Monthly Archives: October 2015

The Human Race Theatre Company Makes an Appointment for Laughter and Tears with STEEL MAGNOLIAS

Robert Harling’s Southern treasure makes its long-awaited return
November 5 – 29, 2015 at The Loft Theatre

Julia Geisler, Christine Brunner, Patricia Linhart, Carolyn Popp, Maretta Zilic and Caitlin Larsen. Photo by Scott J. Kimmins.

Julia Geisler, Christine Brunner, Patricia Linhart, Carolyn Popp, Maretta Zilic and Caitlin Larsen. Photo by Scott J. Kimmins.

(Dayton, OH) — One of the most beloved plays in modern theatre returns to The Human Race as Dayton’s premier professional theatre company revisits the popular tale of friendship among triumph and loss, STEEL MAGNOLIAS. Many things beside hair get done at Truvy’s hair salon, and that’s why it is the place to go in Chinquapin Parish, Louisiana. Gossip, revelations and witty Southern banter flow like refreshing sweet tea on a hot summer day. The opinionated Truvy and her new assistant, Annelle, play host to unlikely friends Ouiser and Clairee, the respectable and sociable M’Lynn and her beautiful daughter, Shelby. As the women come face to face with difficult times, they are brought together through strength and love. Robert Harling’s 1987 play is consistently one of the most widely produced shows in the country and has been twice adapted for the screen. The Human Race first produced STEEL MAGNOLIAS in 1989 at the Biltmore Hotel’s Muse Space, then again on the Victoria Theatre’s Broadway on Main series in 2001. This production on The Loft Theatre stage is being directed by Heather N. Powell. The preview performance of STEEL MAGNOLIAS is Thursday, November 5. Opening night is Friday, November 6. The production runs through November 29.

“We’re thrilled to be making another visit to Truvy’s,” says Human Race President & Artistic Director Kevin Moore. “STEEL MAGNOLIAS was a very popular show for us and has always been an audience favorite. We’ve been looking forward to the chance to bring it to The Loft stage for some time.”

While many of The Human Race’s patrons may know Heather N. Powell from her behind-the-scenes work as the company’s long-time prop master, most don’t know she is a trained director who has helmed a number of local productions and The Race’s in-school touring productions of Change and A Dickens of a Time. For this well-known story, Powell and scenic designer Eric Moore have a vision that is truly their own, and that is intentional. “It may surprise a lot of people neither I nor Eric have ever seen the 1989 movie or a staged version of the play,” she says. “When we realized this, we made a pact to not see the movie and to avoid exposure to it on the internet.” As for establishing the characters’ personalities and the world in which they live, “I am approaching the play by staying true to Harling’s words and the characters he gave me to play with,” states Powell. “His words are my only guide; so what you will see on stage is what Eric and I saw in our minds and through development working together with solely the script for reference.”

CAST AND DESIGN TEAM
For The Human Race’s 2015 production, director Powell has gathered a six-actress ensemble of faces both familiar and new to The Loft Stage. Christine Brunner (Play It by Heart, Permanent Collection, A Christmas Carol) is “Truvy,” owner of the beauty salon that is the play’s setting. Resident Artist Patricia Linhart (Torch Song Trilogy, Becky’s New Car, Every Good Boy Deserves Favour) is the town’s grande dame, “Clairee.” Caitlin Larsen (Lend Me a Tenor, Moonlight and Magnolias, Fiddler on the Roof) is the acerbic, but lovable, curmudgeon “Ouiser.” New to The Human Race are Julia Geisler (A Musical Christmas Carol and Boeing, Boeing at Pittsburgh CLO) as “Shelby,” the prettiest girl in town, Carolyn Popp (The Drilling Company’s Romeo and Juliet, and Bay Street Theatre’s To Kill a Mockingbird) as Shelby’s social prominent mother, “M’Lynn,” and Maretta Zilic (Richmond Shakespeare Festival’s A Midsummer Night’s Dream) as Truvy’s new assistant, “Annelle.”

“These women are perfect for their roles,” praises Powell as she recalls the show’s audition process. “We had so many talented actresses who auditioned, but there was just something special about each of these ladies. It became especially clear when they each read snippets of the show for their callbacks. I immediately saw them in full 80s hair and outfits bringing their character to life.”

Scenic designer Eric Moore (Miracle on South Division Street, and Footloose and The Music Man for Springfield’s Summer Arts Festival) has created the carport-turned-makeshift-beauty salon set. Costume designer Janet G. Powell (The Full Monty: The Broadway Musical, Family Shots, Avenue Q) has styled the cast in nostalgic 80s. This production marks Resident Lighting Designer John Rensel’s third time lighting STEEL MAGNOLIAS for The Human Race. Brian Retterer (Play It by Heart, Oliver!) returns to The Loft to oversee the sound design. Kay Carver serves as the production stage manager. The show’s producer is Human Race Associate Artistic Director Tara Lail.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of STEEL MAGNOLIAS is sponsored by Marion’s Piazza, Square One Salon and Day Spa, Larry S. Glicker—Glickler Funeral Home, Patricia Giering and One Call Now.

PERFORMANCE AND SPECIAL EVENT INFORMATION

Tickets for the preview performance of STEEL MAGNOLIAS on November 5 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances November 6 – 29, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, November 8 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for STEEL MAGNOLIAS are 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 p.m. and at 2:00 p.m. on Sunday matinees.

Tickets and performance information on STEEL MAGNOLIAS are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces a summer Festival of New Works and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, the Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

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BUYER AND CELLAR Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

BUYER AND CELLAR presented by Ensemble Theatre Cincinnati through Nov. 1. Click here for more information on the production. I attended the opening night performance.

In 2010, Barbara Streisand released “My Passion for Design,” a book that showcases her “taste and style that have inspired her beautiful homes and collections.” Instead of just storing things in her basement, Streisand built an underground street of shops to display items she has collected over her long career. Using this fact as a jumping-off point, playwright Jonathan Tolins’ one-man show explores what life could be like for the wayward soul hired to man the basement mall.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

Nick Cearley is Alex More, the out-of-work actor “lucky” enough to land that job. He also portrays several other characters, including the “Funny Girl” herself. Cearley is a wonderful storyteller and he easily establishes a strong rapport with the audience. Completely comfortable on stage, the charismatic actor handles the demands of the multiple characters easily.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

The script is clever, well-written and very funny. Even though it takes tongue-in-cheek liberties with “Babes” personality and personal life, there is still a sense of believe-ability to story. The show also takes swipes at celebrity, Hollywood excess and the eccentricities of the uber-rich.

A nightgown once owned by Barbara Streisand is on display in the ETC lobby.

A nightgown once owned by Barbara Streisand is on display in the ETC lobby.

The three-walled set, designed by Brian c. Mehring, is clean and simple, with only a few pieces of furniture. At times, a portion of the upstage wall is used for video projection to help establish the various settings.

Overall, a laugh-out-loud, entertaining show that is sure to please Streisand fans and non-fans alike.

My rating: 4.5 out of 5.

On display in the lobby is a nightgown once owned by Barbara Streisand. Complete with certificate of authenticity, it is being raffled off as a fundraiser for ETC.

ETC_The Skivvies promoNick Cearley also performs as half of the cover band, The Skivvies. He and his partner-in-undies, Lauren Molina, have scheduled three shows on Oct. 22-24. For more information on these performances, including special guests, click here.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Disney’s BEAUTY AND THE BEAST Runs Nov. 5-8

SCPA_Beauty and the Beast logoDisney’s BEAUTY AND THE BEAST
School for Creative and Performing Arts
Nov. 5-8
Over-the-Rhine

An Arrogant young prince and his castle’s servants fall under the spell of a wicked enchantress, who turns him into the hideous Beast until he learns to love and be loved in return. The spirited, headstrong village girl Belle enters the Beast’s castle after he imprisons her father Maurice. With the help of his enchanted servants, including Mrs. Potts, Chip, Lumiere, Cogsworth, Madame de la Grande Bouche, and Babette, Belle begins to draw the cold-hearted Beast out of his isolation.

  • Thu-Sat, Nov. 5-7 at 7pm
  • Sun, Nov. 8 at 2pm

Official page |

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Contemporary Acting Workshop With Miranda McGee

KTC_Contemporary acting

Updated 10/20 1:15pm

FYI, everyone: Miranda McGee‘s workshop is being rescheduled to this January due to scheduling conflicts. Know will be posting the new dates ASAP.

Resident artist and professional actor Miranda McGee teaches a five week acting course, using cutting edge scripts from the Know’s vault of new works!

Along with ensemble work and exploration of various techniques, students participate in scene study, culminating in an informal final performance!

Places are limited so please visit www.knowtheatre.com. First class Oct 20th from 6:30-9pm.

Great resource for discovering new scripts and making new friends!

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ALL IS CALM, THE CHRISTMAS TRUCE OF 1914 Runs Nov. 20-Dec. 6

PrintALL IS CALM, THE CHRISTMAS TRUCE OF 1914
Dayton Theatre Guild
Nov. 20-Dec. 6
Dayton

Directed by Kathy Mola
Music directed by David McKibben
Produced by Barbara Jorgensen

Cast: Gage Emerson, Michael Favors, David Gaylor, David Hallowren, Chuck Larkowski, Dave Nickel, Chris Petree, Jeff Sams, David Short, K.L.Storer & Mike Taint

The Western Front, Christmas, 1914. Out of the violence a silence, then a song. A German soldier steps into No Man’s Land, singing “Stille Nacht.” Thus begins an extraordinary night of camaraderie, music, peace. A remarkable true story, told in the words and songs of the men who lived it.

  • Fri-Sat, Nov. 20-21 at 8pm
  • Sun, Nov. 22 at 3pm
  • Fri, Nov. 27 at 8pm
  • Sat, Nov.28 at 5pm
  • Sun, Nov. 29 at 3pm
  • Fri, Dec. 4 at 8pm
  • Sat, Dec. 5 at 5pm
  • Sat, Dec. 6 at 3pm

Official page |

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