non-singing) – one of Sir’s pawns; he is costumed in imitation of The Girl and serves as the prize in a final session of The Game. Cocky’s win is his worst loss.
  • The Urchins – (sopranos and altos) 8 young women (mid-teens to 30) – the inhabitants of the beautiful land in which the game is played. They sing and dance a lot, on their own, and in combination with the other players

For more information, contact Jim Lockwood at jeckleday@msn.com.

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Auditions Announced for ALIVE AND KICKING at Sunset Players

SSP_logoWhen Gloria’s last child announces he just got married, she panics. She tries to sell the house from under her easygoing husband, John, because she decides her life is over and it would be more comfortable to die in a small apartment located near a funeral home. This humorous play centers on the serious subject of adjusting to life’s constant changes.

2 men and 2 women. One each in their 40’s to 50’s and one each in their 20’s to 30s.

Auditions are November 29th and 30th from 6PM to 8PM. They will consist of cold readings from the script.

Show dates are February 19, 20, 26, 27, 28, March 3, 4, 5.

Questions? Contact the Director, Amanda Borchers (ajborchers@gmail.com).

Produced by special arragement with Dramatic Publishing

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Auditions Announced for THE IRISH CURSE at Middletown Lyric Theatre

MLT_logoAuditions for THE IRISH CURSE

Monday November 9 @ 7pm – 8:30pm
Tuesday November 10 7pm – 8:30pm

PRODUCTION DATES:
March 11, 12, 18 at 8:00pm
March 19th at 3:00pm and 8:00pm

Auditioners may show up at anytime during designated time. Auditions are cold-readings from script.

ROLES AVAILABLE

  • RICK BALDWIN – 20’s and up; a smart, optimist, fun-loving Staten Island stud who’s studying sports medicine at a local New York college; the kind of guy who paints his face green, drinks a lot, and hangs with his buds on St. Patrick’s Day
  • STEPHEN FITZGERALD – 30’s and up; handsome gay cop from the Bronx; a moody, dark, taciturn smart-ass; lives with his father, who’s also a cop; never ever ever sees the glass as half full, although he would probably like to
  • KEVIN SHAUNESSY – mid 40’s and up, a Catholic priest originally from Boston; principal of a parochial school in Brooklyn Heights, which donates rooms to various support groups; a sweet, caring guy with acting
  • JOSEPH FLAHERTY – 40s, the short side, stout and balding; born in Savannah, Georgia, and now an angry, liberal contracts lawyer who lives on the “way Upper West Side;” his wife recently walked out, leaving him with two young daughters
  • KEIRAN RILEY – late 20s, nice-looking, middle class guy from Queens who works at a roofing company; exuberant, very nervous, and very sincere; also really Irish and someone you’d want to be your best friend

THE IRISH CURSE
Written by: Martin Casella
Directed by: Charley Shafor

The Irish Curse is a revealing portrait of how men, and society, define masculinity. In doing so, it dares to pose the fundamental question that has been on the minds of men since the beginning of time: “Do I measure up to the next guy?” Size matters to a small group of Irish-American men (all professionally successful New Yorkers) who meet every Wednesday night, in a Catholic church basement, at a self-help group for men with small penises. This alleged Irish trait is the focus of their weekly sessions, as they all feel this “shortcoming” has ruined their lives. One evening, when a twenty-something blue-collar guy joins the group, he challenges everything the other men think about “the Irish Curse” …tackling their obsession with body image and unmasking the comical and truthful questions of identity, masculinity, sex and relationships that men must face every day in the world.
PRODUCTION CONTAINS STRONG ADULT LANGUAGE AND THEMES

MIDDLETOWN LYRIC THEATRE
1530 Central Avenue
Middletown, Ohio 45044
513-425-7140
middletownlyric.org

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