Category Archives: Reviews

BOURBON AT THE BORDER Quick Review

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James Christian Jr. as Tyrone, Kyndra Dyanne Jefferies as Rosa & Torie Wiggins as May. Photo by Kristie Rucker.

BOURBON AT THE BORDER presented by Falcon Theatre through Aug. 14. I attended the opening night performance. 

Torie Wiggins and Charlie Thompson’s performances in the second half of Act II are incredibly strong and emotionally raw. Unfortunately, the problematic script by Pearl Cleage takes an exposition-heavy, meandering route to get to this payoff. While it is understandable that events which have occurred in the past are recounted by the cast, even the current events take place “off-stage” resulting in the audience being told what happened rather than being shown.

The costume design by Tara Williams meets the demands of the script and the time-period, but the structure of the script causes several delays as the audience waits for costume changes.

The set design by Ted Weil works well for the most part although the upstage wall of the kitchen with its white cabinets and oven looks a bit too clean and modern for someone struggling financially.

The pacing could be tightened up a bit. Director Piper N. Davis has a tendency of clustering the cast together which makes the play area feel confined. There are times when the blocking becomes stagnant with actors sitting for extended periods of time. While this is an intimate show, it still needs to play beyond the front row of the audience.

Overall, a fine but flawed production.

My rating: 4.25 out of 5.

Click here for more information on the production.

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GREATER TUNA Quick Review

GREATER TUNA presented by Mitchell Squared Productions through July 31. I attended the opening night performance. 

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Mitchell Squared Productions was co-founded by best friends and long time acting partners Benjamin Mitchell (currently a BFA Music Theatre major at The Hartt School, University of Hartford) and Mitch Holland (a recent graduate from Webster Conservatory, Webster University with a BFA in Acting). GREATER TUNA is the group’s third production.

For me, GREATER TUNA requires a couple of elements to be truly successful. One is casting two actors who can convincingly handle the 20 characters than inhabit Tuna, Texas. Mitchell and Holland are up to that task, exhibiting strong, comic character work throughout. The other is the success of the lightning-fast costume changes. While the costumes worked well for the individual characters, some of the choices were not conducive to quick changes even with the valiant help of a backstage dresser. This caused the show to feel like individual vignettes instead of one flowing performance and many times reset the momentum with each new scene.

Director Jay Giffin makes good use of the play area and does well in establishing the relationships among the characters. Aside from the momentum issue, any further criticism is nit-picky, but hey: you invited me to come. 🙂

Sometimes with the use a Southern accents, there is a tendency to talk slowly and keep within a limited vocal range, making some of the characters monotonal. As a whole you could go bigger with most of the characters. For example, Reverend Spikes could be a bit more fire and brimstone; Bertha Bumiller could be more frazzled; and Stanley Bumiller could take a bigger victory lap.

Most of the props were pantomimed, so the choice to use several physical props was confusing. The pantomime would also work better with stronger and consistent choices as there were times I wasn’t exactly sure what was being conveyed. Stronger motivations on exits would also help.

Overall, an enjoyable visit with the crazy citizens of Tuna.

My rating: 4.25 out of 5.

Click here for more information on the production.

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THE BAND’S VISIT Quick Review

THE BAND’S VISIT presented by Broadway in Cincinnati through July 24. I attended the opening night performance. 

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Janet Dacal and Sasson Gabay. Photo by Evan Zimmerman, MurphyMade.

The 2018 Tony Award Winner for Best Musical makes a one week visit to the Aronoff Center this week. This intimate story of connection has several funny and warm moments in the 90-minute intermission-less production.

The set design is clever. The use of turn tables keeps the action moving from scene to scene.

The pacing of the show is a little off. Too many pregnant pauses worked against the building of any kind of momentum.

Sound issues at the Aronoff on opening night is not anything new, and they are usually corrected quickly. Unfortunately, that was not the case this opening night. I struggled the entire show to understand what was being said due to the character’s heavy accents and the woefully under-amplified microphones. I overheard this complaint from multiple people in the exiting audience and have seen it online from people who attended opening night. I do expect this problem to be addressed for their remaining performances.

Overall, a frustrating experience.

My rating: 4.0 out of 5.

Click here for more information on the production.

RUSH JUST ANNOUNCED: Students, seniors, members of the military, teachers, and first responders with valid IDs can purchase up to two (2) tickets for all performances of The Band’s Visit running now through July 24 at 50% off current pricing. Available in-person while supplies last at the Aronoff Ticket Office only, 2 hours prior to the performance.

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RENT Quick Review

RENT presented by The Carnegie through Aug. 26. I attended the opening Sunday performance. Please note that INTO THE WOODS is being done in rotation with RENT and GEORGE REMUS, a New Musical.

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When it comes to RENT, theatre-goers tend to fall into one of three categories: Those that love RENT, those who don’t care for RENT, and those who haven’t seen RENT. Well, have I got good news for at least two-thirds of you: the Carnegie’s production is excellent.

Vocally, the production soars with strong leads and a very solid ensemble. Jackson Reagin as Roger & Ranease Brown as Mimi rock out their roles and have great chemistry together. In fact, all the character relationships among the leads are well-defined and spot on. I was also impressed by the character work of the actors who are crossing into their second repertory roles.

Where recent productions have failed for me is in establishing the tone of the time period. Not so with this production. Great care was taken to visually reflect the time with well thought out costume and prop choices, but also in portraying the uncertainty and fear of an epidemic which, 25+ years ago, was a painful death sentence.

Overall, an intimate and rocking production that will satisfy new and existing fans (and possible convert a few).

<insert obligatory lyrics quote here> 😉

My rating: 4.75 out of 5.

Click here for more information on the production.

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HAIRSPRAY Quick Review

HAIRSPRAY presented by Broadway in Cincinnati through July 3. I attended the opening night performance.

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“Welcome to the 60s” – Niki Metcalf as Tracy Turnblad, Andrew Levitt (aka Nina West) as Edna Turnblad and company. Photo by Jeremy Daniel.

Originally scheduled for a January visit, (stoopid Covid), HAIRSPRAY returns to the Aronoff for a one-week engagement and blows the doors off the place.

This production boasts big voices and strong performances across the board and Tuesday night’s audience was as happy to be there as the performers were to be back on stage.

Andrew Levitt (aka Nina West) is hilarious as Edna Turnblad and when partnered with Christopher Swan as husband Wilbur, the pair could not be any more adorable. Also turning in some hysterical character work is Emanuaelle Zeesman as Prudy Pingleton, the Gym Teacher, and the Matron.

Overall, a near perfect production that touches the heart and tickles the funny bone.

My rating: 5 out of 5.

Click here for more information on the production.

RUSH TICKET INFORMATION

WHAT: Two (2) tickets per valid ID, 50% off day-of-show pricing

WHO: Students, seniors, teachers, current/former members of the military, first responders with ID or SNAP card holders.

WHEN: Valid for all performances; 2 hours prior to show

WHERE: In person at the Aronoff Center Ticket Office

Questions? Call 513.621.ARTS

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