Tag Archives: UC College-Conservatory of Music

CCM’s Acclaimed Musicals Redux Series Returns with 110 IN THE SHADE

CCM_110 in the Shade promoCCM resumes its annual Musicals Redux series with a production of the Tony Award-nominated 110 IN THE SHADE, which will grace the stage of the Cohen Family Studio Theater beginning at 8 p.m. on Thursday, April 9, and run through Saturday, April 11, 2015.

Directed and choreographed by CCM’s Joseph Weinberger Chair of Acting for the Lyric Stage Vince DeGeorge with musical direction by Adjunct Instructor of Musical Theatre Steve Goers, 110 IN THE SHADE delves into the heart of 1930s Americana. Based upon the play The Rainmaker by N. Richard Nash (who also wrote the book for the musical adaptation), 110 IN THE SHADE tells the tale of Lizzie Curry, a forthright “old maid” living on a ranch with her father and brothers in the American southwest.

When charismatic con man Bill Starbuck (posing as a rainmaker) arrives and promises to bring relief to the drought-stricken area, he awakens new feelings of love and self-discovery in the heart of the lonely woman. This also impacts the local sheriff File, a divorcé who remains alone due to fears of being hurt again by love.

The lyrics and music are (respectively) created by the acclaimed duo of Tom Jones and Harvey Schmidt, the men who are also responsible for the award-winning musicals The Fantasticks (the first Off-Broadway show to ever win a Tony Award) and I Do! I Do! For 110 IN THE SHADE, they created a lush score that serves as a lovely reminder of the “Golden Age” of American Musical Theatre.

Admission to this show is free to the public, but reservations are required, so don’t miss the chance to get lost in a winding tale of love, hope and Americana!

The Cast

  • Brianna Barnes as Lizzie Curry
  • John Battagliese as Starbuck
  • Ben Biggers as File
  • Chris Collins-Pisano as H.C.
  • Erik Hernandez as Noah
  • Alec Cohen as Jim
  • Michelle Coben as Snookie Updergraff

Men’s Ensemble

  • Dan Gettler
  • Kyle Ivey
  • Stavros Koumbaros
  • Nick Pelaccio
  • Nate Riccio
  • Paul Schwensen

Women’s Ensemble

  • Ciarra Harris
  • Marissa Hecker
  • Cameron Hill
  • Brianna Latrash
  • Emily Morris
  • Gina Santare
  • Shauna Topian
  • Casey Wenger-Schulman

Performance Times

  • 8 p.m. Thursday, April 9
  • 8 p.m. Friday, April 10
  • 2 and 8 p.m. Saturday, April 11

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to 110 IN THE SHADE is free, but reservations are required. Tickets become available at noon on Monday, April 6. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

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CCM Alum Makes Broadway Debut in THE VISIT

CCM_John RiddleVia UC College-Conservatory of Music

CCM alumnus John Riddle (BFA Musical Theatre, 2012) makes his Broadway debut in Kander and Ebb’s musical THE VISIT starring Chita Rivera and Roger Rees, opening April 23 at the Lyceum Theatre. John plays the younger self of Roger Rees.

From the official website:

When the world’s wealthiest woman returns home for the first time in decades, it’s the talk of the town. When that woman is portrayed by the legendary CHITA RIVERA, it’s Broadway history in the making.

This spring, the sensational two-time Tony® winner joins Tony Award® winner ROGER REES (Nicholas Nickleby) in a stunning tale of young love, timeless seduction, and sweet revenge.

Sure to become the season’s most delicious musical sensation, THE VISIT marks the historic final collaboration between the creators of the Tony award-winning masterwork Kiss of the Spider Woman. JOHN KANDER and FRED EBB, the Tony, Emmy and Grammy Award-winning songwriters behind some of the most iconic musicals of the past 50 years, including Chicago and Cabaret, collaborate once more with four-time Tony Award winner TERRENCE McNALLY (Master Class, Ragtime, Kiss of the Spider Woman).

This incredible triumvirate, joined by celebrated choreographer GRACIELA DANIELE (Ragtime, The Rink) and director JOHN DOYLE, the Tony Award-winning visionary behind the revivals of Sweeney Todd and Company, now brings THE VISIT to Broadway.

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YOU’RE WELCOME Runs April 23-25

CCM_Youre Welcome promo 2YOU’RE WELCOME (A Cycle of Bad Plays)
Presented by UC College-Conservatory of Music Drama
April 23-25
University Heights

Directed by Brant Russell

Cast: Bartley Booz, Arielle DeVersterre, Andrew Iannacci, Spencer Lackey, Colleen Ladrick, Laura McCarthy, Devan Pruitt, Alison Sluiter & Emily Walton

YOU’RE WELCOME is a collection of five small plays about creation and failure; a unified theatrical myth that tells the story of an invented band of performers and their catastrophic attempts at connection. The plays are about love, death, desire, tragedy, comedy, drunk driving, sexiness, beauty, loss, the battle between good and evil, a baby born wearing a hat. And theater. They’re about theater. Kind of the last word on theater. This is You’re Welcome—five plays that pretty much nail it. You’re welcome!

Admission is free, but reservations are required. Tickets become available at noon on Monday, April 20. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

  • Thu-Fri, April 23-24 at 8pm
  • Sat, April 25 at 2pm & 8pm

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LCT Review of TRANSMIGRATION

LCT_VThis review has been reposted courtesy of the League of Cincinnati Theatres. For more LCT reviews click here to visit their reviews page.

If you haven’t seen Transmigration, the CCM student written marathon of short, 30 minute plays, make a plan to go next year! It’s fun, fast, and furious and you get a peak into what’s on students’ minds. Many of the vignettes centered on making some sort of “migration, or journey to find something, leave something, or transform,” sort of like moving from schooling into the professional world and working their way through the intense four year journey through the CCM odyssey.

CCM_Transmigration photoThe students have a scant 2 weeks to write, rehearse, and perform the 30 minute pieces. It shows what these talented students can do with very little of the technical support they enjoy in a full production at CCM. Here’s a taste from each. Sadly, there are no students’ names in the program for individual praise:

Coulter Cliffs is sort of Grand Budapest Hotel meets The Shining. A hotel where once you enter, you can’t leave until a new person arrives to provide a swap. The audience votes on who can leave (or “win”) based on the most compelling story. Sort of like what happens when they graduate. Some have been there for 149 years—they never age of course. Who knows what’s waiting for them in the “real” world. The characters who made bold choices were the most successful in winning their escape. It was enjoyable and fun connecting to the characters.

A Fool’s Paradise was a favorite among the reviewers and is a community theatre in Boca Raton Florida; probably the worst graduation nightmare for these talented students! Hilarious musical compositions by the students and sung with great bravado, most notably by the “Mayor” of Boca, the old curmudgeon who leads this cast. The director-diva,Peaches Montgomery, the scariest fool in the “paradise” for her power and control over her universe, exhorts us to have a “Peachy Day” as she blindly props up her son, the piano player, who played expertly. We meet familiar characters like the perennial leads, so often seen in community theatre. Here they are brother and sister vying for Romeo and Juliet and happily provide the audience an “eeewww” factor in the love scenes. The football hero turned “actor” with Brad Pitt good looks, and the fresh newbie, are all drawn, no doubt, from the students’ own pre-CCM experiences.

Seven Feet Under was different from the other concept pieces and drew on a more dramatic through line that didn’t rely solely on humor. The vain and selfish Snow White sends the seven miners on a mission below to find “the treasure” and must face the monster the get it, another graduation truth. Nice monster puppet was created with cardboard and burlap and even some dry ice for effect.   The “dwarves” were a good ensemble and played on their strengths as actors so that we very quickly identified and cared about their journey and demise.

cult(ured) was akin to drinking the Kool-Aid in this woodland cult of characters led by an iconic mother nature figure trolling for recruits–just like CCM. The characters, like the sanguine loner who promoted cocaine-flavored yogurt, were engaging, and the show had smartly showed transitions and the passage of time.

Neutral and Non Partisan: Very well written and performed! This cautionary tale about the very real possibility of big brother watching random, “average” Americans under the guise of psychological research. This employed great use of multi-media combined with layered performances.

Mandatory Fun:  This was the only piece that was less than enthusiastically received by the panelists. In a robot game show where humans battle each other, the plot seemed too obvious and the characters shallow.

Well, you can’t win them all but even with a clinker or two, this is an exceptional evening celebrating enormous creativity and, as we always know we’re going to get from CCM,talent!

For more information on the production, click here.

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World Premiere Announced for Oberacker & Taylor’s BANDSTAND

MISC_BandstandLate last year, I posted an article about BANDSTAND, a new musical by Cincinnati-native Richard Oberacker (CCM ’93) and partner Robert Taylor. Its September reading had the NYC theatre community abuzz.

Oberacker and Taylor’s musical ACE opened Cincinnati Playhouse in the Park’s 2006-2007 season. In 2009, their musical DON’T MAKE ME PULL THIS SHOW OVER: DISPATCHES FROM THE FRONT LINES OF PARENTING was produced at ETC (after a preview at the 2008 Cincinnati Fringe Festival).

This week, the Paper Mill Playhouse, a regional theater in Millburn, New Jersey, announced BANDSTAND will be making its world premiere as the opening production of its 2015-2016 season.

Running October 8-Nov. 8, “…this sizzling new big-band swing musical with an amazing original score and a plot that is full of surprising twists and turns. Emotionally charged and beautifully crafted, this is the story of a mismatched band of WWII veterans. Battle-scared and broke, dreaming of a better life, they join together to compete in a national radio contest with a prize that will guarantee instant stardom to the winners.”

BANDSTAND is directed and choreographed by Tony Award winner Andy Blankenbuehler. Blankenuehler is also a Cincinnati native, and a graduate of St. Xavier High School.

Wishing them all a long and successful run.

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