Monthly Archives: December 2023

Director Sought for Summer Production at Encore Community Theatre

ENCORE_logoEncore Community Theatre is looking for and accepting submissions for a Director for next summer’s show in July of 2024. We prefer shows that can include all ages. Auditions will be in April or May and rehearsals will begin in late May. Our show dates are July 18 – 20.

If you are interested, please submit your ideas by January 1, 2024 or sooner to Carol Christian at sand690@aol.com or mail them to Encore Community Theatre c/o Carol Christian at 690 Sanders Dr., Hamilton, OH 45013.

We look forward to hearing from you!

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ONLY ROSE Runs Jan. 5-13

CSP_Only RoseONLY ROSE
CenterStage Players of Ohio
Jan. 5-13
Arts Center at Dunham [West Price Hill]

Directed by Dennis Murphy
Produced by Rebecca Coots

Cast: John Simpson as Tennessee Williams, Nick Dunker as Tom Williams, Mary Jo Bissmeyer as Rose Williams, Amy Eyers as Edwina Williams, Caleb Lindsey as Dakin Williams, Lisa Breithaupt as Grand/Nurse/Audrey Woods, Rusty Lacy as Carson McCullers/Miss Titania &
Michael Sanchez as Frank Merlo

In this original work by Dennis Murphy, Only Rose explores the poignant relationship between playwright Tennessee Williams and his sister, Rose, who was the most enduring relationship of his life and the inspiration for The Glass Menagerie as well as other Williams’ plays.  In this play, Tennessee is confronted by his younger self (Tom) for an evening of self-evaluation in order to answer the question: Did Tennessee abandon Rose when she needed him the most?  Behind the scenes from Williams’ life, Only Rose explores the human need to connect and what can happen when that connection is broken.

  • Fri-Sat, Jan. 5-6 at 7:30pm
  • Sun, Jan. 7 at 2pm
  • Thu-Sat, Jan. 11-13 at 7:30pm

Official page |

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BEDTIME STORIES (AS TOLD BY OUR DAD) (WHO MESSED THEM UP) Runs Jan. 5-14

SCT_Bedtime StoriesBEDTIME STORIES (AS TOLD BY OUR DAD) (WHO MESSED THEM UP) 
Springboro Community Theatre
Jan. 5-14
Springboro Performing Arts Center

Directed by Madison Stapleton

Cast: Adlee Albright as Wally/Ally, Alice Kolaczkowski as Princess 2, Amelia Carolus as Katie, Audrey Drake as Captain, Brenna Lawrence as Mindy, Elijah England as Ensemble, Elise Seibel as Princess 1, Emilio Astudillo as Prince 1, Emma Gearhart as Queen, Evan Shirley as Ensemble, Jocelyn Conger as Daughter, John Detty as Dad, Josh Hamilton as Prime Minister/ Prince 2, Kara Wolf as Mayor, Kate Tamme as Horace, Lilah Croy as Ashley, Lucy Becker as Ensemble, Mason McHone as Ensemble, Matilda Gearhart as Ensemble, Olivia Czanik as Mom, Quin Tyler as Wilbur, Sam Johnson as Father/ Rumplestiltskin, Sophie Coppock as Poor Old Woman & Tyler Bulach as Ensemble

  • Fri-Sat, Jan. 5-6 at 7pm
  • Sun, Jan. 7 at 2pm
  • Fri-Sat, Jan. 12-13 a 7pm
  • Sun, Jan. 14 at 2pm

Official page |

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FIONA: The Musical Review

By Katrina “Kat” Reynolds

FIONA: The Musical presented by Ensemble Theatre Cincinnati through Dec. 29th. I attended the Opening Night performance. 

ETC_Fiona1

Elexis Selmon as Yellow Oxpecker, Erin McCamley as Fiona & Darnell Pierre Benjamin as Giraffe. Photo by Ryan Kurtz.

As the daughter of an Irish woman, I grew up very familiar with the Gaelic name Fiona. A lot more people became familiar with that name when a wee film named Shrek was released in 2001. And still even more became familiar with it when an even more wee hippopotamus was born several weeks too early in the grand old town of Cincinnati, OH only to eventually become a world-wide sensation.

This December, Ensemble Theatre Cincinnati is bringing us the family-friendly, world premiere production of Fiona: The Musical with book by Cincinnati playwright Zina Camblin and music & lyrics by ETC’s very own composer, David Kisor. Coupled with the talent of the Camblin-Kisor partnership and input from Cincinnati Zoo’s staff, Fiona tells us the story of the little hippo who could and reminds us that underdogs should never be dismissed.

To say this production is star-studded is almost an understatement – Director D. Lynn Meyers doesn’t mess around. The production boasts a powerhouse cast and crew of both veteran and novice players alike. (I will never be able to mention everyone’s names, but please know: you are all BRILL!) Set design by Brian c. Mehring is creative and colourful, two great qualities when a show takes place in a zoo. Costume Designer Maria Fernanda Ortiz Lopez deserves a standing “o” for her very smart and innovative costumes. Ms. Ortiz Lopez masterfully combines clothing which fits a human body while allowing the actors to convince us even further they are part of the animal kingdom without hinderance from accessories and the like. Brava to Maria – let’s see more of her work in this area!

With such an illustrious cast, it is difficult to choose a few to mention by name. However, Sara Mackie as Bibi is everything you can imagine you’d want to see in the role of Fiona’s mother. Few others could give us the pure spirit of a hippo while also breaking our heart in some of the more challenging moments of Fiona’s journey. Fortunately, Ms. Mackie was the perfect choice and we are so lucky to have her! From her expressive facial and physical gestures to her commanding vocals to her all-around affability, Ms. Mackie is a freaking treasure and everyone should take note.

Serving as both a performing artist and Choreographer on this project is another absolute treasure: Darnell Pierre Benjamin. Mr. Benjamin’s showing in Fiona may final solidify the answer: no, there is nothing he can not do. Exuberant to just the right degree and as refined as he is powerful, he will have you cheering (and booing) him all in great fun.

Finally, in the titular role we have new to the ETC stage (but not new to stages in general) Erin McCamley. With an impressive resume under her belt and the ability to transform herself into just about any character, Ms. McCamley was the ideal choice to play Fiona. From her first sounds as the premature baby hippo, you will be hooked. (I’ll admit it: I audibly squeed.) She is endearing and you will find yourself wanting to be one of Fiona’s biggest cheerleaders.

All in all, this truly is an experience for all ages. While the show clocks in at just under 2 hours including an intermission, the songs are short and sweet and perfect for any attention level and the story will keep you cheering for the “good guys” to prevail. And yes: there is a happy ending, something we can all use every now and again.

Click here for more information on the production.

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The Cincinnati Black Theatre Company Continues Christmas Tradition with a New Twist

CBTC_Black NativityCINCINNATI, OH. (Dec. 4, 2023) – The Cincinnati Black Theatre Company (CBTC) continues its longstanding tradition of the musical and worship celebration of Black Nativity December 8 – 16 at Word of Deliverance Ministries for the World, Inc.

Black Nativity is an adaptation of the Nativity story written by Langston Hughes. The play was initially performed off-Broadway in 1961 and was one of the first plays written by an African American to be staged there.

Since its premiere in 1961, it has been performed around the world and is Hughes’ longest-running production. Black Nativity has become a staple during the Christmas season for audiences of all ages, and CBTC is the only theater company in the city to perform the story.

CBTC first ran the play in 2002 and has continued the tradition at prominent locations in the Greater Cincinnati area. Every year, the company breathes new life into this Christmas classic by adding new songs, dance numbers, and unique ways to tell the story.

Black Nativity is a homecoming of sorts for the community. It’s a time where people of all ages and backgrounds come together to take in this classic story, and I can’t wait for them to see the new and refreshing twists we’ve added to this year’s show,” said Donald Sherman, Executive Director, CBTC.

This year marks a new beginning for Black Nativity, with the next generation of talent coming to the stage and giving an updated take on this classic story.

There will be six performances over the span of eight days for as many people in the community to get a chance to experience the show.

Tickets are available on the CBTC website and can be purchased at the box office on the day of the performances.

Performances:

  • Fri, Dec. 8 at 7:30pm
  • Sat, Dec. 9 at 2pm & 7:30pm
  • Fri, Dec. 15 at 7:30pm
  • Sat, Dec. 16 at 2pm & 7:30pm

CBTC was officially formed as a result of successfully producing the Midwest Regional Black Theatre Festival in 1998 and 2000, which it continues to produce biennially at venues throughout Greater Cincinnati and surrounding areas. Since CBTC gained its 501(c)(3) non-profit status on November 20, 2001, it has enlightened over one million people throughout the Tri-State region and beyond about the wealth and value found in African-American theatre, culture, and history. People of all cultural, ethnic, and socio-economic backgrounds and ages are invited to participate and attend. CBTC programs and activities cover Greater Cincinnati and the Tri-State region and serves children and adults from diverse populations, the majority being a broad cross-section of African Americans, with an educational focus on disadvantaged youth, ages 4 – 21, from typically under-served communities.

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