Monthly Archives: September 2013

Pulitzer Finalist New Comedy RAPTURE, BLISTER, BURN Plays Oct. 9-27

PULITZER PRIZE FINALIST GINA GIONFRIDDO’S NEW COMEDY
RAPTURE, BLISTER, BURN PLAYS OCTOBER 9-27, 2013

ETC_Rapture, Blister, Burn(Cincinnati, OH) Is the grass really greener on the other side? Ensemble Theatre Cincinnati continues its 2013-2014 season with the regional premiere of Rapture, Blister, Burn, which the The New York Times described as “an intensely smart, immensely funny new play.” Obie Award-winning playwright Gina Gionfriddo’s offbeat and searing new comedy Rapture, Blister, Burn takes examines the psyches of two women in midlife as they ruefully question the differing choices they have made. Directed by D. Lynn Meyers, Rapture, Blister, Burn plays October 9-27. Premiere Sponsor is LPK.

A smash Off-Broadway hit and a finalist for the Pulitzer Prize and Kennedy Theatre Prize, Gionfriddo’s Rapture, Blister, Burn confronts a variety of post-feminist topics from the ongoing career versus family debate, male dominance in business and relationships, feminist implications of torture movies, and even takes on society’s acceptance and consumption of pornography. Described by the author as an unintentional homage to Wendy Wasserstein’s The Heidi Chronicles, with a title inspired by the band Hole’s single, “Use Once and Destroy,” Rapture, Blister, Burn is a wickedly perceptive and surprisingly relevant take on cross-generational feminism.

Catherine’s got the sexy rockstar academic career every Ph.D. dreams about: another book out, a coveted spot amongst the pundit circuit, TV appearances, and an upcoming speaking engagement in Italy. So what’s she doing outside a bar, drunk-dialing her grad school ex-best friend, Gwen, now a stay-at-home mother and housewife? When Catherine returns home to care for her ailing mother, she reconnects with Gwen who is now married to Catherine’s old college flame, Don. Both women, who are dabbling in regret, embark on a dangerous game of musical chairs by exploring the road not taken, with hilarious and surprising results. Gionfriddo mixes love, emotion, envy, and academics in a play the New York Daily News called “a smart, funny, and lighting-paced look at feminism.”

About the Cast

Charlie Clark (Don Harper) returns to Ensemble Theatre Cincinnati, where he was last seen in Next to Normal as Doctor Madden. Now an Indianapolis-based actor, he played Dan this past winter in Phoenix Theatre’s production of Next to Normal and was just seen in this summer’s sold-out run of Church Girls at Commonwealth Dinner Theatre at NKU. Previous Cincinnati credits include Carousel, Oliver!, Dirty Rotten Scoundrels, The Carnegie; and Next Fall, Grey Gardens, Don’t Make Me Pull This Show Over, The Frog Princess, Alice in Wonderland, Ensemble Theatre Cincinnati. His other local credits include The Full Monty, Sunday in the Park with George and Take Me Out, New Stage Collective; See What I Wanna See, Know Theatre; Hello Again, The Satori Group; and The Charlie Clark Show, 2008 Fringe Festival. His Chicago credits include Kiss of the Spider Woman, Apple Tree Theatre; The Hawkshaws, The Baum House; Merrily We Roll Along, Into the Woods and Company, Porchlight Music Theatre Chicago.

Jen Joplin (Gwen Harper) makes her Ensemble Theatre debut with Rapture, Blister, Burn. She is a proud member of Actors’ Equity, a graduate of Wright State University, a resident artist with the Human Race Theatre in Dayton and Development Associate at Cincinnati Shakespeare Company. Originally from St. Louis, she has worked across the country as an actress, voiceover artist, producer and teacher. Some of her favorite roles include Annette in God of Carnage, Cleopatra in Anthony and Cleopatra, Catherine in Proof, Maria in Twelfth Night, Lenny in Crimes of the Heart, Bun in The Love Talker and Harper in Angels in America.

Patricia Linhart (Alice Croll) returns to Ensemble Theatre Cincinnati, having previously participated in the readings of Orphan Train, Campaign, and River of Freedom. She comes to ETC from a successful run of Becky’s New Car at the Human Race Theatre of Dayton where she is a resident company member. Her other favorites at the Human Race include A Little Night Music, Harold and Maude, Closer Than Ever, and The Sisters Rosensweig. At Dayton’s Victoria Theatre, she has been seen in Quilters, I Hate Hamlet, The Drowsy Chaperone, and Green Gables. Her day job is Educator, Associate Professor of Musical Theatre Voice at the University of Cincinnati College-Conservatory of Music where she received the Ernest N. Glover “Outstanding Teacher Award.”

Corinne Mohlenhoff (Catherine Croll) is thrilled to be returning to ETC, where she was last seen in Collected Stories. She is a native of New Jersey and has spent time training and working in theaters in Pennsylvania, California, South Carolina, and Wisconsin. She has had the pleasure of working for various local theatres including Human Race Theatre Company and Ovation Theatre Company. Ms. Mohlenhoff is onstage most often at the Cincinnati Shakespeare Company where she was seen most recently in Les Liaisons Dangereuses and the world premiere of Joe Stollenwerk’s adaptation of Margaret Atwood’s The Handmaid’s Tale.

Hannah Sawicki (Avery Willard) returns to Cincinnati after graduating cum laude from Butler University with a B.A. in Theatre and a minor in Digital Media Production. Her favorite roles have been Selena in the devised piece Lunar 2.0 with Butler University, Princess of Rhyme in The Phantom Tollbooth with NoExit Performance, and Violet in the independent horror movie, Coda. Ms. Sawicki graduated from Saint Ursula Academy in ’09 where she had the privilege to perform in Stepping Out at the Edinburg Fringe Festival in 2007, and also from CCM prep’s Acting Certificate Program in ’08.

Gina Gionfriddo (Playwright) was a 2012 Pulitzer Prize finalist for Rapture, Blister, Burn and a 2009 finalist for Becky Shaw. Becky Shaw had its world premiere at Actors Theatre of Louisville’s Humana Festival of New American Plays and its New York premiere Off Broadway at Second Stage Theatre. Ms. Gionfriddo’s other plays include After Ashley (Humana Festival and Off Broadway at the Vineyard Theatre) and US Drag (produced Off-Broadway by Clubbed Thumb and the stageFARM). She has received an Obie Award, a Guggenheim Fellowship, The Susan Smith Blackburn Prize, an Outer Critics Circle Award, The Helen Merrill Award for Emerging Playwrights, and an American Theatre Critics Association/Steinberg citation. She has written for the television dramas “Law & Order,” “Law & Order: Criminal Intent,” “Cold Case,” “Borgia,” and “House of Cards.” Ms. Gionfriddo has contributed essays on rock music to the literary journal The Believer and short fiction to Canteen. She attended the MFA playwriting program at Brown University where she studied with Paula Vogel. She is currently working on a new play commission from Center Theatre Group in Los Angeles.

Production team includes Brian c. Mehring (Resident Scenic & Lighting Designer), Aaron Clements (Technical Operations Director), Matthew Hollstegge (Production Coordinator & Master Electrician), Shannon Rae Lutz (Properties Master & Design Assistant), Fitz Patton (Sound Designer), and Reba Senske (Costume Designer). Production Stage Manager is Brandon T. Holmes.

Ticket Prices
Tickets are $39 for Tuesday, Wednesday, and Thursday performances.
Tickets are $43 for Friday, Saturday, and Sunday performances.

Half-price rush tickets and $15 student rush tickets are available starting two hours prior to show time. Tickets and seating subject to availability.

Other Single Ticket Discounts
Military/Educator, Public Radio Perks Card, ArtsWave FunCard, AAA, Senior and Enjoy the Arts discounts available; tickets and seating are subject to availability. ETC accepts all major credit cards and Downtown Cincinnati gift cards. A full list of available discounts and performance calendar is available at www.ensemblecincinnati.org.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

2013-2014 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Additional support provided by Garfield Suites Hotel, The Greater Cincinnati Foundation, the Shubert Foundation, and National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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SOUTH PACIFIC Runs Oct. 24-Nov. 3

The ladies of SOUTH PACIFIC.

The ladies of SOUTH PACIFIC.

SOUTH PACIFIC
Presented by Northern Kentucky University
Oct. 24-Nov. 3
Highland Heights

Directed by Mike King

Cast: Matt Krieg as Emile de Becque, Carlos Matthews as Henry, Kyle Gaskin as Luther Billis, A. James Jones as Stewpot, Andrew Wiemann as Professor, Noah Berry as Lt. Joe Cable USMC, Colton Viehmann as Capt. George Brackett USN, Colin Kissel as Cmdr. William Harbison USN, Ally Mellick as Nellie Forbush, Jessica Leslie Adamson as Bloody Mary, Kaenna Bartolome as Liat, Anna Rose M. Deleon Guerrero as Bloody Mary’s Assistant, Ana Reynolds as Ngana, Nathan Goodlett as Jerome, Andrew Burns as Buzz Adams/Ensemble, Bradley Goren as O’Brien/Ensemble, Kyle Taylor as Yeoman Quale, Elliot Handkins as Thomas Hassinger, Brandon Huber as Radio Operator McCaffrey, Kayla Pecchioni as Nurse Janet McGreggor, Ellie Chancellor as Nurse Rita Adams, Gabriella Francis as Nurse Bessie Noonan, Madeleine Burgoon as Nurse Cora MacRae & Taylor Reynolds as Nurse Dinah Murphy

Set in an island paradise during World War II, two parallel love stories are threatened by the dangers of prejudice and war. Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Nellie learns that the mother of his children was an island native and, unable to turn her back on the prejudices with which she was raised, refuses Emile’s proposal of marriage. Meanwhile, the strapping Lt. Joe Cable denies himself the fulfillment of a future with an innocent Tonkinese girl with whom he’s fallen in love out of the same fears that haunt Nellie. When Emile is recruited to accompany Joe on a dangerous mission that claims Joe’s life, Nellie realizes that life is too short not to seize her own chance for happiness, thus confronting and conquering her prejudices.

  • Thu-Sat, Oct. 24-26 at 8pm
  • Sun, Oct. 27 at 3pm
  • Tue-Sat, Oct. 30-Nov. 2 at 8pm
  • Sun, Nov. 3 at 3pm

Official page |

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THE WHALE of a Tale at CPT

Clifton Players Take on Weighty Issues

Reggie Willis.

Reggie Willis.

“Do you ever get the feeling. That people. Are incapable. Of not caring? People. Are. Amazing.” 

Charlie is his own worst enemy. He has been in a downward spiral since the death of his partner, while his eating and weight have been skyrocketing out of control. An online writing teacher who communicates only with his voice, the reclusive obese man finds himself desperate in his final days to reconnect with a daughter he has not seen in 15 years. The WHALE is a humorous and heartbreaking look at how we cope with loss, family and religion — a trifecta of taboos.

Samuel D. Hunter’s, “The Whale” won the Drama Desk Award in 2012 and will take the stage at the Clifton Performance Theater in October under the directions of actor/director Buzz Davis. Veteran stage and film actor Reggie Willis will take on the role of the 600 pound Charlie. He will do this with the inspired help of costume designer Gordon DeVinney. The Whale is the tale of man’s last chance at redemption.

Play dates for October include,

  • Fri-Sat, Oct. 11-12 at 8pm
  • Sun, Oct. 13 at 7pm
  • Thu-Sat, Oct. 17-19 at 8pm
  • Sun, Oct. 20 at 3pm
  • Mon, Oct. 21 at 8pm
  • Thu-Sat, Oct. 24-26 at 8pm

Theater at the Clifton Performance Theater or CPT, is sure to prove different than any other entertainment experience in the city. The audience sits not feet, but inches from the action. The Theater is located at 404 Ludlow Ave, contact: 513-861-7469 or cliftonperformancetheatre.com.

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TCTC Announces New Managing Director

New Managing Director for The Children’s Theatre of Cincinnati

TCT_logo(CINCINNATI) — The Children’s Theatre of Cincinnati is pleased to announce the company’s new Managing Director, Ms. Kim Deaton. 

Ms. Deaton is a native Cincinnatian and graduate of the Cincinnati Country Day School (’87). Kim left Cincinnati to attend Vanderbilt University (’91) where she received a Bachelor of Science in Education, and then quickly returned to Cincinnati which she and her family continue to call home. 

Kim assumed the role of Managing Director of the Children’s Theatre in September of 2013. Kim’s expertise spans non-profit management, fund raising, strategic planning, market media development, public relations, special events, grant acquisition and major gift acquisition. 

Prior to joining The Children’s Theatre, Kim worked as the President of the Ohio Valley Chapter of the National MS Society, as the Director of Major Gifts for the National Underground Railroad Freedom Center and prior to that as the Director of Market Development for Local 12 WKRC-TV and Clear Channel Broadcasting. She served as the Executive Director of the Cystic Fibrosis Foundation and spent time operating her own consulting company, advising both for-profit and not-for-profit organizations in the area of special events, board building, marketing, corporate sponsorship, public relations, fundraising and promotions. 

Kim was raised in the nonprofit world as her mother served as the Executive Director for a local nonprofit for 24 years. Kim resides in Mariemont with her three wonderful children Merrell, Kealy and Bryson and has watched her daughter Kealy flourish as a vocal and drama major at the School for the Creative and Performing Arts. 

The Children’s Theatre of Cincinnati’s Board President, Mr. Craig S. Hurwitz, said, “TCTC has been on a transitional journey for the past four years. The hiring of Kim represents the end of that process and is the final piece of the puzzle. Under the leadership of both Artistic Director, Angela Powell Walker, and Kim, our organization is uniquely positioned for success. This is the right leadership team and the right time for us to fulfill our mission of educating, entertaining and engaging children and children at heart through our professional productions and arts education programming.” 

“I am thrilled to be joining an organization as well respected as The Children’s Theatre of Cincinnati,” Ms. Deaton said. “As the mother of a child who is very active in performing arts, I have seen firsthand how the experience can positively impact a child’s development. A colleague recently said to me ‘The Arts are an independent verification of self-worth for children,’ and that struck me as a powerful and very true statement. Through exposure to our MainStage Productions and programs such as ArtReach and Learning the Craft, children gain exposure to an imaginative and powerful world.” 

The Board of Trustees of The Children’s Theatre of Cincinnati is pleased to announce their selection of this exciting, enthusiastic and resourceful talent, Kim Deaton as its new Managing Director. 

The Children’s Theatre of Cincinnati is dedicated to making the world a richer place in ways that truly matter. A moment of joy in the theater, a better understanding of history or literature through the arts, and a song that you cannot stop humming are small examples of how the arts can spur a child’s learning process to new heights, creating a world that is more interesting, more accessible, and utterly fascinating. Helping a child have this experience is the goal that drives us. 

TCTC’s mission is to educate, entertain and engage our young audiences through professional theatrical productions and arts education programming. As we fulfill our mission this season, we will accomplish the following through our three primary programs:

  • MainStage at the Taft Theatre – We will welcome 85,000 children, teachers, and family members, including students from approximately 235 schools across the Tri-State, to one of our four family-friendly and professional musical theater productions at the historic Taft.
  • ArtReach – We will see 90,000 children and their families at one of our 280 touring performances or during an arts-integration workshop or residency.
  • Learning The Craft – Over 300 children will be provided fine arts instruction, including the group that participates in the four-week intensive STAR summer program where we offer professional musical theatre training to some of the region’s most talented youth. 

Each year The Children’s Theatre of Cincinnati contributes to the vibrancy and cultural vitality of our region by providing nearly 180,000 children and their families with arts exposure-opportunities through performances, workshops and art-making experiences. For thousands of children, our programs are their first professional “arts encounter.” We seek to plant the seed for an ongoing and deeper artistic engagement that blossoms as they return for another one of our programs or as they become patrons of other arts organizations in our cultural community.

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WAR HORSE Runs Oct. 22-27

Photo by Brinkhoff/Mogenburg.

Photo by Brinkhoff/Mogenburg.

WAR HORSE
Presented by Victoria Theatre Association
Oct. 22-27
Dayton

A remarkable tale of courage, loyalty and friendship. England, 1914. As World War One begins, Joey, young Albert’s beloved horse, is sold to the cavalry and shipped from England to France. He’s soon caught up in enemy fire, and fate takes him on an extraordinary journey, serving on both sides before finding himself alone in no man’s land. But Albert cannot forget Joey and, still not old enough to enlist, he embarks on a treacherous mission to find him and bring him home.

This powerfully moving and imaginative drama, filled with stirring music and songs, is a show of phenomenal inventiveness that is currently playing to packed houses in London and New York. At its heart are astonishing life-sized puppets created by South Africa’s Handspring Puppet Company, that bring to life breathing, galloping, charging horses strong enough for men to ride.

  • Tue-Fri, Oct. 22-25 at 8pm
  • Sat, Oct. 26 at 2pm & 8pm
  • Sun, Oct. 27 at 2pm & 7:30pm

Official page with online ticketing |

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