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Technical Director Sought by Cincinnati Shakespeare Company

CSC_logoTitle:               Technical Director

Reports to:     Production Manager

Start Date:     July 1, 2021 (flexible)

About the Cincinnati Shakespeare Company

The Cincinnati Shakespeare Company (CSC) is a resident ensemble theatre company bringing Shakespeare and the Classics to life for all. Operating out of The Otto M. Budig Theater, CSC hosts a year-round theatrical season in addition to special events, educational programming, and community engagement activities. In its theatrical portfolio, CSC executes up to ten mainstage productions and six touring productions annually. Beyond its theatrical portfolio, CSC collaborates with many local community and arts organizations.

Diversity, equity, inclusion, and access (DEIA) are priorities of the Cincinnati Shakespeare Company. CSC strongly supports equal employment opportunity for all applicants regardless of race, sex, religion, creed, national origin, age, disability, sexual orientation or any other legally protected classification. All team members are expected to advance CSC’s DEIA commitments.

Position Overview

The Technical Director is essential to the Production team of CSC, collaborating closely with designers, other production team members, the Production Manager, and the Producing Artistic Director to ensure that all projects produced at CSC are artistically executed to the highest possible standard.

The Technical Director is primarily responsible for the scenic build and installation of all CSC productions. They manage a team which oversees the electrics, sound, and video needs of CSC. Design opportunities may be available if they are both interested and qualified. This is a hands-on position that spends many working hours physically building or installing scenery.

Like all team members, the Technical Director is expected to follow evolving health and safety protocol as CSC navigates its reopening in response to changing expectations from the Actors’ Equity Association and various government institutions. They will also be involved in the rebuilding of their shop staff, the production team, and the departments operating procedures and cadence.

The Technical Director has base schedule of 40 working hours per week. Extended hours and modified work weeks may be necessary due to technical rehearsal schedules and specific production needs.

Responsibilities

Production

  • Oversee the build and install of all scenic designs (inclusive of minimal rigging and automation).
  • Execute budget passes against scenic design drafts.
  • Collaborate on build calendars with other department heads to coordinate element handoff timing.
  • Source and purchase materials necessary for scenic executions.
  • Engage contractors, rental houses, and specialists as necessitated by design execution.
  • Oversee CSC rentals from outside theaters and companies. Ensure all equipment is used properly and returned on time.
  • Execute notes from designers and production team members.
  • Lead strike and changeover calls, including set-up of tech tables and necessary equipment.
  • Assist as necessary with video and sound installs and strikes.
  • Attend production meetings, technical rehearsals, design runs, and tech meetings.
  • Participate in the build process as necessary for design executions.
  • Execute projects as assigned through the Shakes Makes program.
  • Oversee shop and show maintenance and organizational requirements.
  • Maintain inventory of expendables; order supplies and stock items as needed.
  • Keep shop and storage areas safe, clean, and uncluttered.
  • Maintain scenic stock and oversee scenic rentals.
  • Participate in stage cleaning and preparation leading into technical rehearsals and build processes.

Management

  • Supervise scenic shop staff including, overhire, and contractors. This includes hiring, onboarding, evaluating, coaching, and leading these team members.
  • Collaborate with Production Manager for team member job descriptions and contracting.
  • Participate in searches for guest designers, production staff, and overhire.
  • Schedule department to ensure adequate support to meet scenic execution deadlines.
  • Regularly oversee members of the CSC Touring Company in production department rotations.
  • Participate in staff annual review processes, both for self-evaluation and direct-report evaluation.
  • Maintain and enforce high safety standards in shop, stage, and working spaces.

Fiscal

  • Collaborate with Production Manager to establish annual department budget and business plan, including budgets per production, overhire budgets, annual shop operating budgets, and capital expense recommendations.
  • Turn in expense reports and reimbursement requests to the Production Manager.
  • Track production budgets and labor resources.
  • Analyze end-of-show and end-of-season financial reports to observe spending patterns, budgetary issues, and identify reporting or processing errors.

General

  • Advance the diversity, equity, inclusion, access, and strategic goals of CSC.
  • Adhere to company policies and regulations per the CSC Company Handbook.
  • Maintain a safe, fair, and ethical working environment.
  • Collaborate with the Production Manager to improve overall aesthetic product and production processes.
  • Maintain CPR certification provided by CSC.
  • Provide personal, reliable mode of transportation.
  • Other duties as requested by the Production Manager.

Competencies & Qualifications

The items listed below are guidelines to skills and ambitions that a successful candidate should have. Successful candidates will identify as possessing the majority of these skills or being actively interested and committed to developing these skills. Candidates who have yet to cultivate some of these attributes, but feel passionate about growing them may still find success in this role.

Cultural

  • Passionate about cultivating a work environment and work product that supports CSC’s DEIA initiatives.
  • Drive to create excellent theater that has a significant impact in the community and beyond.
  • Eagerness to learn.
  • Ability to remain tactful in stressful situations.
  • Desire to lead a team, develop their skills, and foster their professional development.

Technical

  • Previous experience in technical theater with a focus on scenic carpentry. Experience in other departments including automation, rigging, video, sound, lighting, properties, scenic artistry, costumes, or management a plus.
  • Comfortable problem solving and making decisions with limited supervision.
  • Proficiency with PC use and the Microsoft Office suite.
  • Able to convert design renderings into drafted construction drawings (Vectorworks preferred).
  • Familiarity with standard scenic construction techniques and best practices.
  • Previous experience budgeting designs and tracking expenses.
  • Willingness to learn and enforce OSHA safety standards and industry safety best-practices.
  • Able to communicate with designers, directors, technicians, vendors, and other collaborators verbally and in writing.

Compensation & Benefits

This is a full-time, exempt position with an annual salary range of $38,000-$42,000 (received through biweekly payroll). In addition to this salary, the Technical Director receives:

  • Access to profit-sharing bonus program after first year of employment.
  • Ten days of paid vacation, accrued seasonally.
  • Six days of paid sick leave, accrued seasonally.
  • Paid holiday leave.
  • Access to group health insurance with 50% of employee premiums paid by CSC.
  • Optional enrollment in Health Savings Account plan.
  • Access to dental insurance with 50% of employee premiums paid by CSC.
  • Life and AD&D coverage for the employee paid by CSC.
  • Parental leave, short-term medical leave.
  • 401(k) Retirement Savings Plan with employer match.
  • Free access to CSC educational programming for dependents (Groundlings Junior, Groundlings, Summer Camp).
  • Complimentary enrollment and membership to the Y which offers fitness facilities throughout the region and other wellness benefits.
  • Complimentary and discounted tickets to all CSC productions.

TO APPLY

To apply for this position, candidates should complete the job application submission form available online below.

Applications will be accepted through June 5, 2021.

This application requires candidates to submit PDFs of their cover letter and resume. For this position, work sample submissions are optional and may include content such as: project budgets, work samples, production photos, project proposals, program schedules or calendars, etc. Candidates also have the option to provide URLs to online portfolios and profiles. Please take note of the submission file size limits.

As CSC advances its commitments to diversity, equity, inclusion, and access, gathering demographic data on our job applicants is vital to ensuring that hiring and recruiting practices provide equal opportunity for all. Applicants are asked to please take a few minutes to complete this survey. Participation is optional and anonymous. This information helps CSC measure progress towards a diverse, inclusive, and equitable workplace.

If a candidate has questions about this position or requires different accommodations to submit an application, please contact lettie.vanhemert@cincyshakes.com.

Click here to apply (scroll down).

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Online Auditions Announced for New Works Festival 2021 at Cincinnati Lab Theatre

CLT_logo2Cincinnati LAB Theatre is holding online auditions and we would love for you to submit! Please include a self-taped audition video with two contrasting monologues (each one minute in length), a headshot, a resume, and our audition form (available on our website in the auditions section).

If you are interested in being a crew member please submit a resume and our audition form. You may email your submission to our email at: cincinnatilabtheatre@gmail.com.

All auditions must be submitted by May 31st at 11:59PM EST for consideration for our New Works Festival 2021. If necessary there will be potential in-person callbacks held on June 4th, 2021.

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NKU’s MCRC Project Debuts Two Films at Cincinnati Fringe Festival

CFF_NKU Film Cover 2View the online story here.

HIGHLAND HEIGHTS, KY—Northern Kentucky University’s Mourning the Creation of Racial Categories (MCRC) Project will present two new films at the 2021 Cincinnati Fringe Festival, the largest arts festival in Ohio. The films are part of the primary lineup and are available on-demand from June 4 to 19. The Cincinnati Fringe Festival presents over 200 performances of over 40 theatre productions each year.

Guided by Sociology Professors Joan Ferrante and Lynnissa Hillman, the Project partners with visual, creative and performing artists to open conversations around social unrest and racial disparities. MCRC’s new films, “Why White” and “I am White Like You, Right Mom?” tell the stories of how the Black and White Racial Categories came to be.

CFF_NKU Film Cover 1“Our country has never explored the emotional story of how the racial categories we check on application forms came to be,” said Dr. Ferrante. “As a country, we can never really address racial tensions until we know how and why the racial categories that define us all were made.  Our new films provide insights that allow people to see race in new ways. New ways of seeing spark new feelings about race, interest, hope and ultimately change.”

About the films:

Why White?
This film opens with a patient, who appears white, struggling to declare “White” as his race on a medical form. He asks, “why do my doctors need to know my race?”  and “why am I called “White” anyway?” which begins an exploration of how the labels “White” and “Black” came to be and opens the conversation of how White carries the weight of race.

I am White Like You, Right Mom?
In this film, a white-appearing mother must explain to her black-appearing daughter that “you’re not white exactly.” The conversation expands and reveals the story of why, in the U.S., parent and child can be labeled as different races and how race invades the family space.

The ongoing project began in November 2016 and has created five films featuring stories of how racial categories were born.   Earlier this year, MCRC collaborated with NKU’s School of the Arts to present an exhibition on the emotional force of race. MCRC’s 2017 documentary has been featured at the National Underground Railroad Freedom Center and streams on the KET-PBS website. In 2019, the project performed its production “Let Our Loss Be Heard” in the Aronoff Center for the Arts.

The MCRC Project draws artistic talent from NKU School of the Arts, Creative Writing Program and the surrounding community. Visit MCRC’s website for more information on the project and its two films at the Fringe Festival.

About NKU Founded in 1968, NKU is an entrepreneurial state university of over 16,000 students served by more than 2,000 faculty and staff on a thriving suburban campus nestled between Highland Heights, Kentucky and bustling downtown Cincinnati. We are a regionally engaged university committed to empowering our students to have fulfilling careers and meaningful lives. While we are one of the fastest-growing universities in Kentucky, our professors still know our students’ names. For more information, visit nku.edu.

###NKU###

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Director of HR, Equity and Inclusion Sought by Cincinnati Playhouse in the Park

PIP_logoA member of Playhouse senior leadership staff, the Director of HR, Equity & Inclusion is responsible for ensuring all HR functions are robust and seamlessly integrated across the organization in a manner that supports the Playhouse’s DEIA goals, work culture and organizational objectives. This position requires experience and expertise within a wide spectrum of technical and functional HR management, an exceptional and open communication style, and the ability to lead by influence across various leadership personalities and working styles.

This is a full-time, salaried exempt position supervising a Payroll and Benefits Specialist and reporting to the Managing Director.

To download the full position listing, click here.

To Apply:
Qualified candidates should submit a cover letter, resume, and references to Blake Robison, Producing Artistic Director, at blake.robison@cincyplay.com, and cc Amy Stier at amy.stier@cincyplay.com. Applications will be reviewed on a rolling basis and the position will be filled as soon as the successful candidate is identified.

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Falcon Theatre Announces Its 2021-2022 Season 

FT_logoNewport, KY — After one pandemic-shortened season and another of successful theater-for-film projects, Falcon Theatre Artistic Director Ted Weil has announced the slate of plays for the theater’s return to the live stage for its 2021-2022 season. The lineup offers a range of dramatic genres and styles. The order and time slots for the season, along with one additional title, will be determined in the upcoming weeks.

Falcon Theatre 2021-2022 Season

SPUNK
By Zora Neale Hurston
Adapted for stage by George C. Wolfe
Hurston’s evocative prose and Wolfe’s unique theatrical style blend to create an evening of theater that celebrates the human spirit’s ability to overcome and endure. The story glows with wit, humor, and energy and resonates with soulful music. These three tales of survival are told in the key of the blues.

RED SPEEDO
By Lucas Hnath
Ray has swum his way to the eve of the Olympic trials. If he makes the team, he’ll land a marketing deal with Speedo…a deal that means he’ll never need a real job. So when someone’s stash of performance-enhancing drugs is found in the locker room fridge, threatening the entire team’s Olympic fate, Ray has to quash a maelstrom of rumors…or risk losing everything. Red Speedo is a sharp and stylish play about swimming, survival of the fittest, and the American dream of a level playing field—or of leveling the field yourself.

WELL
By Lisa Kron
“This play is not about my mother and me,” begins the character of Lisa. But, of course, it is about her mother, and her mother’s extraordinary ability to heal a changing neighborhood, despite her inability to heal herself. In this “solo show with people in it,” the playwright asks the provocative question: “Do we create our own illness?” The answers become highly complicated as the play spins dangerously out of control into riotously funny and unexpected territory.

SILENT SKY
By Lauren Gunderson
This true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, a time when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

TBA
One more show to be announced.

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