Tag Archives: Ensemble Theatre Cincinnati

FOURTEEN FUNERALS Review

Review by Katrina “Kat” Reynolds

FOURTEEN FUNERALS presented by Ensemble Theatre Cincinnati through April 12th. I attended the Opening Night performance. 

Shonita Joshi as Sienna & Maggie Lou Rader as Millie. Photo by Ryan Kurtz.

A young woman receives a vague call regarding the deaths of distant relatives in a small town – sounds like the intro to something spooky, right? Dead wrong. This spring, Ensemble Theatre Cincinnati presents FOURTEEN FUNERALS, a dusky comedy by playwright Eric Pfeffinger.

Director Torie Wiggins (who was keen to take on a comedy after a series of less-than-humourous projects) wields her artistic magic adeptly in this two-hander. With the action taking place entirely in a funeral home, Ms. Wiggins skillfully keeps the momentum going and staging animated so the space does not feel claustrophobic. The juxtaposition of this with necessary moments of stillness is superb. Scenic & Lighting Designer Brian c. Mehring offers his usual attention to detail with some amusing little Easter eggs (the boxes of tissue everywhere are a great choice). Special shoutout to Sound Designer Trey Tatum for his homage to fireworks (#IYKYK).

This show calls for two actors who have great chemistry – and ETC delivers with a dynamic duo. Shonita Joshi plays Sienna, a very anti-smalltown human who is forced to face a lot more than for which she bargained when she arrives in Blissfield, IN. Ms. Joshi is a very natural actor and excels at portraying the hardened character whose cracks slowly begin to show. Countering the hard shell of Sienna is Millie, the mortuary’s receptionist who is depicted by Maggie Lou Rader. Ms. Rader is entirely believable as a chatty and optimistic employee who struggles with typical funeral home reserve. Like her co-star, she offers an incredible take on her character’s arc as we discover some of the darker things Millie has witnessed. Dialogue flows easily between the two performing artists and laughter is elicited from their audience with seemingly little effort. Brava to a very talented pair of professionals!

In just two acts, the audience plays witness to a deep study of the human condition. Certainly grief plays a role – we are addressing death, after all; but there is so much more than one might expect. Mr. Pfeffinger has managed to write a piece filled with many emotions that still manages to end with the audience smiling – and it doesn’t take an unrealistically sappy path to get you there. This is a feel-good time at theatre in all the best ways.

Click here for more information about the production.

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Ensemble Theatre Cincinnati Announces 2026-2027 Season

(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC), the region’s premiere theatre, is delighted to announce its 2026– 2027 season, which includes the return of a fan-favorite comedy, a world premiere musical unlike any other, a chilling and deeply human award-winning drama, a witty and heartwarming comedy, a powerful and music-filled drama, and the return of a beloved, whimsical musical!

“The shows for our 2026-2027 Season all have a theme of how to become your true self and how you can bring your unique talents to the world,” says Producing Artistic Director D. Lynn Meyers. “We’re going to watch the creative process for six decades of music unfold from a legend of song and stage; we’re bringing back the phenomenal talents of two actors to reprise their roles together in one of our most popular shows; we’re going to discover where true beauty looks like; we’re going to ask questions about what we owe the children of tomorrow and how we live in the moment of today; and we’re going to close our season with a comedy from the award-winning Theresa Rebeck. For our 41st Season, we’re starting a new chapter for Ensemble and looking forward to what’s next.”

About the Plays
Ensemble Theatre Cincinnati will kick off the 2026–2027 Season with Corner of the Sky: The Music of Stephen Schwartz, a world premiere of the first theatrical celebration of the legendary Stephen Schwartz songbook, highlighting six decades of songs from the beloved Grammy– and Academy Award–winning composer of Wicked, Pippin, Godspell, The Prince of Egypt, and other Broadway and Hollywood classics. Conceived and created by Scott Coulter (CCM ’93), this thrilling and moving musical begins with Stephen’s first hit Broadway song, “Corner of the Sky,” and features the myriad musical ways it led to everything that came after, including “Defying Gravity.” Playing September 5–27, 2026.

Next, travel back to 1967 with Jeffrey Hatcher’s charming comedy, Mrs. Mannerly, taking the stage October 13 – November 1, 2026. Set in Steubenville, Ohio, this autobiographical play follows nine-year-old Jeffrey as he tackles the rigorous etiquette class of the formidable Mrs. Mannerly, a teacher with a mysterious past and zero tolerance for rudeness. Through mischief, determination, and surprising friendship, Jeffrey learns that manners are about more than just forks and napkins; they’re lessons in life, respect, and self-discovery. ETC brings back one of its most popular productions in its history, with Raymond McAnally and Dale Hodges reprising their roles from the sold-out run. Packed with sharp wit, heartwarming moments, and nostalgic humor, Mrs. Mannerly is a delightful romp that proves good manners—and laughter—never go out of style.

For the holidays, ETC revives one of its most treasured family-friendly holiday musicals, Cinderella, with book by Joseph McDonough, lyrics by David Kisor, and music by Fitz Patton, December 9–30, 2026. What do you get when you mix a nearsighted bookworm heroine, two fabulously self-absorbed stepsisters, a devilishly diva stepmother, and a self-empowering Well-Wisher? A delightfully modern spin on the classic fairy tale, proving that being smart is the ultimate kind of beautiful! When the King urges his romantically challenged son to choose a bride from hundreds of “applicants,” a hilarious cross-country quest unfolds to reunite a missing sneaker—yes, a sneaker!—with its rightful owner. Full of laughs, charm, and heart, Cinderella is perfect for audiences of all ages.

Then, ETC presents the regional premiere drama The Children by Lucy Kirkwood, from January 30 – February 21, 2027. In a secluded cottage on the British coast, retired nuclear physicists Hazel and Robin live quietly, tending their garden, practicing yoga, and savoring the peace they’ve carved out for themselves. Outside, the world is in utter chaos following a devastating disaster. Their fragile calm is shattered when an old colleague arrives with a shocking and morally urgent request, forcing the three friends to confront their shared culpability in this searing eco-thriller about accountability and guilt, reparation and redemption. Darkly funny, chilling, and deeply human, The Children is an urgent and haunting exploration of environmental responsibility, legacy, and the price of survival.

Next up, ETC presents the regional premiere drama Paradise Blue by Dominique Morisseau, March 20 –April 11, 2027. Welcome to the sultry, jazz-filled Paradise Club. It’s 1949 in Detroit, and Blue, a gifted trumpeter and owner of the once-vibrant nightclub, is ready to leave this town and his family demons behind. But where does that leave his devoted Pumpkin, who has dreams of her own? And what does it mean for the club’s resident band? When a seductive stranger enters the picture with plans of her own, everything is turned upside down, and the club’s makeshift family and their troubled bandleader find themselves fighting for the future of Paradise. From the Tony Award–nominated playwright of Ain’t Too Proud and Detroit ’67, this chapter of Morisseau’s three-play Detroit Project is a powerful noir-inspired, music-filled drama that explores ambition, loyalty, and the meaning of community.

ETC’s 2026–2027 season closes with the regional premiere comedy Bad Dates: End Game, written and directed by Cincinnati native and award-winning playwright Theresa Rebeck, playing May 8 – 30, 2027. Twenty years after Theresa Rebeck broke the mold of Off-Broadway romantic comedies with Bad Dates, she returns with Bad Dates: End Game, following Haley as she navigates the chaos of modern dating with sharp wit, comedic charm, and a few margaritas along the way. From disastrous Tinder encounters to awkward setups, this post-menopausal widow proves that life’s second act can be hilarious, heartfelt, and full of unexpected joy. Critics hailed the original as “hilarious and heartwarming,” and this laugh-out-loud sequel delivers the same relatable humor, resilience, and charm—complete with the iconic heroine audiences have adored for two decades.

Subscriptions On Sale Now
Subscriptions to the 2026-2027 Ensemble Theatre Cincinnati season are on sale now. Packages can be purchased by calling the box office at (513) 421-3555.

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2026–2027 Season Presenting Sponsor is the LKC Foundation.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich, and inspire our audiences.

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CARS, DOGS, MONEY, AND THE MOON Runs March 19-22

CARS, DOGS, MONEY, AND THE MOON
Ensemble Theatre Cincinnati Studio Series
March 19-22
[Over-the-Rhine]

By David Kisor
Directed by Jared D. Doren

Cast: Keaton Eckhoff, David Kisor, Jennie Malone & Linsey Rogers

Cars, Dogs, Money, and the Moon is an evening of songs and storytelling set in Huntington, West Virginia. With the spirit of a good old-fashioned hootenanny, the original score moves from foot-stomping tunes to tender, heartfelt ballads. Blending true family history with a few well-spun tall tales, Kisor transports audiences to the mid-1900s, when life felt simpler in some ways and harder in others. Together, the songs and stories unfold like a living photo album, capturing the grit, humor, and heart of urban Appalachia.

Cars, Dogs, Money, and the Moon was first produced at Ensemble Theatre in 1996, directed by D. Lynn Meyers in her first season as Artistic Director. David Kisor recalls, “When I brought the idea to Lynn, it was just a few songs and scene sketches. She skillfully helped sew the pieces together into a patchwork quilt of a show. I was green back then, writing straight from the heart. The honesty of the storytelling produced some of my most memorable songs.”

  • Thu-Fri, March 19-20 at 7pm
  • Sat, March 21 at 4pm
  • Sun, March 22 at 5pm

Official page |

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ETC Presents Regional Premiere Comedy FOURTEEN FUNERALS, March 21-April 12

(Cincinnati, OH) Family. You can’t pick ‘em—even when they’re dead. Ensemble Theatre Cincinnati (ETC) presents the regional premiere comedy FOURTEEN FUNERALS by Eric Pfeffinger. With sharp dialogue and poignant moments, this production offers a comedic yet touching look at the ties that bind us—sometimes even after death. Directed by Torie Wiggins, FOURTEEN FUNERALS takes the stage March 21–April 12, 2026. Premiere Sponsor is John Goering. Design Sponsor is Linda R. Holthaus.

When Sienna receives a cryptic call about the untimely deaths of distant relatives in Blissfield, Indiana, she finds herself unexpectedly tasked with delivering eulogies for family members she’s never met. What begins as a peculiar obligation soon transforms into a journey of self-discovery and unexpected friendship with Millie, the quirky funeral home receptionist. This witty and heartfelt new play explores themes of identity, connection, and the stories we inherit.

“When I first heard the title of FOURTEEN FUNERALS, I didn’t think I was interested. After I read it, I realized it’s not a story about death . . . it’s a story about life,” says ETC’s Producing Artistic Director D. Lynn Meyers. “It shares this concept that your past brings you fully and presently into your future—how your past is something that informs who you are and gives you the information you need to know where to go. FOURTEEN FUNERALS is a story about the family you come from, the family you choose, and how you can celebrate both.”

About the Cast
Shonita Joshi (Sienna) was last seen at Ensemble Theatre in Grand Horizons. She was born in Pune, India, and now lives in Brooklyn, New York. She graduated from Stella Adler School of Acting and has degrees in banking, finance, and journalism. Some of her recent credits include productions at Veterans Repertory Theatre and Chenango River Theatre in New York; Purple Rose Theatre in Michigan; The Human Race Theatre Company, Cincinnati Playhouse in the Park, and Ensemble Theatre in Ohio; Peterborough Players in New Hampshire; and more. She recently made her television debut in season 27 of Law & Order: SVU.

Maggie Lou Rader (Millie) was last seen at Ensemble Theatre in I Need That. She attended William Jewell College, Oxford University, and the Royal Birmingham Conservatoire. She has performed regionally with Cincinnati Playhouse in the Park, Human Race Theatre Company, Florida Studio Theatre, Alabama Shakespeare Festival, The Kitchen Theatre, Know Theatre of Cincinnati, and Cincinnati Shakespeare Company. Some of her favorite credits include The Pilot in Grounded, Maggie in Cat on a Hot Tin Roof, and Marie Antoinette in The Revolutionists. She’s also a national award-winning playwright and resident artist at Cincinnati Playhouse in the Park.

Production team: Brian c. Mehring (Resident Scenic & Lighting Designer), Cat Schmeal-Swope (Costume Designer), Trey Tatum (Sound Designer), Shannon Rae Lutz (Properties Curator & Design Assistant), and Jacob Dowell (Technical Director). Production Stage Manager is Lexi Muller. Assistant Stage Manager is Maddi O’Connell.

Performance Information
Performances Tuesday-Saturday at 7:30 pm; Saturday and Sunday at 2:00 pm. A complete calendar of performances is available at www.ensemblecincinnati.org.

Ticket Prices
Tickets start at $22 for adults; student tickets are $29; and children are $27. Half-Price Rush Tickets: All remaining tickets for the current day’s performance(s) are available two hours prior to each show time for half-price (discount only applies to adult tickets) when purchasing by phone or in person.

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2025–2026 Season Presenting Sponsor is the LKC Foundation.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich, and inspire our audiences

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FOURTEEN FUNERALS Runs March 21-April 12

FOURTEEN FUNERALS 
Ensemble Theatre Cincinnati
March 21-April 12
[Over-the-Rhine]

When Sienna receives a cryptic call about the untimely deaths of distant relatives in Blissfield, Indiana, she finds herself unexpectedly tasked with delivering eulogies for family members she’s never met. What begins as a peculiar obligation soon transforms into a journey of self-discovery and unexpected friendship with Millie, the quirky funeral home receptionist. This witty and heartfelt new play explores themes of identity, connection, and the stories we inherit. With sharp dialogue and poignant moments, Fourteen Funerals offers a comedic yet touching look at the ties that bind us—sometimes even after death. Fourteen Funerals mixes dark humor and family chaos for a comedy that’s anything but solemn, wryly tackling mature themes like death, grief, and dysfunction with occasional use of strong language.

  • In preview Sat, March 21 at 7pm
  • In preview Tue, March 24 at 7pm
  • Wed-Fri, March 25-27 at 7:30pm
  • Sat, March 28 ta 2pm & 7:30pm
  • Sun, March 29 at 2pm
  • Tue-Fri, March 31-April 3 at 7:30pm
  • Sat, April 4 ta 2pm & 7:30pm
  • Sun, April 5 at 2pm
  • Tue-Fri, April 7-10 at 7:30pm
  • Sat, April 11 ta 2pm & 7:30pm
  • Sun, April 12 at 2pm

Official page |

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