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Ensemble Theatre Cincinnati Announces 40th Anniversary 2025–2026 Season

(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC), the region’s premiere theatre, is delighted to announce its 2025–2026 season, celebrating its 40th Anniversary. The season includes the revival of the rock musical that redefined musicals, the sequel to ETC’s bestselling show, a gripping and lyrical one-person play, a witty and heartfelt comedy, and a nostalgic coming-of-age musical based on true events in Cincinnati.

“After 40 years, the dreams of Ensemble Theatre’s founders are still being realized today for creating a community of local artists, directors, and designers,” says Producing Artistic Director D. Lynn Meyers. “To celebrate Ensemble’s success and tenacity for staying in OTR, Next to Normal is a story that doesn’t get old and it’s one I felt needed to be retold. In 2011, we were the only theatre in the country to receive the rights to production it when it was still on its national tour, so we’re thrilled to bring it back to the stage again 14 years later.”

About the Plays

Ensemble Theatre Cincinnati opens its 40th year with the regional musical revival of the fan favorite Next to Normal, returning to the ETC stage September 13 October 5, 2025. This Tony- and Pulitzer Prize-winning rock musical delves into the heart of a family shattered by mental illness but held together by love. Diana Goodman, a suburban mom battling bipolar disorder, struggles to connect with her ambitious daughter and devoted husband as they navigate the chaos of Diana’s condition. With a soaring, unforgettable score by Tom Kitt and poignant book and lyrics by Brian Yorkey, Next to Normal is an unflinching, empathetic portrait of resilience, loss, and the pursuit of hope. Hailed by The New York Times as a “transformative” musical, this modern masterpiece is a must-see theatrical event. A runaway hit on Broadway—acclaimed by critics around the world—Next to Normal is a profoundly human story of struggle, perseverance, and hope.

Then, the much-anticipated sequel to ETC’s bestselling show of all time arrives this holiday season with the world premiere of It’s Fritz from Cincinnati native Zina Camblin and ETC composer David Kisor, December 3 31, 2025. Everyone knows Fiona the hippo, but her little brother Fritz is still figuring out who he wants to be. In this new family-friendly musical, Hippo Cove’s newest arrival is ready to wade out of the background and into his own big moment. Having a world-famous big sister, though, makes Fritz wonder if there’s any spotlight left for him. When he sets out to find what makes him special, the path isn’t always clear, but with some help from the zoo’s colorful cast of animals, Fritz discovers that standing out starts by listening, learning, and leaning on those who believe in you. Full of humor and heart—and a few muddy puddles along the way!—this is a story about family, finding your place, and the courage it takes to create your own splash.

Next, ETC presents the regional premiere drama Where We Stand by Donneta Lavinia Grays, from January 31 February 22, 2026. What does community mean? And what do we owe to one another? In a town running low on compassion, a mysterious outsider stands before their community—before us—to confess a life-altering choice made at the crossroads of desperation and desire. A gripping blend of fable and modern-day storytelling, this stirring, poetic solo piece invites the audience to become part of the story, weighing mercy against consequence in real time. Where We Stand explores the story of an individual driven to the brink, challenging our understanding of forgiveness, our sense of mercy, and who is truly worthy of either.

Then, ETC presents the regional premiere comedy—yes, comedy—Fourteen Funerals by Eric Pfeffinger, March 21 April 12, 2026. When Sienna receives a cryptic call about the untimely deaths of distant relatives in Blissfield, Indiana, she finds herself unexpectedly tasked with delivering eulogies for family members she’s never met. What begins as a peculiar obligation soon transforms into a journey of self-discovery and unexpected friendship with Millie, the quirky funeral home receptionist. This witty and heartfelt new play explores themes of identity, connection, and the stories we inherit. With sharp dialogue and poignant moments, Fourteen Funerals offers a comedic yet touching look at the ties that bind us—sometimes even after death.

ETC’s 2025 – 2026 season closes with the regional premiere musical The House on Watch Hill by Richard Oberacker and Robert Taylor, the Tony-nominated creators of Bandstand. Based on true events and full of nostalgic charm, The House on Watch Hill, playing May 9 31, 2026, is a thrilling new theatrical experience that’s funny, nostalgic, deeply moving, and maybe just a little spooky! It’s summer 1984, and in a quiet Cincinnati suburb, a group of teen misfits has one mission: to build the best haunted house their neighborhood has ever seen. Led by 14-year-old horror fanatic Patrick, the team transforms a grand neighborhood home on Watch Hill into something truly spine-tingling—but along the way, they confront fears that are far more real than any monster they can dream up. Set against the backdrop of Cold War anxieties, latchkey independence, and a soundtrack pulsing with original ‘80s-inspired music, The House on Watch Hill is a heart-pounding, heartwarming coming-of-age musical about friendship, loss, identity, and the power of imagination. A must-see for fans of The Goonies, Stranger Things, and scrappy underdogs everywhere, this new musical captures the messy, magical moment between childhood and adulthood—when you’re old enough to know the world is scary but brave enough to face it anyway.

Subscriptions On Sale Now

Subscriptions to the 2025-2026 Ensemble Theatre Cincinnati season are on sale now. Packages can be purchased by calling the box office at (513) 421-3555.

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 2025–2026 Season Presenting Sponsor is the LKC Foundation.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich, and inspire our audiences.

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2025-2026 Season Announced by Ensemble Theatre Cincinnati

ETC’s 40th Anniversary Season

Regional Musical Revival
NEXT TO NORMAL
Sept. 13-Oct. 5

World Premiere Family-Friendly Musical
FRITZ: The Musical
Book by Zina Camblin
Music & Lyrics by David Kisor
Dec. 3-31

Regional Premiere Drama
WHERE WE STAND
Jan. 31-Feb. 22, 2026

Regional Premiere Comedy
FOURTEEN FUNERALS
March 21-April 12, 2026

Regional Premiere Musical
THE HOUSE ON WATCH HILL
Book & Lyrics by Richard Oberacker & Robert Taylor
Music by Richard Oberacker
May 9-31, 2026

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JAJA’S AFRICAN HAIR BRAIDING Review

By Katrina “Kat” Reynold

JAJA’S AFRICAN HAIR BRAIDING presented by Ensemble Theatre Cincinnati through June 22nd. I attended the Opening Night performance. 

Brianna Miller as Miriam, Elexis Selmon as Jennifer, Samantha Russell* as Marie, Candice Handy* as Aminata & Keisha L. Kemper as Bea. Photo by Ryan Kurtz.

To close out its incredible 2024-2025 season, Ensemble Theatre Cincinnati presents the Regional Premiere of Tony Award-nominated Jaja’s African Hair Braiding by Jocelyn Bioh. Set in the heart of Harlem, a lively community of West African immigrants work together and survive together. While the term “love letter” can be overused in describing a script, there is little doubt that Ms. Bioh is offering us a celebration of African culture and the common bonds those deemed “outsiders” share.

When producing a show celebrating the allure of strong, melanated women, who better to direct than the inimitable Torie Wiggins? And let me tell you, Ms. Wiggins does not make one misstep in her direction: her cast is rock-solid, her use of the playing space is as smooth as a silk press, and her attention to detail is unmatched. Resident Scenic & Lighting Designer Brian c. Mehring along with the work of Properties Curator/Design Assistant Shannon Rae Lutz are to be applauded as well. The set is an absolute work of art and gives off the exact vibe of a busy shop that has been operational for more than a minute.

Huge and well-deserved praise is due to the Costume, Hair, & Wig Designer, Tiara M. Jones. Since the action takes place entirely in Jaja’s hair braiding salon, great hair is paramount. Not only did Ms. Jones create wigs in different stages of braiding (truly flawless work), but a few of the players portray more than one character. In addition, the costume choices are nothing short of brilliant. I think we will all agree Tiara is the actual star of this show – brava!

It is an impossible task to cite any of these performing artists over another, so prepare yourselves for as much as I can squeeze into a review before you lose interest.

A.J. Baldwin (multiple roles) always has the uncanny ability to chameleon herself into any role and turn them into someone you know you know.

Beasley (multiple roles) is absolutely giving character this round and I want more.

Jasimine Bouldin delivers as Ndidi, with a well-executed accent (shout-out to Dialect Coach Debora Crabbe for her work with the entire cast) and her deliberate and precise subtleties.

Burgess Byrd glows as Jaja and owns the stage every moment she graces it. Just when you think Ms. Byrd can’t get any better, she does.

Candice Handy (Aminata) is not only a vision aesthetically, but her entire manner from the way she walks to her facial expressions are a director’s dream.

Keisha L. Kemper (Bea) is impossible to ignore and her adept depiction of her character’s complicated arc is *chef’s kiss”.

Brianna Miller is delightful as Miriam – there is absolutely nothing not to like about her!

Samantha Russell’s Marie is splendidly done; she manages to make the heavy lifting of this central character look easy and that is admirable.

Elexis Selmon as Jennifer changes before the audience’s very eyes (in more ways than one) and she simply gives us “likable” energy.

Samuel Stricklen has his work cut out – not only as the only male performer, but in making each of his characters so wonderfully distinctive. Spoiler alert: he crushes the assignment.

What else can a white girl convey about this show except it is a beautiful thing to see an ensemble of black women who gets to say exactly what they want? This is their time, their laughter, and their heartache; no hiding or dumbing it down for a society who just doesn’t always “get it”. At its very core, Jaja’s is about community, home, and heart.

I was fully engaged in this experience from start to finish and I left the theatre feeling something we do not always get to feel in today’s climate: hope. I implore Cincinnati to sell out this show every single night and to continue to talk about it long after the lights dim on this run.

Click here for more information about the production.

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Ensemble Theatre Cincinnati Closes the 2024-2025 Season with JAJA’S AFRICAN HAIR BRAIDING

May 31 – June 22, 2025

(Cincinnati, OH) Get tressed to impress! Ensemble Theatre Cincinnati (ETC) closes its 2024–2025 Season with the regional premiere dramedy Jaja’s African Hair Braiding. Written by award-winning and Tony-nominated Ghanaian American playwright Jocelyn Bioh (School Girls; Or, The African Mean Girls Play), pull up a chair with West African immigrant braiders who work their magic on the locals’ locks. This laugh-out-loud comedic gem is a riotously funny yet deeply resonant play that celebrates the indomitable spirit and interconnectedness that define us all. Playing  May 31–June 22, 2025, and is directed by Torie Wiggins. Premiere Sponsors are Daniel Brown & Mark Haggard and ArtsWave. Artist Sponsor is Linda R. Holthaus.

Welcome to Jaja’s bustling hair braiding salon nestled in the pulsating heart of Harlem, where a lively community of West African immigrant hair braiders weaves together humor and heart. Amidst the laughter and playful shop talk, a diverse group of women share dreams, love stories, and hidden secrets, all while creating stunning braided masterpieces. On a sweltering summer day, the lighthearted banter reveals deeper reflections on the challenges of feeling like outsiders in their own neighborhood, sparking a powerful exploration of identity and belonging, and confronting what it means to be an outsider on the edge of the place they call home.

“One of the things I love about Jaja’s is all these voices and ideas converging in this one place,” explains ETC Producing Artistic Director D. Lynn Meyers. “It’s important to celebrate a community’s voice in a way that feels accessible and understandable and that can be empathetic as well as celebratory. These women’s lives are changed in an instant by powers beyond their control. I think it’s essential in our world to recognize what other people may be up against that we’re unaware of as we go about our daily lives.”

Cast includes Burgess Byrd (Jaja), Keisha L. Kemper (Bea), Samantha Russell (Marie), Elexis Selmon (Jennifer), and Beasley (Vanessa/Shelia/Radia). Additionally, Ensemble Theatre Cincinnati welcomes the following performers in their ETC debuts: A.J. Baldwin (Michelle/Chrissy/LaNiece), Jasimine Bouldin (Ndidi), Candice Handy (Aminata), Brianna Miller (Miriam), and Samuel Stricklen (James/Franklin/Olu/Eric).

Production team: Brian c. Mehring (Resident Scenic & Lighting Designer), Tiara M. Jones (Costume, Hair, & Wig Designer), Aniya Williams (Assistant Hair & Wig Designer), Justin Ellington (Sound Designer), Trey Tatum (Associate Sound Designer), Debora Crabbe (Dialect Coach), Shannon Rae Lutz (Properties Curator & Design Assistant), and Jacob Dowell (Technical Director). Production Stage Manager is Margot Whitney. Assistant Stage Manager is Lexi Muller. 

Performance Information

Performances Tuesday-Saturday at 7:30 pm; Saturday and Sunday at 2:00 pm. A complete calendar of performances is available at www.ensemblecincinnati.org. 

Ticket Prices

Tickets for adults start at $30; student tickets are $28; and children are $24. Half-Price Rush Tickets: All remaining tickets for the current day’s performance(s) are available two hours prior to each show time for half-price (discount only applies to adult tickets) when purchasing by phone or in person. $15 Student Rush Tickets: Students may purchase up to two $15 student rush tickets two hours prior to show time with valid student I.D. Available in person only.

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2024-2025 Season Presenting Sponsor is the LKC Foundation.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre rooted in historic Over-the-Rhine dedicated to engaging, enriching, and inspiring audiences through our thought-provoking world and regional premiere productions, creating and sustaining careers in professional theatre, building community partnerships, and sharing impactful education programs throughout our region.

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THE YEAR OF MAGICAL THINKING Runs May 1-3

THE YEAR OF MAGICAL THINKING
Ensemble Theatre Cincinnati Studio Series
May 1-3
[Over-the-Rhine]

Cast: Dale Hodges as Joan Didion

Staged Reading. In this dramatic adaptation of her award-winning, bestselling memoir, which The New York Times called “an indelible portrait of loss and grief… a haunting portrait of a four-decade-long marriage,” Joan Didion transforms the story of the sudden and unexpected loss of her husband and their only daughter into a stunning and powerful one-woman play.

  • Thu-Fri, May 1-2 at 7pm
  • Sat, May 3 at 3pm

Official page |

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