Tag Archives: Ensemble Theatre Cincinnati

Ensemble Theatre Cincinnati Opens Newly Renovated Facilities and its 2017-2018 Season with the Regional Premiere of THIS RANDOM WORLD

ETC_The Random World logo(Cincinnati, OH) Roll out the red carpet! Ensemble Theatre Cincinnati begins the 2017-2018 Season in its newly renovated theatre with the charming regional premiere of This Random World, a wistful drama by award-winning playwright Steven Dietz. This funny, intimate, and heartbreaking story about the power of chance takes audiences on a journey of self-discovery. Playing October 10-November 4, 2017. Directed by D. Lynn Meyers. Production sponsor is the Otto M. Budig Family Foundation.

Fate or luck? Happy coincidence or unintended consequence? Call it what you will, but how often do we intersect with someone else’s world and never even know it? Mining the comedy of missed connections, this humorous and bittersweet new play explores the myriad lives that may be happening just out of reach of our own. From dirty diners to beautiful Japanese temples to possibly haunted funeral homes, seven intertwined characters meet—or don’t meet—in imaginative and unexpected ways.

“What better way to open our newly remodeled, beautiful space than with a voice that our audiences have come to know and love,” explains Producing Artistic Director D. Lynn Meyers. “Steven Dietz’s work is honest, complex, and beautiful. This Random World is about missed connections and the what-ifs in our lives. This was also a play that allowed me to hire some magnificent actors, some that have been with us many times and others that are taking our stage for the first time.”

About the Cast
Annie Fitzpatrick (Scottie Ward) recently appeared in Bloomsday at Ensemble Theatre Cincinnati. Her favorite productions include Luna Gale, Next Fall, Rabbit Hole, String of Pearls, Wayfarer’s Rest, and Earhart. She received Cincinnati Entertainment Awards for her Copperheads, Dinner With Friends, and Mauritius. Other credits include A Prayer for Owen Meany, A Christmas Carol, and Pride and Prejudice, Cincinnati Playhouse; Richard III and Blithe Spirit, Cincinnati Shakespeare; and Pluto and Collapse, Know Theatre. She has worked at Repertory Theatre of St. Louis, Geva Theatre, Florida Stage, and Human Race Theatre Co. She was a founding member of The New Group and toured internationally with Murder à La Carte. She’s appeared in numerous soaps and in local and national commercials. TV and film credits include Chicago PD, Those Who Kill, Army Wives, Fun Size, and Milk Money.

Kelly Mengelkoch (Beth Ward) returns to Ensemble Theatre, having appeared in The Other Place and Tribes. She is an associate artist and resident ensemble member at Cincinnati Shakespeare Company, making the Queen City her theatrical home for thirteen years and counting. She has also performed locally with The Human Race Theatre Co., New Stage Collective, and Cincinnati Playhouse in the Park.

Burgess Byrd (Bernadette) returns to Ensemble Theatre, having appeared last in Detroit ’67. Raised in Louisville, KY, Ms. Byrd has had the great pleasure of finding her theatrical home in Cincinnati. She most recently performed in Raisin In The Sun at Cincinnati Shakespeare Company and in the Nicolas Cage movie Inconceivable, filmed in Cincinnati. Some of her favorite roles include Doubt, Avenue Q, Harry and The Thief, Caroline or Change, and the one-person shows Pretty Fire and Neat. 

Patrick E. Phillips (Tim Ward) last appeared at Ensemble Theatre Cincinnati in Bloomsday. He received his BA in Theatre from Xavier University and was an Acting Intern at Ensemble during the 2014-2015 Season. His previous Ensemble credits include Cinderella: After Ever After, Luna GaleViolet, Love and Information, and Sleeping Beauty. His other regional theatre credits include The Caine Mutiny Court-Martial, Arrow Rock Lyceum Theatre; and Henry VI, Part I, Cincinnati Shakespeare Company; Saint Joan and Relatively Speaking, Diogenes Theatre Company; and multiple appearances in Know Theatre of Cincinnati’s Serials. 

Justin McCombs (Gary) makes his Ensemble Theatre debut with this production. Originally from farm country in Illinois, he has worked on over 100 productions since moving to Cincinnati in 2006. He is a resident ensemble member at Cincinnati Shakespeare Company, where some favorite roles include Death of a Salesman, The Great Gatsby, Rosencrantz and Guildenstern Are Dead, Twelfth Night, The Grapes of Wrath, and the title role in Henry V. He has also been seen in Pulp, Silent Sky, and Moby Dick at Know Theatre of Cincinnati.

Brianna Bernard (Claire) recently toured the Midwest as Puck in A Midsummer Night’s Dream with Prairie Fire Children’s Theatre. She was a member of the 2016-2017 Professional Acting Apprentice Company at Ensemble Theatre, where she was seen in ANTIGONE (born against.). Other regional credits include Finding the Falcon, Know Theatre of Cincinnati; The Winter’s Tale, Bare Bodkins Theatre; Children of Eden and A Funny Thing…Forum, Black Hills Playhouse. She has a BFA in Musical Theatre from University of South Dakota.

Ernaisja Curry (Rhonda) makes her Ensemble Theatre debut with this production. A Florida native, she has made Cincinnati her home after completing the Bruce E. Coyle Acting Internship with Cincinnati Playhouse in the Park. Her favorite recent roles include A Prayer for Owen Meany, Cincinnati Playhouse in the Park; Marian, Know Theatre of Cincinnati; and kates, Cincinnati Fringe Festival.

Production team includes Brian c. Mehring (Resident Scenic & Lighting Designer), Jack Murphy (Technical Director), Matthew Hollstegge (Production Manager & Master Electrician), Shannon Rae Lutz (Properties Master & Design Assistant), Matt Callahan (Sound Designer), and Reba Senske (Costume Designer). Production Stage Manager is Brandon T. Holmes. Assistant Stage Manager is Elizabeth Freyman. 

Performance Information
Performances run Tuesday through Sunday. Tuesday-Thursday, 7:30 pm; Friday and Saturday, 8:00 pm; Saturday and Sunday, 2:00 pm; and Sunday, 7:00 pm. A complete calendar of performances is available online at www.ensemblecincinnati.org.

Ticket Prices
Ticket prices start at $35 for adults; student tickets are $28; and children are $24. For the 2017-2018 Season, ETC continues its popular $15 student and half-price rush tickets for all performances, which are available two hours prior to show time and may be purchased by phone or in person at the box office.

Available Discounts
Military, Educator, AAA, ArtsWave Artspass, and ArtsWave CincYPerks discounts available; tickets and seating are subject to availability.

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Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

2017-2018 Season Presenting Sponsor is the Otto M. Budig Family Foundation. Additional support provided PNC.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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Ensemble Theatre Cincinnati Announces the Final Addition to its 2017-2018 Otto M. Budig Family Foundation Season

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(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC) is pleased to announce the much-anticipated addition to its 2017-2018 Season, which already includes an impressive line up of leading contemporary theatre titles. In addition to the five titles previously announced, ETC will present the regional premiere of Larry Parr’s HIS EYE IS ON THE SPARROW, the powerful, heartbreaking, and uplifting account of the legendary Ethel Waters, who overcame a spirit-breaking childhood and racial injustice to become a legendary jazz and blues singer, Broadway pioneer, and Oscar-nominated actress.

Playing April 24-May 19, 2018, this musical biography will feature celebrated local actress and Ensemble Theatre veteran Torie Wiggins in the leading role, singing some of Waters’s most famous songs, including “Stormy Weather,” “Black and Blue,” and “This Joint is Jumpin’.” Sharing the stage in telling Ms. Waters’s remarkable story is pianist Scot Woolley.

Born in 1896 into abject poverty, Ethel Waters became a Vaudeville success and a recording sensation while crossing racial barriers to emerge as a Broadway and Hollywood star. However, a reputation for being difficult and her own distrust of those who might employ her or love her—largely a response to the unspeakable horrors of Jim Crow America—caused her to lose everything and become a recluse, until she found new strength from a most unlikely source. The music spans the decades of Waters’s career from the uplifting gospel spirituals of her youth to the blues and jazz of her 1920s Cotton Club days; plus “Frankie and Johnny;” the 1933 Rudy Vallee/Hoagy Carmichael classic “Old Man Harlem;” and Fats Waller’s “Cabin in the Sky,” sung by Waters in the hit 1940s Broadway musical of the same name.

HIS EYE IS ON THE SPARROW is one of those titles that captivated me,” explains Producing Artistic Director D. Lynn Meyers. “I was looking for a show that was a bridge between the fascinating history of Red Velvet and the energy and excitement of Hedwig and the Angry Inch. This play not only showcases the remarkable music of Ethel Waters, but is also a great story about the transformative power we have inside ourselves to change. It seemed like a perfect fit.” She adds, “I am thrilled to have Torie Wiggins and Scot Woolley, two of our best local professionals, to be a part of this exciting project.”

About the Cast
Torie Wiggins (Ethel Waters) has appeared in Ensemble Theatre Cincinnati’s productions of Cinderella, Violet, The Mountaintop, and Black Pearl Sings!, among others. A graduate of the University of Cincinnati’s College-Conservatory of Music, she created three one-woman shows: Everywhere You Look, Everywhere Else You Look, and Torie on Ice. She co-adapted and performed another one-woman show, Your Negro Tour Guide, at various venues in Cincinnati and elsewhere. She appeared on All My Children and in the feature films Love Me Through It and Hallmark Channel’s A Christmas Melody, directed by Mariah Carey. Her voice can also be heard on numerous television and radio commercials. She appeared in Know Theatre of Cincinnati’s Pluto and was a Seasonal Resident Artist there, appearing in their productions of Collapse, Afghan Women Writer’s Project, and Bloody Bloody Andrew Jackson. She also appeared in Cincinnati Shakespeare Company’s To Kill a Mockingbird and The Crucible.

Scot Woolley (Music Director/Pianist) has appeared at ETC in 33 Variations, Grey Gardens, and Souvenir (also at Vienna’s English Theatre). He created Broadway arrangements for State Fair, and Off-Broadway vocal arrangements for Tapestry, the Music of Carole King. Other ETC credits include 25 The Musical, Cinderella, The Great American Trailer Park Musical, Mack and Mabel, and Nite Club Confidential. He also composed the theme for Royal Caribbean Cruise Lines Macy’s Thanksgiving Day Parade float in 2004. Playhouse credits include conducting for Rocky Horror, Candide, Carnival, as well as performing in the world premiere of Ace. National tours include Crazy for You, Tommy, and The Will Rogers Follies. Mr. Woolley’s orchestral arrangements have been heard in Atlanta, Portland, Indianapolis, Hong Kong and regularly with the Kentucky Symphony Orchestra.

Subscriptions On Sale Now
Subscriptions to the 2017-2018 Ensemble Theatre Cincinnati season are on sale now. ETC will continue to offer a 
5-show Tuesday evening Preview Subscription for just $150 (excludes holiday production). Additionally, ETC has added an additional subscription series week. Regular subscription prices range from $218 to $242.

Student Subscription Options
ETC will continue is deeply discounted subscription options for students, with packages ranging from $110-$140.

Single Tickets
All single tickets for the 2017-2018 Season go on sale to the general public on Monday, July 31, 2017 at 
10:00 am. Subscribers, however, may start making exchanges, purchasing additional tickets, or reserving their FlexPass dates during Subscriber-Only Days, July 24-28 2017.

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Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre of Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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BLOOMSDAY Review

BLOOMSDAY presented by Ensemble Theatre Cincinnati through April 23. Click here for more information on the production. I attended the opening night performance.

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Patrick E. Phillips as Robbie & Becca Howell as Caithleen. Photo by Mikki Schaffner.

Bloomsday is a commemoration and celebration of the life of Irish writer James Joyce, during which the events of his novel Ulysses (which is set on June 16, 1904) are relived. It is observed annually on June 16 in Dublin. Joyce chose the date as it was the date of his first outing with his wife-to-be, Nora Barnacle. The name is derived from Leopold Bloom, the protagonist of Ulysses. –Wikipedia

The adage that “Youth is wasted on the young” meets the age-old question of “If you could go back in time and change one thing, what would it be?” in Steven Dietz’s BLOOMSDAY, the final offering of the ETC season and their final show pre-renovation.

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Barry Mulholland as Robert & Annie Fitzpatrick as Cait. Photo by Mikki Schaffner.

Due to this play taking place in both the present and 35 years earlier, the cast consists of two versions of the same couple; modern day Cait and Robert (Annie Fitzpatrick and Barry Mulholland) and their younger incarnations of Caithleen and Robbie (played by Becca Howell and Patrick E. Phillips). The cast is wonderful, charming to watch, and the chemistry between the pairs is easily believable. Director Michael Evan Haney has such an eye for detail and I enjoyed the mirroring taking place in the staging and physical performances.

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Annie Fitzpatrick as Cait & Becca Howell as Caithleen. Photo by Mikki Schaffner.

The second act is very enjoyable and ends on a very satisfying note. I did struggle with pinpointing what troubled me about the first act. At times, I found the volume of exposition to be a bit overwhelming in that it pulled my focus away from the action on stage as I tried to keep the time travel, life details of all four characters, and hints to what did/will happen straight. But maybe that is just how my mind works. 🙂

I really enjoyed the look of Brian c. Mehring’s set, but I absolutely fell in love with how well it worked with the lighting and staging. The special effect was an unexpected and pleasant surprise as well. A shout out to the interns for their well-choreographed set changes that kept the pacing strong.

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Barry Mulholland as Robert & Patrick E. Phillips as Robbie. Photo by Mikki Schaffner.

Overall, a well done and charming, romantic tale where the journey of the first act pays off in the destination of act two.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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2017-2018 Season Announced by Ensemble Theatre Cincinnati

ETC_new_logo_bannerTHE RANDOM WORLD
By Steven Dietz
Regional Premiere
Oct. 10-Nov. 4, 2017

We want to believe that serendipity brings us together, but is that just a myth? Mining the comedy of missed connections, THIS RANDOM WORLD asks the serious question of how often we travel parallel paths through the world without noticing. From an ailing woman who plans one final trip, to her daughter planning one great escape and her son falling prey to a prank gone wrong, this funny, intimate, and heartbreaking play explores the lives that may be happening just out of reach of our own. – Dramatists Play Service

THE DANCING PRINCESSES
By Joseph McDonough & David Kisor
World Premiere
Nov. 29-Dec. 30, 2017

From the creators of last season’s runaway hit Cinderella: After Ever After comes a whimsical adaptation of the classic fairy tale about a kingdom where an enchanting mystery is afoot! Wanting the best for his daughters, an overprotective king locks the castle doors each night. Yet, each morning, the princesses’ shoes have been curiously worn to tatters. Keen to cobble together the mystery of the frayed footwear, the King resorts to drastic measures of royal proportions.

THE HUMANS
By Stephen Karam
Regional Premiere
Jan. 23-Feb. 17, 2018

At Thanksgiving, the Blake family gathers at the run-down Manhattan apartment in Chinatown of Brigid Blake and her boyfriend Richard. Brigid’s parents, Erik Blake and Deirdre Blake, arrive from their home in Scranton, Pennsylvania, to have dinner with Brigid, Richard and Aimee, their other adult daughter. Brigid is a musician and Aimee is a lawyer, living in Philadelphia. Aimee has recently broken up with her girlfriend and has developed an intestinal ailment. Also present is Erik’s mother Fiona “Momo”, who has Alzheimer’s Disease. The parents are unhappy that their daughters have left home and have abandoned their religion. The family members must deal with “aging, illness, and a changing economy” –Wikipedia

RED VELVET 
By Lolita Chakrabarti
Regional Premiere
March 6-31, 2018

Theatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre? –Samuel French

HEDWIG AND THE ANGRY INCH 
By John Cameron Mitchell & Stephen Trask
June 5-30, 2018

Hedwig and the Angry Inch tells the tale of how a “slip of a girlyboy” from communist East Berlin, Hanschel, becomes the “internationally ignored song stylist” known as Hedwig after a botched sex change operation. The show daringly breaks the fourth wall, as Hedwig directly tells the audience of her past tribulations and heartbreak in the form of an extended monologue paired with rock songs. With a little help from her band and her back-up singer Yitzhak, Hedwig examines her quest for her other half, for love, and ultimately for her identity. Featuring a groundbreaking rock musical score by Stephen Trask, Hedwig and the Angry Inch is hilarious, harrowing, and essentially uplifting for anyone who’s ever felt different.

Read more: http://stageagent.com/shows/musical/1855/hedwig-and-the-angry-inch#ixzz4cvGry3su -Stage Agent

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Ensemble Theatre Cincinnati Closes Season with Regional Premiere Drama BLOOMSDAY, April 4-23, 2017

ETC_Bloomsday logo(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC) closes its 31st season with a trip to Ireland in the regional premiere of Bloomsday by award-winning playwright Steven Dietz. Set against the backdrop of James Joyce’s groundbreaking modernist novel Ulysses, an American man searches for the Irish woman who first captured his heart 35 years earlier during a Bloomsday walking tour in Dublin. This lyrical, intriguing drama transports audiences into a world of history, humor, and heartache to explore a love affair that might have been. Playing April 4-23, 2017. Directed by Michael Evan Haney.

James Joyce’s mega-novel Ulysses (itself based on The Odyssey) charts the life of an Irish man, Leopold Bloom, on June 16, 1904—a day now celebrated annually as Bloomsday worldwide. Dietz’s play finds Robert, a modern-day, middle-aged American, time-traveling to 1980s Dublin in search of Cait, a Bloomsday tour guide and the woman he once loved. Dancing backwards through time, they relive the unlikely, inevitable events that brought them—if only briefly—together. Not just another what-might-have-been story, this charming, Irish time-travel-love-odyssey is a buoyant, moving appeal for making the most of the present before it is past.

“It’s hard to go wrong when you pick up a Steven Dietz play,” explains Producing Artistic Director D. Lynn Meyers. “There is an honesty in his writing that is unparalleled. Bloomsday gives us the perfect opportunity to get in touch with our younger and present selves.” Guest Director Michael Evan Haney adds “Bloomsday is the kind of story that we conjure up in those foggy moments before we sleep or before we are truly awake. It examines the subject of lost chances and lost love and how we rationalize the decisions we make in our lives. It’s a dream play.” 

About the Cast

Annie Fitzpatrick (Cait) was last seen in Luna Gale at Ensemble Theatre Cincinnati. Her other favorite productions include Hands On A Hardbody, Next Fall, Dead Man’s Cell Phone, Rabbit Hole, String of Pearls (for which she received an Acclaim Award), Wayfarer’s Rest, Intimate Apparel, and Earhart. Additionally, Ms. Fitzpatrick received Cincinnati Entertainment Awards for her performances in Copperheads, Dinner With Friends, and Mauritius. She appeared in A Prayer for Owen Meany, To Kill A Mockingbird, Pride and Prejudice, A Christmas Carol, and Hank Williams: Lost Highway, Cincinnati Playhouse in the Park; Richard III, Death Of a Salesman, Little Women, A Man For All Seasons, and Blithe Spirit, Cincinnati Shakespeare Company; and Silent Sky, Pluto, and Collapse, Know Theatre. She has worked regionally at Repertory Theatre of St. Louis, Geva Theatre, Florida Stage, Florida Studio, CATCO, Human Race Theatre Co., Porthouse Theatre, and New Edgecliff Theatre. She was a founding member of The New Group in New York and toured internationally with Murder à La Carte. She has appeared in numerous soaps and in local and national commercials. Her TV and film credits include Those Who Kill on A&E, Army Wives, Little Accidents, Fun Size, and Milk Money.

Becca Howell (Caithleen) graduated from Northern Kentucky University with a BFA in Acting and was a member of the 2013-2014 Professional Acting Internship Program at ETC, where she was seen in Around the World in 80 Days. Ms. Howell recently worked on stage in the latest installment of Serials! at Know Theatre of Cincinnati and Prelude to a Kiss at Falcon Theatre. In addition to stage work, she has appeared on film in A Twisted Fate and Curvature. 

Barry Mulholland (Robert) is delighted to return to Ensemble Theatre, having previously appeared in Tribes, Freud’s Last Session, and End Days. Other local appearances include To Kill A MockingbirdPride & Prejudice, and Burkie, Cincinnati Playhouse in the Park; The Diary of Anne Frank, The Elephant Man, and Much Ado About Nothing, Cincinnati Shakespeare Company; and The Music Man in Concert with the Cincinnati Pops at Music Hall.
Mr. Mulholland appeared Off-Broadway in Ghost Sonata, Danton’s Death, Wild Oats, Balloon (Outer Critics Circle nomination, Best Play), and in the L.A. production of Love Streams starring Gena Rowlands, directed by John Cassavetes. Regional credits include leading roles with such theatres as Long Wharf Theatre, Repertory Theatre of St. Louis, Oregon Shakespeare Festival, Capital Repertory Theatre, Shakespeare Theatre, Clarence Brown Theatre, Merrimack Repertory Theatre, Intiman Theatre, and A.C.T. Seattle. His plays Barnes & Noble Conquer the World and Existential Therapy have been featured in new play festivals in New York and Massachusetts. Recent screen credits include A Kind of Murder, Curvature, and Surviving Compton. 

Patrick Phillips (Robbie) last appeared at ETC as Prince Freddy in Cinderella: After Ever After. He is a graduate of Xavier University with a BA in Theatre. His previous Ensemble credits include Luna Gale, Violet, Love and Information, and Sleeping Beauty. His other regional theatre credits include The Caine Mutiny Court-Martial, Arrow Rock Lyceum Theatre; Henry VI, Part I, Cincinnati Shakespeare Company; and Saint Joan and Relatively Speaking, Diogenes Theatre Company.

Production team includes Brian c. Mehring (Resident Scenic & Lighting Designer), Jack Murphy (Technical Director), Matthew Hollstegge (Production Manager & Master Electrician), Shannon Rae Lutz (Properties Master & Design Assistant), Matt Callahan (Sound Designer), Stormie Mac (Costume Designer), and Julia Guichard (Dialect Coach). Production Stage Manager is Brandon T. Holmes. Assistant Stage Manager is Elizabeth Freyman. 

Performance Information
Performances run Tuesday through Sunday. Tuesday-Thursday, 7:30 pm; Friday and Saturday, 8:00 pm; Saturday and Sunday, 2:00 pm; and Sunday, 7:00 pm. A complete calendar of performances is available online at www.ensemblecincinnati.org. 

Ticket Prices
Ticket prices start at $28 for adults; student tickets are $25; and children are $18. For the 2016-2017 Season, ETC continues its popular $15 student and half-price rush tickets for all performances, which are available two hours prior to show time and may be purchased by phone or in person at the box office.

Available Discounts
Military, Educator, ArtsWave ArtsPass, AAA, and Enjoy the Arts discounts available; tickets and seating are subject to availability.

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Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

2016-2017 Season Presenting Sponsor is the Otto M. Budig Family Foundation. 

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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