Tag Archives: Ensemble Theatre Cincinnati

ETC’s BLACK PEARL SINGS Earns LCT Nomination

Torie Wiggins as Pearl Johnson. Photo by Ryan Kurtz.

Torie Wiggins as Pearl Johnson. Photo by Ryan Kurtz.

Panelists for the League of Cincinnati Theatres (LCT) have recognized Ensemble Theatre Cincinnati’s BLACK PEARL SINGS with an LCT nomination for lead actress in a play (Torie Wiggins) as well as distinguishing it as a recommended production.

Set during the Great Depression, Susannah travels the country, recording lost traditional songs. Hoping to find the one song that will bring her long-awaited recognition, she discovers Pearl Johnson in a Texas prison. With a silky, soulful voice and a wealth of African-American spiritual songs, Pearl seeks information and a chance at freedom. This moving drama chronicles a powerful story about being a woman in a man’s world, being black in a white world, and fighting for one’s soul in a world where anyone can be a commodity.

Panelists praised Torie Wiggins’ portrayal of Pearl as “consistent and transformative”; “she beautifully captured the internal struggle, humanity, humor, pain, and joy of this complex woman.” Panelists praised the overall production for “the caliber of the performances and the sensitivity of the direction”—“everyone should see it”.

BLACK PEARL SINGS continues through March 31st. Tickets can be purchased at www.ensemblecincinnati.org.

Final LCT awards will be determined at the end of the season and announced at the LCT gala in the spring.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.com.

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BLACK PEARL SINGS Runs March 13-31

ETC_Black Pear SingsBLACK PEARL SINGS
Presented by Ensemble Theatre Cincinnati
March 13-31
Over-the-Rhine

Reviews: iSpyCincy | Enquirer | CityBeat |

Local media coverage: Enquirer article |  CityBeat article | Enquirer article | WVXU interview |

Directed by D. Lynn Meyers

Cast: Annie Fitzpatrick as Susannah Mullally & Torie Wiggins as Alberta ‘Pearl’ Johnson

Set during the Great Depression, Susannah travels the country, recording lost traditional songs. Hoping to find the one song that will bring her long-awaited recognition, she discovers Pearl Johnson in a Texas prison. With a silky, soulful voice and a wealth of African-American spiritual songs, Pearl seeks information and a chance at freedom. This moving drama chronicles a powerful story about being a woman in a man’s world, being black in a white world, and fighting for one’s soul in a world where anyone can be a commodity. This production contains mature themes and may not be suitable for all audiences.

  • Wed-Thu, March 13-14 at 7:30pm
  • Fri, March 15 at 8pm
  • Sat, March 16 at 2pm & 8pm
  • Sun, March 17 at 2pm
  • Tue-Thu, March 19-21 at 7:30pm
  • Fri, March 22 at 8pm
  • Sat, March 23 at 2pm & 8pm
  • Sun, March 24 at 2pm
  • Tue-Thu, March 26-28 at 7:30pm
  • Fri, March 29 at 8pm
  • Sat, March 30 at 2pm & 8pm
  • Sun, March 31 at 2pm

Official page with online ticketing | FaceBook event |

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ETC’s FREUD’S LAST SESSION Earns LCT Nomination

Barry Mulholland as Sigmund Freud and Bruce Cromer as C.S. Lewis. Photo by Ryan Kurtz.

Barry Mulholland as Sigmund Freud and Bruce Cromer as C.S. Lewis. Photo by Ryan Kurtz.

Panelists for the League of Cincinnati Theatres (LCT) have recognized Ensemble Theatre of Cincinnati’s FREUD’S LAST SESSION with an LCT nomination for props (Shannon Rae Lutz) as well as distinguishing it as a recommended production.

This spirited drama centers on legendary psychoanalyst Dr. Sigmund Freud, who invites a then little-known professor, C.S. Lewis, to his home in London. Lewis, expecting to be called on the carpet for satirizing Freud in a recent book, soon realizes Freud has a much more significant agenda. On the day England enters World War II, Freud and Lewis clash on the existence of God, love, sex and the meaning of life—only two weeks before Freud chooses to take his own. Not just a powerful debate, this is a profound and deeply touching play about two men who boldly addressed the greatest questions of all time.

The panelists singled out Shannon Rae Lutz for her “fantastic” work on props: “She did more than create a replica of Freud’s office; her choice of colors, furniture and art were just the right side of worn to give the set the look of a cluttered work space.” The show as a whole was described as “fascinating”, “refreshing” and “intriguing.”

FREUD’S LAST SESSION continues through February 10th. Tickets can be purchased at www.ensemblecincinnati.org.

Final LCT awards will be determined at the end of the season and announced at the LCT gala in the spring.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.com.

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Reupholster the Couch. ETC Extends FREUD’S LAST SESSION to Feb. 16

REUPHOLSTER THE COUCH!
ENSEMBLE THEATRE CINCINNATI EXTENDS FREUD’S LAST SESSION TO FEB. 16;
COMMUNITY DISCUSSION DATES ANNOUNCED

ETC_Freuds Last Session(Cincinnati, OH) FREUD’S LAST SESSION, the Mark St. Germain play about a fictional meeting between atheist Dr. Sigmund Freud and Christian writer C.S. Lewis, will extend its regional premiere run at Ensemble Theatre Cincinnati through Saturday, February 16, 2013.

Originally slated to close on February 10, FREUD’S LAST SESSION will be extended an extra week in response to high pre-sales among audiences eager to eavesdrop on the 85-minute intellectual sparring match. Critics across the country have said it’s a sharp introduction to the essence of the two influential 20th-Century thinkers. Having achieved the feat of becoming the longest running Off-Broadway show, FREUD’S LAST SESSION was suggested by “The Question of God” by Armand M. Nicholi, Jr.

Psychoanalyst Sigmund Freud pioneered the Id, the Ego and the Superego. Writer C.S. Lewis created The Lion, the Witch and the Wardrobe. Two men, both brilliant, yet vastly different: Freud the atheist, Lewis the believer. In this new play, which has been drawing record-breaking crowds in both New York and across the nation, they meet in 1939 as England goes to war against the Nazis. Their evening of electrifying conversation about God, love, sex, and the meaning of life will spark controversy long after the show is over.

PLAY/Back Community Talk-Back Dates
Ready your questions, comments, issues and drama! Join Ensemble Theatre Cincinnati for its PLAY/Back series after select performances of Freud’s Last Session as C.S. Lewis, Freud, and other brilliant minds step into the spotlight for a series of community talk-backs after the show to answer questions and engage in discussion with patrons.

PLAY/Back discussions will be held following the matinee performances on Sunday, January 27 and Sunday, February 3. Joining the panel for the talkback on January 27 is Dr. Stephen Yandell and Dr. Karl Stukenberg, both of Xavier University. Dr. Jack Lindy and Dr. Stephen Yandell will lead the talk-back on Sunday, February 3. Patrons who have purchased tickets to performances on any date are welcome to attend, however no purchase is necessary for admission to post-show talkbacks.

About the Panelists
Stephen Yandell, Ph.D. completed doctoral work at Indiana University as a Jacob K. Javits Fellow and currently teaches in Xavier University’s English Department. His earliest publication (as an undergraduate) focused on C.S. Lewis (“The Trans-cosmis Journeys in The Chronicles of Narnia”), and he continues to publish on various authors in Oxford’s Inklings writing group, including J.R.R. Tolkien. Most recently he argued for medieval connections in Lewis’s Till We Have Faces and provided a study of The Allegory of Love for the four-volume collection C.S. Lewis: Life, Works, and Legacy. His current publications also include a translation of the Middle Welsh narrative Math Son of Mathonwy and a co-edited collection entitled Prophet Margins: The Medieval Vatic Impulse and Social Stability.

Karl Stukenberg, Ph.D. is an Associate Professor and Chair of the Psychology Department at Xavier University. He is also a practicing psychoanalyst, having graduated from the Cincinnati Psychoanalytic Institute, where he is currently a faculty member. He earned his Ph.D. and M.A. in Clinical Psychology from the Ohio State University. He joined Xavier’s faculty after doing Post-Doctoral training at the Menninger Clinic. He is currently doing research on the clinical efficacy of psychoanalysis. He, along with a research group centered in New York City, listens to taped psychoanalytic hours and evaluates the quality of the work being done by the patient and analyst and then looks at the relationship between this and changes in the patient’s condition. He has been intrigued by Freud since first reading his work in his undergraduate program at St. John’s College as part of the Great Books curriculum, and he has been intrigued by Lewis since reading the Chronicles of Narnia as a tween.

Jack Lindy, M.D. is a training and supervising psychoanalyst at the Cincinnati Psychoanalytic Institute. He trained at the Chicago Institute, Cincinnati General Hospital, Columbia P&S medical school, and Yale University. He is winner of the Harding Hospital award for teaching excellence, the Sarah Haley award for clinical excellence in trauma, and the Edith Sabshin Award for Teaching in Psychoanalysis. He retired from his private practice in 2007. Dr. Lindy is professor of psychiatry at the University of Cincinnati. He has published over 65 papers in the areas of psychological trauma and psychodynamic education. He has written and co-edited four books, the most recent involving East European therapists and the Legacy of Soviet Trauma (with Robert Lifton). A fifth book with John Wilson Ph.D. on Trauma Culture and Metaphor is in process with Routledge Press. He currently writes stories for his grandchildren.

Ticket Prices
Tickets are $38 for Tuesday, Wednesday, and Thursday performances.
Tickets are $42 for Friday, Saturday, and Sunday performances.

For the 2012-2013 season, ETC will continue its popular half-price rush tickets and $15 student rush tickets for all performances, which are available two hours prior to show time. Tickets and seating subject to availability.

Other Single Ticket Discounts
Military/Educator, Public Radio Perks Card, ArtsWave FunCard, AAA, Senior and Enjoy the Arts discounts available; tickets and seating are subject to availability. ETC accepts all major credit cards, Over-the-Rhine Merchant gift cards, and Downtown Cincinnati gift cards. Group rates are available for 10 or more people. A full list of available discounts and performance calendar is available at www.ensemblecincinnati.org.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign. 

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts. 

2012-2013 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Season Sponsor: PNC Bank. Season Fairy Godmother Sponsor: William and Susan Friedlander. Additional support provided by Garfield Suites Hotel, The Greater Cincinnati Foundation, and The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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A Clash of Great Minds: ETC Presents FREUD’S LAST SESSION, Jan. 23-Feb. 10

A CLASH OF GREAT MINDS: ETC PRESENTS ONE OF THE LONGEST RUNNING OFF-BROADWAY SHOWS WITH FREUD’S LAST SESSION, JANUARY 23-FEBRUARY 10, 2013

ETC_Freuds Last Session(Cincinnati, OH) Two iconic minds showcase their wit as Ensemble Theatre Cincinnati continues its 2012-2013 season with the regional premiere of FREUD’S LAST SESSION, an electrifying evening of high-stakes intellectual sparring by Mark St. Germain centered upon an imagined conversation between the father of modern psychology Sigmund Freud and visionary writer C.S. Lewis. Having achieved the feat of becoming the longest running Off-Broadway show, FREUD’S LAST SESSION was suggested by “The Question of God” by Armand M. Nicholi, Jr. and plays January 23-February 10, 2013. Directed by Michael Evan Haney.

Sigmund Freud and C.S. Lewis, two of the 20th Century’s greatest intellects, come together in 1939 as England goes to war against the Nazis for an evening of thoughtful discourse about God, love, sex, myth, and the meaning of life and death. Freud, the renowned atheist and stricken with cancer, is intrigued by the rising star of Oxford, so much so that he invites Lewis to his home for what is, in several ways, an eleventh-hour summit. Freud would be dead within weeks, and Lewis—later the author of “The Narnia Chronicles,” would soon rise to popular acclaim for his wartime broadcasts on the Christian faith. Not just a powerful debate, this is a profound and deeply touching play about two men who boldly addressed the greatest questions of all time.

“I love the idea of Sigmund Freud and C.S. Lewis conversing together,” says ETC Producing Artistic Director D. Lynn Meyers. “To have open and passionate dialogue is healthy for the community. I am captivated by how alive the show is and that Mark St. Germain placed it on the precipice of World War II,” she continues. “Michael Haney is perfect for directing this show because he really puts himself into the personalities of the characters and making the passion of the story shine through. Barry Mulholland and Bruce Cromer have so much credibility not only as actors, but also for conveying truth on stage.”

Director Michael Evan Haney adds, “The opportunity to eavesdrop on two giants of the 20th century discussing the greatest questions before mankind is incredible. We get to see two men with diametrically opposing ideas have a civil, respectful, and loving argument with each other.”

About the Cast
Barry Mulholland (Dr. Sigmund Freud) most recently appeared at Ensemble Theatre Cincinnati in End Days. More recently, he was seen at Cincinnati Shakespeare in A Man For All Seasons and Henry VIII: All Is True. Mr. Mulholland appeared off-Broadway in Wild Oats, Ghost Sonata, Faust, and Danton’s Death for Classic Stage Company, as well as the American premiere of Karen Sunde’s Balloon. West coast credits include a season with Seattle’s Intiman Theatre, three seasons with the Oregon Shakespeare Festival, and the L.A. Center Theatre production of Love Streams, with Gena Rowlands and Jon Voight, directed by John Cassavetes. He has worked extensively at regional theatres throughout the country including Capital Rep, Cincinnati Playhouse in the Park, Merrimack Rep, and Long Wharf. His plays Barnes and Noble Conquer the World and Existential Therapy were featured at the Love Creek Theatre in New York as part of their annual festival of new plays. 

Bruce Cromer (C.S. Lewis) has previously been seen at Ensemble Theatre Cincinnati as Dan in the encore presentation of Next to Normal, Richard in Time Stands Still, Butch in Next Fall, Dylan in Wayfarer’s Rest, Dr. Smith in Blue/Orange, and the Librarian in Underneath the Lintel. He has been a proud AEA actor in American regional theatres for over thirty years, appearing at the Alabama Shakespeare Festival, the St. Louis Repertory, the Milwaukee Repertory, Santa Fe Stages, the Cincinnati Playhouse, the Shakespeare Theatre of New Jersey, Cincinnati Shakespeare, etc… Mr. Cromer is a Resident Artist with the Human Race Theatre in Dayton, the Head of Acting in the Professional Actor Training Program at Wright State University, and a Certified Teacher with the Society of American Fight Directors.

About the Playwright
Mark St. Germain has written the plays Camping with Henry and Tom (Outer Critics Circle and Lucille Lortel awards), Out of Gas on Lover’s Leap and Forgiving Typhoid Mary (Time Magazine “Year’s Ten Best”), all published by Samuel French and Dramatists Play Service. With Randy Courts, he has written the musicals The Gifts of the Magi, Johnny Pye and the Foolkiller (winner of an AT&T “New Plays for the Nineties Award”) and Jack’s Holiday at Playwrights Horizons. His musical Stand By Your Man, The Tammy Wynette Story was created for Nashville’s Ryman Theater. TV credits include Writer and Creative Consultant for “The Cosby Show.” He co-wrote the screenplay for Carroll Ballard’s Warner Brothers film Duma. Mark directed and co-produced the documentary My Dog, An Unconditional Love Story featuring Richard Gere, Glenn Close, Isaac Mizrahi, Edward Albee and many others. Mr. St. Germain wrote the children’s book Three Cups. He is an alumnus of New Dramatists where he was given the Joe A. Callaway Award, a recipient of the William Inge Festival’s New Voices in the American Theater Award, and a member of the Dramatists Guild and the Writer’s Guild East. He is a Board Member of the Barrington Stage Company, where he also serves as an Associate Artist. 

Production team includes Brian c. Mehring (Resident Scenic & Lighting Designer), Aaron Clements (Technical Operations Director), Matthew Hollstegge (Production Coordinator & Master Electrician), Shannon Rae Lutz (Properties Master & Design Assistant), Benjamin Marcum (Sound Designer), and Reba Senske (Costume Designer). Stage Manager is Brandon T. Holmes.

Ticket Prices
Tickets are $38 for Tuesday, Wednesday, and Thursday performances.
Tickets are $42 for Friday, Saturday, and Sunday performances.

For the 2012-2013 season, ETC will continue its popular half-price rush tickets and $15 student rush tickets for all performances, which are available two hours prior to show time. Tickets and seating subject to availability.

Other Single Ticket Discounts
Military/Educator, Public Radio Perks Card, ArtsWave FunCard, AAA, Senior and Enjoy the Arts discounts available; tickets and seating are subject to availability. ETC accepts all major credit cards, Over-the-Rhine Merchant gift cards, and Downtown Cincinnati gift cards. Group rates are available for 10 or more people. A full list of available discounts and performance calendar is available at www.ensemblecincinnati.org.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign. 

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts. 

2012-2013 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Season Sponsor: PNC Bank. Season Fairy Godmother Sponsor: William and Susan Friedlander. Additional support provided by Garfield Suites Hotel, The Greater Cincinnati Foundation, and The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation. 

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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