Tag Archives: Northern Kentucky University

IT’S A GRAND NIGHT FOR MURDER Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Rhys Boatwright as Phil & Robert Macke as Ginger. Photo by Mikki Schaffner Photography.

Rhys Boatwright as Phil & Robert Macke as Ginger. Photo by Mikki Schaffner Photography.

IT’S A GRAND NIGHT FOR MURDER presented by Northern Kentucky University through April 25 as part of the Y.E.S Festival of New Plays. Click here for more information on the production. I attended the opening Sunday performance.

It may not have happened at Albuquerque, but this play took several wrong turns that it never quite recovered from.

Dakota Dean as Heather & Emily Fry as Sally. Photo by Mikki Schaffner Photography.

Dakota Dean as Heather & Emily Fry as Sally. Photo by Mikki Schaffner Photography.

Perhaps the intent was to write a zany-comedy murder-mystery. What was on stage was the cast of a murder-mystery and the cast of a zany-comedy, dropped into the same production. These two extremes never meshed together.

Kudos to the young cast for giving their best effort. There were times when they seemed to flounder on stage, making me wish director Terry Powell had stepped in with a stronger hand.

The only advice I can give to the cast is to work their characterizations to meet a bit more in the middle and to ground the character’s reactions a bit more in reality.

My rating: 3.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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LCT Reviews of The Y.E.S. Festival

LCT_VThis review has been reposted courtesy of the League of Cincinnati Theatres. For more LCT reviews click here to visit their reviews page.

NKU‘s biannual YES Festival opened with Colin Speer Crowley’s Encore, Encore, which details the early life and career of acerbic writer Dorothy Parker. The play centers on the duality of Parker’s early public life where she was a well- known writer, critic and member of the Algonquin Round Table (also dubbed “the Vicious Circle”) and her troubled personal life. She was married to WWI veteran, Edwin Parker who was suffering from what we today would call post-traumatic stress disorder. The staging is minimalist with a mostly bare stage and few props. Seven actors played five principal parts with two playing multiple characters. The overall production was mixed and had the feeling of a work in process. The story bounces around with a number of people, mostly from the Algonquin Club, flowing in and out which presents some difficulty following the story and keeping track of the characters. The play assumes that the audience is familiar with Dorothy Parker and the Algonquin Club. Victoria Hawley does a fine job in the role of Dorothy Parker, as did Hunter Henrickson , who found layers and nuances to the role of Eddie Parker. I enjoyed members of the Ensemble as well. Chandler Taylor as Frank Crowinshield and Melissa Cathcart as Other Women had strong characterizations throughout. Encore, Encore was the most consistently written play of the Y.E.S. Festival, but is uneven and needs some pruning.

Victoria Hawley plays Dorothy Parker in ENCORE, ENCORE. Photo by  Mikki Schaffner Photography.

Victoria Hawley plays Dorothy Parker in ENCORE, ENCORE. Photo by Mikki Schaffner Photography.

What if 17th century playwright William Wycherley had been a Science Fiction writer? NKU’s YES Festival’s production of David L. William’s The Divine Visitor ponders this idea and plays like a cross between The Country Wife and Doctor Who. Act One of The Divine Visitor is written in the style of a mid-17th century Restoration Comedy, complete with a rake who has an outlandish plan in which to bed as many ladies as possible. The second act takes a hard turn into Sci-Fi. While the play has highly entertaining moments, the bi-polar nature of the play does not make for a satisfying whole. There are some excellent comic turns performed by Wes Carman as the lothario, Noah Berry as the co-conspirator, Jennifer Rhodenhiser as the jilted lover, Hallie Hargus as another jilted lover and McKynleigh Abraham. The set in the smaller Strauss Theater depicted a 17th Century inn with a rustic but seemingly authentic feel. The scenic designer was Bryce Liebers. Ronny Chamberlain’s costumes were exquisite for the women and appropriately drab for the middle class men. Overall, I recommend the play but I think the second act needs some work, although I do like the novel gimmick which Mr. Williams uses.

Hallie Hargus, Jennifer Rhodenhiser, and Wes Carman bring to life THE DIVINE VISITOR. Photo by Mikki Schaffner Photography.

Hallie Hargus, Jennifer Rhodenhiser, and Wes Carman bring to life THE DIVINE VISITOR. Photo by Mikki Schaffner Photography.

The last production of the YES Festival was the murder mystery comedy, It’s a Grand Night For Murder. Nothing is harder to sit through than a murder mystery comedy that is neither mysterious nor funny. The play is predictable, cliché ridden, boorishly unfunny and sophomoric. I will credit most of the actors for giving it their best try. In the story, Phil (played by Rhys Boatwright) hires a man to kill his wife Sally (played by Emily Fry). The “contract killer” Ginger (played by Robert Macke), however, is actually a recently fired franchise restaurant manager who has never killed anyone and is a slightly wacky buffoon with a photographic memory. Enter Ramon who tries to seduce Phil but has a hidden agenda. As in any good mystery, most of the characters are not really what they seem to be. By play’s end, there are numerous dead bodies and numerous plot twists but amateur Agatha Christies should have little difficulty sorting out the labyrinth. The acting was a little uneven with some actors over-acting and bombastic while others were a little passive in their roles. The comic characters of a cockney plumber (with an incomprehensible accent) and a female cable installer do not work at all. Both characters received laughs from the audience but I felt the roles were to over the top. Kudos for Emily Fry, Rhys Boatwright, A. James Jones (as Ramon) and particularly Robert Macke, who had the most difficult role to play. The scenic design by Benjamin Adams was good with the first act in a diner and the second act set in a luxurious cottage.

For production information on THE DIVINE VISITOR, click here.
For production information on ENCORE, ENCORE, click here.
For production information on IT’S A GRAND NIGHT FOR MURDER, click here.

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THE DIVINE VISITOR Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Noah Berry as Mr. Wren & Wes Carman as Mr. Whitestone. Photo by Mikki Schaffner Photography.

Noah Berry as Mr. Wren & Wes Carman as Mr. Whitestone. Photo by Mikki Schaffner Photography.

THE DIVINE VISITOR presented by Northern Kentucky University through April 26 as part of the Y.E.S Festival of New Plays. Click here for more information on the production. I attended the opening Saturday performance.

As the show neared the end of its first act, I began to worry that there was not enough story to carry the show through another one. Thankfully, the introduction of the last character in the final moments of Act I sent me into intermission much more optimistic.

McKynleigh Abraham as Miss Mackenzie Wells. Photo by Mikki Schaffner Photography.

McKynleigh Abraham as Miss Mackenzie Wells. Photo by Mikki Schaffner Photography.

I wouldn’t have minded if the tone of the first act had been pushed a bit more into farce territory. With the main character being such a cad, his unabashed womanizing wears a bit thin. In both acts, there was a point where the script seems to lose its forward momentum for a scene or two.

The actors portraying the named roles all had well-developed characters. The production also receives good support from the ensemble. Allysun Mellick was fun as Mrs. Margot Ramshaw and brings great energy to the sexually-charged character. Visually though, see appeared to be close to the same age of her former students. As Mr. Wren, Noah Berry has a strong stage presence and was actively involved in every scene. Late arrival McKynleigh Abraham, as Miss Mackenzie Wells, is extremely natural on stage and handles the “fish out of water” aspect of the character well. Abraham and Berry have great chemistry together and I found myself rooting for the coupling.

NKU_The Divine Visitor2A few small notes. Berry had a tendency to stand with his downstage leg forward and gesture with his downstage arm. Switching these to upstage would open you up more to the audience. When Andrew Bishop’s character of Mr. Alden was drunk, I had trouble understanding him with the accent. Volume-wise, he didn’t seem to be performing at the same level as his cast mates. Also, the bell on the door of the inn seemed to ring only when people entered the building.

Overall an enjoyable show when it’s firing on all cylinders. I did feel that the show could use a bit more comedic balance between the two acts and that the script could use some massaging.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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ENCORE, ENCORE Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Victoria Hawley as Dorothy Paker. Photo by Mikki Schaffner Photography.

Victoria Hawley as Dorothy Paker. Photo by Mikki Schaffner Photography.

ENCORE, ENCORE presented by Northern Kentucky University through April 25 as part of the Y.E.S Festival of New Plays. Click here for more information on the production. I attended the opening night performance.

ENCORE, ENCORE gives audiences a broad view into a small part of the life of legendary American poet, short story writer, critic and screenwriter, Dorothy Parker. Her career took off while she was the theater critic for Vanity Fair. This time period is the focus for most of the play.

Victoria Hawley as Dorothy Paker & Hunter Henrickson as Edwin Pond Parker II. Photo by Mikki Schaffner Photography.

Victoria Hawley as Dorothy Paker & Hunter Henrickson as Edwin Pond Parker II. Photo by Mikki Schaffner Photography.

Parker was best know for her wit and wisecracks, which provide many laughs in this production. Victoria Hawley does well in portraying the main character. There were times, I felt, where her line delivery lacked spontaneity. Also, be sure to give the audience a chance to hear and process the setup before delivering those comebacks.

Members of the Algonquin Round Table:  Melissa Cathcart, Chandler Taylor, Connor Moulton, Andrew Wiemann & Andy Burns. Photo by Mikki Schaffner Photography.

Members of the Algonquin Round Table: Melissa Cathcart, Chandler Taylor, Connor Moulton, Andrew Wiemann & Andy Burns. Photo by Mikki Schaffner Photography.

For me, the most dramatically-written role is Edwin Pond Parker II, strongly played by Hunter Henrickson. Edwin is portrayed as a successful, yet alcoholic, stock broker. Shortly after his marriage to Dorothy, he leaves to serve in World War I. He returns from the war a broken man, who struggles to find purpose in his work and his marriage. His emotional turmoil is a main focus of the show.

Victoria Hawley as Dorothy Paker & Connor Moulton as Robert Benchley. Photo by Mikki Schaffner Photography.

Victoria Hawley as Dorothy Paker & Connor Moulton as Robert Benchley. Photo by Mikki Schaffner Photography.

Connor Moulton does well as Parker’s co-worker and friend, Robert Benchley. In his performance as well, there were times when his lines came off as if repeated by rote.  I would have liked to have seen a bit more energy and an emotional connection in the banter between Parker, Benchley and Sherwood.

Andrew Wiemann as Robert Sherwood & Melissa Cathcart. Photo by Mikki Schaffner Photography.

Andrew Wiemann as Robert Sherwood & Melissa Cathcart. Photo by Mikki Schaffner Photography.

I liked the quieter energy that Andrew Wiemann brought to the role of Robert Sherwood. It made a nice counter-point to the bigger personalities of his office mates. The remaining ensemble does well in completing the cast of characters.

I would have liked to have seen the script humanize Parker a bit more, perhaps then I would have found myself more drawn into the story. I was also confused by the playwright’s decision to present some of the scenes out of linear order.

Overall a good production of a new work that will improve with a few more performances under their belt.

My rating: 3.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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IT’S A GRAND NIGHT FOR MURDER Runs April 18-25

Robert Macke as Ginger Baer in IT'S A GRAND NIGHT FOR MURDER.  Photo by Mikki Schaffner Photography.

Robert Macke as Ginger Baer. Photo by Mikki Schaffner Photography.

IT’S A GRAND NIGHT FOR MURDER
Presented by Northern Kentucky University as part of the Y.E.S. Festival
April 18-25
Highland Heights

Directed by Terry Powell

Cast: Emily Fry as Sally, Rhys Boatwright as Phil, A. James Jones as Ramon, Robert Macke as Ginger, Dakota Dean as Heather, Philip Krinsky as Dinsmore & Morgan Decker as Cable Woman
Mourners/Bar Patrons: Sophia DeWald, Madison Pullins & Dan Robertson

An older man wants to kill his wife to be with his younger mistress. The complications arise when he tries to act on this impulse and ends up in the company of a bizarre hit man and a handful of other perplexing strangers. Romances add up as fast as the body count in the thrilling race to a decidedly twisted finale in which love conquers all.

  • Sat-Sun, April 18-19 at 8pm
  • Wed, April 22 at 8pm
  • Fri, April 24 at 8pm
  • Sat, April 25 at 1pm

Official page |

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