Tag Archives: Falcon Theatre

RABBIT HOLE Runs March 24-April 8

ft_rabbit-hole-logoRABBIT HOLE
Falcon Theatre
March 24-April 8
Newport

Directed by Tracy Schoster

Cast: Tara Williams as Becca, Katie Groneman as Izzy, Ted Weil as Howie, Cathy Roesener as Nat & Evan Blanton as Jason

How does a family deal with the loss of a child? The Pulitzer- and Tony Award-winning Rabbit Hole explores how loss affects a couple’s relationships and family dynamics with wit and grace.

  • Fri-Sat, March 24-25 at 8pm
  • Thu-Sat, March 30-April 1 at 8pm
  • Thu-Sat, April 6-8 at 8pm

Official page |

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Falcon Presents RABBIT HOLE Opening March 24th

ft_the-rabbit-hole-logoRABBIT HOLE traces the physical and emotional aftermath of a couple’s loss of their only child. The story examines the languishing and wilting relationship of Becca and Howie Corbett whose son Danny was killed by a teenage driver. In the ensuing months, the couple, along with Becca’s mother and sister, grapple with grief, guilt, and inevitable blame as they attempt to make sense of the tragedy. Peppered with a surprising amount of humor, the play deftly depicts the impact and outcome of a parent’s worst nightmare come true.

Performances will be March 24, 25, 30, 31, April 1, 6, 7, and 8 at 8 PM  

Cast:

  • Becca: Tara Williams
  • Howie: Ted Weil
  • Izzy: Katie Groneman
  • Nat: Cathy Roesener
  • Jason: Evan Blanton

 
Director: Tracy M. Schoster

All tickets are $20, $15 for students with i.d. On Thursdays, enjoy $5 off every ticket!

For more information, go to falcontheater.net

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2017-18 Season Lineup Announced at Falcon Theatre

FT_logoNewport, KY — February 21, 2017 — Falcon Theatre Artistic Director Ted Weil has announced the theater’s slate of plays for its 2017-18 season. The lineup offers a wide range of dramatic genres and styles…from a tragic twentieth-century American classic…to a pair of troubling tales that explore issues facing today’s society…to a powerful, contemporary reimagining of a familiar two-hundred-year-old Gothic saga that’s still relevant to our modern world.

Production dates have not been set, so the list of plays is in no particular order.

  • FRANKENSTEIN by Nick Dear, based on the novel by Mary Shelley — Born and cast into a cruel and hostile world, Victor Frankenstein’s grotesque and bewildered Creature wanders the world, seeking acceptance and compassion. As he becomes increasingly desperate and vengeful, the Creature confronts his horror-struck creator to strike a terrifying deal. This deeply disturbing tale examines issues of scientific responsibility and morality, parental neglect, and the nature of good and evil.
  • POOR BEHAVIOR by Theresa Rebeck — A weekend in the country for two couples spins out of control when Maureen makes jealous and reckless accusations of infidelity between her husband Ian and their old friend Ella. As Ella’s husband Peter makes a futile attempt to control the domestic carnage, the story develops into a fiercely funny and farcical commentary on the unexpected ease of betrayal and the fragility of marriage.
  • A STREETCAR NAMED DESIRE by Tennessee Williams — Blanche DuBois, a woman whose existence has been undermined by a lifetime of romantic illusions, arrives at her sister’s New Orleans apartment, seeking to stay for a while after the loss of their family’s ancestral home. Ensuing friction between Blanche and Stanley Kowalski, her sister Stella’s husband, leads to a tragic, inevitable conclusion.
  • THE PILLOWMAN by Martin McDonagh — In an unnamed totalitarian state, a writer whose macabre fairy tales are eerily similar to a series of child murders is interrogated by government officials. The unsettling and darkly humorous story that follows is an unblinking examination of the power, nature, and purpose of art.
  • A GREAT WILDERNESS by Samuel D. Hunter — Walt, a gentle-natured leader of a Christian retreat, has devoted decades of his life to “curing” gay teens of their homosexuality. Packing up his life and preparing for a reluctant retirement, Walt is pressured into accepting one last client. When that client disappears into the Idaho wilderness, Walt is forced to examine the possibility that he has been deceiving himself and others for the bulk of his life. The story navigates complex moral terrain and explores the inconstant strength of personal convictions.

Artistic Director Ted Weil: “We’re extremely excited about the year. We strive to build well-rounded seasons, with a balance of classics and newer works, including area premieres. This slate of plays is true to our mission and gives our patrons a diversity of productions that will appeal to every taste.”

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THE MAN WHO SHOT LIBERTY VALANCE Review

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Craig Branch as Ronsome Foster, Derek Snow as Jim Mosten & Erin Carr as Hallie Jackson.

THE MAN WHO SHOT LIBERTY VALANCE presented by Falcon Theatre through Feb. 11. Click here for more information on the production. I attended the opening Saturday performance.

To the best of my recollection, THE MAN WHO SHOT LIBERTY VALANCE is only the second play I’ve attended that was set in the Old West. My dad was a huge John Wayne fan, but I don’t remember seeing the film as a kid, so I’ll leave it to someone else to tell you how it stacks up against the movie.

In this cast, Craig Branch does well as fish-out-of-water Ransome Foster, an Easterner passing through town on his way West who gets waylaid by the title character. As bar owner Hallie Jackson, Erin Carr is completely believable as a strong-willed woman with little experience in the ways of the heart.

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Craig Branch as Ransome Foster & Allen R. Middleton as Bert Barricune.

Allen R. Middleton is pitch perfect as Bert Barricune, the hard-nosed cowboy with a well-hidden heart of gold. Derek Snow’s Jim (Reverend) Mosten, is a kind, gentle soul who’s easily likeable and provides a great emotional impact to the play. The relationships between these four characters are well-defined and believable.

Eleventh hour addition to the cast, Paul Morris, is spot-on as the villain of the piece, Liberty Valance. His entrance near the end of Act I completely changes the mood of the show. As Marshal Johnson, I would have liked to have seen stronger character choices from actor Terry Gosdin. As portrayed, the Marshall’s personality and temperament seem out of place in comparison to the other residents of this frontier town.

Ed Cohen is a great choice for the Narrator, but I do think that placing him seated at a table upstage right table is a weak choice to engage the audience. The line delivery was low, conversational, and partly addressed to his table mate. If you are the narrator and break the fourth wall, then be the narrator and break the fourth wall. Nathan Tubbs, Paul Kerford Wilson and Jay Dallas Benson nicely round out the ensemble.

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Erin Carr as Hallie Jackson & Allen R. Middleton as Bert Barricune.

Director Tara Williams has a good eye for motivated movement and setting stage pictures. I did feel that the space downstage right was underutilized with the show being center and stage left heavy. The biggest struggle with the show for me was the pacing. There seems to be this unwritten rule that people of the Old West talk…real…slow….and there were times when this was true in this production as well. Quicker line pickups would have also helped, as not every cue line needs a reaction. This is especially true in the final pages of Act II, which as written drags out the reveal that the audience has already figured out. As performed, it seems to run about ten minutes longer than it should.

The set works well for the most part and I really enjoy the look of the reclaimed wood. The rocking chair seems like an odd choice for a saloon and actors struggled to get around it. Another awkward moment was trying to get the casket off stage after the initial scene. Although I couldn’t see the exit downstage left, it was easy to hear the modern door hardware.

Overall, a solid Western with great characters and a romance or two that will only get stronger in its final two weeks.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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THE MAN WHO SHOT LIBERTY VALANCE Runs Jan. 27-Feb. 11

ft-the-man-who-shot-liberty-valance-logoTHE MAN WHO SHOT LIBERTY VALANCE
Falcon Theatre
Jan. 27-Feb. 11
Newport

Directed by Tara Williams

Cast: Craig Branch as Ransome Foster, Erin Carr as Hallie Jackson, Allen R. Middleton as Bert Barricune, Derek Snow as Jim Mosten, Paul Morris as Liberty Valance, Terry Gosdin as Marshal Johnson, Nathan Tubbs as Jake Dowitt/Gang/student/etc, Paul Kerford Wilson as Deputy/Gang/student/etc, Jay Dallas Benson as Mourner/Gang/student/etc & Ed Cohen as Narrator

THE MAN WHO SHOT LIBERTY VALANCE is a classic story of good versus evil, law versus the gun, one man versus Liberty Valance. A tale of love, hope and revenge set against the vicious backdrop of a lawless society.

  • Fri-Sat, Jan. 27-28 at 8pm
  • Thu-Sat, Feb. 2-4 at 8pm
  • Thu-Sat, Feb. 9-11 at 8pm

Official page | Facebook event |

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