Tag Archives: UC College-Conservatory of Music

Playbill Photo Exclusive: A Two-Show Day with CCM Alum John Riddle and Michelle Veintimilla

Morning, Michellita! Photo by John Riddle and Michelle Veintimilla.

Morning, Michellita!
Photo by John Riddle and Michelle Veintimilla.

Yesterday I posted about the Playbill article where John Riddle (CCM MT ’12) and his co-star Michelle Veintimilla together were picked as one of the Breakout Performances of the 2014-2015 Broadway Season.

Today Playbill offers a photo gallery following the two THE VISIT performers on a two-show day.

Kander and Ebb’s THE VISIT officially opened on Broadway April 23 and yesterday earned five Tony nominations, including one for Best Musical. John Riddle and Michelle Veintimilla, the young cast members who steal the show with their breakout performances, shared a recent two-show day at the theatre!

Click here to see the entire Playbill gallery.

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CCM Alum Picked by Playbill as One of the Breakout Performances of the 2014-2015 Broadway Season

John Riddle & Michelle Veintimilla. Photo by Joan Marcus.

John Riddle & Michelle Veintimilla. Photo by Joan Marcus.

John Riddle (CCM MT ’12) made his Broadway debut in the recently-opened musical, THE VISIT, starring Chita Rivera and Roger Rees.

Riddle, along with his co-star Michelle Veintimilla are described as:

“…haunting scene stealers in Kander and Ebb’s THE VISIT. Embodying Young Claire and Young Anton, the two shadow Chita Rivera and Roger Rees as the veteran actors recount love, loss and betrayal. Veintimilla and Riddle make impressive Broadway debuts. The smooth-voiced Riddle will leave the romantic ballad “You, You, You” swirling through your head, while Veintimilla’s pas de deux with Rivera (which the New York Times called “the most affecting of all”) will leave even the most revenge-hungry among us a little teary-eyed.

– via Playbill.com

You can read the complete article, “Playbill Picks the Breakout Performances of the 2014-15 Broadway Season,” here.

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2015-2016 Season Announced by CCM Drama

CCM_logoCCM Drama is proud to announce our 2015-2016 SEASON:

THE HUNCHBACK OF SEVILLE
by Charise Castro Smith
Co-production with The KNOW Theatre
CCM Drama Fall Studio
October 9-24, 2015 (12 perfs)
Directed by Brant Russell

PENTECOST
by David Edgar
CCM Drama Fall Mainstage
September 30-October 4, 2015
DIrected by Richard E. Hess

CCM E-Media/Drama Film Project
BINARY
Screenplay by Owen Alderson (CCM Drama 2017)
Auditions in September
Filming in October, November, December
Editing January to March
Film premiere in April, 2016

2nd Annual CCM E-Media/Drama 48 Hour Film Festival
6-7-8 November, 2015
University wide film festival
6 teams, 6 films, 6 visiting guest artists from Kenyatta University, Nairobi, Kenya

AH, WILDERNESS
by Eugene O’Neill
CCM Drama Spring Mainstage
February 10-14, 2016
Directed by R. Terrell Finney

TRANSMIGRATION: A Festival of Student Created New Works
10-12 March, 2016

THE GREAT MAJORITY
by Grace Gardner
CCM Drama Spring Studio
April 21-23, 2016
Directed by Brant Russell
A staged reading workshop of this exciting new script by Grace Gardner, a process driven new work event with playwright collaboration.

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CCM’s Studio Series Comes to a Close With the Debate Society’s YOU’RE WELCOME (A Cycle of Bad Plays), Running April 23 – 25

CCM_Youre Welcome promoCCM’s Studio Series concludes with a production of Hannah Bos, Paul Thureen and Oliver Butler’s YOU’RE WELCOME (A Cycle of Bad Plays), running April 23 – 25 in the intimate Cohen Family Studio Theater. Admission is free, but reservations are required. Tickets become available through the CCM Box Office at noon on Monday, April 20.

First produced by Bos, Thureen and Butler’s Brooklyn-based theatre company, the Debate Society, YOU’RE WELCOME makes its CCM debut under the direction of Assistant Professor of Drama Brant Russell, who also performs in the play. This marks the first time that Russell has both directed and acted in a production.

Russell explains that YOU’RE WELCOME is loosely about why people pursue theatre and why we love it. He says it’s a “raucous comedy and a damning critique of theatre as an art form.”

Comprised of five short plays, including a farce, an anti-drunk driving PSA, a staged reading of a play called “Monsters Trucks,” a 15-minute improvised piece and a “wheels come off” piece, YOU’RE WELCOME is theatre at its best, making fun of itself while maintaining its truthfulness.

Amidst the comedy and silliness, there are also moments of emotional honesty. Russell recently directed CCM’s Mainstage Drama Macbeth this past October and wanted to do something different. He chose YOU’RE WELCOME because he wanted to find the “smartest, stupidest thing… a play that was self-effacing, intelligent but not heady, goofy but with integrity.”

With a cast of only nine composed mostly of juniors and a few sophomores, the students have been able to work closely together. Recently, the members of the Debate Society came to CCM for a workshop and got the students into teams for writing and acting exercises.

Junior Drama major Alison Sluiter says she plays herself in this production. She explains, “There’s a lot of give and take amongst my fellow cast mates. Creativity is in the air constantly whenever we are in the space, especially during a scene where we have incorporated improvisation. It has been both challenging and joyous during these rehearsals, pushing my scene partners without breaking character. When working with people you’ve known in the past three years, we know each others’ buttons and it’s fun to play and explore possibilities.”

Performance Times

  • 8 p.m. Thursday, April 23
  • 8 p.m. Friday, April 24
  • 2 & 8 p.m. Saturday, April 25

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to YOU’RE WELCOME (A Cycle of Bad Plays) is free, but reservations are required. Tickets become available at noon on Monday, April 20. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visituc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Drama Studio Series Sponsor: Neil Artman and Margaret Straub

Community Partner: ArtsWave

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LCT Review of 110 IN THE SHADE

LCT_VThis review has been reposted courtesy of the League of Cincinnati Theatres. For more LCT reviews click here to visit their reviews page.

Once again, with its studio production of 110 in the Shade, the CCM Musical Theatre Department demonstrates you don’t need an expensive set, 20 piece orchestra, or fancy pyrotechnic effects to create magic on stage—you just need a talented cast, tight direction, and an overlooked musical classic with a lot of heart.

CCM_110 in the Shade promo110 in the Shade, which premiered on Broadway in 1963, takes place in a small southwestern town during a terrible drought. It focuses on the lives of Lizzie Curry, a girl whose father and brothers are trying to marry her off, and her relationships with the local sheriff File and charismatic con man Bill Starbuck, who poses as a rainmaker promising to bring a rainstorm for a hundred dollars. If this sounds a little bit like “The Music Man”—it isn’t. If anything, it is an anti-Music Man, with more focus on plot and characterization and a more mature book and musicality than many of the musicals of its time.

Like most of CCM’s studio musicals, this doesn’t have a big budget and relies on simple staging, clean but functional costumes, and two pianos rather than a large orchestra. But director Vince DeGeorge makes it all work by focusing on the powerful emotionality of the work and its deeply interesting characters. It usually goes without saying that the vocal quality of a CCM musical is top-notch, and this one was no exception. Kudos to vocal director Steve Goers for strong consistency in all the musical numbers. My only quibble with the vocals was that sometimes the singers’ lyrics got overwhelmed by the pianos, despite the fact that they were miked.

What stood out for me in this production, however, was the fine acting performances, led by Brianna Barnes as the vulnerable Lizzie Curry. John Battagliese, as the imaginative and cocky Starbuck, and Ben Biggers, as the emotionally scarred Sheriff File, were also effective. There were many fine supporting performances,  in particular the exuberant Alec Cohen who played Lizzie’s brother, Jim. All these characters had strong emotional arcs that resonated with me and drew me into both their pain and triumphs.

110 in the Shade was an extremely satisfying evening of entertainment, and thanks to CCM for introducing us to this little known gem, which I hope will get more attention from theater groups across the country.  When it was originally produced, it was overshadowed by its contemporaries like Hello, Dolly! and Funny Girl, but it deserves more recognition and a wider audience.

For more information on the production, click here.

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