Tag Archives: UC College-Conservatory of Music

ANTIGONE Runs April 9-11

Human skull on old books near weight scalesANTIGONE
UC College-Conservatory of Music
April 9-11
Cohen Family Studio Theater [University Heights]

Directed by Brant Russell & Samuel Stricklen

As Antigone mourns her brothers who have murdered each other in a civil war, she must decide if she will sacrifice her life to balance the scales of justice. Her victorious brother is posthumously exalted; her treasonous brother is left unburied by order of King Creon, Antigone’s uncle and adversary. Antigone deliberately defies the king’s edict and buries her traitorous brother, igniting a devastating chain of events and thrusting urgent questions of justice to the fore. The performance features Greek choral odes written by CCM Composition Professor Ellen Harrison.

  • Thu-Fri, April 9-10 at 8pm
  • Sat, April 11 at 2pm & 8pm

Official page | Facebook event |

 

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Cincinnati Opera and CCM’s Opera Fusion: New Works Partnership Presents Public Preview of OKEEFE: KISS THE SKY

A New Opera-Ballet by Christopher Tin and Kelley Rourke
Commissioned by Washington National Opera

Soprano Christine Goerke headlines an exclusive sneak peek of this new work inspired by the life of legendary artist Georgia O’Keeffe

CINCINNATI (March 2, 2026)—Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) invite the public to an exclusive preview of O’Keeffe: Kiss the Sky, a new opera-ballet commissioned by Washington National Opera and inspired by the life of celebrated American artist Georgia O’Keeffe, on Tuesday, March 31, 2026, at 7:30 p.m. at Cincinnati Ballet (1801 Gilbert Avenue, Cincinnati, OH 45202). This special sneak peek will be presented through Cincinnati Opera and CCM’s dynamic creative partnership, Opera Fusion: New Works, which offers composers and librettists the opportunity to refine their works-in-progress through Cincinnati-based workshops.

With music by GRAMMY Award-winning composer Christopher Tin, libretto by Kelley Rourke, stage direction by Francesca Zambello, and choreography by Jessica LangO’Keeffe: Kiss the Sky traces the artist’s journey to becoming one of America’s most iconic creative forces, and the people who shaped her along the way. At its heart is the tension between her passionate but complicated marriage to art dealer and photographer Alfred Stieglitz—her greatest champion, but also controlling and unfaithful—and the liberating influence of Mabel Dodge Luhan, an intellectual and arts patron who brought artists to the Southwest and, in so doing, helped Georgia discover the vast desert landscape that would define her work. Through opera and ballet, O’Keeffe: Kiss the Sky explores not just the artist’s life but the unpredictable ways relationships shaped her voice and legacy. Commissioned by Washington National Opera, O’Keeffe: Kiss the Sky will receive its world premiere there at a date to be announced.

Internationally-renowned soprano Christine Goerke will lead the cast of the March 31 preview in the role of Mabel Dodge Luhan, with mezzo-soprano Natalie Corrigan as Georgia O’Keeffe and tenor Tristan Tournaud as Alfred Stieglitz. Also featured are dancers Sierra ArmstrongSunMi Park, and Tristan Brosnan from American Ballet Theatre, along with student singers and dancers from CCM.

Event Information

  • Opera Fusion: New Works presents O’Keeffe: Kiss the Sky Public Preview
  • Tuesday, March 31, 7:30 p.m.
  • Cincinnati Ballet, 1801 Gilbert Avenue, Cincinnati, OH 45202
  • Tickets: $15 for adults; free for full-time students (one ticket per valid student ID)
  • Order at cincinnatiopera.org or 513-241-2742

About Opera Fusion: New Works
Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. OF:NW offers composers and librettists the opportunity to workshop an opera during a residency in Cincinnati utilizing the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists and culminate with a public presentation of excerpts. Opera Fusion: New Works is generously supported by an anonymous donor. For more information, visit ofnw.org.

About Washington National Opera
Washington National Opera (WNO) is one of the world’s leading opera companies. Led by General Director Timothy O’Leary, Artistic Director Francesca Zambello, and Music Director Robert Spano, WNO presents a wide-ranging repertory that spans iconic classics, contemporary works, and newly commissioned operas. Founded in 1956, WNO celebrates its 70th anniversary in 2026, a year that also marks its return to operating as a fully independent company. Recent seasons have featured acclaimed productions of Verdi’s Aida, Mozart’s The Marriage of Figaro, and a landmark Turandot with a newly commissioned ending by Christopher Tin and Susan Soon He Stanton. WNO’s legacy includes Zambello’s internationally celebrated Ring Cycle, the D.C. premiere of Jeanine Tesori and Tazewell Thompson’s Blue, and the world premiere of Philip Glass’ reimagined Appomattox. WNO is also internationally recognized for its education and community engagement programs, including the American Opera Initiative, the Cafritz Young Artist Program, the WNO Opera Institute, and Opera in the Outfield®, which advance WNO’s mission to make opera vital, accessible, and artistically ambitious in the nation’s capital. 

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers 10 degree types (BA, BFA, BM, MA, MFA, MM, MME, AD, DMA, PhD) in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs and workshops.

CCM provides students with professionally oriented immersive experiences in order to prepare them to enter directly into performing and media arts careers. CCM’s Opera and Voice Departments provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM’s Dance Department puts an emphasis on ballet and contemporary styles, making it perfect for dancers seeking top-level training and rigorous artistic, academic, and studio curriculum. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Many of the college’s graduates have achieved notable success in the performing and media arts, and 94.1% of graduates are working or continuing their education one year after graduation.

CCM Voice and Opera program support is provided by The Louise Dieterle Nippert Musical Arts Fund and the Patricia A. Corbett Estate. Additional support for CCM’s undergraduate opera productions is provided by Rafael and Kimberly de Acha. CCM Dance program support is provided by the Corbett Endowment and the William L. Gasch Endowment Fund for Dance Excellence. To learn more, visit ccm.uc.edu.

About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the U.S., Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Our programming is made possible in part by an investment of public funds from the Ohio Arts Council (OAC), a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund, the Harry T. Wilks Family Foundation, and the H.B., E.W. & F.R. Luther Charitable Foundation, along with many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more: cincinnatiopera.org.

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MUSICAL THEATRE SENIOR SHOWCASE Runs March 13-14

MUSICAL THEATRE SENIOR SHOWCASE 
UC College-Conservatory of Music
March 13-14
Patricia Corbett Theater [University Heights]

See and hear our musical theatre students in action at the 32nd edition of the Senior Showcase, featuring the Class of 2026 prior to its New York City debut.

  • Fri-Sat, March 13-14 at 7pm

Official page | Facebook event |

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ROPE Review

Review by Katrina “Kat” Reynolds

ROPE presented by University of Cincinnati College-Conservatory of Music through February 14th. I attended the final matinee performance. 

Homage to Stu by student cast members of ROPE presented by CCM.

What screams “Valentine’s Day Weekend” better than a murder mystery? In a limited engagement, audiences were able to see ROPE by CCM alum Amy Berryman and CCM educator Brant Russell adapted from the Patrick Hamilton play. The plot is simple: two college classmates decide to commit the “perfect murder” and then host a party while the victim’s body remains tucked away, but in plain sight.

Mr. Russell also serves as the production’s Director with the help of student Assistant Directors Kiki Hellerman and Bryce Nevison. Pacing was rather uneven, with some moments of uncontrolled chaos (i.e. talking over one another so that no one was properly heard or understood) countered with some slower cadence. In addition, blocking felt rather stagnant at times – and with such a grand set by Scenic Designer Charlie Calvert, opportunities were missed. However, one set of stage pictures in particular tickled me as someone who was in college in the Y2K era herself: the physical homage one of the killers paid to Stu Macher from the 1996 film Scream. Kudos to Costume Designer Julia Schillaci for mirroring Stu’s “final look” from the movie to bring that home.

In truth, I think the script is problematic and missing some key elements: the so-called motive to kill their classmate is never discussed and no character is fleshed out enough for the audience to have any proverbial skin in the game. Other than basic human decency, I am not sure why we are supposed to care about any of the partygoers or the victim herself. In addition, I do think it was problematic to change the victim to a female. It is evident the authors were trying to make a point (there are references to the “Final Girl” trope), but I do not believe they hit the mark on that one.

Due to the vagueness of the script, the actors did not have much with which to work. Performances were certainly fine as we have come to expect from CCM students, but lacked depth due to the 2-dimensional arcs they were given. However, the energy of the performing artists was cohesive and they acted as a true ensemble.

In summary, the production had potential – and while it didn’t resonate with me personally, the audience was almost entirely enthusiastic and supportive. While I do think some re-writes to up the suspense would be helpful, the execution of the text currently in place was certainly satisfactory.

Click here for more information about future CCM productions.

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LES MAMELLES DE TIRESIAS + MAHAGONNY SONGSPIEL Runs Feb. 26-28

surreal minimalist man with big white balloon suspended over his head

LES MAMELLES DE TIRESIAS + MAHAGONNY SONGSPIEL
UC College-Conservatory of Music Opera Double Bill
Feb. 26-28
Cohen Family Studio Theater [University Heights]

Directed by Jose Maria Condemi
Conducted by William Langley

The juxtaposition of these two works by contemporaries Francis Poulenc and Kurt Weill highlights two major artistic movements of the first half of the 20th century — surrealism and expressionism. The texts for these compositions are taken from two poet-playwrights, each towering proponents of these styles – Guilliaume Apollinaire of surrealism and Bertolt Brecht of expressionism. Both operas offer sardonic and poignant commentaries on modern society.

  • Thu-Fri, Feb. 26-27 at 8pm
  • Sat, Feb. 28 at 2pm & 8pm

Official page | Facebook event |

 

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