Monthly Archives: February 2012

THE WHIPPING MAN Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

Ken Early & Jarred Baugh in ETC's THE WHIPPING MAN. Photo by Ryan Kurtz.

THE WHIPPING MAN presented by Ensemble Theatre of Cincinnati through Feb. 18*. You can read the show description here.

*Please note that three performances have been added, extending the run to Feb. 18.

Bravo to ETC for giving Cincinnati audiences the experience of THE WHIPPING MAN.

Director D. Lynn Meyers delivers a well-focused and emotionally sincere production that would be satisfying in a black box staging.  The contributions of the crew elevates this production even further, making it the most memorable drama I’ve seen produced at ETC and my favorite of the 2011-12 season.

The script by Matthew Lopez is extremely-well written and layered. The themes explored in the work are well-defined and flow naturally from the three characters and their situation. No gimmicks are needed to prop up the story.

I was also impressed with the casting of the show. Both Jarred Baugh as Caleb and Mark St. Cyr as John are excellent in their roles. Exploring the ying and yang qualities of their characters is very fun to watch. Local actor Ken Early as Simon, personifies what hard work and determination can achieve. His performance commands the stage and he conquers every challenge the role demands. Physically his age and height, in comparison to his cast mates, serves to reinforce Simon’s father-figure status in Caleb’s and John’s lives.

The set by Brian C. Mehring is impressively detailed. When combined with his lighting, the two add weight to the atmosphere of the show. His efforts to mimic natural lighting during the day and lamplight at night, are very successful. Solid sound design by Benjamin Marcum also adds much to the overall feeling of the show. Also impressive was the attention to detail. Favorite examples are the wall lamps and the dripping ceiling.

It seems funny to say it, but part of me wishes that they had not been an intermission. I found coming back from the break into a “flashback” scene to be a bit jarring. It took a minute or two to fall back into the story. Perhaps a stronger visual clue would help.

A small note during John and Simon’s confrontation. I had trouble understanding what John reveals to Simon in that heated moment.

Overall a wonderful show that personifies why I love going to the theater. The momentum displayed by ETC this season is very exciting. I look forward to seeing it continue.

Click here for a complete list of show times, articles and other reviews for THE WHIPPING MAN.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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From Scripts to Sets: CCM Drama Students Present Original Works During Annual TRANSMIGRATION Festival

The 2012 TRANSMIGRATION: A Festival of Student-Created New Works Runs Feb. 16-18

CINCINNATI, OH — The College-Conservatory of Music (CCM)’s Drama students continue to learn what it takes to produce their own theatre pieces as they prepare for the 2012 TRANSMIGRATION: A Festival of Student-Created New Works taking place February 16-18 throughout CCM Village. The fourth-annual festival allows the audience to sample half-hour works produced by small groups of Drama majors, who create all aspects of their productions from start to finish. Admission to the festival is free, but reservations are required.

The festival is an exciting event for both guests and the presenters, as audiences get the opportunity to see up to four pieces of new theatre in a single night and the students premiere works that are entirely their own. “TRANSMIGRATION is student-driven and artist-driven,” says Richard Hess, chair of CCM’s Drama Department and director of TRANSMIGRATION. “Students get free reign to, as a group of people, create, cast themselves and produce a piece of work that is original and means something to them.”

TRANSMIGRATION came into being in response to the dynamic careers of today’s professional actors. Though auditioning and getting cast for roles is the conventional way for an actor to make a name for his or herself, “the second way to make work is to gather a group of like-minded people, get together and create something… students need to know how to go into a storefront theatre and say ‘we’re going to make something in this raw space,’” Hess asserts. TRANSMIGRATION gives students real-world creative experiences that will last and develop through the rest of their careers.

Some of the companies formed by current and former CCM Drama students include The Ensemble Theatre of Cincinnati, Satori Theatre Group (Seattle), The Lost Theatre Company (New York), Cincinnati Outdoor Classics and Stokastik Theatre Ensemble (Los Angeles). Although several of these companies were formed prior to the inception of TRANSMIGRATION, the festival is added encouragement for students to venture out on their own.

“It teaches us that you are in control of your own art, no one gives you permission to make art and if you just find your people anything is possible,” says senior Cameron Davis, who is working on Knock Knock. “Ultimately there is a product that is TRANSMIGRATION, but it’s the journey that means so much to us.”

The lessons students learn from TRANSMIGRATION come from the process of collaborating in groups of 8-10 people to develop a concept, story, characters and script for their 30-minute shows. Beyond the plays, students must also construct a set, costumes, lighting design and marketing campaign for their productions, all on a budget of $60. Students do not choose their groups, but instead are assigned randomly, providing them with the opportunity to collaborate with new people with different ideas.

“The audience gets the product, but we get the process… sometimes butting heads, but in a way that sharpens the iron,” states sophomore Mia Vera, who will be presenting the historically-inspired Booth at this year’s festival. “We find our voices and we learn to harmonize; I’m learning what I love, but I’m also learning what people in my group love and how those things go together.”

This year’s TRANSMIGRATION festival will feature the works Booth, Eddie Shanahan, forget me not, Knock Knock, and Y2012K.

Audience members will have the opportunity to customize their theater-going experience by choosing to watch up to four different productions, which are performed simultaneously in non-traditional spaces throughout CCM’s Corbett Center for the Performing Arts.

CCM EVENT DETAILS

TRANSMIGRATION
Dates and Times:

  • Thursday, Feb. 16 at 7 p.m.
  • Friday, Feb. 17 at 7 p.m.
  • Saturday, Feb. 18 at 2 & 7 p.m.

See descriptions below for specific times for each production.

Location: Various locations throughout the CCM Village, including:

  • Cohen Family Studio Theater
  • Room 3640 Corbett Center for the Performing Arts
  • Room 3650 Corbett Center for the Performing Arts

See individual production descriptions for details.

Tickets & Information: Admission is free, but reservations are required and can be reserved by contacting the CCM Box Office at 513-556-4183. Tickets become available Monday, February 13 at noon. Limit two tickets per order. Parking is available in the CCM Garage (at the base of Corry Boulevard off of Jefferson Avenue) and additional garages throughout the UC campus. For complete reservation and parking information, visit ccm.uc.edu.

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Drama Studio Series Sponsor: Neil Artman & Margaret Straub

Show Descriptions

Booth
To Win, To Kill, To Live

Description: This historically based piece of theatre is themed on the Lincoln assassination. It takes the audience through the leading up to (to win), day of (to kill), and fallout (to live) from the perspective of the infamous John Wilkes Booth. The dramatic retelling of what happened in the presidential booth of Ford’s Theatre is interactive and immersive: the audience will experience the three parts separately, and not necessarily linearly, as they follow a prescribed object through scenes.

Featuring: Clare Ward, Kirstopher Dean, Ellie Jameson, Ty Olwin, Madeline Smith, John Patrick Maddock, Mia Vera*, Caitlin Penson, Fabiola Rodriguez

Performance information: Cohen Family Studio Theatre

  • Thursday, Feb. 16 at 7:45 & 8:30 p.m.
  • Friday, Feb. 17 at 7:45 & 8:30 p.m.
  • Saturday, Feb. 18 at 2:45 & 3:30 p.m., 7:45 & 8:30 p.m.

forget me not
Can my cape fit into my brief case?

Description: forget me not examines how to reconcile the seriousness of adulthood with the desire for childlike curiosity and imagination. A 20-year-old is dissatisfied with the state of her imagination and in order to figure out what went wrong, she must start at its formation. Her imaginary friends guide her from childhood to adulthood in order to figure out her present state.

Featuring: Zachary Crowley, Arielle Geller, Spencer House, William Kiley, Connor Lawrence, Clifford Nunley, Caroline Shannon, Sarah Vargo, Ian Webber, Jaclyn Williams*

Performance information: 3640 Corbett Center

  • Thursday, Feb. 16 at 7 & 7:45 p.m.
  • Friday, Feb. 17 at 7 & 7:45 p.m.
  • Saturday, Feb. 18 at 2 & 2:45 p.m., 7 & 7:45 p.m.

The Eddie Shanahan Show
“Who’s in charge around here?”

Description: Replicating a TV show, Eddie Shanahan is experienced as if being taped in front of a live studio audience. On the eve of the most important late-night awards show, the Emmy’s, the bitter and miserly Eddie Shanahan is met by three spirits who take him in search of the joy that used to radiate into the homes of his once-fans. Based on Charles Dickens’ A Christmas Carol.

Featuring: Bailie Breault, William Brown, Kate Daugherty, Mack Harden, Claron Hayden*, Colleen Ladrick, Brynn Langford, Carli Rhoades, Shaun Sutton

Performance information: Cohen Family Studio Theatre

  • Thursday, Feb. 16 at 7 & 9:15 p.m.
  • Friday, Feb. 17 at 7 & 9:15 p.m.
  • Saturday, Feb. 18 at 2 & 4:15 p.m., 7 & 9:15 p.m.

Anaconda Montana
Knock Knock
Every story has two rooms

Description: There are two sides to every story, and audiences can experience each one individually in Knock Knock, occurring in two places at once: Corbett Center 3640 and 3650. Two groups of strangers come together in this Clue-esque family mystery, realizing in the process that they have much more in common than they previously realized.

Featuring: Alyssa Caputo, Jack Conroy, Cameron Davis*, Alex Escher, Hannah Halvorson, Anna Horton, Mary Malloy, Megan Marshall, Callie Schuttera, Parker Searfoss, Hope Shangle, Alec Silberblatt, Nathan Wallace, Garrett Walters, Trey Wright, Gregory Wyatt

Performance information: 3640 and 3650 Corbett Center

  • Thursday, Feb. 16 at 8:30 & 9:15 p.m.
  • Friday, Feb. 17 at 8:30 & 9:15 p.m.
  • Saturday, Feb. 18 at 3:30 & 4:15 p.m., 8:30 & 9:15 p.m.

Y2012K
How I Learned to Stop Worrying and Just Let It All End

Description: Good morning, America. It’s 2012 and this is the 9:00 news. The financial meltdown has come to a head, there’s riots, Boston is a quarantine zone, animals have escaped the zoo, devastating natural disasters are occurring, zombies, dinosaurs… Don’t worry: stay indoors, don’t drink the water and we’ll be here bringing you live coverage.

Featuring: Bennett Bradley, Christian Carey, Sarah Davenport, Joe Markesbery, Molly Massa, Anna Stapleton, Mariel Tompkins, Jared Wilson*

Performance information: 3650 Corbett Center

  • Thursday, Feb. 16 at 7 & 7:45 p.m.
  • Friday, Feb. 17 at 7 & 7:45 p.m.
  • Saturday, Feb. 18 at 2 & 2:45 p.m., 7 & 7:45 p.m.

*Director

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THE RIVALRY on Feb. 7

Robert Parsons as Abraham Lincoln. Photo by Matt Petit.

THE RIVALRY
Presented by L.A. Theatre Works as part of the  Miami University Performing Arts Series 
Feb. 7
Oxford

Radio-theater production. The Lincoln-Douglas debates of 1858 tackled the day’s most passionate issue – slavery. Taken directly from the transcripts, THE RIVALRY recreates the face off between Abraham Lincoln, rising Illinois legislator and abolitionist candidate of the newly formed Republican party, and Senator Stephen A. Douglas, the Democratic incumbent and champion of states’ rights. The series of seven debates that took place in seven Congressional districts were conducted in a fever of partisanship as the nation listened. Brass bands played, and the press vilified or glorified theopponents, depending on which side they took.

  • Tue. Feb. 7 at 7:30pm

Official page | Online ticketing | FaceBook event |

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TALLEY & SON runs March 2-10

TALLEY & SON
Presented by The Drama Workshop
March 2-10 
Westwood

The time is Independence Day, 1944, the place the parlor of the Talley homestead in Lebanon, Missouri. As World War II rages across the seas, the Talleys are beset with crises of a different sort. Slipping into senility, the elder Mr. Talley still has flashes of explosive lucidity, when he schemes to dispose of the local bank among heirs of his own choice, and berates his charming but spineless son, Eldon, for considering the sale of the family garment business to an eastern conglomerate. Also involved in the bickering are Eldon’s long-suffering wife, Netta; their son, Buddy, who is home on leave from the Army; his vapid wife, Olive; and Eldon’s sister, Charlotte, a defiantly free spirit who is suffering the fatal effects of radium poisoning. And, commenting on the action, unseen by the others, is the “ghost” of the second son, Timmy, already a casualty of the Pacific war, although the family has not yet learned of his death. In the end the petty antagonisms, scandals and selfishness which infuse the play are their own reward, and we are aware that a dynasty built by hard work and clear if conniving vision is about to be dismantled by lesser men who have inherited the property, but not the character, of their predecessors.

Directed by Michael L. Morehead
Produced by Elaine Volker

Cast: Tony Bergman as Timmy, Michael Ireland as Buddy, Arny Stoller as Talley, Greg Schlairet as Eldon, Josh Roden as Emmet, Jason Cox as Harley, Rusty Lacy as Sally, Gretchen Gantner as Lottie, Kasmira Kit as Viola, Nancy Rzonca as Netta, Natasha Boeckmann as Avalaine & Julia Schaulin as Olive

  • Fri-Sat, March 2-3 at 8pm
  • Sun, March 4 at 3pm
  • Thu-Fri, March 8-9 at 8pm
  • Sat, March 10 at 3pm & 8pm

Official page | Online ticketing | FaceBook event | Goldstar discount | Living Social deal |

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BLITHE SPIRIT runs March 2-10

BLITHE SPIRIT
Presented by Troy Civic Theatre
March 2-10
Troy

This classic romantic comedy is set in 1940s New York and concerns socialite and novelist Charles Condomine, who invites the eccentric medium and clairvoyant, Madame Arcati, to his house to conduct a séance hoping to gather material for his next book. The scheme backfires when he is haunted by the ghost of his annoying and temperamental first wife, Elvira, following the séance. Elvira makes continual attempts to disrupt Charles’s marriage to his second wife, Ruth, who cannot see or hear the ghost.

Directed by Rebecca O’Brien & Niccole SueAnn Wallace

Cast: Jenny McClain as Edith, Krissy Barker as Ruth Condomine, Caleb Magill as Charles Condomine, Steve Dietrich as Dr. George Bradman, Jackie Chamberlin as Violet Bradman, Betty Scisson as Madame Arcati & Tina Hayes as Elvira

  • Fri-Sat, March 2-3 at 8pm
  • Sun, March 4 at 4pm
  • Fri-Sat, March 9-10 at 8pm

Official page | FaceBook event |

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