Tag Archives: Cincinnati Opera

90.9 WGUC to Broadcast Select Cincinnati Opera 2025 Summer Festival Productions on Sunday Evenings in November

CINCINNATI (Oct. 10, 2025)—Revisit the magic of Cincinnati Opera’s 2025 Summer Festival this November, when 90.9 WGUC, media partner for Cincinnati Opera’s 2025 season, brings select performances to the airwaves on Sunday evenings. Each broadcast will begin at 8 p.m. ET and can be heard locally on air at 90.9 FM and online at wguc.org.

Cincinnati Opera’s 2025 Summer Festival took place June 12–July 27, 2025, at Cincinnati’s historic Music Hall. The productions to be broadcast include Rigoletto, Tosca, and two of Cincinnati Opera’s 2025 Studio Sessions—”Soul and Sound: Dueling Pianos and Artistic Tributes to the Harlem Renaissance” and “Anthony Clark Evans in Recital.” For additional details, please visit wguc.org.


CINCINNATI OPERA’S 2025 SUMMER FESTIVAL ON 90.9 WGUC
Broadcast Schedule:

Sunday, November 2 | 8 p.m. ET
RIGOLETTO

Originally performed June 12 and 14, 2025, at Cincinnati Music Hall
Music by Giuseppe Verdi; libretto by Francesco Maria Piave

John Fiore, conductor; Elio Bucky, stage director; Tomer Zvulun, original stage director

Featuring Michael Chioldi, Kathryn Lewek, Zach Borichevsky, Morris Robinson, Tesia Kwarteng, Donnie Ray Albert, Thomas Dreeze, Alexander Gushrowski, Kaylee Nichols, Heidi Middendorf, Vernon Hartman, Kaylyn Taylor Baldwin, Seoyong Lee; Cincinnati Opera Chorus; Cincinnati Symphony Orchestra

Description:
Rigoletto is a court jester with sharp wit and a merciless tongue. By cruelly mocking a grieving father, he sets in motion a tragic lesson in poetic justice. Featuring iconic arias like “Caro nome” and “La donna è mobile,” Verdi’s masterpiece sees Rigoletto become intimately familiar with the dangers of careless love, misguided vengeance, and the inescapable lesson that, under no circumstances, can you fool fate.


Sunday, November 9 | 8 p.m. ET
TOSCA

Originally performed June 26 and 28, 2025, at Cincinnati Music Hall
Music by Giacomo Puccini; libretto by Luigi Illica and Giuseppe Giacosa

Clelia Cafiero, conductor; Jose Maria Condemi, stage director

Featuring Karah Son, Matthew White, Anthony Clark Evans, Justin Hopkins, Sam Smith, Julius Ahn, Ryan Henry, Cole Stephenson; Cincinnati Opera Chorus; Cincinnati Boychoir; Cincinnati Symphony Orchestra

Description:
Floria Tosca suspects her lover of being unfaithful when really, he’s helping an escaped political prisoner and friend. This misunderstanding mutates into a series of escalating and irreversible misfortunes once Baron Scarpia, the chief of the secret police, enters the scene. Set in Rome during a time of national upheaval, as Napoleon’s army marches on Italy, Puccini’s epic opera stands as one of the most enduring and beloved of all time.


Sunday, November 16 | 8 p.m. ET
Studio Sessions—SOUL AND SOUND: Dueling Pianos and Artistic Tributes to the Harlem Renaissance

Originally performed June 17, 2025, at Cincinnati Music Hall

Featuring Tifara Brown (poet and curator), Justin Hopkins (bass-baritone), Kevin Day (pianist), Kevin Miller (pianist)

Description:
Experience a virtuosic evening spanning multiple genres and time periods. Poet and curator Tifara Brown, pianists Kevin Day and Kevin Miller, and bass-baritone Justin Hopkins present poetry, opera, jazz, and classical repertoire inspired by the artistry of the Harlem Renaissance.


Sunday, November 23 | 8 p.m. ET
Studio Sessions—ANTHONY CLARK EVANS in Recital

Originally performed July 10, 2025, at Cincinnati Music Hall

Featuring Anthony Clark Evans (baritone), James Maverick (piano)

Description:
Audiences will remember the “warm-toned, vivacious, and humane” (San Francisco Chronicle) baritone Anthony Clark Evans from recent Cincinnati Opera productions of Lucia di LammermoorLa Traviata, and Tosca. In this solo recital, Evans performs hand-picked selections with pianist James Maverick.


2025 Cincinnati Opera Broadcast Supporters 

Cincinnati Opera’s 2025 Summer Festival broadcasts on 90.9 WGUC are made possible through the generous cooperation of Local 1, the Cincinnati chapter of the American Federation of Musicians, and the American Guild of Musical Artists. Thanks go to the Louis and Louise Nippert Charitable Foundation; H.B., E.W., and F.R. Luther Charitable Foundation, Fifth Third Bank, Trustee; and The Willard and Jean Mulford Charitable Fund and The Victoria L. Memmel Charitable Fund of the Cambridge Charitable Foundation for their support of WGUC’s broadcasts of the Cincinnati Opera.

About Cincinnati Public Radio 

90.9 WGUC, Cincinnati’s classical public radio station, part of Cincinnati Public Radio, has been home to classical music and the arts in the Greater Cincinnati community for more than 60 years. Presenting the finest from the classical music canon 24 hours a day, 7 days a week, with special features like Classics for Kids and New at Noon, WGUC also records and broadcasts performances by the Cincinnati Opera, Cincinnati Symphony Orchestra, May Festival, and other local performing groups.

About Cincinnati Opera 

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Our programming is made possible in part by an investment of public funds from the Ohio Arts Council (OAC), a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund, the Harry T. Wilks Family Foundation, and the H.B., E.W. & F.R. Luther Charitable Foundation, along with many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more: cincinnatiopera.org.

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Cincinnati Opera Announces New Board Officers, Trustees, and Associate Members

CINCINNATI (October 2, 2025)—Cincinnati Opera announces the election of officers for its board of trustees for the 2025–2026 fiscal year, as well as the addition of eight trustees and seven Cincinnati Opera Board Associates.

Officers were elected at Cincinnati Opera’s Annual Meeting on September 17, 2025. These officers were originally elected to serve a one-year term in September 2024 and were all re-elected to serve another one-year term as of the Annual Meeting. They include:

  • President Ronald T. Bates, Managing Director, 1919 Investment Counsel
  • Chair Melanie M. Chavez, Partner, Chavez Properties
  • Treasurer and Executive Vice President Robert Bitter, Partner, Deloitte
  • Secretary Charles E. Baverman III, Partner, Dinsmore & Shohl

Also as of the Annual Meeting, new trustees and new members of the Cincinnati Opera Board Associates, a subsidiary of the board of trustees composed of young professionals, began their three-year terms.

New trustees include:

  • Amy Bixel, Senior Vice President and Managing Director, Fifth Third Bank
  • Josh Blatt, President, John Henry Homes
  • Michael T. Dean, Partner, Dinsmore & Shohl
  • Michelle Goret, Vice President of Corporate Affairs, Cintas
  • Brandon R. Jones, Audit Partner, Deloitte
  • David Paredes, Director of Marketing, Standard Textile
  • Buffie Rixey, community volunteer
  • Heather Z. Vecellio, Director of Brand, Design, and Production, HiNOTE

New Board Associates include:

  • Alicia DeVore, Marketing and Public Relations, Castellini Management Company
  • Caressa Layne Miles, Operations Coordinator and Gallery Director, Xavier University
  • Cara Nicolas, Marketing Coordinator, SHP, and Owner/Writer, Caniche Communications
  • Maddie Shanahan, Attorney, Calfee, Halter & Griswold
  • Carlin Twedt, Brand Manager, KAO
  • Lou Velazquez, Marketing Director, The BMW Store & Cincinnati MINI
  • Tobias P. Wright, Account Executive, Zoom

About Cincinnati Opera

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Our programming is made possible in part by an investment of public funds from the Ohio Arts Council (OAC), a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund, the Harry T. Wilks Family Foundation, and the H.B., E.W. & F.R. Luther Charitable Foundation, along with many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more: cincinnatiopera.org.

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Cincinnati Opera and CCM’s Opera Fusion: New Works Partnership Presents Public Previews of Two Operas-in-Progress This Fall

Audiences are invited to experience exclusive sneak peeks of John Lewis: Good Trouble (Oct. 11) by Maria Thompson Corley and Diana Solomon-Glover, and Sleepers Awake (Nov. 8) by Gregory Spears

CINCINNATI (September 3, 2025)— Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) invite the public to preview two new operas-in-progress this fall as part of their dynamic creative partnership, Opera Fusion: New Works (OF:NW). OF:NW offers composers and librettists the opportunity to refine their pieces through Cincinnati-based workshops, culminating in public performances of excerpts that provide audiences with a unique glimpse into the development process.

The first work to be featured is John Lewis: Good Trouble, with a public preview on Saturday, October 11 at 2 p.m. It will be followed by Sleepers Awake, with a public presentation of excerpts on Saturday, November 8 at 2 p.m. Both events will take place at Cincinnati Music Hall’s Wilks Studio (1241 Elm Street, Cincinnati, OH 45202). Tickets are $15 for adults and free for full-time students (one ticket per valid student ID) and may be reserved at cincinnatiopera.org or by calling 513-241-2742 (M-F, 12-5 p.m.).

John Lewis: Good Trouble

John Lewis: Good Trouble features music by Maria Thompson Corley, a libretto by Diana Solomon-Glover, and stage direction and dramaturgy by Timothy Douglas. Inspired by the life and legacy of the late Congressman John Lewis, the opera honors his tireless fight for justice and equality as an inspiring champion of civil rights. Commissioned by Cincinnati Opera, the work is the second to be developed through the company’s groundbreaking Black Opera Project and will receive its world premiere at Cincinnati Music Hall during Cincinnati Opera’s 2027 Summer Festival.

Sleepers Awake

In Sleepers Awake, composer Gregory Spears, whose operas Fellow Travelers (2016) and Castor and Patience (2022) were both commissioned and premiered by Cincinnati Opera, creates a labyrinthine soundscape to accompany a dream-like rendering of the fairytale “Sleeping Beauty,” inspired by modernist writer Robert Walser. As the chorus sings itself in and out of slumber, the voices pull us into a liminal space where time is both fractured and cyclical. Conceived with and directed by Jenny Koons, Sleepers Awake was commissioned by Opera Philadelphia, where it will receive its world premiere in April 2026.

Event Information

  • Opera Fusion: New Works presents John Lewis: Good Trouble—Saturday, October 11, 2 p.m., Wilks Studio at Cincinnati Music Hall, 1241 Elm Street, Cincinnati, OH 45202
  • Opera Fusion: New Works presents Sleepers Awake—Saturday, November 8, 2 p.m., Wilks Studio at Cincinnati Music Hall, 1241 Elm Street, Cincinnati, OH 45202
  • Tickets: $15 for adults; free for full-time students (one ticket per valid student ID)
  • Order at cincinnatiopera.org or 513-241-2742

About Opera Fusion: New Works

Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. OF:NW offers composers and librettists the opportunity to workshop an opera during a residency in Cincinnati, utilizing the facilities, personnel, and talent of both Cincinnati Opera and CCM. The workshops are cast with a combination of CCM students and professional artists and culminate with a public presentation of excerpts. Opera Fusion: New Works is generously supported by an anonymous donor. For more information, visit ofnw.org.

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. CCM offers 10 degree types (BA, BFA, BM, MA, MFA, MM, MME, AD, DMA, PhD) in nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs and workshops. The college also offers a new graduate certificate in Music Pedagogy and two academic minors (Media Production, Music).

Declared a top college vocal program by Backstage Magazine and described as “one of the continent’s major music schools,” by the Toronto Star, CCM’s Departments of Opera and Voice provide one of the most comprehensive training programs for opera singers, coaches, and directors in the United States. CCM offers an international faculty of dedicated educators who are also celebrated professionals in their own right, widely and currently active in their respective fields. Several national opera companies hold auditions at the conservatory, and CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. CCM graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy), and more. CCM Voice and Opera program support is provided by the Mellon Foundation for Opera Fusion: New Works, The Louise Dieterle Nippert Musical Arts Fund, and the Patricia A. Corbett Estate. Additional support for CCM’s undergraduate opera productions is provided by Rafael and Kimberly de Acha. To learn more, visit ccm.uc.edu.

About Cincinnati Opera

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Our programming is made possible in part by an investment of public funds from the Ohio Arts Council (OAC), a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund, the Harry T. Wilks Family Foundation, and the H.B., E.W. & F.R. Luther Charitable Foundation, along with many other generous individuals, corporations, and foundations. Opera Fusion: New Works was originally established through funding from the Mellon Foundation and is currently made possible through generous support from an anonymous donor. The Black Opera Project has been made possible, in part, with support from the Mellon Foundation, Susan and Joseph Pichler, the Carol Ann and Ralph V. Haile, Jr. Foundation, Ann and Harry Santen, and Procter & Gamble. Cincinnati Opera is a member of OPERA America. Learn more: cincinnatiopera.org.

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Cincinnati Opera Announces its 2026 Summer Festival

Highlights of the season:

• A bold new chapter begins with the world premiere of Lalovavi, an Afrofuturist opera by Kevin Day and Tifara Brown, inaugurating Cincinnati Opera’s Black Opera Project

 • Strauss’s scandalous masterpiece Salome returns to Music Hall for the first time in more than 25 years

• Bizet’s beloved Carmen returns in a vibrant new-to-Cincinnati production infused with fiery passion

• Ricky Ian Gordon’s hauntingly beautiful Orpheus and Euridice receives its company premiere

• Two Studio Sessions performances offer rare, up-close musical experiences curated by the artists themselves


Cincinnati Opera presents a new-to-Cincinnati production of Bizet’s CARMEN as part of its 2026 Summer Festival. Photo by Steven Pisano, courtesy of Opera Philadelphia.

CINCINNATI (July 23, 2025)—Tonight, from the stage of Cincinnati Music Hall, Cincinnati Opera’s Harry T. Wilks Artistic Director Evans Mirageas unveiled details of the company’s 2026 Summer Festival. Performances will run from June 18 through August 2, 2026, at Music Hall, featuring internationally renowned artists in works from reinvigorated classics to the boldly future-focused.

The 2026 season opens with Richard Strauss’s psychological drama Salome (June 18 and 20), which takes the Music Hall stage for the first time since 2000 with a powerhouse cast: Kathryn Lewek, Alfred Walker, Chad Shelton, Michelle DeYoung, and Zach Borichevsky. The season continues with the world premiere of the thrilling Afrofuturist opera Lalovavi by Kevin Day and Tifara Brown (July 9 and 11), the first work in Cincinnati Opera’s three-part Black Opera Project; the cast is led by Brittany Olivia Logan, Talise Trevigne, Morris Robinson, Adrienne Danrich, Zoie Reams, Terrence Chin-Loy, Michael Preacely, and G. Thomas Allen. Georges Bizet’s iconic Carmen returns (July 25, 29, and 31; August 2) in a vibrant, new-to-Cincinnati production starring J’Nai Bridges, Matthew White, Teresa Perrotta, Ryan McKinny, and Kayleigh Decker. Presented alongside Carmen is Ricky Ian Gordon’s intimate and moving Orpheus and Euridice (July 28 and 30; August 1). Following a sold-out 2025 run, two Studio Sessions (June 25 and July 1) round out the season, featuring artist-curated repertoire in a cabaret-style setting.

Said Mirageas, “When opera is at its best, it has the potential to open doors to joy, empathy, and understanding. Our 2026 season was built on this aspiration, celebrating works that make us feel deeply, reflect on our world, and connect with one another through profound shared experiences. From the bold imagination of Lalovavi and the fierce power of Salome and Carmen, to the intimacy of Orpheus and Euridice and our artist-curated Studio Sessions, we invite audiences both longtime and new to discover themselves within these stories and become immersed in their inspiring artistry.”

Echoed Chris Milligan, Cincinnati Opera’s Harry Fath General Director & CEO, “As we launch our 2026 Summer Festival, we do so with incredible excitement and a deep appreciation for the city and region that has sustained and energized us for 106 years. We planned the 2026 season with this guiding belief in mind: anyone can enjoy opera, and everyone should have the opportunity. By sharing diverse voices and stories and presenting experiences rooted in and reflective of our community, we hope to offer meaningful pathways for everyone to find connection and belonging at Cincinnati Opera.”

Season and ticket information for Cincinnati Opera’s 2026 Summer Festival are available below and at cincinnatiopera.org.


Cincinnati Opera
2026 Summer Festival

SALOME
Music by Richard Strauss
Libretto by Hedwig Lachmann

Thursday, June 18, 2026 | 7:30 p.m.
Saturday, June 20, 2026 | 7:30 p.m.
Springer Auditorium | Cincinnati Music Hall
Sung in German with projected English translation

Drawn from the scandalous play by Oscar Wilde, Richard Strauss’s searing one-act opera Salome is set to a libretto by poet Hedwig Lachmann that explores obsession and the consequences of unchecked desire. The teenage princess Salome develops a singular fixation on Jochanaan (John the Baptist), which leads her to defy both her stepfather Herod and the rules of society to win her prize. Through its intense psychological drama and richly modernist score—including the provocative “Dance of the Seven Veils”—Salome is a tour de force that leads to a shocking, unforgettable conclusion.

Jose Maria Condemi, who directed Cincinnati Opera’s acclaimed production of Tosca last season, will lead this new imagining of Salome with lighting design by Thomas C. Hase. Internationally acclaimed maestro Robert Spano, current music director of the Washington National Opera, Fort Worth Symphony Orchestra, and Aspen Music Festival, and Music Director Laureate of the Atlanta Symphony Orchestra, conducts the Cincinnati Symphony Orchestra.

Soprano Kathryn Lewek, called “a sensation” (Cincinnati Business Courier) after her recent Cincinnati Opera appearances as Gilda (Rigoletto), makes her role debut as Salome. Jochanaan will be sung by the “rich-toned and charismatic” (The New York Times) bass-baritone Alfred Walker. As Salome’s stepfather, Herod, tenor Chad Shelton has been praised for “singing with heroic amplitude and thrust and bringing the text to vivid life” (Opera Magazine). Mezzo-soprano Michelle DeYoung, called a “powerful singer with a warm, seductive tone” (The New York Times), reprises the role of Herodias, Salome’s mother, which she recently sang at the Metropolitan Opera. Zach Borichevsky brings his “exciting tenor” (Cincinnati Business Courier) to the role of Narraboth, returning to Cincinnati Opera after appearing as the Duke of Mantua in last season’s Rigoletto.


LALOVAVI
Music by Kevin Day
Libretto by Tifara Brown

Thursday, July 9, 2026 | 7:30 p.m.
Saturday, July 11, 2026 | 7:30 p.m.
Springer Auditorium | Cincinnati Music Hall
Sung in English and Tut with projected English lyrics and translation

Cincinnati Opera is proud to continue its commitment to new works with the world premiere of Lalovavi, featuring music by Kevin Day and libretto by Tifara BrownLalovavi is the first work in Cincinnati Opera’s Black Opera Project, a nationally unique, three-opera commissioning initiative that brings together visionary artists to develop work that celebrates the resilience, richness, and creativity of the Black American experience.

Set 400 years into the future, Lalovavi is an Afrofuturist adventure that follows Persephone, the youngest daughter of Titan, the ruler of Atlas—the city once known as Atlanta. Currency and status in Atlas are determined based on the presence of Syndica, a gene that promotes vitality and longevity. When Persephone is found to possess a variant of Syndica that confers immortality, she is betrayed by her family and must run for her life. She is thrust into an epic journey, uncovering a hidden past that leads her to discover love’s true meaning and the power to determine her destiny.

Kimille Howard, a prolific director of new works at companies such as Opera Theatre of Saint Louis, the Glimmerglass Festival, and Washington National Opera, leads the new production as both stage director and dramaturg, with scenic design by Lawrence E. Moten III, costume design by Kara Harmon, and lighting design by Thomas C. Hase. Acclaimed pianist Kevin Miller makes his conducting debut guiding the Cincinnati Symphony Orchestra through Day’s richly layered and cinematic score.

Soprano Brittany Olivia Logan, praised for her “voice clear and rich, capable of burnished color and shocking lightness” (The Washington Post), leads the cast as the heroine, Persephone. Soprano Talise Trevigne, a “mesmerizing” artist with a “ravishing voice” (Cincinnati Business Courier), is Niamara, leader of the rebel nation. Grammy Award-winning bass and Cincinnati Opera Artistic Advisor Morris Robinson, lauded for a voice that “stunned with its richness and gravity” (Seen and Heard International), sings the role of the Atlan ruler, Titan Musan. Emmy-winning soprano Adrienne Danrich, called a “standout, a singer of unusual might” (The Washington Post) is Dinah, Persephone’s nursemaid. Hailed for her “velvety mezzo” (Opera News), Zoie Reams is Persephone’s older sister, Zipporah, and as Lucian, the leader of Titan’s elite guard, Terrence Chin-Loy will showcase his “beautiful lyric tenor voice” (Opera News). The cast also features more award-winning singers: baritone Michael Preacely as Atlas’s head geneticist Dr. Apollos and vocalist G. Thomas Allen as the rebel guardian Ivavi.


CARMEN
Music by Georges Bizet
Libretto by Henri Meilhac and Ludovic Halévy

Saturday, July 25, 2026 | 7:30 p.m.
Wednesday, July 29, 2026 | 7:30 p.m.
Friday, July 31, 2026 | 7:30 p.m.
Sunday, August 2, 2026 | 3 p.m.
Springer Auditorium | Cincinnati Music Hall
Sung in French with projected English translation

Returning to Music Hall after more than a decade is Carmen, Georges Bizet’s iconic story of passion, freedom, and fate. The captivating Carmen draws others into her orbit with her magnetic allure and fierce independence. When the soldier Don José becomes the latest to fall for her, he abandons everything and succumbs to a perilous obsession, hurtling them both toward deadly consequences. Carmen’s riveting drama is propelled by Bizet’s rhythmic score and irresistible melodies audiences will immediately recognize, including the famous “Habanera” and “Toreador Song.”

The new-to-Cincinnati production, a co-production between Opera Philadelphia and Seattle Opera originated by Paul Curran, designed by Gary McCann, and featuring lighting design by Thomas C. Hase, transports the story to an imaginary setting akin to late-1950s Havana. Frequent Cincinnati Opera guest artist and artistic director of Opera Naples, dynamic conductor Ramón Tebar takes the podium with the Cincinnati Symphony Orchestra.

J’Nai Bridges, known for her “plush-voiced mezzo-soprano” (The New York Times) and “calmly commanding stage presence” (The New Yorker), returns to Cincinnati Opera in the title role. Fresh off of his triumph in last season’s Tosca, Matthew White brings a “distinctive tenor [with a] dark and powerful lyric sound” (New York Classical Review) to the role of the soldier Don José. Appearing as Micaela is soprano Teresa Perrotta, a winner of the prestigious Metropolitan Opera Laffont Competition praised for her “sweet, rich voice” (Classical Voice North America), and bass-baritone Ryan McKinny, recognized as “one of the finest singers of his generation” (Opera News), sings the role of the toreador Escamillo. Kayleigh Decker shares a “shimmering mezzo-soprano” (Seen and Heard International) as Carmen’s friend, Mercedes.


ORPHEUS AND EURIDICE
Music and text by Ricky Ian Gordon

 Tuesday, July 28, 2026 | 8 p.m.
Thursday, July 30, 2026 | 8 p.m.
Saturday, August 1, 2026 | 3 p.m. and 8 p.m.
Wilks Studio | Cincinnati Music Hall
Sung in English

Composer Ricky Ian Gordon’s lyrical chamber opera Orpheus and Euridice retells the ancient myth from a contemporary perspective. When Euridice mysteriously dies and descends into the Underworld, Orpheus follows, playing music to appease the infernal deities he encounters and earning a second chance at life with his beloved. As Orpheus leads Euridice back to Earth, he looks back at her too soon, and she vanishes forever. Shattered, Orpheus’s sorrow is transformed into music that echoes throughout the world.

Scored for soprano, piano, clarinet, and string quintet and conducted by Stephen Mulligan, soprano Heidi Middendorf will serve as both narrator and Euridice, while Christopher Pell, Principal Clarinet with the Cincinnati Symphony Orchestra, gives haunting voice to Orpheus. The original production will be shaped for Music Hall’s intimate Wilks Studio by stage director Audrey Chait with choreography by Cincinnati Ballet’s Yoshihisa Arai.


Studio Sessions

Thursday, June 25, 2026 | 8 p.m.
Wednesday, July 1, 2026 | 8 p.m.
Wilks Studio | Cincinnati Music Hall

Cincinnati Opera will host two Studio Sessions in Music Hall’s Wilks Studio, each offering an artist-curated, up-close, and personal performance experience. These concerts immerse audiences in a unique atmosphere where artists take center stage, guiding the evening through storytelling and song. Featured artists and programming will be announced at a later date.

Tickets

Subscriptions for Cincinnati Opera’s 2026 Summer Festival are now available and start at $60 for 3-show packages. Tickets to individual performances go on sale November 21, 2025, and start at $21. Discounts are available for seniors, educators, U.S. veterans and active military personnel, full-time students, ArtsWave Pass members, and SNAP cardholders. For more information, visit cincinnatiopera.org or contact the Cincinnati Opera Box Office at 513-241-2742.

About Cincinnati Opera

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Cincinnati Opera receives funding from the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund and the Harry T. Wilks Family Foundation, along with many other generous individuals, corporations, and foundations. The Black Opera Project has been made possible, in part, with support from the Mellon Foundation, Susan and Joseph Pichler, the Carol Ann and Ralph V. Haile, Jr. Foundation, Ann and Harry Santen, and Procter & Gamble. Lead funder for Lalovavi is the David C. Herriman Fund of the Greater Cincinnati Foundation, with additional support from The Louise Taft Semple Foundation, ArtsWave Flow, the H.B., E.W. & F.R. Luther Charitable Foundation, Arts Midwest, and the Aaron Copland Fund for Music, Inc. Cincinnati Opera is a member of OPERA America. Learn more: cincinnatiopera.org.

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FIDDLER ON THE ROOF Runs July 23-27

FIDDLER ON THE ROOF
Cincinnati Opera
July 23-27
Music Hall [Over-the-Rhine]

Tevye, a poor milkman, lives with his wife Golde, and their five daughters. He wants what all parents want for their children: a better life. One after the other, Tevye’s daughters stray from tradition. They risk their futures with husbands of their own choice, doing that pesky thing people do called following their hearts. Winner of nine Tony Awards including Best Musical, Fiddler on the Roof features timeless songs like “Matchmaker, Matchmaker,” “Sunrise, Sunset,” “If I Were a Rich Man,” and a universal story of family, love, and tradition. Sung in English with projected lyrics.

  • Wed, July 23 at 7:30pm
  • Fri-Sat, July 25-26 at 7:30pm
  • Sun, July 27 at 3pm

Official page | Facebook events |

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