Tag Archives: Cincinnati Ballet

THE GREAT GATSBY Runs Nov. 7-15

THE GREAT GATSBY
Cincinnati Ballet
Nov. 7-15
Aronoff Center Procter & Gamble Hall [Downtown]

Leap into the jazz age with the North American premiere of choreographer Septime Webre’s opulent The Great Gatsby at the Aronoff Center, November 7 – 15, 2025. Based on F. Scott Fitzgerald’s classic 1925 novel, this production features stylish dancing, shocking scandals, and live jazz music.

  • Fri, Nov. 7 at 7:30pm
  • Sat, Nov. 8 at 2pm & 7:30pm
  • Sun, Nov. 9 at 1pm
  • Thu-Fri, Nov. 13-14 at 7:30pm
  • Sat, Nov. 15 at 2pm & 7:30pm

Official page | Facebook event |

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Cincinnati Ballet Presents The KAPLAN NEW WORKS Series, Sept. 12-20 at the Aronoff Center for the Arts

Experience four world premieres by internationally acclaimed choreographers

Cincinnati, OH (September 2, 2025) – Cincinnati Ballet is set to open the 2025-2026 Season with the return of their perennial favorite, The KAPLAN NEW WORKS Series, staged in the intimate Jarson-Kaplan theatre at the Aronoff Center September 12-20.

This year’s program features world premieres from four internationally sought-after choreographers—Yoshihisa Arai, Caroline Dahm, Andonis Foniadakis and Andrea Giselle Schermoly. We are excited to announce that NEW WORKS costumes are being designed by local fashion designer Eliana Batsakis and Paris-based Greek fashion designer Anastasios Sofroniou. Cincinnati native Batsakis returns for a second year as the costume designer for New Works after taking on the role last season—Batsakis, founder of her eponymous fashion brand, which has been recognized by the Council of Fashion Designers of America has been featured in Netflix’s Next in Fashion, Vanity Fair and earned a spot on Forbes 30 Under 30 List for Cincinnati. Sofroniou, a fashion industry veteran who has worked with Foniadakis for over a decade to create original costumes for contemporary dance performances and has collaborated with companies such as Nike, Vogue US, and GQ UK, among many others.

WORLD PREMIERE | Yoshihisa Arai

Yoshihisa Arai is a choreographer and the Cincinnati Ballet-Second Company CB2 Director. Arai has created several acclaimed works for The Joffrey Ballet—Boléro, Élégie, and Afternoon Watch—and reimagined Appalachian Spring for the Joffrey Studio Company. In 2023, he directed and choreographed Cåraboo: A Chamber Opera. He has since collaborated on world premieres with artists such as Christopher Wheeldon, Alondra de la Parra, and the Colorado Ballet.

WORLD PREMIERE | Caroline Dahm

Caroline Dahm is a professional dancer and choreographer from Los Angeles, California. She has set original works on the Lyric Opera of Kansas City, Kansas City Ballet, Musical Theater Heritage, Newport Contemporary Ballet, and Wylliams-Henry Contemporary Dance Company, among others.

WORLD PREMIERE | Andonis Foniadakis

Described as “one of the most important choreographers of the moment” by Die Deutsche Bühne, Greek-born Andonis Foniadakis is known for his eccentric, futuristic style. His choreography includes commissions for Martha Graham Dance Company, Sydney Dance Company, Cedar Lake, Philadelphia Ballet, Ballet du Rhin, Ballet Jazz de Montréal, Royal New Zealand Ballet, Bejart Ballet Lausanne, and many others.

WORLD PREMIERE | Andrea Giselle Schermoly

Andrea Giselle Schermoly, a South African-born choreographer, has created and staged works for numerous companies worldwide, including Royal New Zealand Ballet, West Australian Ballet, Cincinnati Ballet, Oregon Ballet Theatre, Kansas City Ballet, BalletMet, Richmond Ballet, and Compañía Nacional de Danza, among others. Schermoly’s choreography spans stage and screen. She directed and choreographed the dance films Rite of Spring for Louisville Ballet, In Passing for The Ashley Bouder Project. choreographed for feature films, commercials, and music videos in Hollywood, including Beautiful Now, Bunheads, Get Lost, Justin Bieber/Poo Bear, and Deorro.

Tickets for The Kaplan New Works Series are on sale now, starting at $59. For more information, visit cballet.org.

PERFORMANCE DATES AND INFORMATION

WHO: Cincinnati Ballet

Choreography: Yoshihisa Arai, Caroline Dahm, Andonis Foniadakis and Andrea Giselle Schermoly.

WHAT: The KAPLAN NEW WORKS Series

WHEN:

  • Friday, Sept. 12 at 7:30pm
  • Saturday, Sept. 13 at 2:00pm
  • Saturday, Sept. 13 at 7:30pm
  • Sunday, Sept. 14 at 1:00pm
  • Thursday, Sept. 18 at 7:30pm
  • Friday, Sept. 19 at 7:30pm
  • Saturday, Sept. 20 at 2:00pm
  • Saturday, Sept. 20 at 7:30pm

WHERE: Aronoff Center for the Arts – 650 Walnut Street, Cincinnati, Ohio

TICKETS: Call 513.621.5282 or visit cballet.org.

Cincinnati Ballet 2025-2026 Season Sponsors:

Margaret and Michael Valentine, ArtsWave, Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council and The Austin E. Knowlton Foundation.

About Cincinnati Ballet

Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Cincinnati Ballet is a creative force within the larger dance community, commissioning world-premiere works and exploring unique collaborations. With a mission to enrich, expand, and excel in the art of dance through performance, a high-caliber academy, and impactful education and community engagement in local to global communities, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, provides extensive education and community engagement programs, and offers top-level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

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THE KAPLAN NEW WORK SERIES Runs Sept. 12-20

THE KAPLAN NEW WORK SERIES
Cincinnati Ballet
Sept. 12-20
Aronoff Center Jarson-Kaplan Theater [Downtown]

Experience four world premiere commissions from choreographers Caroline Dahm, Yoshihisa Arai, Andonis Foniadakis, and Andrea Giselle Schermoly. Staged in the intimate Jarson-Kaplan Theater at the Aronoff Center, the contemporary series is a perennial patron favorite.

  • Fri, Sept. 12 at 7:30pm
  • Sat, Sept. 13 at 2pm & 7:30pm
  • Sun, Sept. 14 at 1pm
  • Thu-Fri, Sept. 18-19 at 7:30pm
  • Sat, Sept. 20 at 2pm & 7:30pm

Official page |

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The Passing Of Janessa Touchet

From Rememberus.icu

The world of ballet and the broader artistic community are mourning the tragic loss of Janessa Touchet, a principal dancer with the Cincinnati Ballet, who passed away peacefully surrounded by her loving family.

Janessa, a native of Metairie, Louisiana, and a resident of Carmel, Indiana, leaves behind a legacy of elegance, energy, and dedication that inspired countless dancers and delighted audiences across the globe.

Janessa’s journey in ballet began at the age of three at the Giacobbe Academy of Dance in Metairie, where she trained for 15 years under the guidance of Joseph and Maria Giacobbe.

It was here that she laid the foundation for her distinctive style—one that married technical excellence with expressive freedom. The school’s eclectic approach, blending elements of Cecchetti, Vaganova, and Bournonville methods, deeply shaped Janessa’s artistry.

“Joseph always said he wanted the dancer to think Italian and move Russian,” Janessa once reflected, capturing the depth and nuance of the instruction she received.

Her training was not without its challenges. Janessa danced for three hours each evening after school, then all day on weekends, yet she cherished every moment. Her commitment was unwavering, and her passion unmistakable.

She supplemented her early training with summer intensives at prestigious institutions like the Hartford Ballet and Royal Danish Ballet. Later, she completed a year in the Professional Division at Pacific Northwest Ballet School, which gave her a strong foundation in the Balanchine technique—something she grew to appreciate deeply in her professional career.

At just 19, Janessa joined Cincinnati Ballet as an apprentice and quickly ascended through the ranks. Her breakout role came as Tinkerbell in Peter Pan, and from there, she went on to dazzle audiences in principal roles ranging from classical staples like The Sleeping Beauty to contemporary works such as Jorma Elo’s Plan to B. Critics often described her as “vigorous,” “fast on her feet,” and “radiant,” noting the effortless power and expressiveness she brought to each performance.

In 2006, Janessa reached a career milestone when she was nominated for the prestigious Benois de la Danse prize—an extraordinary honor, especially as she was still a soloist at the time. Along with a fellow dancer from Cincinnati Ballet, she was one of only two Americans recognized that year, cementing her status as a leading figure in the ballet world.

Yet for all her accomplishments, Janessa remained grounded and generous. She credited her success to her early mentors and the support of those around her. “I have been so fortunate to work with amazing coaches,” she said, highlighting figures like Kirk Peterson and Eldar Aliev, whose guidance helped her grow artistically. More recently, Janessa had begun giving back through coaching and teaching variation classes, discovering a passion for mentoring the next generation of dancers.

Outside the studio and stage, Janessa was known for her warmth, humility, and sense of humor. She worked at Carmel’s Dance Wear in Metairie and had once danced with NOBT Trainee/2nd Company. Her joy in dancing was matched by her enthusiasm for helping others discover the same fulfillment. Whether through her graceful performances or encouraging words in a studio, Janessa made a lasting impact on everyone she encountered.

Janessa’s favorite role, Juliet in Romeo and Juliet, seemed to mirror the depth of her emotional range as an artist. “It’s the one role I couldn’t pull myself away from,” she once said. “I usually leave my work in the studio, but this role required me to be Juliet all the time.” Her ability to embody such powerful characters onstage reflected the rich inner world she brought to her work.

Those closest to her remember not just a phenomenal dancer but a woman of integrity, resilience, and boundless passion. As she once said about her favorite pointe shoes, “I can just focus on my dancing, which I believe is the way it should be.” And that is exactly what she did—pouring her heart and soul into every performance, every rehearsal, and every moment shared with others.

Janessa Touchet’s passing is an immeasurable loss to the world of ballet and to all who knew her. She leaves behind her family, colleagues, friends, and fans—grateful for the beauty she brought into the world. Final arrangements will be shared in the coming days. In the meantime, we hold Janessa in our hearts and celebrate the luminous life of a truly extraordinary artist.

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Cincinnati Ballet Announces Alyssa Wang as Music Director

Wang will assume new role for 2025-2026 Season

Cincinnati, OH (May 6, 2025) – Cincinnati Ballet announced today that Alyssa Wang has been named the Company’s permanent Music Director. Wang, an accomplished conductor, violinist, and composer will assume her new role for the upcoming 2025 – 2026 Season. “After an extensive international search, it became clear that Alyssa has the vision, excellence, and experience to lead the Company as its new music leader,” said Cincinnati Ballet Artistic Director Cervilio Miguel Amador. Since 2021, Wang has served as the Assistant Conductor for Boston Ballet and served as Music Director for the annual Next Generation project with Boston Ballet School. She is the Co-Founder, Artistic Director, and Principal Conductor of the Boston Festival Orchestra, which presents an annual summer festival, chamber music series, and music education program.  Wang has also worked as a conductor with the Dallas Symphony, San Jose Chamber Orchestra, Pro Arte Chamber Orchestra, Cape Symphony, Rhode Island Philharmonic, Concord Orchestra, and more.

Alyssa has enjoyed exploring diverse creative paths with a focus on audience inclusivity and engagement. She is the recipient of the 2024 New Music USA Creator Fund, the 2023 Solti Foundation Career Assistance Award, and the 2022 St. Botolph Emerging Artist Award. As a violinist, Alyssa has soloed with ensembles across the country and is the newest member musician of the Boston Chamber Music Society. She has been featured in numerous contemporary recording projects, such as Carlos Simon’s Grammy-nominated album, Requiem for the Enslaved (Decca), Nancy Galbraith’s Violin Concerto with Boston Modern Orchestra Project, and David Post’s Violin Sonata (Centaur). As a composer, she premiered her own violin concerto, Swept Away, with the Chamber Orchestra of Pittsburgh, who commissioned the work, in February 2023. Her latest composition project is a string octet for Boston Chamber Music Society that will premiere in May 2026.

Alyssa earned her bachelor’s degree from Carnegie Mellon University under the tutelage of Andrés Cárdenes, and a master’s degree at the New England Conservatory where she studied with Malcolm Lowe. She is a recipient of the Pittsburgh Female College Association Prize, the Carnegie Mellon Women’s Award, the Senior Leadership Award, and the Presser Undergraduate Scholar Award. Alyssa is also an Andrew Carnegie Scholar.

Wang will become the second music director in Cincinnati Ballet’s history. Carmon Deleone, Music Director Emeritus, retired in 2023 after more than 50 years in the position.

About Cincinnati Ballet Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Cincinnati Ballet is a creative force within the larger dance community, commissioning world-premiere works and exploring unique collaborations. With a mission to enrich, expand, and excel in the art of dance through performance, a high-caliber academy, and impactful education and community engagement in local to global communities, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, provides extensive education and community engagement programs, and offers top-level professional ballet training at Cincinnati Ballet Otto M. Budig Academy. Cincinnati Ballet is housed at the world-class Margaret and Michael Valentine Center for Dance in Cincinnati’s thriving Walnut Hills arts community.

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