Tag Archives: Ensemble Theatre Cincinnati

Ensemble Theatre Cincinnati Announces the Final Addition to its 2017-2018 Otto M. Budig Family Foundation Season

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(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC) is pleased to announce the much-anticipated addition to its 2017-2018 Season, which already includes an impressive line up of leading contemporary theatre titles. In addition to the five titles previously announced, ETC will present the regional premiere of Larry Parr’s HIS EYE IS ON THE SPARROW, the powerful, heartbreaking, and uplifting account of the legendary Ethel Waters, who overcame a spirit-breaking childhood and racial injustice to become a legendary jazz and blues singer, Broadway pioneer, and Oscar-nominated actress.

Playing April 24-May 19, 2018, this musical biography will feature celebrated local actress and Ensemble Theatre veteran Torie Wiggins in the leading role, singing some of Waters’s most famous songs, including “Stormy Weather,” “Black and Blue,” and “This Joint is Jumpin’.” Sharing the stage in telling Ms. Waters’s remarkable story is pianist Scot Woolley.

Born in 1896 into abject poverty, Ethel Waters became a Vaudeville success and a recording sensation while crossing racial barriers to emerge as a Broadway and Hollywood star. However, a reputation for being difficult and her own distrust of those who might employ her or love her—largely a response to the unspeakable horrors of Jim Crow America—caused her to lose everything and become a recluse, until she found new strength from a most unlikely source. The music spans the decades of Waters’s career from the uplifting gospel spirituals of her youth to the blues and jazz of her 1920s Cotton Club days; plus “Frankie and Johnny;” the 1933 Rudy Vallee/Hoagy Carmichael classic “Old Man Harlem;” and Fats Waller’s “Cabin in the Sky,” sung by Waters in the hit 1940s Broadway musical of the same name.

HIS EYE IS ON THE SPARROW is one of those titles that captivated me,” explains Producing Artistic Director D. Lynn Meyers. “I was looking for a show that was a bridge between the fascinating history of Red Velvet and the energy and excitement of Hedwig and the Angry Inch. This play not only showcases the remarkable music of Ethel Waters, but is also a great story about the transformative power we have inside ourselves to change. It seemed like a perfect fit.” She adds, “I am thrilled to have Torie Wiggins and Scot Woolley, two of our best local professionals, to be a part of this exciting project.”

About the Cast
Torie Wiggins (Ethel Waters) has appeared in Ensemble Theatre Cincinnati’s productions of Cinderella, Violet, The Mountaintop, and Black Pearl Sings!, among others. A graduate of the University of Cincinnati’s College-Conservatory of Music, she created three one-woman shows: Everywhere You Look, Everywhere Else You Look, and Torie on Ice. She co-adapted and performed another one-woman show, Your Negro Tour Guide, at various venues in Cincinnati and elsewhere. She appeared on All My Children and in the feature films Love Me Through It and Hallmark Channel’s A Christmas Melody, directed by Mariah Carey. Her voice can also be heard on numerous television and radio commercials. She appeared in Know Theatre of Cincinnati’s Pluto and was a Seasonal Resident Artist there, appearing in their productions of Collapse, Afghan Women Writer’s Project, and Bloody Bloody Andrew Jackson. She also appeared in Cincinnati Shakespeare Company’s To Kill a Mockingbird and The Crucible.

Scot Woolley (Music Director/Pianist) has appeared at ETC in 33 Variations, Grey Gardens, and Souvenir (also at Vienna’s English Theatre). He created Broadway arrangements for State Fair, and Off-Broadway vocal arrangements for Tapestry, the Music of Carole King. Other ETC credits include 25 The Musical, Cinderella, The Great American Trailer Park Musical, Mack and Mabel, and Nite Club Confidential. He also composed the theme for Royal Caribbean Cruise Lines Macy’s Thanksgiving Day Parade float in 2004. Playhouse credits include conducting for Rocky Horror, Candide, Carnival, as well as performing in the world premiere of Ace. National tours include Crazy for You, Tommy, and The Will Rogers Follies. Mr. Woolley’s orchestral arrangements have been heard in Atlanta, Portland, Indianapolis, Hong Kong and regularly with the Kentucky Symphony Orchestra.

Subscriptions On Sale Now
Subscriptions to the 2017-2018 Ensemble Theatre Cincinnati season are on sale now. ETC will continue to offer a 
5-show Tuesday evening Preview Subscription for just $150 (excludes holiday production). Additionally, ETC has added an additional subscription series week. Regular subscription prices range from $218 to $242.

Student Subscription Options
ETC will continue is deeply discounted subscription options for students, with packages ranging from $110-$140.

Single Tickets
All single tickets for the 2017-2018 Season go on sale to the general public on Monday, July 31, 2017 at 
10:00 am. Subscribers, however, may start making exchanges, purchasing additional tickets, or reserving their FlexPass dates during Subscriber-Only Days, July 24-28 2017.

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Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre of Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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BLOOMSDAY Review

BLOOMSDAY presented by Ensemble Theatre Cincinnati through April 23. Click here for more information on the production. I attended the opening night performance.

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Patrick E. Phillips as Robbie & Becca Howell as Caithleen. Photo by Mikki Schaffner.

Bloomsday is a commemoration and celebration of the life of Irish writer James Joyce, during which the events of his novel Ulysses (which is set on June 16, 1904) are relived. It is observed annually on June 16 in Dublin. Joyce chose the date as it was the date of his first outing with his wife-to-be, Nora Barnacle. The name is derived from Leopold Bloom, the protagonist of Ulysses. –Wikipedia

The adage that “Youth is wasted on the young” meets the age-old question of “If you could go back in time and change one thing, what would it be?” in Steven Dietz’s BLOOMSDAY, the final offering of the ETC season and their final show pre-renovation.

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Barry Mulholland as Robert & Annie Fitzpatrick as Cait. Photo by Mikki Schaffner.

Due to this play taking place in both the present and 35 years earlier, the cast consists of two versions of the same couple; modern day Cait and Robert (Annie Fitzpatrick and Barry Mulholland) and their younger incarnations of Caithleen and Robbie (played by Becca Howell and Patrick E. Phillips). The cast is wonderful, charming to watch, and the chemistry between the pairs is easily believable. Director Michael Evan Haney has such an eye for detail and I enjoyed the mirroring taking place in the staging and physical performances.

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Annie Fitzpatrick as Cait & Becca Howell as Caithleen. Photo by Mikki Schaffner.

The second act is very enjoyable and ends on a very satisfying note. I did struggle with pinpointing what troubled me about the first act. At times, I found the volume of exposition to be a bit overwhelming in that it pulled my focus away from the action on stage as I tried to keep the time travel, life details of all four characters, and hints to what did/will happen straight. But maybe that is just how my mind works. 🙂

I really enjoyed the look of Brian c. Mehring’s set, but I absolutely fell in love with how well it worked with the lighting and staging. The special effect was an unexpected and pleasant surprise as well. A shout out to the interns for their well-choreographed set changes that kept the pacing strong.

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Barry Mulholland as Robert & Patrick E. Phillips as Robbie. Photo by Mikki Schaffner.

Overall, a well done and charming, romantic tale where the journey of the first act pays off in the destination of act two.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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2017-2018 Season Announced by Ensemble Theatre Cincinnati

ETC_new_logo_bannerTHE RANDOM WORLD
By Steven Dietz
Regional Premiere
Oct. 10-Nov. 4, 2017

We want to believe that serendipity brings us together, but is that just a myth? Mining the comedy of missed connections, THIS RANDOM WORLD asks the serious question of how often we travel parallel paths through the world without noticing. From an ailing woman who plans one final trip, to her daughter planning one great escape and her son falling prey to a prank gone wrong, this funny, intimate, and heartbreaking play explores the lives that may be happening just out of reach of our own. – Dramatists Play Service

THE DANCING PRINCESSES
By Joseph McDonough & David Kisor
World Premiere
Nov. 29-Dec. 30, 2017

From the creators of last season’s runaway hit Cinderella: After Ever After comes a whimsical adaptation of the classic fairy tale about a kingdom where an enchanting mystery is afoot! Wanting the best for his daughters, an overprotective king locks the castle doors each night. Yet, each morning, the princesses’ shoes have been curiously worn to tatters. Keen to cobble together the mystery of the frayed footwear, the King resorts to drastic measures of royal proportions.

THE HUMANS
By Stephen Karam
Regional Premiere
Jan. 23-Feb. 17, 2018

At Thanksgiving, the Blake family gathers at the run-down Manhattan apartment in Chinatown of Brigid Blake and her boyfriend Richard. Brigid’s parents, Erik Blake and Deirdre Blake, arrive from their home in Scranton, Pennsylvania, to have dinner with Brigid, Richard and Aimee, their other adult daughter. Brigid is a musician and Aimee is a lawyer, living in Philadelphia. Aimee has recently broken up with her girlfriend and has developed an intestinal ailment. Also present is Erik’s mother Fiona “Momo”, who has Alzheimer’s Disease. The parents are unhappy that their daughters have left home and have abandoned their religion. The family members must deal with “aging, illness, and a changing economy” –Wikipedia

RED VELVET 
By Lolita Chakrabarti
Regional Premiere
March 6-31, 2018

Theatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre? –Samuel French

HEDWIG AND THE ANGRY INCH 
By John Cameron Mitchell & Stephen Trask
June 5-30, 2018

Hedwig and the Angry Inch tells the tale of how a “slip of a girlyboy” from communist East Berlin, Hanschel, becomes the “internationally ignored song stylist” known as Hedwig after a botched sex change operation. The show daringly breaks the fourth wall, as Hedwig directly tells the audience of her past tribulations and heartbreak in the form of an extended monologue paired with rock songs. With a little help from her band and her back-up singer Yitzhak, Hedwig examines her quest for her other half, for love, and ultimately for her identity. Featuring a groundbreaking rock musical score by Stephen Trask, Hedwig and the Angry Inch is hilarious, harrowing, and essentially uplifting for anyone who’s ever felt different.

Read more: http://stageagent.com/shows/musical/1855/hedwig-and-the-angry-inch#ixzz4cvGry3su -Stage Agent

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Ensemble Theatre Cincinnati Closes Season with Regional Premiere Drama BLOOMSDAY, April 4-23, 2017

ETC_Bloomsday logo(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC) closes its 31st season with a trip to Ireland in the regional premiere of Bloomsday by award-winning playwright Steven Dietz. Set against the backdrop of James Joyce’s groundbreaking modernist novel Ulysses, an American man searches for the Irish woman who first captured his heart 35 years earlier during a Bloomsday walking tour in Dublin. This lyrical, intriguing drama transports audiences into a world of history, humor, and heartache to explore a love affair that might have been. Playing April 4-23, 2017. Directed by Michael Evan Haney.

James Joyce’s mega-novel Ulysses (itself based on The Odyssey) charts the life of an Irish man, Leopold Bloom, on June 16, 1904—a day now celebrated annually as Bloomsday worldwide. Dietz’s play finds Robert, a modern-day, middle-aged American, time-traveling to 1980s Dublin in search of Cait, a Bloomsday tour guide and the woman he once loved. Dancing backwards through time, they relive the unlikely, inevitable events that brought them—if only briefly—together. Not just another what-might-have-been story, this charming, Irish time-travel-love-odyssey is a buoyant, moving appeal for making the most of the present before it is past.

“It’s hard to go wrong when you pick up a Steven Dietz play,” explains Producing Artistic Director D. Lynn Meyers. “There is an honesty in his writing that is unparalleled. Bloomsday gives us the perfect opportunity to get in touch with our younger and present selves.” Guest Director Michael Evan Haney adds “Bloomsday is the kind of story that we conjure up in those foggy moments before we sleep or before we are truly awake. It examines the subject of lost chances and lost love and how we rationalize the decisions we make in our lives. It’s a dream play.” 

About the Cast

Annie Fitzpatrick (Cait) was last seen in Luna Gale at Ensemble Theatre Cincinnati. Her other favorite productions include Hands On A Hardbody, Next Fall, Dead Man’s Cell Phone, Rabbit Hole, String of Pearls (for which she received an Acclaim Award), Wayfarer’s Rest, Intimate Apparel, and Earhart. Additionally, Ms. Fitzpatrick received Cincinnati Entertainment Awards for her performances in Copperheads, Dinner With Friends, and Mauritius. She appeared in A Prayer for Owen Meany, To Kill A Mockingbird, Pride and Prejudice, A Christmas Carol, and Hank Williams: Lost Highway, Cincinnati Playhouse in the Park; Richard III, Death Of a Salesman, Little Women, A Man For All Seasons, and Blithe Spirit, Cincinnati Shakespeare Company; and Silent Sky, Pluto, and Collapse, Know Theatre. She has worked regionally at Repertory Theatre of St. Louis, Geva Theatre, Florida Stage, Florida Studio, CATCO, Human Race Theatre Co., Porthouse Theatre, and New Edgecliff Theatre. She was a founding member of The New Group in New York and toured internationally with Murder à La Carte. She has appeared in numerous soaps and in local and national commercials. Her TV and film credits include Those Who Kill on A&E, Army Wives, Little Accidents, Fun Size, and Milk Money.

Becca Howell (Caithleen) graduated from Northern Kentucky University with a BFA in Acting and was a member of the 2013-2014 Professional Acting Internship Program at ETC, where she was seen in Around the World in 80 Days. Ms. Howell recently worked on stage in the latest installment of Serials! at Know Theatre of Cincinnati and Prelude to a Kiss at Falcon Theatre. In addition to stage work, she has appeared on film in A Twisted Fate and Curvature. 

Barry Mulholland (Robert) is delighted to return to Ensemble Theatre, having previously appeared in Tribes, Freud’s Last Session, and End Days. Other local appearances include To Kill A MockingbirdPride & Prejudice, and Burkie, Cincinnati Playhouse in the Park; The Diary of Anne Frank, The Elephant Man, and Much Ado About Nothing, Cincinnati Shakespeare Company; and The Music Man in Concert with the Cincinnati Pops at Music Hall.
Mr. Mulholland appeared Off-Broadway in Ghost Sonata, Danton’s Death, Wild Oats, Balloon (Outer Critics Circle nomination, Best Play), and in the L.A. production of Love Streams starring Gena Rowlands, directed by John Cassavetes. Regional credits include leading roles with such theatres as Long Wharf Theatre, Repertory Theatre of St. Louis, Oregon Shakespeare Festival, Capital Repertory Theatre, Shakespeare Theatre, Clarence Brown Theatre, Merrimack Repertory Theatre, Intiman Theatre, and A.C.T. Seattle. His plays Barnes & Noble Conquer the World and Existential Therapy have been featured in new play festivals in New York and Massachusetts. Recent screen credits include A Kind of Murder, Curvature, and Surviving Compton. 

Patrick Phillips (Robbie) last appeared at ETC as Prince Freddy in Cinderella: After Ever After. He is a graduate of Xavier University with a BA in Theatre. His previous Ensemble credits include Luna Gale, Violet, Love and Information, and Sleeping Beauty. His other regional theatre credits include The Caine Mutiny Court-Martial, Arrow Rock Lyceum Theatre; Henry VI, Part I, Cincinnati Shakespeare Company; and Saint Joan and Relatively Speaking, Diogenes Theatre Company.

Production team includes Brian c. Mehring (Resident Scenic & Lighting Designer), Jack Murphy (Technical Director), Matthew Hollstegge (Production Manager & Master Electrician), Shannon Rae Lutz (Properties Master & Design Assistant), Matt Callahan (Sound Designer), Stormie Mac (Costume Designer), and Julia Guichard (Dialect Coach). Production Stage Manager is Brandon T. Holmes. Assistant Stage Manager is Elizabeth Freyman. 

Performance Information
Performances run Tuesday through Sunday. Tuesday-Thursday, 7:30 pm; Friday and Saturday, 8:00 pm; Saturday and Sunday, 2:00 pm; and Sunday, 7:00 pm. A complete calendar of performances is available online at www.ensemblecincinnati.org. 

Ticket Prices
Ticket prices start at $28 for adults; student tickets are $25; and children are $18. For the 2016-2017 Season, ETC continues its popular $15 student and half-price rush tickets for all performances, which are available two hours prior to show time and may be purchased by phone or in person at the box office.

Available Discounts
Military, Educator, ArtsWave ArtsPass, AAA, and Enjoy the Arts discounts available; tickets and seating are subject to availability.

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Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

2016-2017 Season Presenting Sponsor is the Otto M. Budig Family Foundation. 

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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ETC Presents an Engaging Drama with Regional Premiere of WHEN WE WERE YOUNG AND UNAFRAID

etc_when-we-were-young-and-unafraid-logoFebruary 21 – March 12, 2017

(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC) travels back to the 1970s with WHEN WE WERE YOUNG AND UNAFRAID, an intriguing drama by Sarah Treem, one of the writers behind Netflix’s House of Cards and co-creator of Showtime’s award-winning drama The Affair. In this moving piece, a new arrival’s influence forces the residents of an underground women’s shelter to confront their own secrets. This powerful drama explores the passion of youth, the wisdom of age, and the people who awaken us to new possibilities. Playing February 21-March 12, 2017. Directed by Drew Fracher.

In the early 1970s, before Roe v. Wade, before the Violence Against Women Act, Agnes, a single mother and former nurse, has turned her quiet bed and breakfast into one of the few spots where victims of domestic violence can seek refuge. But to Agnes’s dismay, her latest runaway, Mary Anne, is beginning to influence Agnes’s college-bound daughter Penny. As the drums of a feminist revolution grow louder outside of Agnes’s tiny world, Agnes is forced to confront her own presumptions about the women she’s spent her life trying to help.

“I think we’re doing the right play at the right time,” says ETC’s Producing Artistic Director D. Lynn Meyers. “When I chose [When We Were Young and Unafraid], I had no idea our country would be in the place it is now with women’s rights on the table. I was deeply touched by the honesty of Sarah Treem’s piece. It doesn’t play the melodramatic card or work too hard to make a point, it just simply is.” 

About the Cast

Christine Dye (Agnes) last performed at Ensemble Theatre in the Two Weeks with the Queen. She has also appeared onstage in August: Osage County, Riverside, and Sarge, The Clifton Performance Theatre; Dracula, Cincinnati Playhouse in the Park; House of Yes, Untethered Theatre; Jeffery, Parallel Lives, Valhalla, Ovation Theatre; Power Failure, Night of the Iguana, and Bus Stop, New Edgecliff Theatre; Groucho: A Life in Revue, Damn Yankee’s, and Don’t Drink the Water, Showboat Majestic; Steel Magnolias, Covedale Center for the Performing Arts; Vagina Monologues, Miss Reardon Drinks a Little, and Shirley Valentine, Middletown Lyric Theatre; Sarge, CincyFringe Festival. Film credits include Carol, A Case of Murder, Mom and Dad, Aftermath, and First Kill. Ms. Dye was awarded a CityBeat Entertainment Award for Best Actress in a Lead Role for Shirley Valentine and also a League of Cincinnati Theatres Award for Best Supporting Actress in Bus Stop. 

Kat McCaulla (Mary Anne) makes her ETC debut with this production. A current member of the ETC Professional Acting Apprenticeship Company, she graduated from Missouri State University with a BFA in Acting and Minor in Screenwriting. Ms. McCaulla previously attended the Conservatory of Theatre and Dance and has worked at Ozark Actors’ Theatre, Tommy O’s Playhouse, and Springfield Little Theatre. A few of her previous roles include Linda in Cucumbers, Tricia in Dog Sees God: Confessions of a Teenage Blockhead, Violet in It’s A Wonderful Life, Mercy Lewis in The Crucible, and Darlene in The Diviners. Credited assistant directing includes Peter Pan, Into the Woods, Runaways, and Leaving Iowa. She also has directed and written for television and film.

Delaney Ragusa (Penny) was last seen at Ensemble Theatre Cincinnati as Young Violet in Violet. Seen in the Off-Broadway U.S. premiere of A Little Princess, Ms. Ragusa’s other New York performances include two appearances in Lyrics for Life at Symphony Space. Locally, she has played leading roles in Eleemosynary, Ensemble Theatre; A Christmas Carol, Cincinnati Playhouse in the Park; You Can’t Take it With You, SCPA. Film credits include singer/dancer in A Christmas Melody, the Hallmark Channel Movie directed by Mariah Carey.

Zak Schneider (Paul), a Cincinnati native, previously worked as an intern at Ensemble Theatre Cincinnati during the 2013-2014 season, performing and understudying in multiple productions that year. He has since been living in New York City and working at various regional theatres across the country.

Tess Talbot (Hannah) was an ETC intern during the 2012-2013 season and appeared at Ensemble in Around the World in 80 Days, Alice in Wonderland, and Swimming in the Shallows. She is a proud ensemble member with the Cincinnati Shakespeare Company, where her favorite credits include Henrey VI Part 1 and 2, Julius Ceasar, and Death of a Salesman. Ms. Talbot has also performed in Chase the Dragon with Cincinnati LAB Theatre, and Bus Stop with New Edgecliff Theatre. She holds a BFA from Wright State University.

Production team includes Brian c. Mehring (Resident Scenic & Lighting Designer), Jack Murphy (Technical Director), Matthew Hollstegge (Production Manager & Master Electrician), Shannon Rae Lutz (Properties Master & Design Assistant), Matt Callahan (Sound Designer), and Mary Murphy (Costume Designer). Production Stage Manager is Brandon T. Holmes. Assistant Stage Manager is Elizabeth Freyman.  

Performance Information
Performances run Tuesday through Sunday. Tuesday-Thursday, 7:30 pm; Friday and Saturday, 8:00 pm; Saturday and Sunday, 2:00 pm; and Sunday, 7:00 pm. A complete calendar of performances is available online at www.ensemblecincinnati.org 

Ticket Prices
Ticket prices start at $28 for adults; student tickets are $25; and children are $18. For the 2016-2017 Season, ETC continues its popular $15 student and half-price rush tickets for all performances, which are available two hours prior to show time and may be purchased by phone or in person at the box office.

Available Discounts
Military, Educator, ArtsWave ArtsPass, AAA, and Enjoy the Arts discounts available; tickets and seating are subject to availability.

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Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

2016-2017 Season Presenting Sponsor is the Otto M. Budig Family Foundation. 

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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