Tag Archives: Northern Kentucky University

NKU’s SOUTH PACIFIC Recognized by LCT

The ladies of SOUTH PACIFIC.

Ally Mellick (center) as Nellie Forbush, surrounded by the Nurses in NKU’s production of SOUTH PACIFIC.

Panelists for the League of Cincinnati Theatres (LCT) have recognized lead actress Ally Mellick as Nelly Forbush for her work in Northern Kentucky University’s production of SOUTH PACIFIC, Rodgers and Hammerstein’s classic musical of romance, prejudice and war in an island paradise.

Panelists praised Mellick’s “outstanding singing voice,” saying she was “a standout who made us fall in love with her quirky southern personality.”

South Pacific continues through November 3rd. Tickets can be obtained online at www.theatre.nku.edu.

Nominations for LCT awards will be determined and announced at the end of the season and winners awarded at the annual LCT gala in the spring.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.com.

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SOUTH PACIFIC Comes Alive at NKU

The cast of NKU's SOUTH PACIFIC.

The ladies of NKU’s SOUTH PACIFIC.

HIGHLAND HEIGHTS, KY – The Department of Theatre & Dance at Northern Kentucky University is proud to present Rodgers & Hammerstein’s SOUTH PACIFIC directed by Mike King in the NKU Corbett Theatre. This production runs Oct. 24 – Nov. 3, 2013.

Set on an island military base during World War II, SOUTH PACIFIC follows two parallel love stories that are threatened by the dangers of prejudice and war. Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Meanwhile, the handsome Lt. Joe Cable falls in love with an innocent Tonkinese girl. To find happiness these young lovers will have to challenge the values their society has “carefully taught” them.

Mike King is at the helm, directing this classic Rodgers & Hammerstein masterpiece. We asked King to elaborate on the show and the process with his cast.

What is your favorite aspect of South Pacific?
It’s hard to say, but I think my favorite part of the show is the score. It contains so many memorable songs: Some Enchanted Evening, There is Nothing Like a Dame, Younger than Springtime, Cockeyed Optimist…and the list goes on and on. But I also really love the show’s book. It is a very serious story for this time period, with a subject—racism— that was especially difficult to deal with. Rodgers and Hammerstein are so well known for The Sound of Music, that many people don’t realize how innovative and edgy they were for their time period. They were pressured by producers to soften South Pacific’s message, but fortunately they stood their ground.

With such an iconic musical, what did you look for in your actors when they auditioned?
I looked for the things I usually look for. I looked for actors who could sing the songs. I looked for performers with strong dance skills. And, since the book scenes in this musical are so important, I looked for people with strong acting skills. It was exciting to find so many performers with all those skills.

What research did you do to prepare for directing South Pacific?
One of the most important pieces of research I did was reading James Michener’s Tales of the South Pacific, the source material for the show. I felt that really helped me understand the thoughts of some of the characters, their backgrounds, and the importance of the events that ended up being dramatized in the show. The extra insights from the book helped a great deal in directing the show.

Is there anything about the process of SOUTH PACIFIC that surprised you?
The process has been full of wonderful surprises. The production staff is full of new faces (or at least folks I hadn’t worked with before)—music director Damon Stevens, choreographer Jay Goodlett, lighting designer Jonathan Fuchs, and costume designer Ronnie Chamberlain. It’s been great to work with such talented artists. And the cast is full of new faces too, along with performers audiences have seen in other shows

Allysun (Ally) Mellick, one of the many talented actors in the cast, plays the role of Nellie Forbush. Ally is no stranger to the musical having fallen in love with the show and with performing after her mother took her to see SOUTH PACIFIC when she was a kid. Now she gets to take on the role of the fun and sassy Nellie. “Nellie is a very complex character but I do feel that I share similar traits with her. She is a country girl from a small town just like me and we are both fun- loving and easy going. I would even like to say that we are both Cockeyed Optimists! Becoming Nellie Forbush has been a blast because I do get to put a little of myself into the role.”-Mellick

Come relive the beauty and majesty of this one of a kind golden age musical. The show times are based on the days of the week. Wednesday – Saturday performances are at 8pm. Sunday performances are matinees and will start at 3pm.

For more information call the NKU Fine Arts Box Office at 859.572.5464 or go to www.Theatre.nku.edu.

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AS YOU LIKE IT Runs Nov. 21-Dec. 8

Top to bottom: Sophomore Hunter Henrickson as Touchstone, Senior Miranda Kaye Hamilton as Rosalind, and Junior Victoria Hawley as Celia

Top to bottom: Hunter Henrickson as Touchstone, Miranda Kaye Hamilton as Rosalind & Victoria Hawley as Celia

AS YOU LIKE IT
Presented by Northern Kentucky University
Nov. 21-Dec. 8
Highland Heights

Directed by Sandy Forman

AS YOU LIKE IT is considered by many to be one of Shakespeare’s greatest comedies. Rosalind, the daughter of a banished duke falls in love with Orlando the disinherited son of one of the duke’s friends. When she is banished from the court by her usurping uncle, Duke Frederick , Rosalind switches genders and as Ganymede travels with her loyal cousin Celia and the jester Touchstone to the Forest of Arden, where her father and his friends live in exile. As friends are made observations on life and love follow (including love, aging, the natural world, and death). But will these any of them ever find true happiness? Will the Duke finally come to his senses and reunited his family as well as his kingdom? Shakespeare keeps you guessing until the end!

  • Thu-Sat, Nov. 21-23 at 8pm
  • Sun, Nov. 24 at 3pm
  • Wed-Sat, Dec. 4-7 at 8pm
  • Sun, Dec. 8 at 3pm

Official page |

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MOBY DICK REHEARSED Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

MOBY DICK REHEARSED presented by Northern Kentucky University through Oct. 6. Read the show description.

The cast of MOBY DICK REHEARSED

The cast of MOBY DICK REHEARSED

Northern Kentucky University Theatre and Dance kick off their 2013-2014 Season with a well-done production of Orson Wells’ MOBY DICK REHEARSED.

The set was very-well done. It took me a few minutes, after being seated, to remember that I was in the Stauss Theatre, NKU’s black box. The constructed stage and proscenium looked great, right down to the footlights. The set pieces also worked well in form and function. I look forward to seeing more work by scenic and properties designer Emily M. Graver in the future. A small issue, I would have liked to have seen the bottom of the painting raised off the floor, so it could have been seen a bit better as it was pieced together.

Nothing sells a show more than an ensemble fully-committed to what they are doing on stage. In that regard NKU’s season opener succeeds. Their hard work was especially evident in both the first act church scene and in the second act’s hunt for the great white whale. It was nice to scan through the ensemble during these scenes and see the individual character choices and reactions. Wes Carman as Starbuck and Kat Moser as the Stage Manager were personal favorites.

At times, I did have issues with the line delivery. MOBY DICK REHEARSED is a very wordy show and it might help if you give the audience a chance to process what is being said. Several of the monologues could use some well-chosen pauses or tempo changes to keep us in the moment.

Several of the monologues were delivered out to the house, but I was unclear if the actors were breaking the fourth wall. If you were, and trying to engage the audience and pull them in, it might help to shift where you are looking from the back wall.

I also felt that in several of the intense scene, the cadence of the speakers seemed to pick up speed as lines switched from actor to actor. In the climatic confrontation, the sound-effects began to overpower Ishmael, causing him to almost yell, further distorting the lines.

Speaking of the sound effects, I was a little confused by the decision to go from on stage effects and musical accompaniment to recorded sound effects and underscoring.

NKU_Moby Dick Rehearsed

Wes Carman as Starbuck, Chris Darnell as Captain Ahab & Chandler Taylor as Ishmael.

The costumes, designed by Ronnie Chamberlain, were nicely done and appropriate to the time period. I did find the beard and hat combination for ship owner Mr. Peleg, made him look a bit like Tevye from “Fiddler.” Also a reminder men, that hats should come off when you come indoors in the opening scene. This would also keep the Actor Managers face from falling into shadow when he is in front of the stage.

Overall a well-done and entertaining production that keeps the audience involved in this classic tale of obsession.

Complete list of show times for MOBY DICK REHEARSED.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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SOUTH PACIFIC Runs Oct. 24-Nov. 3

The ladies of SOUTH PACIFIC.

The ladies of SOUTH PACIFIC.

SOUTH PACIFIC
Presented by Northern Kentucky University
Oct. 24-Nov. 3
Highland Heights

Directed by Mike King

Cast: Matt Krieg as Emile de Becque, Carlos Matthews as Henry, Kyle Gaskin as Luther Billis, A. James Jones as Stewpot, Andrew Wiemann as Professor, Noah Berry as Lt. Joe Cable USMC, Colton Viehmann as Capt. George Brackett USN, Colin Kissel as Cmdr. William Harbison USN, Ally Mellick as Nellie Forbush, Jessica Leslie Adamson as Bloody Mary, Kaenna Bartolome as Liat, Anna Rose M. Deleon Guerrero as Bloody Mary’s Assistant, Ana Reynolds as Ngana, Nathan Goodlett as Jerome, Andrew Burns as Buzz Adams/Ensemble, Bradley Goren as O’Brien/Ensemble, Kyle Taylor as Yeoman Quale, Elliot Handkins as Thomas Hassinger, Brandon Huber as Radio Operator McCaffrey, Kayla Pecchioni as Nurse Janet McGreggor, Ellie Chancellor as Nurse Rita Adams, Gabriella Francis as Nurse Bessie Noonan, Madeleine Burgoon as Nurse Cora MacRae & Taylor Reynolds as Nurse Dinah Murphy

Set in an island paradise during World War II, two parallel love stories are threatened by the dangers of prejudice and war. Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Nellie learns that the mother of his children was an island native and, unable to turn her back on the prejudices with which she was raised, refuses Emile’s proposal of marriage. Meanwhile, the strapping Lt. Joe Cable denies himself the fulfillment of a future with an innocent Tonkinese girl with whom he’s fallen in love out of the same fears that haunt Nellie. When Emile is recruited to accompany Joe on a dangerous mission that claims Joe’s life, Nellie realizes that life is too short not to seize her own chance for happiness, thus confronting and conquering her prejudices.

  • Thu-Sat, Oct. 24-26 at 8pm
  • Sun, Oct. 27 at 3pm
  • Tue-Sat, Oct. 30-Nov. 2 at 8pm
  • Sun, Nov. 3 at 3pm

Official page |

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