Monthly Archives: January 2014

4000 MILES, Obie Award Winner & TIME Magazine’s No. 1 Play of 2012 Debuts at PIP

4000 MILES, OBIE AWARD WINNER AND TIME MAGAZINE’S NO. 1 PLAY OF 2012, DEBUTS AT THE CINCINNATI PLAYHOUSE FEB. 8 – MARCH 9

PIP_4000 Miles(CINCINNATI) – Vera Joseph and her grandson Leo discover connections both humorous and touching in Amy Herzog’s acclaimed play 4000 MILES, an intimate comedy-drama which runs in the Playhouse’s Thompson Shelterhouse Theatre from Feb. 8 through March 9.

“I’ve loved this play since I saw it in New York,” says Playhouse Artistic Director Blake Robison, who will direct 4000 MILES. “It’s simple and honest. There are no tricks. It doesn’t play with theatrical form. It’s just a moving story about a 21-year-old guy and his 91-year-old grandmother helping each other in a time of need.”

In the Playhouse production, Vera Joseph will be played by stage and television veteran Rosemary Prinz, who comes to the role with a wealth of acting experience. She is best known in the world of soap opera television for her portrayal of Penny Hughes in the daytime show As the World Turns — a role she played from 1956 to 1968 to much recognition and popularity. Prinz has also performed in more than 300 plays around the world. On Broadway, she made her debut in The Grey-Eyed People in 1952 and appeared with Jack Lemmon in the 1978 production of Tribute. Other Broadway credits include Prisoner of Second Avenue, Three Men on a Horse, Tonight in Samarkand and Late Love. Off-Broadway, she originated the role of M’Lynn in Steel Magnolias, and her national tours have included Driving Miss Daisy, Last of the Red Hot Lovers and California Suite.

It’s the middle of the night when Leo arrives unannounced at Vera’s Greenwich Village apartment at the terminus of a cross-country trip, carrying far more weight than his bicycle gear. Despite their 70-year age gap, a comradeship grows between them as they spend time together as two adults at divergent stages of life. Leo is running from recent events, while Vera is anchored somewhat in her past. Dramatic elements of each of their stories unfold in layers — without undue sentimentality, yet with poignancy and heart.

For Robison, what makes 4000 MILES compelling is that “theirs is a relationship that you don’t see on stage very often. It’s unusual for kids to really know their grandparents these days, so the coming together of these two lonely souls is beautiful and touching.”

4000 MILES premiered off-Broadway as a Steinberg New Works Program production in June 2011, presented by Lincoln Center Theatre/LCT3 in New York City. It then moved to New York’s Mitzi E. Newhouse Theater in April 2012, garnering an Obie Award for Best New American Play. 4000 MILES was named Time magazine’s No. 1 Play or Musical of 2012 and was also a finalist for the 2013 Pulitzer Prize for Drama. “No one currently writing for the theater has a sharper grasp of character, or more sheer storytelling technique,” Time wrote of Herzog.

Herzog has included semi-biographical elements in 4000 MILES. Vera is inspired by her real-life grandmother Leepee Joseph, whom Herzog has described as “funny, dry, sassy and devastating.” The characters of Vera and Leo also appeared, in smaller roles, in Herzog’s play After the Revolution, which explored the radical leftist politics of her forebears. Herzog’s other plays include The Great God Pan and Belleville.

In addition to Rosemary Prinz, the cast for 4000 MILES includes Robbie Tann as Leo Joseph-Connell, Adina Verson as Bec and Christine Lin as Amanda and Lily. The play’s creative team includes set designer James Kronzer, costume designer David Kay Mickelsen, lighting designer Matthew Richards and sound designer Matthew M. Nielson. Jenifer Morrow is the production stage manager.

4000 MILES is sponsored by Fifth Third Bank. The design sponsor is The Geiler Company. The production honors the support of Gary and Linda Greenberg. Prices range from $30 to $80, depending on performance date and seat location. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Teen and student tickets are $25 each. Previews are at 8 p.m. Saturday, Feb. 8; 7 p.m. Sunday, Feb. 9; 7:30 p.m. Tuesday, Feb. 11; and 7:30 p.m. Wednesday, Feb. 12. The official opening night is Thursday, Feb. 13, at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Special performances include free Meet the Artists programs that allow audiences to interact with cast members and others associated with the production after the show. Meet the Artists performances are at 2 p.m. Sunday, Feb. 16; 2 p.m. Sunday, Feb. 23; 7:30 p.m. Wednesday, Feb. 26; and 8 p.m. Thursday, March 6. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to 4000 MILES are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2013-14 Thompson Shelterhouse Theatre Series is sponsored by the Heidelberg Distributing Company, and Humana is the Thompson Shelterhouse season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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HAMLET Runs Feb. 28-March 8

PS_HamletHAMLET
Presented by Playhouse South
Feb. 28-March 8
Kettering

Directed by Jen Skudlarek

Cast: Alexander Chilton as Hamlet, Tim Kushmaul as Claudius/Ghost, JoAnn Valley as Gertrude, Sarah Meyer as Horatio, Sara Bortz as Ophelia, Eric Pavlov as Laertes, Matt Lindsay as Polonius/Osric, Carrie Thurston as Rosencrantz, Janelle Chamness as Guildenstern, Keith Bortz as Player King/Captain, Crystal Kushmaul as Player Queen/Marcellus, Christina Harris as Sailor/Messenger, Don Hurst as Bernardo/Fortinbras, Angie Thacker as Voltimond/Priest, Sande Scott as Cornelius/Gravedigger & Jamal Aegon Cann as Player Lucianus

The King of Denmark’s mysterious death, and the Queen’s over-hasty marriage to her late husband’s brother lead Prince Hamlet to the inevitable conclusion that “something is rotten in the state of Denmark.” In his quest for retribution, the eponymous prince wrestles with morality, his own sanity and the very nature of existence itself.

  • Fri-Sat, Feb. 28-March 1 at 8pm
  • Sun, March 2 at 2pm
  • Fri-Sat, March 7-8 at 8pm

Official page |

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CLYBOURNE PARK Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

CLYBOURNE PARK presented by Cincinnati Playhouse in the Park through Feb. 16.

Photo by Sandy Underwood.

Photo by Sandy Underwood.

The 2014 season continues its momentum with another talented ensemble taking to a local stage, this time at Cincinnati Playhouse in the Park. Due to the two acts of the play taking place 50 years apart inside the same house, we get to see some fun character work, especially from the ladies. Strong direction by Timothy Douglas keeps the play moving well and takes advantage of the space available, especially when nearly the entire cast is on stage. The script is smart and funny with some clever parallels between the acts, in characters and staging, that I really enjoyed.

Both acts start off Seinfield-esque in tone before the script addresses the weightier issues. There were times in both acts where these conversations seemed a bit slow in pick-up and pacing. I’m sure this will work itself out quickly with a few more performances. It was also unclear to me what the meeting in Act II was regarding until a bit later in the act.

Tensions flare in the Cincinnati Playhouse in the Park’s production of Bruce Norris’ CLYBOURNE PARK, a razor-sharp satire of race and real estate.

Tensions flare in the Cincinnati Playhouse in the Park’s production of Bruce Norris’ CLYBOURNE PARK, a razor-sharp satire of race and real estate.

The set design by Tony Cisek is truly impressive, especially the transition into Act II where the attention to detail is phenomenal and easy to get lost in. I did find the wallpaper in Act I to be a bit visually overwhelming, mainly due to the square footage of it on the walls.

Lena (Deonna Bouye) expresses her frustrations to Steve (Rex Young) about his plans to tear down her aunt’s former home. Photo by Sandy Underwood.

Lena (Deonna Bouye) expresses her frustrations to Steve (Rex Young) about his plans to tear down her aunt’s former home. Photo by Sandy Underwood.

I was also unclear about the epilogue at the end of Act II. It seemed a bit confused linearly to me.

Overall a well-done and thought-provoking production. The topic of racism (like many that plague our nation) evokes such extreme reactions that its hard to find middle ground to even discuss it. At least for two hours we experienced laughter together, even when we saw aspects of ourselves on stage that struck a little to close to home.

More information |

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Eddie Izzard – Force Majeure World Tour | Wed., May 28 | Aronoff Center‏

EDDIE IZZARD: FORCE MAJEURE
WORLD TOUR COMING TO THE U.S.
MAY 28, 2014 – ARONOFF CENTER

Tickets Go On Sale Tuesday, February 4, 10 AM 

“Sheer Comic Genius. He is the most brilliant stand-up comedian of his generation.” – The New York Times 

“The funniest man in, well, pretty much all of the known universe”
– The Los Angeles Times 

“The greatest British standup comedian of his generation”
– The London Sunday Times 

“A national treasure” – The Guardian 

Eddie Izzard Force Majeure Tour.

Eddie Izzard Force Majeure Tour.

January 27, 2014 — Eddie Izzard will bring his massive Force Majeure world tour to the U.S., visiting 32 cities through the spring with more dates to be announced later this year. The much-anticipated tour plays Cincinnati’s Aronoff Center on Wednesday, May 28 at 8:00 PM. Tickets range between $47-$60 and go on sale Tuesday, February 4 at 10:00 AM at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office.

Presented by WestBeth Entertainment, a full list of U.S. tour dates with links to tickets is available at www.EddieIzzard.com. Follow Eddie here.

Force Majeure is the most extensive comedy tour ever; launched in March of 2013, the tour will take Izzard to 25 countries on five continents. From Cardiff to Kathmandu and Moscow to Mumbai, Force Majeure will play throughout Europe, Africa, Russia, the U.K., Canada, the U.S., India, Nepal, The Far East, and Australia. Izzard recently completed runs in France, performing entirely in French, and in Berlin, performing entirely in German.

One of the most acclaimed comedians of his generation, Izzard’s unique, tangential, absurd, and surreal comic narratives are lauded for their creativity and wit, earning him a New York Drama Desk Award and two Emmy® Awards for Dress to Kill, two British Comedy Awards for Top Stand-Up Comedian, and an Olivier Award nomination for Outstanding Achievement.

In the U.S., Izzard is the first solo stand-up comedian to perform at the Hollywood Bowl; has sold-out three consecutive nights at Radio City Music Hall, and toured arenas throughout the U.S., including a sold-out show at Madison Square Garden.

On TV, Izzard most recently guest starred in the series, Hannibal, on NBC. He starred in and served as a producer on the critically acclaimed FX Network Show, The Riches, opposite Minnie Driver, guest starred in the final season of Showtime’s United States of Tara, and his 2010 documentary, Believe:The Eddie Izzard Story, received an Emmy® nomination.

His long list of film and stage credits includes Valkyrie opposite Tom Cruise, Steven Soderbergh’s Ocean’s Thirteen and Ocean’s Twelve opposite George Clooney and Brad Pitt, David Mamet’s Race and The Cryptogram, the title role in Marlowe’s Edward II, and A Day in the Death of Joe Egg in London and on Broadway, which won him a handful of awards, including a Tony® nomination for Best Actor.

WESTBETH ENTERTAINMENT is a producing organization that has successfully and consistently produced critically acclaimed, financially successful, groundbreaking entertainment for 30 years. WestBeth has produced, presented, and managed diverse productions and tours that have played such venues as Madison Square Garden, Broadway, Radio City Music Hall, the Hollywood Bowl, Toronto’s Massey Hall, San Francisco’s Curran Theatre, Chicago’s United Center Arena, the Chicago Theatre, and many music and performing arts centers around North America.

WestBeth is currently producing La Soirée in New York City and an upcoming Australian tour of Puppet Up! – Uncensored.

Recent productions include the Canadian tour of Eddie Izzard’s Force Majeure, and Dylan Moran’s Yeah, Yeah in cities across the U.S. and Canada. WestBeth also produced the six-week off-Broadway run of South African comedian Trevor Noah’s Born a Crime; Eric Idle’s What About Dick at the Orpheum Theatre in Los Angeles; and the national tour, Off-Broadway, and 2013 Edinburgh Fringe Festival runs of Puppet Up! – Uncensored (aka Stuffed & Unstrung) with The Jim Henson Company.

Other notable productions include John Leguizamo’s Ghetto Klown on Broadway and in the West End and Colombia, South America; British comedian Simon Amstell’s one man show NUMB in New York and other cities around the county; Billy Connolly’s tour The Man Live in New York and San Francisco; Eddie Izzard’s Dress To Kill, Circle, Sexie, Stripped—a 35-city U.S. tour and tour of Canada, Stripped Too: US Arena tour, Stripped to the Bowl, Stripped to the Shore; Billy Connolly’s Too Old To Die Young tour in America and Canada; and Lewis Black’s Nothing Sacred show at New York’s Lincoln Center and Carnegie Hall, as well as Lewis’ Dual Citizenship Tour in Canada and ‘In God We Rust’ at City Center in New York.

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The Passing of Tom Fox

MISC_CondolencesIt is with great sadness that we observe the loss of Tom Fox, who passed peacefully in his sleep last Friday. Tom was an accomplished attorney and multifaceted fixture in the Cincinnati community theatre scene for many years.

Tom was involved with many Cincinnati theatre groups over the years. With The Drama Workshop, Tom did lighting design for many productions, including Talley & Son, Enchanted April, Inherit the Wind, and many, many others; he won Orchids for The Movie Game, and Defying Gravity. He worked on set construction crews and did set design, winning an Orchid for 2006’s production of Proof, which he also directed. He did programs. He acted. He served on the board multiple times, spearheaded the re-write of our Bylaws, and edited the newsletter for years.

Tom suffered from diabetes, which forced him to give up his law practice, and move into an assisted care facility for several years as he tried to get his disease under control. Because he couldn’t drive, many of us took turns ferrying Tom to and from board meetings, rehearsals and performances. We did so cheerfully, because Tom was not only an extraordinarily gifted individual, but was also truly dedicated to sharing his talents to make Cincinnati theatre the best it could possibly be. More recently, Tom was able to hold down a steady job, and regain some of the freedom he was previously missing.

Our thoughts and prayers are with his family and friends.

Arrangements are forthcoming, and will be passed along as soon as possible.

Ray Persing
President, The Drama Workshop

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