Monthly Archives: June 2017

CFF17: My Fringe Schedule: Day 3

I’m back in Over-the-Rhine tonight for three more shows.

CFF_Is That All There IsFirst scheduled is IS THAT ALL THERE IS? This is Cincinnati LAB Theatre’s first entry in the Cincy Fringe, but you may have caught their original productions that last couple of summers over at Falcon Theater.

Ronald Ryan, known professionally as cabaret star “Rita,” prepares for one final performance. Amidst the wigs and gowns are also regrets, booze, and broken relationships. Will this finale – and an encounter with his sister and former duet partner – provide the closure he’s looking for? Or will Ronald leave the stage wondering “Is That All There Is?”

The cast includes Jared Doren, Danielle Muething & Sean Michael Flowers. Local actress Sara Mackie is the playwright of the piece. You can see Sara on stage as Jennifer Keaton in FAMILY TIES (yes, based on the TV sitcom) at Human Race Theatre Company in Dayton through June 25 AFTER the fringe closes, of course. 🙂 Happy opening Sara!

CFF_God of Obsidian promoShow number two is GOD OF OBSIDIAN from Gideon Productions based out of Queens, NY. This is their second visit to the Cincinnati Fringe having presented LIGATURE MARKS in 2014.

You have to cross a bridge to get to Nathan’s house. Crossing in is tricky. But crossing out – as Alice soon discovers – is almost impossible. From the writer of the global hit podcast THE MESSAGE and the creative team behind CityBeat Critic’s Pick LIGATURE MARKS comes a dark fairytale about a psychologically abusive relationship, as one woman seeks the story that will take her back across the bridge and set her free.

CFF_Gen_and_Mabel promoMy Friday night concludes with GEN AND MABEL, the sophomore effort from Caps Lock Theatre from New York, NY.

From last year’s Producer’s Pick Award winner comes a heartbreaking queer dramedy! GEN and MABEL like each other. A whole lot. So why can’t this relationship seem to get off the ground? As they try to shortcut their way to intimacy by baring their souls, they break each other’s hearts repeatedly in tiny, devastating ways – and then come back together. A story about trust, lust, and the quest for connection.

Please say hello if you see me out and about tonight. I’ll be at the Know after the final show for the Fringe News. Happy Fringing!

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CFF17: LARRY 13:2 Review

LARRY 13:2 presented by Muwahahaha Productions as part of the 2017 Cincinnati Fringe Festival. You can read the show description here

CFF_Larry 132“Be not forgetful to entertain strangers…”

As much as I enjoy a performance in the moment, it’s when I sit down in front of the computer to put my experience into words that I come to realize how much I enjoyed a production. Color me impressed with LARRY 13:2.

The script by Tracy Hoida is very smart, funny, engaging and succinct. Even though religion is a central conceit to the story, I did not find it to be preachy or condescending. I also appreciated that no attempt was made to pad the story in order to push the length closer to 60 minutes. Brevity is the soul of wit, after all.

Katie Mitchell is a joy to watch as Larry. High energy, fast-talking and yet always in control of herself and the situation. I look forward to seeing her on stage again.

As Keagan, Rory Sheridan is committed and believable as his character deals with the world-altering information being thrown at him.

Director Rebecca Bromels shows a deft hand in staging and pacing. At times the show barrels ahead at almost break neck speed, but Bromels also allows important moments to have the weight and impact.

LARRY 13:2 is an extremely well-written story, with compelling performances by two talented actors, and expertly directed. The synergy of the three elevates the production. Best to buy your tickets sooner rather than later. Four performances remain through June 9.

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CFF17: THE DISAPPEARANCE OF NICOLE JACOBS: PART 1: THE SISTER Review

THE DISAPPEARANCE OF NICOLE JACOBS: PART 1: THE SISTER presented by Queen City Flash as part of the 2017 Cincinnati Fringe Festival. You can read the show description here

CFF_The Disappearance logo“They also serve who only stand and wait.”

We’ve all seen those press conferences where tearful family members plead for information and the safe return of their missing loved ones. Using this as a jumping off point, playwright Trey Tatum explores how one sister deals with the loss and scrutiny as the search for her sister drags into months.

Miranda McGee is dutiful, older sister Crystal who is struggling to find purpose in her new reality. McGee handles the conflicting emotions very well in an on-point and engaging performance.

As Daniel, Nicole’s boyfriend, Henry Eden is believably earnest and awkward. The relationship between his character and Crystal, born out of mutual loss and need, matures naturally over the course of the show.

Rounding out the cast is Cassie Delicath as the missing Nicole. Even having little interaction with the other two actors, she is still equal parts engaging and ethereal on stage.

Director Bridget Leak elicits strong performances from all three actors. The pacing is solid, yet she allows some quieter moments to appropriately linger. I never found the blocking to be confined or repetitive; very nicely done considering the limitations of the playing area.

For such a heavy topic, Tatum brings a nice balance of humor to the script that never seems forced. The dialogue is natural and appropriate for the characters. However, at times, the discourse does become a bit verbose, particularly during a couple of Nicole’s soliloquies.

Perhaps the best compliment I can pay to the show is that I’m looking forward to see what comes next in Part 2. Four performances remain through June 10.

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CFF17: MY DARLING DILOPHOSAURUS Review

MY DARLING DILOPHOSAURUS presented by Autumn Kaleidoscope as part of the 2017 Cincinnati Fringe Festival. You can read the show description here

CFF_My Darling DilophosaurusLove, loss and what a dinosaur?!?!?

Autumn Kaleidoscope takes a tongue-in-cheek look at love and obsession with this year’s entry, MY DARLING DILOPHOSAURUS.

Laura Berkemeier is appropriately perky and distracted as dinosaur-obsessed Artie. As Claudia, the put-upon girlfriend, Sara Kenny finds a good balance between love and exasperation. Always fun on stage is Andrew Ian Adams as Edward who serves as semi-clueless friend, confidant, and enabler to Artie.

In their multiple supporting characters’ roles, Kenny, Adams, and Cassidy Steele are appropriately quirky and over-the-top and generate some great laugh-out-loud moments.

The scene stealer of the show is Deanna the Dilophosaurus, well-managed by her handlers: Michael Galusick and Mandy Goodwin.

The script by Sean P. Mette is cute and clever, but could be a bit more focused. For me, a brief, final scene between Artie and Claudia could have been more satisfying.

Fun, funny and family friendly, four performances remain through June 10.

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Ensemble Theatre Cincinnati Announces the Final Addition to its 2017-2018 Otto M. Budig Family Foundation Season

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(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC) is pleased to announce the much-anticipated addition to its 2017-2018 Season, which already includes an impressive line up of leading contemporary theatre titles. In addition to the five titles previously announced, ETC will present the regional premiere of Larry Parr’s HIS EYE IS ON THE SPARROW, the powerful, heartbreaking, and uplifting account of the legendary Ethel Waters, who overcame a spirit-breaking childhood and racial injustice to become a legendary jazz and blues singer, Broadway pioneer, and Oscar-nominated actress.

Playing April 24-May 19, 2018, this musical biography will feature celebrated local actress and Ensemble Theatre veteran Torie Wiggins in the leading role, singing some of Waters’s most famous songs, including “Stormy Weather,” “Black and Blue,” and “This Joint is Jumpin’.” Sharing the stage in telling Ms. Waters’s remarkable story is pianist Scot Woolley.

Born in 1896 into abject poverty, Ethel Waters became a Vaudeville success and a recording sensation while crossing racial barriers to emerge as a Broadway and Hollywood star. However, a reputation for being difficult and her own distrust of those who might employ her or love her—largely a response to the unspeakable horrors of Jim Crow America—caused her to lose everything and become a recluse, until she found new strength from a most unlikely source. The music spans the decades of Waters’s career from the uplifting gospel spirituals of her youth to the blues and jazz of her 1920s Cotton Club days; plus “Frankie and Johnny;” the 1933 Rudy Vallee/Hoagy Carmichael classic “Old Man Harlem;” and Fats Waller’s “Cabin in the Sky,” sung by Waters in the hit 1940s Broadway musical of the same name.

HIS EYE IS ON THE SPARROW is one of those titles that captivated me,” explains Producing Artistic Director D. Lynn Meyers. “I was looking for a show that was a bridge between the fascinating history of Red Velvet and the energy and excitement of Hedwig and the Angry Inch. This play not only showcases the remarkable music of Ethel Waters, but is also a great story about the transformative power we have inside ourselves to change. It seemed like a perfect fit.” She adds, “I am thrilled to have Torie Wiggins and Scot Woolley, two of our best local professionals, to be a part of this exciting project.”

About the Cast
Torie Wiggins (Ethel Waters) has appeared in Ensemble Theatre Cincinnati’s productions of Cinderella, Violet, The Mountaintop, and Black Pearl Sings!, among others. A graduate of the University of Cincinnati’s College-Conservatory of Music, she created three one-woman shows: Everywhere You Look, Everywhere Else You Look, and Torie on Ice. She co-adapted and performed another one-woman show, Your Negro Tour Guide, at various venues in Cincinnati and elsewhere. She appeared on All My Children and in the feature films Love Me Through It and Hallmark Channel’s A Christmas Melody, directed by Mariah Carey. Her voice can also be heard on numerous television and radio commercials. She appeared in Know Theatre of Cincinnati’s Pluto and was a Seasonal Resident Artist there, appearing in their productions of Collapse, Afghan Women Writer’s Project, and Bloody Bloody Andrew Jackson. She also appeared in Cincinnati Shakespeare Company’s To Kill a Mockingbird and The Crucible.

Scot Woolley (Music Director/Pianist) has appeared at ETC in 33 Variations, Grey Gardens, and Souvenir (also at Vienna’s English Theatre). He created Broadway arrangements for State Fair, and Off-Broadway vocal arrangements for Tapestry, the Music of Carole King. Other ETC credits include 25 The Musical, Cinderella, The Great American Trailer Park Musical, Mack and Mabel, and Nite Club Confidential. He also composed the theme for Royal Caribbean Cruise Lines Macy’s Thanksgiving Day Parade float in 2004. Playhouse credits include conducting for Rocky Horror, Candide, Carnival, as well as performing in the world premiere of Ace. National tours include Crazy for You, Tommy, and The Will Rogers Follies. Mr. Woolley’s orchestral arrangements have been heard in Atlanta, Portland, Indianapolis, Hong Kong and regularly with the Kentucky Symphony Orchestra.

Subscriptions On Sale Now
Subscriptions to the 2017-2018 Ensemble Theatre Cincinnati season are on sale now. ETC will continue to offer a 
5-show Tuesday evening Preview Subscription for just $150 (excludes holiday production). Additionally, ETC has added an additional subscription series week. Regular subscription prices range from $218 to $242.

Student Subscription Options
ETC will continue is deeply discounted subscription options for students, with packages ranging from $110-$140.

Single Tickets
All single tickets for the 2017-2018 Season go on sale to the general public on Monday, July 31, 2017 at 
10:00 am. Subscribers, however, may start making exchanges, purchasing additional tickets, or reserving their FlexPass dates during Subscriber-Only Days, July 24-28 2017.

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Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre of Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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