Tag Archives: Ensemble Theatre Cincinnati

THE GARBOLOGISTS Runs Sept. 14-Oct. 6

THE GARBOLOGISTS
Ensemble Theatre Cincinnati
Sept. 14-Oct. 6
[Over-the-Rhine]

Two essential workers from different worlds discover there’s more that binds them than taking out the trash in this off-beat buddy comedy. Danny and Marlowe are polar opposites: he’s a gruff NYC sanitation worker hiding a heart of gold, and she’s a determined Ivy-League-educated newbie assigned to his route. Amidst their shifts spent bickering, they each have some wisdom to share, but will the other listen? When thrown together to pick up what the world has discarded, they learn that some things are easier to toss than others. Content warning: As these two sanitation workers butt heads and bicker, they use adult language and sexual references. Handling the trash of New York City also sparks conversations on death of a loved one, cancer, and trauma, as well as joy, love, and singing fish.

  • In preview Sat, Sept. 14 at 7pm
  • In preview Tue, Sept. 17 at 7pm
  • Wed-Fri, Sept. 18-20 at 7:30pm
  • Sat, Sept. 21 at 2pm & 7:30pm
  • Sun, Sept. 22 at 2pm
  • Tue-Fri, Sept. 24-27 at 7:30pm
  • Sat, Sept. 28 at 2pm & 7:30pm
  • Sun, Sept. 29 at 2pm
  • Tue-Fri, Sept. Oct. 1-4 at 7:30pm
  • Sat, Oct. 5 at 2pm & 7:30pm
  • Sun, Oct. 6 at 2pm

Official page |

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HANDS ON A HARDBODY Review

By Katrina “Kat” Reynolds

HANDS ON A HARDBODY presented by Ensemble Theatre Cincinnati through June 30th. I attended the Opening Sunday matinee performance. NOTE: At this performance, Sara Mackie and KG Rucker went on as Janis Curtis and Frank Nugent, respectively. 

ETC_Hands on a Hardbody

The cast of Hands on a Hardbody presented by Ensemble Theatre Cincinnati. Photo by Ryan Kurtz.

Ensemble Theatre Cincinnati is closing out their 2023-2024 with a show they produced a decade ago: Tony-nominated HANDS ON A HARDBODY. Featuring book by Doug Wright, Lyrics by Amanda Green, and Music by both Phish frontman Trey Anastasio and Amanda Green, HARDBODY is inspired by the true events of the 1997 documentary of the same name. 10 hard-on-their-luck Texans are chosen at random to compete for a brand new truck by keeping at least one hand on the vehicle in order to win it. What follows is funny and touching journey rife with catchy tunes. 

Under the direction of D. Lynn Meyers, a formidable cast does it utmost to sing their way into our hearts. Ms. Meyers knows how to put together some of the best casts in Cincinnati theatre and this one is no exception. Music Director extraordinaire Steve Goers works his magic on the beautiful harmonies the cast takes on. His work with the singers brings out the perfect emotional setting for each and every song which is no small task. Choreography by Chaz Wolcott is smart, extremely creative, and holds its own as both enhancement to the characters’ stories as well as being a character by itself. Bravx to this incredible creative team!

A lovely problem to have a reviewer is when you find it hard only to mention certain artists. When a show boasts the talents of Jamie Cordes, Denise Devlin, Phil Fiorini, Annie Fitzpatrick, Jim Hopkins, Jared Joplin, Sara Mackie (performing for Deb G. Girdler), Andrew Maloney, Deondra Kamau Means, Patrick Earl Phillips, KG Rucker (performing for Michael G. Bath), Brooke Steele, Franco Valerga, Aleah Vassell, and Kate Wilford, you know you are in for a feast for the senses. But I shall try to cite specific examples.

Two words: Jared Joplin. We all know Mr. Joplin has one of most melodic speaking voices in theatre – but did you know the man can wail? As previous hardbody winner Benny Perkins, he gives us strong, incredible vocals coupled with an acting turn which will send your heart on a roller coaster of emotions. I’d imagine this has to be an exhausting role to play, but it must also be incredibly satisfying and fulfilling. Perfect execution at its finest. (And for the record, I didn’t have “Jared Joplin executes perfect choreography mimicking bull-riding on the bed of truck” on my 2024 Bingo card, but here we are. Thank you for that, Mr. Wolcott.)

Speaking of incredible vocals, may I mention Aleah Vassell in the role of Norma Valverde? Not only does Mx. Vassell have an incredible gift of song, they possess an impressive set of acting skills as well. Norma is a generally happy, positive character – but days in the Texas heat with your hands on a scorching truck will get to just about anyone. Mx. Vassell expertly navigates their character’s arc with grace and grit.

I did not have the pleasure of seeing ETC’s original go at HANDS ON A HARDBODY – but I am secure in stating that even if you did, you should see this one. With an entertaining and engaging story, stellar performances, and atypical musical music (read: actually good), it is a win-win. Further, you will not leave the theatre in anything but a better mood than when you entered. In what is ultimately a story of perseverance, we are reminded how much human beings have in common, no matter how different we may seem.

Click here for more information about the production.

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Ensemble Theatre Cincinnati Closes the 2023-2024 Season with the Musical HANDS ON A HARDOBDY, June 8-30

ETC_Hands on a Hardbody(Cincinnati, OH) Start. Your. Engines. Ensemble Theatre Cincinnati (ETC) closes its 2023-2024 Season with the regional musical revival of the fan favorite Hands on a Hardbody. Based on the 1997 documentary film of the same name, this show garnered three Tony Award nominations and features a brilliant score from Amanda Green and Trey Anastasio (front man for the band Phish), along with a masterful story by Pulitzer Prize winner Doug Wright
(I Am My Own Wife, Grey Gardens). The show, which features a full-size Nissan hardbody truck on stage alongside its cast of fifteen, plays June 8–30, 2024 and is directed by D. Lynn Meyers. Premiere Sponsors are Daniel Brown and Mark Haggard. Truck Sponsors are Rich Postler and Manuel Hernandez. Music Sponsors are Damon, Holly, and Deej Ragusa. Artist Sponsor is Messer Construction Co.

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor, and ambition, they’ll fight to keep at least one hand on a brand-new truck in order to win it. Inspired by true events and infused with a “fresh roots-rock vibe,” this is the hilarious, hard-fought contest where only one winner can drive away with the American dream. Featuring a catchy combination of blues, rock and roll, and country songs, this musical is a peek into the lives of everyday, ordinary Americans struggling to survive against the backdrop of a broken and beaten working middle class.

“In today’s world, if we can unify over something or someone we love, we can learn a lot from each other,” explains ETC Producing Artistic Director D. Lynn Meyers. “That’s what happens in Hands on a Hardbody. The music is hauntingly beautiful and terrifically catchy. We chose to do this play again and right now because of the economic state of theatre in this country. It’s an enormous undertaking, but it was time to invest in the people that make theatre possible, and hiring fifteen actors to do this amazing Tony-nominated play is the right thing for Ensemble to do to stay true to who we are.”

Cast includes Michael G. Bath (Frank Nugent), Denise Devlin (Heather Stovall), Phil Fiorini (JD Drew), Annie Fitzpatrick (Cindy Barnes), Deb G. Girdler (Janis Curtis), Jim Hopkins (Don Curtis/Dr. Stokes), Jared Joplin (Benny Perkins), Andrew Maloney (Greg Wilhote), Deondra Kamau Means (Ronald McCowan), Patrick Earl Phillips (Chris Alvaro), Brooke Steele (Kelli Mangrum), and Kate Wilford (Virginia Drew).

Additionally, Ensemble Theatre Cincinnati welcomes the following performers in their ETC debuts: Jamie Cordes (Mike Ferris), Franco Valerga (Jesus Peña), and Aleah Vassell (Norma Valverde).

Production team: Brian c. Mehring (Resident Scenic & Lighting Designer), Steve Goers (Music Director), Chaz Wolcott (Choreographer), Cat Schmeal-Swope (Costume Designer), Matt Callahan (Sound Designer), Shannon Rae Lutz (Properties Curator & Design Assistant), Jacob Dowell (Technical Director), and Chris Lipstreu (Associate Production Manager). Production Stage Manager is Michele A. Kay. Assistant Stage Manager is Lexi Muller. 

Performance Information
Performances Tuesday-Saturday at 7:30 pm; Saturday & Sunday at 2:00 pm. Performances vary. A complete calendar of performances is available at www.ensemblecincinnati.org. 

Ticket Prices
Tickets for adults start at $35 with ETC’s 30 for $35 discount; student tickets are $28; and children are $24. Half-Price Rush Tickets: All remaining tickets for the current day’s performance(s) are available two hours prior to each show time for half-price (discount only applies to adult tickets) when purchasing by phone or in person. 30 for $35: For every mainstage performance, thirty tickets will be available for $35 each with the promo code 30F35. These are first come, first serve, and the promo code will not apply the discount if all tickets have already been claimed. $15 Student Rush Tickets: Students may purchase up to two $15 student rush tickets two hours prior to show time with valid student I.D. Available in person only.

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2023-2024 Season Presenting Sponsor is the LKC Foundation.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich, and inspire our audiences.

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HANDS ON A HARDBODY Runs June 8-30

ETC_Hands on a HardbodyHANDS ON A HARDBODY
Ensemble Theatre Cincinnati
June 8-30
[Over-the-Rhine]

Based on the 1997 documentary film of the same name, Hands on a Hardbody garnered three Tony Award nominations and features a brilliant score from Amanda Green and Trey Anastasio (front man for the band Phish), along with a masterful story by Pulitzer Prize winner Doug Wright (I Am My Own Wife, Grey Gardens). For 10 hardluck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor, and ambition, they’ll fight to keep at least one hand on a brand-new truck in order to win it. Inspired by true events and infused with a “fresh roots-rock vibe,” this is the hilarious, hard-fought contest where only one winner can drive away with the American dream. Featuring a catchy combination of blues, rock and roll, and country songs, this musical is a peek into the lives of everyday, ordinary Americans struggling to survive against the backdrop of a broken and beaten working middle class. These Texans get pretty competitive when vying for a truck that’ll change their lives. They sometimes use adult language, including both sexist and racist remarks (including the word sp*c). Under the scorching sun, they also discuss suicide, PTSD, violence, and drug use, all while putting their hands on a truck and dreams on the line.

  • In preview Sat, June 8 at 7pm
  • In preview Tue, June 11 at 7pm
  • Wed-Fri, June 12-14 at 7:30pm
  • Sat, June 15 at 2pm & 7:30pm
  • Sun, June 16 at 2pm
  • Tue-Fri, June 18-21 at 7:30pm
  • Sat, June 22 at 2pm & 7:30pm
  • Sun, June 23 at 2pm
  • Tue-Fri, June 25-28 at 7:30pm
  • Sat, June 29 at 2pm & 7:30pm
  • Sun, June 30 at 2pm & 7pm

Official page |

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THE MATCH GAME Review

By Katrina “Kat” Reynolds

THE MATCH GAME presented by Ensemble Theatre Cincinnati through May 5th. I attended the opening Saturday matinee performance. 

ETC_The Match Game

The cast (and set) of THE MATCH GAME. Photo by Ryan Kurtz.

What happens when you get to be a fly on the wall witnessing the hijinks of a family who puts the “fun” in “dysfunctional”? You get THE MATCH GAME by Steven Strafford, obviously! This winner of the 2022 Jackie Demaline playwriting competition is your classic dramedy: rife with laughter, tears, and sailor suits. Just the way the Deities intended it…

Jared D. Doren directs this tale which centers around Steph who has quite a bit on her plate what with blood family issues and chosen family troubles – not to mention some serious concerns of her own. Mr. Doren’s keen eye is put to good use both in the use of the playing space as well as his casting choices. He clearly knows people and how to present a realistic tableau on a stage, including when people as intimately involved as family talk over one another.

Set design by Brian c. Mehring is a beautiful and appropriately detailed. Representing two levels and multiple rooms of the family home, the set is roomy enough for all actors to be on stage at once while still feeling terribly intimate. Costumes designed by Maria Fernanda Ortiz Lopez are realistic and zany as needed. Excellent work!

Not surprisingly, ETC has gathered an all-star cast for this one. Since I can not properly fangirl over them by devoting a paragraph to each, I will try my best to mention some highlights (without spoilers, of course).

In the center of the chaos, we have Jennifer Joplin as Steph. Per usual, Ms. Joplin excels in the role of her family’s “cruise director”. Her interpretation of the character’s emotional journey will keep you fixated from start to finish.

In the role of Steph’s father, audiences have the privilege of seeing Bruce Cromer back on ETC’s stage. Mr. Cromer navigates the complicated role of a long-philandering father coming back with unknown intentions with his usual creative genius. Not to be outdone, Allen R. Middleton hits it out of the park with his portrayal of Alan, Steph’s seemingly absent husband. Mr. Middleton has the incredible knack for bringing a level of charm and sophistication into every role, even to those where he isn’t the audience’s favourite person.

As the member of a dysfunctional family myself, I can relate very directly with quite a bit of the material presented by our esteemed playwright. But being damaged is not a prerequisite: there are universally relatable topics and emotions. I daresay we’ve all known people like those in Steph’s family – and they have more-than-likely made us laugh and/or cry at some point in our lives. The Match Game is an enjoyable slice of life with a great pace and scathing realism – and that is great playwriting.

Click here for more information on the production.

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